Imagining Outer Space
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A European Cooperation Programme
Year 32 • Issue #363 • July/August 2019 2,10 € ESPAÑOLA DE InternationalFirst Edition Defence of the REVISTA DEFEandNS SecurityFEINDEF ExhibitionA Future air combat system A EUROPEAN COOPERATION PROGRAMME BALTOPS 2019 Spain takes part with three vessels and a landing force in NATO’s biggest annual manoeuvres in the Baltic Sea ESPAÑOLA REVISTA DE DEFENSA We talk about defense NOW ALSO IN ENGLISH MANCHETA-INGLÉS-353 16/7/19 08:33 Página 1 CONTENTS Managing Editor: Yolanda Rodríguez Vidales. Editor in Chief: Víctor Hernández Martínez. Heads of section. Internacional: Rosa Ruiz Fernández. Director de Arte: Rafael Navarro. Parlamento y Opinión: Santiago Fernández del Vado. Cultura: Esther P. Martínez. Fotografía: Pepe Díaz. Sections. Nacional: Elena Tarilonte. Fuerzas Armadas: José Luis Expósito Montero. Fotografía y Archivo: Hélène Gicquel Pasquier. Maque- tación: Eduardo Fernández Salvador. Collaborators: Juan Pons. Fotografías: Air- bus, Armada, Dassault Aviation, Joaquín Garat, Iñaki Gómez, Latvian Army, Latvian Ministry of Defence, NASA, Ricardo Pérez, INDUSTRY AND TECHNOLOGY Jesús de los Reyes y US Navy. Translators: Grainne Mary Gahan, Manuel Gómez Pumares, María Sarandeses Fernández-Santa Eulalia y NGWS, Fuensanta Zaballa Gómez. a European cooperation project Germany, France and Spain join together to build the future 6 fighter aircraft. Published by: Ministerio de Defensa. Editing: C/ San Nicolás, 11. 28013 MADRID. Phone Numbers: 91 516 04 31/19 (dirección), 91 516 04 17/91 516 04 21 (redacción). Fax: 91 516 04 18. Correo electrónico:[email protected] def.es. Website: www.defensa.gob.es. Admi- ARMED FORCES nistration, distribution and subscriptions: Subdirección General de Publicaciones y 16 High-readiness Patrimonio Cultural: C/ Camino de Ingenieros, 6. -
Robert Rauschenberg: Among Friends Final Audioguide Script – May 8, 2017
The Museum of Modern Art Robert Rauschenberg: Among Friends Final Audioguide Script – May 8, 2017 Stop List 800. Introduction 801. Robert Rauschenberg and Susan Weil, Double Rauschenberg, c. 1950 802. Robert Rauschenberg, Untitled (Black Painting with Asheville Citizen), c. 1952 8021. Underneath Asheville Citizen 803. Robert Rauschenberg, White Painting, 1951, remade 1960s 804. Robert Rauschenberg, Untitled (Scatole personali) (Personal boxes), 1952-53 805. Robert Rauschenberg with John Cage, Automobile Tire Print, 1953 806. Robert Rauschenberg with Willem de Kooning and Jasper Johns, Erased de Kooning, 1953 807. Robert Rauschenberg, Bed, 1955 8071. Robert Rauschenberg’s Combines 808. Robert Rauschenberg, Minutiae, 1954 809. Robert Rauschenberg, Thirty-Four Illustrations for Dante's Inferno, 1958-60 810. Robert Rauschenberg, Canyon, 1959 811. Robert Rauschenberg, Monogram, 1955-59 812. Jean Tinguely, Homage to New York, 1960 813. Robert Rauschenberg, Trophy IV (for John Cage), 1961 814. Robert Rauschenberg, Homage to David Tudor (performance), 1961 815. Robert Rauschenberg, Pelican, (performance), 1963 USA20415F – MoMA – Robert Rauschenberg: Among Friends Final Script 1 816. Robert Rauschenberg, Retroactive I, 1965 817. Robert Rauschenberg, Oracle, 1962-65 818. Robert Rauschenberg with Carl Adams, George Carr, Lewis Ellmore, Frank LaHaye, and Jim Wilkinson, Mud Muse, 1968-71 819. John Chamberlain, Forrest Myers, David Novros, Claes Oldenburg, Robert Rauschenberg, and Andy Warhol with Fred Waldhauer, The Moon Museum, 1969 820. Robert Rauschenberg, 9 Evenings: Theatre and Engineering, 1966 (Poster, ephemera) 821. Robert Rauschenberg, Cardboards, 1971-1972 822. Robert Rauschenberg, Jammers (series), 1974-1976 823. Robert Rauschenberg, Glut (series), 1986-97 824. Robert Rauschenberg, Glacial Decoy (series of 620 slides and film), 1979 825. -
Soak up Every Last Drop of Summer in Ohio Plan Your End-Of-Summer Ohio Road Trip with Ohio
