GLADYS F. SAN JUAN Script Supervisor Fluent in Italian & Spanish 07727022135/[email protected] BECTU MEMBER: A0555813

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GLADYS F. SAN JUAN Script Supervisor Fluent in Italian & Spanish 07727022135/Gldyssanjuan@Gmail.Com BECTU MEMBER: A0555813

GLADYS F. SAN JUAN Script Supervisor Fluent in Italian & Spanish 07727022135/[email protected] BECTU MEMBER: A0555813 Based in London I have worked both in the UK and abroad on British film productions. I have experience working with multi-cameras, VFX, CGI and Green Screen, with film & digital formats. American & British slating systems, I’m up to date with the latest digital programs. PROFESSIONAL TEACHING FREELANCE POSITIONS: CENTRAL FILM SCHOOL – LONDON 2016/17 • Course Module Tutor for specialism in Continuity/Script Supervising for BA/MA students. • Film Course Leader and Script Development Tutor for One Month Film Making Certificate Course. Productions Director / production company Feature films: IBOY Adam Randall/Wigwam Films BLISS! Rita Osei/ Green Screen Studios York LONDON HEIST Mark McQueen/Maniac Fiction Films Ltd STAR WARS EPISODE VII JJ Abrams/Foodles Productions (Assistant Script Supervisor Main Unit) CHICKLIT Tony Britten/Capriol Films JET TRASH Charles Henry / Sums Media Ltd THE BEAT BENEATH MY FEET John Williams / Scoop FILMS Ltd All STARS (2nd Unit) Ben Gregor / Vertigo Films THE SPIRIT OF ALBION Gary Andrews / Egotrip Media Ltd BERBERIAN SOUND STUDIO Peter Strickland / WARP Films (BIFA) (Script Supervisor Trainee) Shorts: LOCKED IN Nev Pierce /Stigma Films THE QUESTION Sabina Sattar /Novelpage Productions SEEKERS' Nicole Volvaka/Poisson Rouge Pictures OPERATOR Caroline Bartlett / (BAFTA 2016) WASP'S NEST Joe Magnollian Films L’ASSENZA Jonathan Romney / First Born Films Ltd TENNIS Alastair Gourlay / Alastair Films Ltd SAMSON Tim Bassford / Fooprintfilms. Ltd SEA CHANGE Marinella Setti / Goldcrest Films GREY MATTER Ben Dixon / Musser Leghorn Films Ltd LAST DANCE Matt Wessup Films WORM Bert & Bertie / Stigma Films SWOOSH Sabina Sattar / Novelpage Productions LATER Simon Duric / Nimble Pictures PHIL'S ROOM Jesus Mateos/ Land In Focus RON AND I Anina Carl/ Carl Films THE HUNT FOR GOLLUM Chris Bouchard / Independent Online Webseries: THE VERGE Damien Thomas/Thomas Brothers Ltd Corporates: POKERSTARS GAMES ONLINE James Nunn Djinn Invention Studios /Maniac Fiction Ltd CLIFFHANGER Samantha Bain/Illumina Digital Ltd FORD Stephen French & Martin Bennett /Mustard-Berlin Documentaries: BLENHEIM CLOSE Damien Daniels/www.dpdaniel.com SCRIPT SUPERVISION TRAINING: The Art of Continuity training with Dawn Gilliam http://www.imdb.com/name/nm0319101 -2013 London Film School Script and Continuity Training with Beth Mutler - 2009 Script Supervisor Shadow Placement (First Men in The Moon) with Karen Jones - 2009 .

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BFI CELEBRATES BRITISH FILM at CANNES British Entry for Cannes 2011 Official Competition We’Ve Got to Talk About Kevin Dir
London May 10 2011: For immediate release BFI CELEBRATES BRITISH FILM AT CANNES British entry for Cannes 2011 Official Competition We’ve Got to Talk About Kevin dir. Lynne Ramsay UK Film Centre supports delegates with packed events programme 320 British films for sale in the market A Clockwork Orange in Cannes Classics The UK film industry comes to Cannes celebrating the selection of Lynne Ramsay’s We Need to Talk About Kevin for the official competition line-up at this year’s festival, Duane Hopkins’s short film, Cigarette at Night, in the Directors’ Fortnight and the restoration of Stanley Kubrick’s A Clockwork Orange, restored by Warner Bros; in Cannes Classics. Lynne Ramsay’s We Need To Talk About Kevin starring Tilda Swinton was co-funded by the UK Film Council, whose film funding activities have now transferred to the BFI. Duane Hopkins is a director who was supported by the UK Film Council with his short Love Me and Leave Me Alone and his first feature Better Things. Actor Malcolm McDowell will be present for the screening of A Clockwork Orange. ITV Studios’ restoration of A Night to Remember will be screened in the Cinema on the Beach, complete with deckchairs. British acting talent will be seen in many films across the festival including Carey Mulligan in competition film Drive, and Tom Hiddleston & Michael Sheen in Woody Allen's opening night Midnight in Paris The UK Film Centre offers a unique range of opportunities for film professionals, with events that include Tilda Swinton, Lynne Ramsay and Luc Roeg discussing We Need to Talk About Kevin, The King’s Speech producers Iain Canning and Gareth Unwin discussing the secrets of the film’s success, BBC Film’s Christine Langan In the Spotlight and directors Nicolas Winding Refn and Shekhar Kapur in conversation.
