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Flexible Games by Which I Mean Digital Game Systems That Can Accommodate Rule-Changing and Rule-Bending
Let’s Play Our Way: Designing Flexibility into Card Game Systems Gifford Cheung A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2013 Reading Committee: David Hendry, Chair David McDonald Nicolas Ducheneaut Jennifer Turns Program Authorized to Offer Degree: Information School ©Copyright 2013 Gifford Cheung 2 University of Washington Abstract Let’s Play Our Way: Designing Flexibility into Card Game Systems Gifford Cheung Chair of the Supervisory Committee: Associate Professor David Hendry Information School In this dissertation, I explore the idea of designing “flexible game systems”. A flexible game system allows players (not software designers) to decide on what rules to enforce, who enforces them, and when. I explore this in the context of digital card games and introduce two design strategies for promoting flexibility. The first strategy is “robustness”. When players want to change the rules of a game, a robust system is able to resist extreme breakdowns that the new rule would provoke. The second is “versatility”. A versatile system can accommodate multiple use-scenarios and can support them very well. To investigate these concepts, first, I engage in reflective design inquiry through the design and implementation of Card Board, a highly flexible digital card game system. Second, via a user study of Card Board, I analyze how players negotiate the rules of play, take ownership of the game experience, and communicate in the course of play. Through a thematic and grounded qualitative analysis, I derive rich descriptions of negotiation, play, and communication. I offer contributions that include criteria for flexibility with sub-principles of robustness and versatility, design recommendations for flexible systems, 3 novel dimensions of design for gameplay and communications, and rich description of game play and rule-negotiation over flexible systems. -
Jay-Z: in Tha’ Mix
ASC 1138--JAY-Z: IN THA’ MIX JAY-Z: IN THA’ MIX CREDIT HOURS Leta Hendricks [email protected] Tel: 614-688-7478 Classroom – Room 150A Thompson Library Class Meeting – Fridays – 1:30 – 2:18 p.m. January 11 – April 19, 2013 Office Hours – Tuesday – 9:00 – 11:00 a.m. and by appointment WEB Site – Twitter – Second Life- Hip Hop Underground http://slurl.com/secondlife/Cybrary%20City%20II/77/198/8 SYLLABUS COURSE DESCRIPTION JAY-Z is an entrepreneurial phenomenon of the last the twenty years. This seminar examines JAY-Z from different perspectives as an artist and as a businessman. The seminar will discuss perspectives and beliefs about rap music and popular culture. JAY-Z is currently one of the most influential iconic figures of Global Pop Culture. His music embodies the quintessentially “African American” genre of music, we will study his musical roots, trace the development of his career and connect JAY-Z with his culture. An analysis of his business empire will include his drug-marked youth, musical achievements, and urban-informed business savvy. The Seminar will discuss his lyrics and their meanings which reveal JAY-Z’s art and life. JAY-Z heavily borrows from American musical and literary traditions through an examination of select recordings, autobiography, film, essays and criticism, this Seminar will provide students the opportunity to discover the significance of JAY-Z’s contributions to lyric writing, popular music, and beyond. The following resources will facilitate students learning development by using multiple content formats. DJ Hero will engage students through gameplay, simulating DJ turntablism (mixing styles and techniques) connecting gaming activities to assignments, discussions, and projects on JAY-Z and current Rap artists. -
1. Summer Rain by Carl Thomas 2. Kiss Kiss by Chris Brown Feat T Pain 3
