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OBSAH 1 TABLE OF CONTENT Príhovory 2 Forewords Štáb 4 Crew Sekcie a ich zostavovatelia 5 Sections and their Programmers Partneri 6 Partners Poďakovanie 8 Acknowledgments Súťažné sekcie 9 Competitive Sections Európski filmoví kritici 10 European Film Critics Meeting Point Europe 20 Meeting Point Europe Cinematik.doc 33 Cinematik.doc Informatívne sekcie 39 Informative Sections Rešpekt: Ben Wheatley 47 Respect: Ben Wheatley DoKma 53 DoCma Alain Resnais: Kinematografia mozgu 61 Alain Resnais: Cinema of the Brain Bulharsko pod lupou 77 Bulgaria Magnified Za hranicou kultu: Bez milosti 83 Cult & Beyond: No Mercy Čo dom dal 93 In the House Krátke filmy 97 Short Films Študentské filmy 100 Student Films Hore dolu prúdom 107 Up & Down the Stream Cinematik Homage 111 Cinematik Homage Kinema Choice 117 Kinema Choice Eye on Films 125 Eye on Films Cinematik Jr. 133 Cinematik Jr. PNky Cinema 135 PNky Cinema Sprievodné podujatia 142 Accompanying Events Kontakty 146 Contacts Register 149 Index PRÍHOVOR PRIMÁTORA PRÍHOVOR ŠTÁBU 2 3 FOREWORD OF THE MAYOR FOREWORD OF THE CREW Milí filmoví nadšenci, Vitajte, priatelia Cinematiku, vždy, keď ma oslovia organizátori filmového festivalu Cinematik, aby som ak teraz držíte v rukách katalóg 8. ročníka vášho a nášho Cinematiku, je už pre nich pripravil príhovor k ďalšiemu ročníku, začnem počítať. Spomeniem všetko tak, ako má byť. Vy ste prišli do krásnych Piešťan, my tiež a s nami si na organizáciu prvého ročníka a dnes tu máme už jeho ôsme úspešné množstvo filmov a veríme, že aj neopakovateľných zážitkov. Stretli sme pokračovanie. Osem rokov filmov, dokumentov, prehliadky zručnosti sa, aby sme si užili ten najlepší filmový koniec leta. Pre nás je to už taký režisérov, osem rokov súťaží a vždy nových pohľadov na rôzne spoločenské malý happyend, keď sa otvoria festivalové kiná a prichádzajú prví diváci. témy zachytené kamerou. Dnes je Cinematik súčasťou leta v Piešťanoch, Tentoraz ale nejde o žiaden gýč, ale o skutočne príjemný pocit, že naša súčasťou piešťanskej kultúry, filmového povedomia v našom meste a my sa celoročná práca dostáva skutočnú podobu. A najviac si vážime práve vás, vždy hrdo hlásime k tomu, že sa koná práve u nás. Som rád, že aj tento ročník divákov. Uvedomujeme si, že nie je vôbec samozrejmé prísť na filmový fes- vás všetkých opäť priviedol k nám. tival a venovať svoju pozornosť často iným titulom, aké sa v našich kinách bežne premietajú. Preto nás teší, že stále existujú vnímaví a objavujúci Rok 2013 je pre naše mesto jubilejný. Pripomíname si 900. výročie prvej návštevníci, pre ktorých je Cinematik tým, čím aj pre nás. Do siedmych dní písomnej zmienky o Piešťanoch v Zoborskej listine. A zatiaľ čo dejiny pretavenou láskou k filmu. nášho mesta sa už píšu, o filme sa našim predkom zatiaľ ani nesníva. Kým svetlo sveta uzrie filmová prvotina, uplynie ešte takmer osemsto rokov... Vitajte! Dávnu minulosť nám tak sprostredkúvajú iba zápisky či dobové maľby a je iba na našej fantázii, ako si možný film o Piešťanoch z roku 1113 v hlave zrežírujeme... Welcome, dear friends of Cinematik, Vitajte na Cinematiku, vitajte v Piešťanoch! The fact that you are holding the catalogue of the 8th edition of your and our Cinematik means that everything is as it is supposed to be. You have Dear cineastes, arrived in a beautiful town of Piešťany and we are here as well, bringing a lot of films which hopefully equals to a lot of exceptional experiences. We have all Every year when I am asked by organisers of the Cinematik IFF to write a fore- gathered together to enjoy the best cinematic end of summer possible. For us word for the upcoming edition, I start counting. I remember the organisation of it is already a small happyend, when festival cinemas open their doors and its very first edition years back and today we can enjoy its 8th successful year. 8 first viewers come in. However, this time it is not about some kind of kitsch, years of fiction films and documentaries showcasing directorial skills, 8 years of but about heartwarming feeling that our year-long work has finally taken competitions and new perspectives on various social issues captured by movie a real shape. Above all, we hold you, our audience, in a great regard. We do camera. Nowadays Cinematik represents an inseparable part of summer in realize that we