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Between Liminality and Transgression: Experimental Voice in Avant-Garde Performance
BETWEEN LIMINALITY AND TRANSGRESSION: EXPERIMENTAL VOICE IN AVANT-GARDE PERFORMANCE _________________________________________________________________ A thesis submitted in partial fulfilment of the requirements for the Degree of Doctor of Philosophy in Theatre and Film Studies in the University of Canterbury by Emma Johnston ______________________ University of Canterbury 2014 ii Abstract This thesis explores the notion of ‘experimental voice’ in avant-garde performance, in the way it transgresses conventional forms of vocal expression as a means of both extending and enhancing the expressive capabilities of the voice, and reframing the social and political contexts in which these voices are heard. I examine these avant-garde voices in relation to three different liminal contexts in which the voice plays a central role: in ritual vocal expressions, such as Greek lament and Māori karanga, where the voice forms a bridge between the living and the dead; in electroacoustic music and film, where the voice is dissociated from its source body and can be heard to resound somewhere between human and machine; and from a psychoanalytic perspective, where the voice may bring to consciousness the repressed fears and desires of the unconscious. The liminal phase of ritual performance is a time of inherent possibility, where the usual social structures are inverted or subverted, but the liminal is ultimately temporary and conservative. Victor Turner suggests the concept of the ‘liminoid’ as a more transgressive alternative to the liminal, allowing for permanent and lasting social change. It may be in the liminoid realm of avant-garde performance that voices can be reimagined inside the frame of performance, as a means of exploring new forms of expression in life.
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Sarah Finlay
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SEAN CONWAY Writer and Director
SEAN CONWAY Writer and Director 2020 MAKING WOLF Adaptation of the novel by Tade Thompson TV Series, Fable Pictures 2020 TONY DICK Creator/Writer TV Series, Chapter One Pictures 2020 LOVE IS THE KING OF BEASTS Creator/Writer TV Series, Company Pictures 2020 SWALLOWS Co Created with Wayne Lettice, TV Series, Warp films / BBC 2019/2020 THE RESURRECTION Creator/Writer TV Series, Carnival Films 2019/2020 JACK THE STRIPPER Co-Creator with Eddie Marsan TV Series, Red Productions / Channel 4 2019/2020 THE HOLES Creator and Writer TV Series, Sid Gentle Films 2018 THE VOYEUR Writer TV series, Sid Gentle Productions 2018 TIES THAT BIND Writer Book adaptation for TV, Carnival Films 2013-18 RAY DONOVAN Writer & Executive Producer TV Series (1, 4-6) The Mark Gordon Company/Showtime Starring Liev Schreiber 2016 ALL I SEE IS YOU Written with Marc Foster Feature Film 2DUX2/Sierra Affinity Starring Blake Lively and Danny Huston 2016 RED LIGHT BALLET Writer TV Pilot for 20th Century Fox 2015 LONG AFTER TONIGHT Writer Feature Film Hook Pictures & Creative England 2014 THE DESERVERS Writer & Co-Creator with Paul Abbott TV Series BBC 2014 DEAD I MAY WELL BE Writer TV Pilot for Anonymous Content 2014 SHAMELESS Writer 1 episode for series 10 Company/Channel 4 2011 HIT & MISS Writer 6 episodes of TV series for Sky / Red Productions / Abbott Vision, created by Paul Abbott and commissioned by Sky Atlantic Winner, Best European and International Fiction at the Television Festival de la Rochelle Nominated for Best Script Writer, 2012 RTS North West Awards Nominated
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Uk Producers in Cannes 2009
UK PRODUCERS IN CANNES 2009 Produced by Export Development www.ukfilmcouncil.org/exportteam The UK Film Council The UK Film Council is the Government-backed lead agency for film in the UK ensuring the economic, cultural and educational aspects of films are effectively represented at home and abroad. Our goal is to help make the UK a global hub for film in the digital age, with the world’s most imaginative, diverse and vibrant film culture, underpinned by a flourishing, competitive film industry. We invest Government grant-in-aid and Lottery money in developing new filmmakers, in funding new British films and in getting a wider choice of films to audiences throughout the UK. We also invest in skills training, promoting Britain as an international filmmaking location and in raising the profile of British films abroad. The UK Film Council Export Development team Our Export Development team supports the export of UK films and talent and services internationally in a number of different ways: Promoting a clear export strategy Consulting and working with industry and government Undertaking export research Supporting export development schemes and projects Providing export information The team is located within the UK Film Council’s Production Finance Division and is part of the International Group. Over the forthcoming year, Export Development will be delivering umbrella stands at the Toronto International Film Festival and Hong Kong Filmart; and supporting the UK stands at the Pusan Asian Film Market; American Film Market and the European Film Market, Berlin;. The team will also be leading Research & Development delegations to Japan and China.