1. Summer Rain By Carl Thomas 2. Kiss Kiss By Chris Brown feat T Pain 3. You Know What's Up By Donell Jones 4. I Believe By Fantasia By Rhythm and Blues 5. Pyramids (Explicit) By Frank Ocean 6. Under The Sea By The Little Mermaid 7. Do What It Do By Jamie Foxx 8. Slow Jamz By Twista feat. Kanye West And Jamie Foxx 9. Calling All Hearts By DJ Cassidy Feat. Robin Thicke & Jessie J 10. I'd Really Love To See You Tonight By England Dan & John Ford Coley 11. I Wanna Be Loved By Eric Benet 12. Where Does The Love Go By Eric Benet with Yvonne Catterfeld 13. Freek'n You By Jodeci By Rhythm and Blues 14. If You Think You're Lonely Now By K-Ci Hailey Of Jodeci 15. All The Things (Your Man Don't Do) By Joe 16. All Or Nothing By JOE By Rhythm and Blues 17. Do It Like A Dude By Jessie J 18. Make You Sweat By Keith Sweat 19. Forever, For Always, For Love By Luther Vandros 20. The Glow Of Love By Luther Vandross 21. Nobody But You By Mary J. Blige 22. I'm Going Down By Mary J Blige 23. I Like By Montell Jordan Feat. Slick Rick 24. If You Don't Know Me By Now By Patti LaBelle 25. There's A Winner In You By Patti LaBelle 26. When A Woman's Fed Up By R. Kelly 27. I Like By Shanice 28. Hot Sugar - Tamar Braxton - Rhythm and Blues3005 (clean) by Childish Gambino 29. -
Racial Justice in Engineering the Road Ahead for Mckelvey Engineering
mckelvey engineering Across Disciplines. Across the World® // spring 2021 Racial justice in Engineering The road ahead for McKelvey Engineering inside Neal Patwari 18 // Virtual becomes reality 22 // Libby Allman 26 From the dean // The Long Road Ahead I write this letter as we are wrapping up what will be remembered as the most unusual academic year in living memory. The COVID-19 pandemic, which last spring was a crisis requiring an immediate response to launch online learning, grew into an ever-present constraint that impacted teaching, research and all aspects of operations across the university. For the Fall 2020 and Spring 2021 semesters, McKelvey Engineering needed to embrace new paradigms of teaching and learning, to develop new modes of managing and sharing research spaces, and to conduct business operations almost exclusively through remote interactions. In the pages of this issue of Engineering Momentum, you will read about some of the efforts it took to rise to the occasion. Given the enormity of the task, one might expect responding to COVID-19 to be the cover story of this issue of the magazine. It is not. Instead, the summer of last year saw the emergence of an awareness of a challenge that has been with us for centuries and whose destructive power is not amenable to being controlled by a vaccine. While the most visible event of the summer was the video-captured death of George Floyd at the hands of police officers, there was a washu photo litany of such tragedies and travesties. These incidents energized a Black Lives Matter Aaron F. -
Gold & Platinum Awards June// 6/1/17 - 6/30/17
GOLD & PLATINUM AWARDS JUNE// 6/1/17 - 6/30/17 MULTI PLATINUM SINGLE // 34 Cert Date// Title// Artist// Genre// Label// Plat Level// Rel. Date// We Own It R&B/ 6/27/2017 2 Chainz Def Jam 5/21/2013 (Fast & Furious) Hip Hop 6/27/2017 Scars To Your Beautiful Alessia Cara Pop Def Jam 11/13/2015 R&B/ 6/5/2017 Caroline Amine Republic Records 8/26/2016 Hip Hop 6/20/2017 I Will Not Bow Breaking Benjamin Rock Hollywood Records 8/11/2009 6/23/2017 Count On Me Bruno Mars Pop Atlantic Records 5/11/2010 Calvin Harris & 6/19/2017 How Deep Is Your Love Pop Columbia 7/17/2015 Disciples This Is What You Calvin Harris & 6/19/2017 Pop Columbia 4/29/2016 Came For Rihanna This Is What You Calvin Harris & 6/19/2017 Pop Columbia 4/29/2016 Came For Rihanna Calvin Harris Feat. 6/19/2017 Blame Dance/Elec Columbia 9/7/2014 John Newman R&B/ 6/19/2017 I’m The One Dj Khaled Epic 4/28/2017 Hip Hop 6/9/2017 Cool Kids Echosmith Pop Warner Bros. Records 7/2/2013 6/20/2017 Thinking Out Loud Ed Sheeran Pop Atlantic Records 9/24/2014 6/20/2017 Thinking Out Loud Ed Sheeran Pop Atlantic Records 9/24/2014 www.riaa.com // // GOLD & PLATINUM AWARDS JUNE// 6/1/17 - 6/30/17 6/20/2017 Starving Hailee Steinfeld Pop Republic Records 7/15/2016 6/22/2017 Roar Katy Perry Pop Capitol Records 8/12/2013 R&B/ 6/23/2017 Location Khalid RCA 5/27/2016 Hip Hop R&B/ 6/30/2017 Tunnel Vision Kodak Black Atlantic Records 2/17/2017 Hip Hop 6/6/2017 Ispy (Feat. -
