The Poetical Works of Thomas Aird
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Impressionist & Modern
Thursday 23 June 2016 IMPRESSIONIST & MODERN ART IMPRESSIONIST & MODERN ART Ӏ New Bond Street, London Ӏ Thursday 23 June 2016 IMPRESSIONIST & MODERN ART Thursday 23 June 2016 at 5pm New Bond Street, London VIEWING ENQUIRIES Cologne PHYSICAL CONDITION OF Saturday 18 June, 11am - 4pm India Phillips Katharina Schmid LOTS IN THIS AUCTION Sunday 19 June, 11am - 4pm Head of Department +49 221 2779 9650 Monday 20 June, 9am - 7pm +44 (0) 20 7468 8328 [email protected] PLEASE NOTE THAT THERE IS Tuesday 21 June, 9am - 5pm [email protected] NO REFERENCE IN THIS Wednesday 22 June, 9am - 5pm Geneva CATALOGUE TO THE PHYSICAL Thursday 23 June, 9am - 3pm Hannah Foster Victoria Rey-de Rudder CONDITION OF ANY LOT. Senior Specialist +41 22 300 3160 INTENDING BIDDERS MUST SALE NUMBER +44 (0) 20 7468 5814 [email protected] SATISFY THEMSELVES AS TO 23578 [email protected] THE CONDITION OF ANY LOT Hong Kong AS SPECIFIED IN CLAUSE 14 CATALOGUE Ruth Woodbridge Edward Wilkinson OF THE NOTICE TO BIDDERS £22.00 Specialist +1 323 436 5430 CONTAINED AT THE END OF +44 (0) 20 7468 5816 [email protected] THIS CATALOGUE. ILLUSTRATIONS [email protected] Front cover: Lot 12 Los Angeles As a courtesy to intending Inside front cover: Lot 27 Thérence de Matharel Alexis Chompaisal bidders, Bonhams will provide a Inside back cover: Lot 31 Specialist + 1 323 436 5469 written Indication of the physical Back cover: Lot 14 +44 (0) 20 7468 8263 [email protected] condition of lots in this sale if a [email protected] request is received up to 24 Milan hours before the auction starts. -
Tennyson's Poems
Tennyson’s Poems New Textual Parallels R. H. WINNICK To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/944 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. TENNYSON’S POEMS: NEW TEXTUAL PARALLELS Tennyson’s Poems: New Textual Parallels R. H. Winnick https://www.openbookpublishers.com Copyright © 2019 by R. H. Winnick This work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the work; to adapt the work and to make commercial use of the work provided that attribution is made to the author (but not in any way which suggests that the author endorses you or your use of the work). Attribution should include the following information: R. H. Winnick, Tennyson’s Poems: New Textual Parallels. Cambridge, UK: Open Book Publishers, 2019. https://doi.org/10.11647/OBP.0161 In order to access detailed and updated information on the license, please visit https://www.openbookpublishers.com/product/944#copyright Further details about CC BY licenses are available at http://creativecommons.org/licenses/by/4.0/ Digital material and resources associated with this volume are available at https://www.openbookpublishers.com/product/944#resources Every effort has been made to identify and contact copyright holders and any omission or error will be corrected if notification is made to the publisher. -
French Sculpture Census / Répertoire De Sculpture Française
FRENCH SCULPTURE CENSUS / RÉPERTOIRE DE SCULPTURE FRANÇAISE ARP, Jean/Hans Forest 1917 painted wood 1970.52 Cleveland, Ohio, The Cleveland Museum of Art BARRE, Jean-Auguste Portrait Medallion 1830 bronze 1975.113 Cleveland, Ohio, The Cleveland Museum of Art BARRIAS, Louis-Ernest Henri Regnault 1871 bronze 1980.228 Cleveland, Ohio, The Cleveland Museum of Art Page 1 BARYE, Antoine-Louis Axis Deer bronze 1940.566 Cleveland, Ohio, The Cleveland Museum of Art BARYE, Antoine-Louis Bull c. 1841 bronze 1940.565 Cleveland, Ohio, The Cleveland Museum of Art BARYE, Antoine-Louis Deer bronze 1941.15 Cleveland, Ohio, The Cleveland Museum of Art BARYE, Antoine-Louis Eagle with Chamois bronze 1940.569 Cleveland, Ohio, The Cleveland Museum of Art BARYE, Antoine-Louis Eagle with Snake bronze 1960.93 Cleveland, Ohio, The Cleveland Museum of Art Page 2 BARYE, Antoine-Louis Ethiopian Gazelle bronze 1940.568 Cleveland, Ohio, The Cleveland Museum of Art BARYE, Antoine-Louis Hare bronze, surmoulage made by Barbedienne on the basis of a Barye casting of the model 1941.19 Cleveland, Ohio, The Cleveland Museum of Art BARYE, Antoine-Louis Hercules Carrying the Erymanthean Boar c. 1820-1830 bronze 1981.223 Cleveland, Ohio, The Cleveland Museum of Art BARYE, Antoine-Louis Jaguar c. 1850 bronze, surmoulage? 