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UK Film Council Group and Lottery Annual Report and Financial Statements for the Year Ended 31 March 2011
UK Film Council Group and Lottery Annual Report and Financial Statements for the year ended 31 March 2011 HC 1391 SG/2011/142 £20.75 UK Film Council Group and Lottery Annual Report and Financial Statements for the year ended 31 March 2011 Presented to Parliament pursuant to Section 34(3) and 35(5) of the National Lottery etc. Act 1993 (as amended by the National Lottery Act 1998 and the National Lottery Act 2006) ORDERED BY THE HOUSE OF COMMONS TO BE PRINTED 14 JULY 2011 Presented to the Scottish Parliament pursuant to the Scotland Act 1998 Section 88 Company no: 3815052 London: The Stationery Office HC 1391 SG/2011/142 14 July 2011 £20.75 1 © UK Film Council (2011) The text of this document (this excludes, where present, the Royal Arms and all departmental and agency logos) may be reproduced free of charge in any format or medium providing that it is reproduced accurately and not in a misleading context The material must be acknowledged as UK Film Councilcopyright and the document title specified. Where third party material has been identified, permission from the respective copyright holder must be sought. This publication is also for download at www.official-documents.gov.uk This document is also available from the Department for Culture, Media and Sport’s website at: http://www.transparency.culture.gov.uk/arms-length-bodies/ ISBN: 9780102974485 Printed in the UK by The Stationery Office Limited on behalf of the Controller of Her Majesty’s Stationery Office ID: 2441293 07/11 13762 19585 Printed on paper containing 75% recycled fibre
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BRITISH ACADEMY TELEVISION CRAFT AWARDS in 2016: Winners in *BOLD
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Independent Television Producers in England
Negotiating Dependence: Independent Television Producers in England Karl Rawstrone A thesis submitted in partial fulfilment of the requirements of the University of the West of England, Bristol for the degree of Doctor of Philosophy Faculty of Arts and Creative Industries, University of the West of England, Bristol November 2020 77,900 words. Abstract The thesis analyses the independent television production sector focusing on the role of the producer. At its centre are four in-depth case studies which investigate the practices and contexts of the independent television producer in four different production cultures. The sample consists of a small self-owned company, a medium- sized family-owned company, a broadcaster-owned company and an independent- corporate partnership. The thesis contextualises these case studies through a history of four critical conjunctures in which the concept of ‘independence’ was debated and shifted in meaning, allowing the term to be operationalised to different ends. It gives particular attention to the birth of Channel 4 in 1982 and the subsequent rapid growth of an independent ‘sector’. Throughout, the thesis explores the tensions between the political, economic and social aims of independent television production and how these impact on the role of the producer. The thesis employs an empirical methodology to investigate the independent television producer’s role. It uses qualitative data, principally original interviews with both employers and employees in the four companies, to provide a nuanced and detailed analysis of the complexities of the producer’s role. Rather than independence, the thesis uses network analysis to argue that a television producer’s role is characterised by sets of negotiated dependencies, through which professional agency is exercised and professional identity constructed and performed.