The Life & Rhymes of Jay-Z, an Historical Biography
ABSTRACT Title of Dissertation: THE LIFE & RHYMES OF JAY-Z, AN HISTORICAL BIOGRAPHY: 1969-2004 Omékongo Dibinga, Doctor of Philosophy, 2015 Dissertation directed by: Dr. Barbara Finkelstein, Professor Emerita, University of Maryland College of Education. Department of Teaching and Learning, Policy and Leadership. The purpose of this dissertation is to explore the life and ideas of Jay-Z. It is an effort to illuminate the ways in which he managed the vicissitudes of life as they were inscribed in the political, economic cultural, social contexts and message systems of the worlds which he inhabited: the social ideas of class struggle, the fact of black youth disempowerment, educational disenfranchisement, entrepreneurial possibility, and the struggle of families to buffer their children from the horrors of life on the streets. Jay-Z was born into a society in flux in 1969. By the time Jay-Z reached his 20s, he saw the art form he came to love at the age of 9—hip hop— become a vehicle for upward mobility and the acquisition of great wealth through the sale of multiplatinum albums, massive record deal signings, and the omnipresence of hip-hop culture on radio and television. In short, Jay-Z lived at a time where, if he could survive his turbulent environment, he could take advantage of new terrains of possibility. This dissertation seeks to shed light on the life and development of Jay-Z during a time of great challenge and change in America and beyond. THE LIFE & RHYMES OF JAY-Z, AN HISTORICAL BIOGRAPHY: 1969-2004 An historical biography: 1969-2004 by Omékongo Dibinga Dissertation submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2015 Advisory Committee: Professor Barbara Finkelstein, Chair Professor Steve Klees Professor Robert Croninger Professor Derrick Alridge Professor Hoda Mahmoudi © Copyright by Omékongo Dibinga 2015 Acknowledgments I would first like to thank God for making life possible and bringing me to this point in my life. -
March 6 Ash Wednesday Year C – Year of Luke's Gospel
March 6 Ash Wednesday Responsorial Psalm: Psalm 51:3-4, 5-6ab, 12-13, 14, 17 Year C – Year of Luke’s Gospel Be merciful, O Lord, for we have sinned. Three years ago, the last Cycle C, we were in the midst of the 2nd Reading: 2 Corinthians 5:20–6:2 Paul implored the Corinthians Year of Mercy. How are we doing with those Corporal and to be reconciled to God right away. As Christ carried their sins upon the cross, so can they bear his holiness within them, if they turn to Spiritual Works of Mercy? Are they more incorporated into him. “Behold, now is a very acceptable time; behold, now is the day our very way of life? Conversion is an ongoing process – of salvation.” lifelong and always spiraling toward eternal life and God’s reign. As mystagogues from our own Baptism, we begin this Gospel Verse: season of baptismal preparation and repentance with our end If today you hear God’s voice, harden not your hearts. in mind” “Remember that you are dust, and to dust you shall Gospel: Matthew 6:1-6, 16-18: Jesus warned the disciples against return.” Our “Gloria’s” and “Alleluias” are put on hold. We performing religious acts only to attract the attention of others. In giving alms, praying and fasting, Christians are to conduct highlight the Penitential Act, perhaps by kneeling and/or by themselves in such a way that no one will know, except God, who sees singing the tropes. These song suggestions reflect the use of all things. -
Jay-Z-Beyonce Vip-Offer 5.Pdf