cannot take your participation at the festival for granted, take Piešťany, has become a part of our culture, of film awarness in our town and we for granted your attention dedicated to films completely different from ones can proudly say that it takes place in our town. I’m glad that this year’s edition you usually find in regular cinemas. We are very much delighted that there are has yet again brought you to our town. still percipient and discovery-hungry audiences like you, for whom Cinematik represents the very same as it does for us. Love for cinema forged into seven The year 2013 is a jubilee year for our town. We commemorate the 900th an- intensive days. niversary of the first written record about Piešťany in The Zobor Deeds. While the history of our town is being written, our ancestors don’t even dream of cinema Welcome! yet. It will take almost next 800 hundred years until the first film runs through cinema projector. Ancient history was thus captured in written record or period paintings. It is only up to our imagination how we, in our heads, direct a possible film about Piešťany... Welcome to Cinematik, welcome to Piešťany! Remo Cicutto Primátor mesta Piešťany Mayor of the Town of Piešťany Štáb SEKCIE A ICH ZOSTAVOVATELIA 4 5 Crew SECTIONS AND THEIR PROGRAMMERS Božidara Turzonovová – čestná riaditeľka / Honorary President Súťažné sekcie / Competitive sections: Tomáš Klenovský – výkonný riaditeľ / Executive Director Meeting Point Europe – Rastislav Steranka Vladimír Štric – umelecký riaditeľ / Artistic Director Cinematik.doc – Tomáš Hudák Programový tím / Programme team: Nesúťažné sekcie / Non-competitive sections: Vladimír Štric, Tomáš Hudák, Peter Konečný, Rešpekt: Ben Wheatley / Respect: Ben Wheatley – Rastislav Steranka Michal Michalovič, Rastislav Steranka DoKma / DoCma – Vladimír Štric Alain Resnais: Kinematografia mozgu / Alain Resnais: Cinema of the Tomáš Daneček – guest service / Guest Service Brain – Michal Michalovič Lucia Glézlová – koordinátorka filmových kópií / Film Print Coordinator Bulharsko pod lupou / Bulgaria Magnified – Vladimír Štric Tomáš Hudák – tlačový servis, redaktor festivalovej webstránky, Za hranicou kultu: Bez milosti / Cult & Beyond: No Mercy – Rastislav festivalový denník, spoluredaktor festivalového katalógu / Press Service, Steranka Festival Website Editor, Festival Daily, Festival Catalogue Co-editor Čo dom dal / In the House – Vladimír Štric Eva Klenovská – ekonómka / Financial Manager Hore dolu prúdom / Up & Down the Stream – Vladimír Štric Lukáš Klenovský – doprava / Transport Cinematik Homage – Vladimír Štric, Tomáš Hudák Peter Konečný – public relations / Public Relations Kinema Choice – Peter Konečný Natália Mattielighová – akreditačné centrum / Accreditation Centre Eye on Films – Vladimír Štric Juraj Oniščenko – protokol / Protocol Cinematik Jr. – Kristina Steranková Tomáš Poor – sprievodné podujatia / Accompanying Events PNky Cinema – Peter Konečný Martin Skokňa – technická podpora / Technical Support Rastislav Steranka – programový koordinátor, spoluredaktor festiva- lového katalógu / Programme Coordinator, Festival Catalogue Co-editor Marek Szold – grafický dizajn / Graphic Design Koordinátorka prekladateľských a tlmočníckych služieb / Coordinator of Translation and Interpreting Services: Dominika Borsuková Videodenníky / Video Diaries: Michal Baláž, Matej Oravec, FIlip Zbojek Šoféri / Drivers: Luboš Ondrejkovič, Filip Dufek PARTNERI PARTNERI 6 7 PARTNERS PARTNERS Hlavný organizátor / Main organizer: Cinematik, s.r.o Filmoví partneri / Film partners: Podujatie finančne podporil / With financial support of: Audiovizuálny fond Spoluorganizátori / Co-organizers: Hlavní mediálni partneri / Main media partners: Partneri / Partners: Mediálni partneri / Media partners: FILMNEWEUROPE.COM POĎAKOVANIE 8 ACKNOWLEDGMENTS Matthias Angoulvant, Wide Management Werner Schweizer, Elena Arnaudova, riaditeľka Bulharského Dschoint Ventschr Filmproduktion kultúrneho inštitútu Bratislava Ioanna Stais, Eye on Films Kamen Balkanski, MEDIA Desk Bulgaria Miloš Stankoviansky, David Bartholomew, Protagonist Pictures Institut français Bratislava SúťAžné SEkciE David Bauduin, The Match Factory Alexandra Strelková, 9 Peter Begányi Národné kinematografické centrum COMPETITIVE SECTIONS Laurence Berbon, Tamasa Distribution Andy Starke, Rook Films Edita Bjeloševičová, Peter