For Immediate Release Contact: Tamara Brown, 614-466-8591, [email protected] Soak Up Every Last Drop of Summer in Ohio Plan your end-of-summer Ohio Road Trip with Ohio. Find It Here. COLUMBUS, Ohio (August 1, 2019) – As August kicks-off, it’s time to make the most of those remaining summer days before school schedules begin. With so much to do in Ohio, you don’t have to go far to find breathtaking waterfront views, live music or an inspiring museum. The only question is, where to first? “There is still time to take an Ohio. Find It Here. road trip,” said Matt MacLaren, director of TourismOhio. “It’s the perfect time to plan a road trip around big anniversary celebrations including The Shawshank Redemption or continue to celebrate the 50th anniversary of Ohioan Neil Armstrong’s first step on the moon.” At RoadTrips.Ohio.org you’ll find 10 themed road trip routes complete with Spotify playlists curated by the Rock & Roll Hall of Fame. Here are some of the big anniversaries offering plenty of end-of- summer opportunities to enjoy with those who mean the most to you. Anniversary Celebrations The Shawshank Redemption 25th Anniversary Celebration, Mansfield (August 16 – 28) Get busy living with a screening of The Shawshank Redemption in the Renaissance Theatre, where Shawshank originally premiered in 1994. As part of this special anniversary event, attendees will be able to meet some of the film’s celebrities at the Ohio State Reformatory, and the annual Shawshank Hustle 7K route will take runners past several of the film’s locations. -
Predicted Performance of an X-Ray Navigation System for Future Deep Space and Lunar Missions Joel Getchius#, Anne Long‡, Mitra Farahmand‡, Luke B
Predicted Performance of an X-ray Navigation System For Future Deep Space and Lunar Missions Joel Getchius#, Anne Long‡, Mitra Farahmand‡, Luke B. Winternitz†, Munther A. Hassouneh†, Jason W. Mitchell† † NASA Goddard Space Flight Center ‡a.i. solutions, Inc. #Omitron, Inc. American Astronautical Society 42nd Annual Guidance and Control Conference Beaver Run Resort, Breckenridge, CO February 4, 2019 X-ray Pulsar Navigation (XNAV) • Millisecond pulsars (MSPs): rapidly rotating neutron stars that pulsate across electromagnetic spectrum • Some MSPs rival atomic clock stability at long time-scales – Predict pulse arrival phase with great accuracy at any reference point in the Solar System via pulsar timing model on a spacecraft – Compare observed phase to prediction for navigation information • Why X-rays? – Many stable MSPs conveniently detectable in (soft) X-ray band – X-rays immune to interstellar dispersion thought to limit radio pulsar timing models – Highly directional compact detectors possible • Main Challenge: MSPs are very faint! Crab Pulsar (1/3 speed), Cambridge University, Lucky Image Group 2 X-ray Pulsar Navigation (XNAV) Applications • XNAV can provide autonomous navigation and timing that is of uniform quality throughout the solar system – Is enabling technology for very deep space missions – Provides backup autonomous navigation for crewed missions – Augments Deep Space Network (DSN) or op-nav techniques Pioneer plaque (Pioneer 10,11 1972-73) – Allows autonomous navigation while occulted, e.g., with pulsar periods and relative behind Sun distances to our Sun History • Pulsars were discovered in 1967 and immediately recognized as a potential tool for Galactic navigation • US Naval Research Laboratory (NRL) (1999-2000) – Unconventional Stellar Aspect (USA) Experiment • DARPA XNAV, XTIM Projects (2005-2006, 2009-2012) • Significant body of research (international interest, academic research, several Ph.D. -
Remixing the Voyager Interstellar Record Or, As Extraterrestrials Might Listen
Journal of Sonic Studies 8 (2014) Sounds of Space: http://www.researchcatalogue.net/view/109536/109537 Remixing the Voyager Interstellar Record Or, As Extraterrestrials Might Listen Stefan Helmreich Contextualizing the Context In 2010, scientists claiming to belong to a dissenting faction of the Search for Extraterrestrial Intelligence (SETI) contacted Seeland Records. Calling themselves the Search for Extraterrestrial Intelligence in Exile, or SETI-X, the group claimed to have received an alien transmission of rearranged sound from the Voyager Golden Record, a phonograph album famously sent into outer space in 1977 on each of NASA’s two Voyager spacecraft (Figure 