JAY-Z & BEYONCÉ play the OLYMPIASTADION BERLIN On Thursday, June 28, 2018, JAY-Z & BEYONCÉ will hit the Olympiastadion Berlin on their OTR Tour II. The couple’s worldwide name of recognition is beyond dispute. Hits like Crazy in Love, Baby Boy or Single Ladies (Put a ring on it) crowned BEYONCÉ the Queen of Pop and vaulted her on the top of the world. The Rapper, music producer, entrepreneur and husband JAY-Z sits enthroned right there next to her. Songs like Hard Knock Life, Empire State of Mind and 99 Problems turned the New Yorker into a legend of Hip Hop. On the following pages, you can find all the information on how to experience this magnificent live concert in the luxurious hospitality areas of the Olympiastadion Berlin. If you are interested, we would kindly ask you to sign and fill out the reservation form (last page) and send it back to us via fax (030 – 306 88 120) or via email ([email protected]). We look forward to welcome you! OVERVIEW OF THE VIP-AREAS BUSINESS SEATS HALL OF HONOUR State guests from around the world, members of government and guests of honor from the world of sports and entertainment take their seats here and you could make this the arena for your event as well. The Hall of Honor is a place of prominence – grand panoramic windows, provide one of the most impressive views of the stadium. Business Seat in the category 1 with best view of the stage* One parking pass per two tickets Access via a separate entrance Hot and cold buffet in the Atrium or Business Lounge Large selection of beverages** Attentive service personnel BUSINESS SEATS HALL OF HONOUR EUR 395 excl. -
EDDIE LEE RICHARDSON Aka ) HOTWIRE the PRODUCER, ) ) Plaintiff, ) No
UNITED STATES DISTRICT COURT FOR THE NORTHERN DISTRICT OF ILLINOIS EASTERN DIVISION EDDIE LEE RICHARDSON aka ) HOTWIRE THE PRODUCER, ) ) Plaintiff, ) No. 19 C 02321 ) v. ) ) JuDge EDmonD E. CHang KARIM KHARBOUCH aka FRENCH ) MONTANA; and EXCUSE MY FRENCH, ) ) DefenDants. ) MEMORANDUM OPINION AND ORDER In 2012, when Eddie Lee Richardson was 16 years olD, He createD an instrumental song consisting of “a unique and artistic array of digital sounds and rhythms.” See R. 1, Compl. ¶ 13.1 He named it “*Hood* Pushin’ Weight.” Id. Seven years later, Richardson brought this lawsuit, alleging that Karim Kharbouch—who performs under the name French Montana—infringed on Richardson’s work in violation of federal copyright law, 17 U.S.C. § 106.2 Compl. ¶¶ 25-32. THe Complaint also names as a defendant Excuse My French, which is allegedly an unincorporated music-publishing company owned and controlled by Kharbouch. Id. ¶ 3. THe Defendants now seek to dismiss the complaint for lack of personal jurisdiction, improper venue, anD failure to aDequately state a claim. R. 19, Mot. to Dismiss at 1 (citing Fed. R. Civ. P. 12(b)(2), (3), and (6)). In the alternative, the defense wants 1Citations to the record are noted as “R.” followed by the docket number. 2The Court has federal-question jurisdiction over this case under 28 U.S.C. § 1332. Richardson to provide a more definite statement of his claim under Rule 12(e). Id. For the reasons explained below, the Defendants’ motion is denieD in its entirety. I. Background For purposes of tHis motion, tHe Court accepts as true the factual allegations in the Complaint. -
Song Title Artist Disc
Song Title Artist Disc # # 1 CRUSH GARBAGE 6639 # 9 DREAM LENNON, JOHN 6013 #1 NELLY 9406 (LOVE IS LIKE A) HEATWAVE MARTHA & THE VANDELLAS 7235 (YOU WANT TO) MAKE A MEMORY BON JOVI 14106 (YOU'VE GOT) THE MAGIC TOUCH PLATTERS, THE 1255 '03 BONNIE & CLYDE JAY-Z & BEYONCE 10971 1 THING AMERIE 13133 1, 2, 3 RED LIGHT 1910 FRUITGUM CO. 10237 1,2 STEP CIARA & MISSY ELLIOTT 12989 10 OUT OF 10 LOUCHIE LOU 7399 10 SECONDS DOWN SUGAR RAY 6418 10,000 PROMISES BACKSTREET BOYS 3350 100 YEARS FIVE FOR FIGHTING 12772 100% PURE LOVE WATERS, CRYSTAL 9306 1000 OCEANS AMOS, TORRIE 6711 10TH AVE. FREEZEOUT SPRINGSTEEN, BRUCE 11813 10TH AVENUE FREEZE OUT SPRINGSTEEN, BRUCE 2632 12:51 