Strickland riaditeľka Domu umenia Piešťany Thomas Taborsky Elena Brtáňová, FTF VŠMU Bratislava Daniel Vadocký Jane Carolan, AV Pictures Jozef Valachovič, Kino Fontána Grégory Cavinato Scott Veltri, Magnolia Pictures Remo Cicutto, primátor mesta Piešťany Mila Voinikova, Miramar Films Rosana Coutinho, Jinga Films Branislav Volák, David Čeněk, Hollywood Classic Entertainment Filozofická fakulta Univerzity Karlovy Tom Wommer, GAP films Peter Da Rin, Swiss Films Bouriana Zacharieva, Peripeteia Films Andrej Devečka ml., HOLLYWOOD C.E.S. Silvan Zürcher Svetoslav Draganov, cineaste mandit production Milan Dostál, Blue Sky Film Distribution Michal Drobný, Continental film Silvia Dubecká, Asociácia slovenských filmových klubov (ASFK) Peter Dubecký, generálny riaditeľ Slovenského filmového ústavu Vincent Dupré, Les Grands Films Classiques Anja Dziersk, Rise And Shine Ľuba Féglová, MagicBox Slovakia Raffaella
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  • CV Peter Strickland

    CV Peter Strickland

    CV│Peter Strickland After more than a decade of making short films, Peter Strickland rose to international prominence in 2009 with his first feature film, KATALIN VARGA. His sophomore effort in 2012 was BERBERIAN SOUND STUDIO, which is now being adapted into a play at the Donmar Warehouse. In between films he co-directed a concert film for Björk during her Biophilia tour in 2013. After his third film in 2015, THE DUKE OF BURGUNDY, Peter continued his exploration of sound and went on to write and direct several immersive radio plays. His most recent film, IN FABRIC, starring Marianne Jean-Baptiste and Gwendoline Christie, recently screened at festivals and will be released in 2019 by Curzon/Artificial Eye in the UK and A24 in the States. IN FABRIC 2017/18 Feature film Writer and director Producer: Andy Starke THE LINGUIST In development Feature film Writer and director Producer: Andy Starke NIGHT VOLTAGE In development Feature film Writer & director Producer: Tristan Goligher THE LEN DIMENSION 2016/7 Radio play Writer and director Producer: Russell Finch Radio 4 THE STONE TAPE 2015 Radio play Writer and director Producer: Russell Finch Radio 4 THE LEN CONTINUUM 2015 Radio play Writer and director Producers: Polly Thomas, Russell Finch Radio 4 Agent/s: Ian Benson, The Agency Email: [email protected], telephone: +44 (0)20 7727 1346 David Kopple & John Garvey, CAA Email: [email protected], [email protected], telephone: + 1424 288 2000 © Copyright The Agency (London) Ltd. 2011 CV│Peter Strickland THE DUKE OF BURGUNDY 2013/14 Feature
  • Extreme Cinema

    Extreme Cinema

    EXTREME CINEMA ‘THIS IS AN EXCITING AND TIMELY BOOK. THROUGH IN-DEPTH FILM ANALYSIS, CLEVER REFORMULATION OF TRANSNATIONAL VISUAL CULTURE, AND SIMULTANEOUS ATTENTION TO FORM AND AFFECT, KERNER AND KNAPP OPEN UP OUR WORLD TO THE INTENSIVE CAPACITIES OF WHAT THEY JUDICIOUSLY CALL THE “VIEWING BODIES OF EXTREME CINEMA”.’ Tarek Elhaik, University of California, Davis Extreme Cinema examines the highly stylized treatment of sex and violence in post-millennial transnational cinema, where the governing convention is not the narrative but the spectacle. Using profound experiments in form and composition, including jarring editing, extreme close-ups, visual disorientation, and sounds that straddle the boundary between non-diegetic and diegetic registers, this mode of cinema dwells instead on the exhibition of intense violence and an acute intimacy with the sexual body. Interrogating works such as Wetlands and A Serbian Film, as well as the sub-culture of YouTube ‘reaction videos’, Aaron Michael Kerner and Jonathan L. Knapp demonstrate the way content and form combine in extreme cinema to affectively manipulate the viewing body. Aaron Michael Kerner has taught in the SFSU Cinema Department and Jonathan L. Knapp since 2003. Aaron Michael Kerner Jonathan L. Knapp is a PhD student in Film and Visual Studies at EXTREME Harvard University. Cover image: Nymphomaniac: Volume I, Lars Von Trier, 2013 © Zentropa Entertainments/The Kobal Collection Cover design: www.paulsmithdesign.com CINEMA ISBN 978-1-4744-0290-3 Affective Strategies in Transnational Media edinburghuniversitypress.com Aaron Michael Kerner and Jonathan L. Knapp Extreme Cinema Extreme Cinema Affective Strategies in Transnational Media Aaron Michael Kerner and Jonathan L.