1). The Golden Record had been put together in the mid-1970s by a panel convened by astronomer Carl Sagan, and it held a program of sounds and music of Earth, representing to imagined aliens our planet’s soundscapes, voices, and musical traditions. [1] Figure 1: The Voyager Golden Record. Side 1, on left, is the analog audio program. Side 2, on right, instructions to extraterrestrials on how to play the record. [2] 1 Because the scientists of SETI-X wished to remain anonymous, Seeland sought a public voice or commentator from other quarters. Because the label had in 2003 released a CD I had created, Xerophonics: Copying Machine Music, a science- and-technology themed mix of sounds of indefinite ownership (Helmreich 2003), and because I had also written about scientific notions of extraterrestrial life (Helmreich 2006), Seeland reasoned that I might be appropriately positioned to offer thoughts on the SETI-X document. They asked me to comment, which I did in a few venues (including, among other sites, the Los Angeles Daily News [Mills 2010]. -
Prusaprinters
PIONEER Plaque (1972 & 1973) - Message to the Universe M4NU VIEW IN BROWSER updated 30. 1. 2021 | published 30. 1. 2021 Summary #RespectSciences Print a piece of Space History Size : 228.6mm x 152.4mm x 1.4mm (Real Size) The Pioneer plaques are a pair of gold-anodized aluminum plaques that were placed on board the 1972 Pioneer 10 and 1973 Pioneer 11 spacecraft, featuring a pictorial message, in case either Pioneer 10 or 11 is intercepted by intelligent extraterrestrial life. The plaques show the nude figures of a human male and female along with several symbols that are designed to provide information about the origin of the spacecraft. (Wikipedia) It would be faster to send them Gcodes. f k h d 4.81 hrs 1 pcs 0.20 mm 0.40 mm 1 62.00 g Prusa MK3/S/S+ Learning > Physics & Astronomy alien human universe universal spaceship space plaque nasa gold Printed on MK3S Filament tested : PLA Nozzle 0.4mm : 0.2mm tested 0.25mm nozzle would be better but 0.4mm is nice • Add a 10mm brim if you want to avoid unsticking angles. • Use External perimeters first to improve the precision of the engravings. • Slow temperature printing (190-200°C) can improve the precision of the engravings. • Use Monotonic for top. • Import the 2 files in the slicer and adjust the superposition. • First print Pioneer 1rst Layer (Gold) • Then print Pioneer Plaque 1: up to 0.60mm (Black or Red) 2: above 0.80mm (Gold) PrusaSlicer 2.3.0 F3 Print Files (.gcode) 3D DOWNLOAD ALL FILES pioneer-plaque_02mm_pla_mk3s_4h49m.gcode4.0 MB F3 updated 27. -
Wojahn Blackbird Commentary
“On Hearing That My Poems Were Being Studied in a Distant Place”: Thoughts on Distance, Difficulty, and Secret Addressees By David Wojahn Published in Blackbird: An Online Journal of Literature and the Arts Spring 2016, Vol. 15 No. 1 So-called “public intellectuals” tend not to have exceptionally long afterlives. We have heard their names—the likes of H.L. Mencken, Margaret Mead, Mary McCarthy, Lionel Trilling, and Edmund Wilson—but all have become footnotes in our cultural history. Also on the verge of cultural oblivion is the most telegenic and popular public intellectual of the late twentieth century, astronomer and astrophysicist Carl Sagan. His many books were bestsellers; he was a regular guest on Johnny Carson; Cosmos, the PBS series which he developed, coproduced, and moderated, was an immense success when first broadcast in 1980. And, last but not least, his highly idiosyncratic speaking voice—haunting but oddly nasal and prone to doing downright weird things with vowels—was as unmistakable as it was widely lampooned. As with Bob Dylan, once you heard that voice you would never get it out of your head. But Sagan’s voice has outlasted his reputation. Since his death in 1996, a foundation has been named after him, and many of his books remain in print, but Sagan seems, even to those who know him, a relic of the 1970s and early ’80s—he’s down in the cultural junk drawer with the Walkman, the shoulder pads, the big hair, Cyndi Lauper, and the presidency of Ronald Reagan. Yet one of Sagan’s projects has a certain loopy relevance to the topic I will discuss tonight. -