STROKES, THE 12520 1-2-3 BARRY, LEN 8210 ESTEFAN, GLORIA 13 18 & LIFE SKID ROW 2633 1969 STEGALL, KEITH 6712 1979 SMASHING PUMPKINS 6713 1982 TRAVIS, RANDY 3386 1985 BOWLING FOR SOUP 12880 1999 PRINCE 6714 19TH NERVOUS BREAKDOWN ROLLING STONES, THE 1032 2 BECOME 1 SPICE GIRLS 1427 2 STEP DJ UNK 14155 20 GOOD REASONS THIRSTY MERC 14107 2001 INTRO ELVIS 1604 20TH CENTURY FOX DOORS, THE 6715 21 QUESTIONS 50 CENT & NATE DOGG 11730 24 JEM 13169 24 HOURS AT A TIME TUCKER, MARSHALL, B 2634 24/7 EDMONDS, KEVON 6820 25 MILES STARR, EDWIN 9488 25 OR 6 TO 4 CHICAGO 4735 26 MILES FOUR PREPS, THE 10102 26 CENTS WILKINSONS, THE 6821 29 NIGHTS LEIGH, DANNI 6822 3 LIBRAS PERFECT CIRCLE, A 6824 3 LITTLE PIGS GREEN JELLY 2429 3:00 A.M. -
Eminem 1 Eminem
Eminem 1 Eminem Eminem Eminem performing live at the DJ Hero Party in Los Angeles, June 1, 2009 Background information Birth name Marshall Bruce Mathers III Born October 17, 1972 Saint Joseph, Missouri, U.S. Origin Warren, Michigan, U.S. Genres Hip hop Occupations Rapper Record producer Actor Songwriter Years active 1995–present Labels Interscope, Aftermath Associated acts Dr. Dre, D12, Royce da 5'9", 50 Cent, Obie Trice Website [www.eminem.com www.eminem.com] Marshall Bruce Mathers III (born October 17, 1972),[1] better known by his stage name Eminem, is an American rapper, record producer, and actor. Eminem quickly gained popularity in 1999 with his major-label debut album, The Slim Shady LP, which won a Grammy Award for Best Rap Album. The following album, The Marshall Mathers LP, became the fastest-selling solo album in United States history.[2] It brought Eminem increased popularity, including his own record label, Shady Records, and brought his group project, D12, to mainstream recognition. The Marshall Mathers LP and his third album, The Eminem Show, also won Grammy Awards, making Eminem the first artist to win Best Rap Album for three consecutive LPs. He then won the award again in 2010 for his album Relapse and in 2011 for his album Recovery, giving him a total of 13 Grammys in his career. In 2003, he won the Academy Award for Best Original Song for "Lose Yourself" from the film, 8 Mile, in which he also played the lead. "Lose Yourself" would go on to become the longest running No. 1 hip hop single.[3] Eminem then went on hiatus after touring in 2005. -
Jay-Z's Successful 'Hovcoming' Show
SPORTS Vanderbilt can’t hold halftime lead in 24-13 loss to Kentucky. TheMONDAY, NOVEMBER Vanderbilt 16, 2009 • 121ST YEAR, NO. 52 • THE VOICE Hustler OF VANDERBILT SINCE 1888 See page 6 www.InsideVandy.com Jay-Z’s successful ‘HOVcoming’ show Students lined up early to see Go online to watch a video middle of the stage. e set, a video board of concertgoers’ reactions backdrop in the shape of a skyscraper, the New York City native in after Friday night’s show and displayed graphics, clips from music videos, see if other students’ opin- and close-ups of Jay-Z and crew. what many thought to be an ions match your own. “I loved all the technical stu ,” said junior incredible perfomance. Gabrielle Westbrook. Referring to himself as the JeHOVAh of Jay-Z protege J.Cole opened up the show. rap, Jay-Z performed many songs from the by MORGAN SMITH-WILLIAMS “Although not as popular as the main recently released “ e Blueprint 3,” and, Staff Reporter act, J.Cole did a really good job keeping the much to the pleasure of the crowd, many crowd pumped and interested,” said junior of his most popular hits from past, such as Despite not selling out, as previously Shannon Coleman. “I wanted to go back “Excuse Me Miss,” “Dirt O Your Shoulders” anticipated, Jay-Z’s Friday night concert and listen to his mixtape.” and “Give it to Me.” at Memorial Gym was received with Rapper Wale followed him, performing Jay-Z also had a live band, brought back enthusiasm by Vanderbilt students and the crowd favorites “Chillin’” and “Pretty out popular rapper Memphis Bleek as his local Nashville community.