1939.261 Cleveland, Ohio, The Cleveland Museum of Art Page 3 BARYE, Antoine-Louis Lion and Serpent bronze 1940.567 Cleveland, Ohio, The Cleveland Museum of Art BARYE, Antoine-Louis Spaniel and Duck bronze 1960.92 Cleveland, Ohio, The Cleveland Museum of Art BARYE, -
*»I*«»Ww Central Library of Rochester and Monroe County · Historic Serials Collection Central Library of Rochester and Monroe County · Historic Serials Collection
*»i*«»ww Central Library of Rochester and Monroe County · Historic Serials Collection Central Library of Rochester and Monroe County · Historic Serials Collection Rochester Public Library Reference Book Not For Circulation •*:*'**• U >t.~?>f. -+• \. J^* Central Library of Rochester and Monroe County · Historic Serials Collection 3 9077 03748531 THE MONTHLY REPOSITORY AND LIBRARY OF ENTERTAINING KN01YLEDGE •n Volume I 1S30/31 New York Central Library of Rochester and Monroe County · Historic Serials Collection / Female Influence on Children. 5 : ••:•.• ::; : ./.;:• j L~ j ,rFEMALE IKriJi^GE OK OKII,DEEN; , THE power which welVa'daptsc; Sooftf 'may exert on the minds of children, caii haMiV h'J' stated i«i too extrava gant terms, and will be allowed by every one to be great. And when we coiioAb: farjheK-tftrtt early im pressions, though often weaRe'ned, aie 'seldom entirely erased; that good seed on good ground affords an abun dant return at the harvest time; that " the child is father of the man;" and that a strong direction once J given, is long, and in a majority of cases always re tained : and to put the subject in one other point of view, when we consider that the mother's influence, which, next to the influence of heaven itself, is the best and dearest, and most heavenly, and has been the most frequently and gratefully acknowledged by its objects, may be so effectually aided in its operations by the hints which the parent receives, and the stores of aux iliary instruction and entertainment which are placed at her disposal, in -
The Burns Calendar Without Any Prefatory
iiOBERT BT7RNS ?3r! Similf EiiC'.-Hved byMaaliu't! &MSedouald.GU3^iiw. ; THE feURNS CALENDAR: A MANUAL BURNSIANA;OF RELATING EVENTS IN THE POET'S HISTORY, NAMES ASSOCIATED WITH HIS LIFE AND WRITINGS, A CONCISE BIBLIOGRAPHY, ^ AND ' A RECORD OF BURNS RELICS. " All hail ! my oivn inspired Bard ! In me thy native muse regard ! Nor longer mourn thy fate is hard, Thus poorly low ! I come to give thee such reward. As <we bestow. ' ^ Atid wear thou this,' she solemn said. And bound the Holly round my head : Tlie polished leaves and berries red, Did rustling play And, like a passing thought, she fled In light away." The Vision. \P R A f» ' or THE VN1VER8ITY KILMARNOCK; PRINTED AND PUBLISHED BY JAMES M'KIE, 2 KING STREET. MDCCCLXXIV. — ; f^L^3?La^.l?7f.MAiAJ " The best laid schemes o' Mice an' Men gang aft agley."— To a Mouse. PREFACE Our original intention was to publish the Burns Calendar without any prefatory remarks ; for one reason, the title page so distinctly indicates its purpose, that no introduction seemed to be needed ; and again, our vocation in compiling it was to produce—rather than describe, to collect the materials as best we could in the haze of a receding century, combine these in a graceful garniture, " bringing nothing of our own but the hand that gathered them;" this was all we sought td accomplish, and our labour of love will fulfil its mission if this contribution to Bums Literature find acceptance as a work of reference, and meet with a friendly welcome in that wider circle of kindred spirits who manifest a national interest in whatever concerns the name and fame of Scotland's greatest Poet. -