NASA Aims to Improve Aviation Safety Star Can Be Calculated by Measuring the Time Between Successive Dips As the Planet Orbits the Star
September 2010 - A Quarterly Publication NASA’s Kepler Mission discovers two planets transiting same star BY MICHAEL MEWHINNEY servatory in Hawaii. The observations 19 days, while Kepler-9c has an orbit NASA's Kepler spacecraft has show Kepler-9b is the larger of the two of about 38 days. By observing several discovered the first confirmed planetary planets, and both have masses similar transits by each planet over the seven system with more than one planet cross- to but less than Saturn. Kepler-9b lies months of data, the time between suc- ing in front of, or transiting, the same closest to the star with an orbit of about continued on page 15 star. The transit signatures of two distinct planets were seen in the data for the sun-like star designated Kepler-9. The planets were named Kepler-9b and 9c. Worlds on the Edge - This artist’s con- The discovery incorporates cept illustrates the two Saturn-sized seven months of observa- planets discovered by NASA’s Kepler tions of more than 156,000 Mission. The star system is oriented stars as part of an ongo- edge-on, as seen by Kepler, such that both planets cross in front, or transit, ing search for Earth-sized their star, named Kepler-9. This is the planets outside our solar first star system found to have multiple system. The findings will transiting planets. be published in the journal Science. Kepler's ultra-precise camera measures tiny decreases in the stars' brightness that occur when a planet transits them. The NASA image credit: NASA/Ames/JPL-Caltech size of the planet can be derived from these temporary dips. -
1-Bureaud Annotated
A New territory of (In)human Proportions Annick Bureaud introduction to the space art special section, Art Press, n°298, February 2004 Where is space? For the ancients, it was simple. There was the Earth and the Heavens, and the more or less divine links between the two. Science secularized the cosmos, and engineers hurled their rockets right into it. Where does space begin? Where does the Earth end? On its surface? With its atmosphere? With its gravitational field? With what used to be called “the known world,” that is, the “inhabited” and mapped world ? French uses the vague term espace to designate “the world beyond the world,” while English prefers “outer space,” implying that there is an “inside space” as well. Space and territories are at the core of many space artworks. Leave the Earth, turn around and look back at it. This macroscopic vision involves a shift in the relationship of scale between us and our planet that is simultaneously glorious and overwhelming. Alain Jacquet took up this global vision in his serigraph First Breakfast (1972), where the Earth, seen from the pole, looks like an image seen on a radar screen. The human vision and the artificial vision of satellites for a new re- presentation of the world. For the @ Geosphere Project (1990), Tom Van Sant made a polar projection map of the earth using satellite photos. This “real” image goes beyond cartographic abstraction, with its political boundaries etc. It is unreal, or perhaps ultra- real, because there is not a cloud in sight. But you can also use the Earth as a medium, as if going beyond Land Art, and draw on it an eye that is reflected by the "eye" of the satellites in an endlessly reflexive stare (Reflections from Earth, Tom Van Sant, 1980), or its medieval symbol, fusing sign and object (Signature Terre, Pierre Comte, 1989). -
Ringworld: Travellers' Tales from Saturn