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Joseph Gilgun
www.hamiltonhodell.co.uk Joseph Gilgun Talent Representation Telephone Madeleine Dewhirst & Sian Smyth +44 (0) 20 7636 1221 [email protected] Address Hamilton Hodell, 20 Golden Square London, W1F 9JL, United Kingdom Television Title Role Director Production Company BRASSIC Vinnie Daniel O'Hara Sky PREACHER Series 1-4 Cassidy Various Sony TV/AMC Studios THIS IS ENGLAND '90 Woody Shane Meadows Warp Films/Channel 4 COMING UP - 'HENRY' Martin Michael Pearce Channel 4 RIPPER STREET Carmichael Various BBC MISFITS Series 3, 4 & 5 Rudy Wade Various Quite Funny Films/E4 THIS IS ENGLAND (Christmas Special) Woody Shane Meadows Warp Films/Channel 4 THIS IS ENGLAND '88 Woody Shane Meadows Warp Films/Channel 4 THIS IS ENGLAND '86 Woody Shane Meadows Warp Films/Channel 4 EMMERDALE Eli Dingle Various Yorkshire Television SORTED Car Mechanic Iain B. MacDonald BBC BIG DIPPERS Karl Kay Patrick Red Productions HOLLYOAKS Marcus Various Mersey Television SHAMELESS Series 2 Rico Various Channel 4 CORONATION STREET Jamie Armstrong Various Granada Film Title Role Director Production Company THE INFILTRATOR Dominic Brad Furman Good Films THE LAST WITCH HUNTER Ellic Breck Eisner Summit Entertainment PRIDE Mike Matthew Warchus Proud Films James Mather/Stephen St. LOCK OUT Hydell Europa Corp. Leger SCREWED Gleeson Reg Traviss Screwed Films HARRY BROWN Kenny Daniel Barber Marv Films THIS IS ENGLAND Woody Shane Meadows Warp Films Theatre Title Role Theatre/Producer HANKY PARK Nobby Lowry Theatre Edinburgh Fringe 2002/Unity BORSTAL BOY Charlie Theatre, Liverpool/Capitol
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THE BIRTHDAY PARTY by Harold Pinter Directed by Ian Rickson
PRESS RELEASE – Tuesday 6th March 2018 IMAGES CAN BE DOWNLOADED HERE @BdayPartyLDN / TheBirthdayParty.London Sonia Friedman Productions in association with Rupert Gavin, Tulchin Bartner Productions, 1001 Nights Productions, Scott M. Delman present THE BIRTHDAY PARTY By Harold Pinter Directed by Ian Rickson CRITICALLY ACCLAIMED 60th ANNIVERSARY REVIVAL OF THE BIRTHDAY PARTY ENTERS FINAL WEEKS AT THE HAROLD PINTER THEATRE STRICTLY LIMITED WEST END RUN STARRING TOBY JONES, STEPHEN MANGAN, ZOË WANAMAKER AND PEARL MACKIE MUST COME TO AN END ON 14TH APRIL Audiences now have just five weeks left to see the critically acclaimed West End production of playwright Harold Pinter’s The Birthday Party. The company for the major revival, which runs 60 years since the play’s debut, includes Toby Jones, Stephen Mangan, Zoë Wanamaker, Pearl Mackie, Tom Vaughan-Lawlor and Peter Wight, and is directed by Ian Rickson. Stanley Webber (Toby Jones) is the only lodger at Meg (Zoë Wanamaker) and Petey Boles’ (Peter Wight) sleepy seaside boarding house. The unsettling arrival of enigmatic strangers Goldberg (Stephen Mangan) and McCann (Tom Vaughan-Lawlor) disrupts the humdrum lives of the inhabitants and their friend Lulu (Pearl Mackie), and mundanity soon becomes menace when a seemingly innocent birthday party turns into a disturbing nightmare. Truth and alliances hastily shift in Pinter's brilliantly mysterious dark-comic masterpiece about the absurd terrors of the everyday. The production is designed by the Quay Brothers, with lighting by Hugh Vanstone, music by Stephen Warbeck, sound by Simon Baker, and casting by Amy Ball. For more information visit TheBirthdayParty.London -ENDS- For further information please contact The Corner Shop PR on 020 7831 7657 Maisie Lawrence [email protected] / Ben Chamberlain [email protected] LISTINGS Sonia Friedman Productions in association with Rupert Gavin, Tulchin Bartner Productions, 1001 Nights Productions, Scott M.
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In Film Mike Gubbins
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Made in Britain: Warp Films at 10
13/14 Made in Britain: Warp Films at 10 A 10th Anniversary celebration at BFI Southbank In spring last year BFI Southbank launched Made in Britain, an annual exploration of contemporary British Cinema. In April the strand returns with a selection of the most ground- breaking titles from Warp Films, as we celebrate this seminal production companyǯ ͳͲ anniversary. Warp Films have in their way defined a decade and are helping to shape the future of British cinema, offering the opportunity for highly original and exciting talent to make films that might otherwise be overlooked. BAFTA-winning films such as the This is England (2006), Four Lions (2010) and Tyrannosaur (2011) will all feature, but the season will launch with what promises to be a truly awesome event when ǯ (2004), directed by Shane Meadows, will screen with a live music accompaniment Ȃ featuring musicians from UNKLE and Clayhill plus Jah Wobble - at the Queen Elizabeth Hall on Friday 29 March. There will also be a Warp Films Shorts Programme, including work by Lynne Ramsay, Chris Cunningham and Paddy Considine plus a BUG: Warp Records Special, followed by an aftershow in benugo with Warp DJs hitting the decks. To complement this amazing showcase there will be an exhibition of newly designed Warp Film posters, by Sheffield-based artist Pete McKee, displayed exclusively in The Atrium at BFI Southbank. Warp Films have been at the heart of a new wave of filmmaking in the UK and have provided a platform for fresh, radical ideas and emerging talent from film and TV.
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