The Haverfordian, Vols. 54-55, Nov. 1934-June 1936
STACK THE LIBRARY OF HAVERFORD COLLEGE THE GIFT OF M 0.>J^ ^ gl't Accession No. S^ \ b^ (d^ HAVER FORD '. ^0722 PA msIQOL HAVERFQRD, Haberforbian The Fusser's Book .... Thomas D. Brown The Frasch Process . William S, Kinney, Jr, New Deal James Dailey Query of a Young Man . Samuel C Withers, Jr, The Liberator William. B, Kriebel Below Avignon .... George B. Bookman Reviews by James Hoover, William. H, Bond, John A, Lester, Jr., and J. R. Diehl. 1935 - — THE HAVERFORDIAN Phone: Newtown Square 42 DELAWARE COUNTY E. S. McCawley, RIDING ACADEMY Inc. West Chester Pike Haverford, Pa. Newtown Square This shop is haunted by the ghosts Of all great Literature, in hosts. Sleighing Parties - Barn Parties We sell no fakes or trashes Lovers of books are welcome here. No clerks will babble in your ear. — Samuel Gang Please smoke but don't drop ashes. Tailor for "Suits Pressed" Agency "HAUNTED BOOK SHOP"— For Service Call Ard. 4574 Christopher Morley THE CARD MART TYPING NOTARY schooij supplies Alice Caffrey Lanccister Avenue -Opposite Auto Car STREET Established 29 Years UNDER &, HAVERFORD PHARMACY PROPERT GOOD DRUGS OPTICIANS Best oF Service 20th and To Haverford Men Chestnut Streets Philadelphia Phone, Ardmore 122 THE HAVERFORDIAN Vol. LV HAVERFORD, PA., NOVEMBER, 1935 No. 1 The Haverfordian is published monthly during the college year. Its purpose is to foster a literary spirit among the undergraduates. To that end contributions are invited. Material should be submitted to the Editor before the fifth of the month preceding pubHcation. Entered as second-class matter March 19, 1921, at the post office at Haverford, Perm' sylvania, under the Act of March 3, 1879. -
THE BAPTIST HERALD Rfrl)) Wttat'.R HAPPE-Ml MG
'-...::t C' 0\'° ~ ..c- c:: u-:>.. ~ -:::J :z:: g. -c:::> -- c::: ~ <C s c:::> 3:: ..r=~ --c:::> -~ -c::: ~ '-/- C' c::: ·-3 ~ ....c::c""' I_ " Page 2 THE BAPTIST HERALD rFrl)) WttAT'.r HAPPE-Ml MG -- . • The Baptist ~erald • • Published semi-monthly ·on the first and fifteenth of each month by the • Lenten services were Schulz addressed the Christian Busi e The Germania Literary Society of ROGER WILLIAMS PRESS tDITOlllAL held at the North Avenue ness Men's group of Marion, Kansas our Seminary in Rochester, N. Y., has Church of Milwaukee, a nd on Februar y 8 the Strassburg been privileged to present distinguished 3734 Payne Ave., Cleveland 14, Ohio. Wisc., on successive Thursday Ivtale Chorus with Rev. Arthur Schulz speakers in a series of special monthly Martin L. Leuschner,D.D.,Editor evenings from Mar ch 7 to as director, san g at a banquet sponsored programs held on Saturday evenings. April 18. Among the special by the Marion Chr istian Business Men. In January, Dr. Harper Sibley, delegate speakers have been the Rev. to the San Francisco UNO Conference • Contents Rudolph Woyke of Water e On Friday morning, Mar ch 22, Mrs. spoke on "The United Nations Organi Cleveland, Ohio April 15, 1946 town, Dr. John Leypoldt and F. W. Bartel of St. Joseph, Michigan, zation." Judge Van Voorhis of the Cover P ic ture ..... .. ... Acme P h oto Wha t's. Hap pening . 2 · Volume 24 Dr. Thorwald W. Bender of the wife of the general evan gelist, the New York Supreme Court was the Number 8 Milwaukee. -
The Long Trick