Utah State University DigitalCommons@USU Public Talks Astrophysics 3-21-2009 Ringworld: Travellers' Tales from Saturn Shane L. Larson Utah State University Follow this and additional works at: https://digitalcommons.usu.edu/astro_pubtalks Part of the Astrophysics and Astronomy Commons Recommended Citation Larson, Shane L., "Ringworld: Travellers' Tales from Saturn" (2009). Public Talks. Paper 19. https://digitalcommons.usu.edu/astro_pubtalks/19 This Presentation is brought to you for free and open access by the Astrophysics at DigitalCommons@USU. It has been accepted for inclusion in Public Talks by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. RINGWORLD: Travellers’ Tales from Saturn Shane L. Larson Department of Physics Utah State University [email protected] Clark Planetarium Salt Lake City, UT 21 March 2009 1 Storyline Saturn Unveiled Emissaries Saturn up close Rings and Moons 2 Galileo Galilei In 1609, Galileo heard of the invention of the telescope By 1610, he had constructed one and observed the skies “I render infinite thanks to God for being so kind as to make me alone the first observer of marvels kept hidden in obscurity for all previous centuries.” Stars, the Moon, Venus, Mars, Jupiter, and Saturn 3 Saturn through a telescope Initially Galileo didn’t know what he was seeing “Saturn has ears.” Galileo’s early scopes weren’t the greatest! In 1655 Christiaan Huygens observed Saturn and proposed “It is surrounded by a thin, flat, ring, nowhere touching, inclined to the ecliptic.” This is what Saturn really looks like through a telescope! But we wanted to see Saturn up close, and personal.. -
Voyage on the Great Titanic Ebook
VOYAGE ON THE GREAT TITANIC PDF, EPUB, EBOOK Ellen Emerson White | 202 pages | 01 Nov 2010 | Scholastic US | 9780545238342 | English | New York, NY, United States Voyage on the Great Titanic PDF Book The vessel's icebreaking arsenal includes a 2-in. Although the power output isn't very strong, it powers the electronics and instruments on board the Voyagers for a very long time. To Neptune and Beyond. First-class passengers didn't board until a. Voyager 1 and 2: The Grand Tour. Yet it was a matter of extremely good luck and timing that the missions were possible at all -- and an equal stroke of bad luck that almost scuttled the Voyager project before it ever left the ground. It is carrying 2, passengers and crew. It's time to head home. The icebreaker Des Groseilliers plows through pans of summer sea ice on its way to resupply the Canadian weather station on Ellesmere Island. In these rooms, vibrations from the ship's massive engines could be felt and heard. Over the course of two days, the crew loads the ft. They are both several billion miles away, farther from Earth than any other man-made object. The Voyager spacecrafts were built to fly past the outer planets Jupiter , Saturn , Neptune and Uranus and study them closely, the first time in human history they'd been observed up close. To reach the lab, we follow what is perhaps the world's longest extension cord 9 miles up a dirt road. Voyager Web site. William McMaster Murdoch, orders a hard starboard left turn, but the Titanic's right side scrapes the iceberg. -
Season 2, Ep. 9 Walking on the Moon Pt. 2 FINAL.Pdf
AirSpace Season 2, Episode 9 Walking on the Moon Part 2 Nick: Hi and welcome to AirSpace. This is part two of our special Apollo At 50 series. Emily: In our last episode we talked about the science that astronauts, Nick Armstrong and Buzz Aldrin conducted on the moon. This episode, we want to talk about the lunar science Apollo astronauts enabled back on Earth. Nick: With 842 pounds of moon rocks transported back to Earth, we've had a lot to study over the last 50 years. Matt: And only some of those rocks were studied back 50 years ago. NASA scientists made a plan to keep a large portion of the lunar samples sealed off and totally pristine for the last 50 years until now. Nick: Today, we'll hear from space scientists who are unsealing those samples for the first time this summer. Emily: The most exciting thing to me is that we can look at these samples with techniques that weren't even developed or even maybe thought of when the Apollo samples first came back to the Earth. Matt: And we'll talk with one lunar geologist who was working on a proposal to go back to the moon with a rover. It could dive deeper into lunar mysteries than ever before. Emily: Usually when we're studying these materials, we can use satellite data but that's only showing us the top microns to upper meter or so of the surface. With this we're really peering in. This hole is a hundred meters deep.