The Long Trick By Bartimeus THE LONG TRICK CHAPTER I BACK FROM THE LAND Towards eight o'clock the fog that had hung threateningly over the City all the afternoon descended like a pall. It was a mild evening in February, and inside the huge echoing vault of King's Cross station the shaded arc lamps threw little pools of light along the departure platform where the Highland Express stood. The blinds of the carriage windows were already drawn, but here and there a circle of subdued light strayed out and was engulfed almost at once by the murky darkness. Sounds out of the unseen reached the ear muffled and confused: a motor horn hooted near the entrance, and quite close at hand a horse's hoofs clattered and rang on the cobbled paving-stones. The persistent hiss of escaping steam at the far end of the station seemed to fill the air until it was presently drowned by the ear-piercing screech of an engine: high up in the darkness ahead one of a bright cluster of red lights holding their own against the fog, changed to green. The whistle stopped abruptly, and the voice of a boy, passing along the crowded platform, claimed all Sound for its own. "Chor-or-or-clicks!" he cried in a not unmusical jodelling treble, "Chorclicks!—Cigarettes!" The platform was thronged by bluejackets and marines, for on this particular evening the period of leave, granted by some battleship in the North, had expired. They streamed out of refreshment rooms and entrance halls, their faces lit for a moment as they passed under successive arc lights, crowding round the carriage doors where their friends and relations gathered in leave-taking. -
Preacher's Magazine Volume 25 Number 04 L
Olivet Nazarene University Digital Commons @ Olivet Preacher's Magazine Church of the Nazarene 7-1-1950 Preacher's Magazine Volume 25 Number 04 L. A. Reed (Editor) Olivet Nazarene University Follow this and additional works at: https://digitalcommons.olivet.edu/cotn_pm Part of the Biblical Studies Commons, Christian Denominations and Sects Commons, International and Intercultural Communication Commons, Liturgy and Worship Commons, Missions and World Christianity Commons, and the Practical Theology Commons Recommended Citation Reed, L. A. (Editor), "Preacher's Magazine Volume 25 Number 04" (1950). Preacher's Magazine. 250. https://digitalcommons.olivet.edu/cotn_pm/250 This is brought to you for free and open access by the Church of the Nazarene at Digital Commons @ Olivet. It has been accepted for inclusion in Preacher's Magazine by an authorized administrator of Digital Commons @ Olivet. For more information, please contact [email protected]. JULY AUGUST 1950 SUMMER ISSUE The Preacher's Magazine Volume 25 July-August, 1950 Number 4 CONTENTS Editorial, “ With What?” ....................................................................................................................... 3 The Counselor’s Corner, L. A. Reed ............................................................................................ 6 Paul’s Conception of Divine Sovereignty or Is Calvinism Pauline? Richard S. Taylor .... 9 Zechariah, Ralph Earle ........................................................................................................................ -
IA Madocsouthey00soutiala
! *y05SKie^505^TiftR<*S3$3!aSS^ ! "This BooK& is /rune. Ahd 1 _yl LooS you yt i you hA to B SO p Ayhe to see my Booke BRothe home M A D C. BY ROBERT SOUTHEY. OMXE SOLUM FORTI PATRIA. LONDON : HENRY VIZETELLY, GOUGH SQ., FLEET ST. CLARKE, BEETON, AND CO., 148, FLEET ST. 1853. Three things must be avoided in Poetry : the frivolous, the obscure, and the superfluous. The three excellencies of Poetry : simplicity of language, simplicity of subject, and simplicity of invention. The three indispensable purities of Poetry : pure truth, pure language, and pure manners. Three things should all Poetry be : thoroughly erudite, thoroughly animated, and thoroughly natural. Triads. PREFACE. THE historical facts on which this poem is founded may be related in few words. On the death of Owen Gwyneth, king of North Wales, A. D. 1169, his children disputed for the succession. Yorwerth, the eldest, was set aside without a struggle, as being incapacitated by a blemish in his face. Hoel, though illegitimate, and born of an Irish mother, obtained possession of the throne for a while, till he was defeated and slain by David, the eldest son of the late king by a second wife. The conqueror, who then succeeded without opposition, slew Yorwerth, imprisoned Rodri, and hunted others of his brethren into exile. But Madoc, meantime, abandoned his bar- barous country, and sailed away to the west in search of some better resting place. The land which he discovered him left there of his and pleased ; he part people, went back to Wales for a fresh supply of adventurers, with whom he again set sail, and was heard of no more. -
Volume Two Doctor of Philosophy
'NATURE'S MAKING': JAMES HOGG AND THE AUTODIDACTIC TRADITION IN SCOTTISH POETRY By Valentina Bold, M. A. (hons), M. A. Volume Two A thesis submitted to the University of Glasgow in fulfilment of the requirements for the Degree of Doctor of Philosophy August 1997 Department of Scottish Literature, University of Glasgow ° Valentina Bold August 1997 355 Chapter Eight: Parodies and Experiments 'The Border district of Scotland was at this time, of all the districts of the inhabited world, pre- eminently the singing country.... The easily traceable reasons for this character are.... Firstly, distinctly pastoral life... Secondly, the soldier's life, passing gradually, not in cowardice or under foreign conquest, but by his own increasing kindness and sense, into that of the shepherd; thus, without humiliation, leaving the war-wounded past to be recalled for its sorrow and its fame. Thirdly, the extreme sadness of that past.... Fourthly (this a merely physical cause, yet a very notable one), the beauty of the sound of Scottish streams.... There must be much soft rain... the rocks must break irregularly and jaggedly.... the loosely- breaking rock must contain hard pebbles.... giving the stream its gradations of amber to the edge, and the sound as of "ravishing division to the lute". ' (John Ruskin, Fors Clavigera: Vol III, The Works of John Ruskin, ed E. T. Cook and Alexander Wedderburn, (London and New York, 1907), Vol XXVII, Letter 32 (August 1873) pp. 593-95. ) 356 Like Ruskin's stream, Hogg's poetry mixes the indigenous traditions of the Borders with a range of extraneous elements. His facility in diverse styles is particularly evident in parodies and experiments. -
Rodin PR Checklist Final
Rodin: The Shock of the Modern Body 9/15/2017–Ongoing Exhibit Checklist Auguste Rodin, France, 1840–1917 Seated Bather with Feet Apart, Headless (Baigneuse assise, pieds écartés, sans tête) 1885-1900 Bronze Credit line: Cantor Arts Center Collection, Committee for Art Acquisitions Fund Accession no.: 1968.24 Auguste Rodin, France, 1840–1917 Mrs. Russell (Mme. Russell) 1888-1889 Wax Credit line: Cantor Arts Center Collection, Gift of Mr. and Mrs. William Janss Accession no.: 1968.85 Auguste Rodin, France, 1840–1917 Flying Figure, small version (Figure volante, petit modèle) 1890-1891 Bronze Credit line: Cantor Arts Center Collection, Museum Purchase Fund Accession no.: 1970.134 Auguste Rodin, France, 1840–1917 Victor Hugo, known as the Bust to the Illustrious Master (Victor Hugo, buste dit À l’Illustre Maître) 1885, first modeled 1883 Bronze Credit line: Cantor Arts Center Collection, Gift of Cyril Magnin Accession no.: 1971.5 For more information contact: Margaret Whitehorn, Public Relations Assistant Manager, Cantor Arts Center at Stanford University, Lomita Dr. at Museum Way, Stanford, CA 94305, 650-724-3600, [email protected], museum.stanford.edu 09/22/17 1 Rodin: The Shock of the Modern Body 9/15/2017–Ongoing Auguste Rodin, France, 1840–1917 Giganti, Male Torso (Giganti, torse masculin) c. 1882-1885 Bronze Credit line: Cantor Arts Center Collection, Gift of the Iris and B. Gerald Cantor Foundation Accession no.: 1974.32 Auguste Rodin, France, 1840–1917 The Kiss (Le baiser) c. 1880-1882 Bronze Credit line: Cantor Arts Center Collection, Gift of the Iris and B. Gerald Cantor Foundation Accession no.: 1974.36 Auguste Rodin, France, 1840–1917 Youth Triumphant (La jeunesse triomphante) 1894 Bronze Credit line: Cantor Arts Center Collection, Gift of the Iris and B.