2021-2022 Student Handbook
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Jay-Z: in Tha’ Mix
ASC 1138--JAY-Z: IN THA’ MIX JAY-Z: IN THA’ MIX CREDIT HOURS Leta Hendricks [email protected] Tel: 614-688-7478 Classroom – Room 150A Thompson Library Class Meeting – Fridays – 1:30 – 2:18 p.m. January 11 – April 19, 2013 Office Hours – Tuesday – 9:00 – 11:00 a.m. and by appointment WEB Site – Twitter – Second Life- Hip Hop Underground http://slurl.com/secondlife/Cybrary%20City%20II/77/198/8 SYLLABUS COURSE DESCRIPTION JAY-Z is an entrepreneurial phenomenon of the last the twenty years. This seminar examines JAY-Z from different perspectives as an artist and as a businessman. The seminar will discuss perspectives and beliefs about rap music and popular culture. JAY-Z is currently one of the most influential iconic figures of Global Pop Culture. His music embodies the quintessentially “African American” genre of music, we will study his musical roots, trace the development of his career and connect JAY-Z with his culture. An analysis of his business empire will include his drug-marked youth, musical achievements, and urban-informed business savvy. The Seminar will discuss his lyrics and their meanings which reveal JAY-Z’s art and life. JAY-Z heavily borrows from American musical and literary traditions through an examination of select recordings, autobiography, film, essays and criticism, this Seminar will provide students the opportunity to discover the significance of JAY-Z’s contributions to lyric writing, popular music, and beyond. The following resources will facilitate students learning development by using multiple content formats. DJ Hero will engage students through gameplay, simulating DJ turntablism (mixing styles and techniques) connecting gaming activities to assignments, discussions, and projects on JAY-Z and current Rap artists. -
Flashback, Flash Forward: Re-Covering the Body and Id-Endtity in the Hip-Hop Experience
FLASHBACK, FLASH FORWARD: RE-COVERING THE BODY AND ID-ENDTITY IN THE HIP-HOP EXPERIENCE Submitted By Danicia R. Williams As part of a Tutorial in Cultural Studies and Communications May 04,2004 Chatham College Pittsburgh, Pennsylvania Tutor: Dr. Prajna Parasher Reader: Ms. Sandy Sterner Reader: Dr. Robert Cooley ACKNOWLEDGEMENTS I would like to thank Dr. Prajna Paramita Parasher, my tutor for her faith, patience and encouragement. Thank you for your friendship. Ms. Sandy Sterner for keeping me on my toes with her wit and humor, and Dr. Cooley for agreeing to serve on my board. Kathy Perrone for encouraging me always, seeing things in me I can only hope to fulfill and helping me to develop my writing. Dr. Anissa Wardi, you and Prajna have changed my life every time I attend your classes. My parent s for giving me life and being so encouraging and trusting in me even though they weren't sure what I was up to. My Godparents, Jerry and Sharon for assisting in the opportunity for me to come to Chatham. All of the tutorial students that came before me and all that will follow. I would like to give thanks for Hip-Hop and Sean Carter/Jay-Z, especially for The Black Album. With each revolution of the CD my motivation to complete this project was renewed. Whitney Brady, for your excitement and brainstorming sessions with me. Peace to Divine Culture for his electricity and Nabri Savior. Thank you both for always being around to talk about and live in Hip-Hop. Thanks to my friends, roommates and coworkers that were generally supportive. -
Access the Best in Music. a Digital Version of Every Issue, Featuring: Cover Stories
Bulletin YOUR DAILY ENTERTAINMENT NEWS UPDATE MARCH 23, 2020 Page 1 of 27 INSIDE Lil Uzi Vert’s ‘Eternal Atake’ Spends • Roddy Ricch’s Second Week at No. 1 on ‘The Box’ Leads Hot 100 for 11th Week, Billboard 200 Albums Chart Harry Styles’ ‘Adore You’ Hits Top 10 BY KEITH CAULFIELD • What More Can (Or Should) Congress Do Lil Uzi Vert’s Eternal Atake secures a second week No. 1 for its first two frames on the charts dated Dec. to Support the Music at No. 1 on the Billboard 200 albums chart, as the set 28, 2019 and Jan. 4, 2020. Community Amid earned 247,000 equivalent album units in the U.S. in Eternal Atake would have most likely held at No. Coronavirus? the week ending March 19, according to Nielsen Mu- 1 for a second week without the help of its deluxe • Paradigm sic/MRC Data. That’s down just 14% compared to its reissue. Even if the album had declined by 70% in its Implements debut atop the list a week ago with 288,000 units. second week, it still would have ranked ahead of the Layoffs, Paycuts The small second-week decline is owed to the chart’s No. 2 album, Lil Baby’s former No. 1 My Turn Amid Coronavirus album’s surprise reissue on March 13, when a new (77,000 units). The latter set climbs two rungs, despite Shutdown deluxe edition arrived with 14 additional songs, a 27% decline in units for the week.Bad Bunny’s • Cost of expanding upon the original 18-song set. -
The Top 7000+ Pop Songs of All-Time 1900-2017
The Top 7000+ Pop Songs of All-Time 1900-2017 Researched, compiled, and calculated by Lance Mangham Contents • Sources • The Top 100 of All-Time • The Top 100 of Each Year (2017-1956) • The Top 50 of 1955 • The Top 40 of 1954 • The Top 20 of Each Year (1953-1930) • The Top 10 of Each Year (1929-1900) SOURCES FOR YEARLY RANKINGS iHeart Radio Top 50 2018 AT 40 (Vince revision) 1989-1970 Billboard AC 2018 Record World/Music Vendor Billboard Adult Pop Songs 2018 (Barry Kowal) 1981-1955 AT 40 (Barry Kowal) 2018-2009 WABC 1981-1961 Hits 1 2018-2017 Randy Price (Billboard/Cashbox) 1979-1970 Billboard Pop Songs 2018-2008 Ranking the 70s 1979-1970 Billboard Radio Songs 2018-2006 Record World 1979-1970 Mediabase Hot AC 2018-2006 Billboard Top 40 (Barry Kowal) 1969-1955 Mediabase AC 2018-2006 Ranking the 60s 1969-1960 Pop Radio Top 20 HAC 2018-2005 Great American Songbook 1969-1968, Mediabase Top 40 2018-2000 1961-1940 American Top 40 2018-1998 The Elvis Era 1963-1956 Rock On The Net 2018-1980 Gilbert & Theroux 1963-1956 Pop Radio Top 20 2018-1941 Hit Parade 1955-1954 Mediabase Powerplay 2017-2016 Billboard Disc Jockey 1953-1950, Apple Top Selling Songs 2017-2016 1948-1947 Mediabase Big Picture 2017-2015 Billboard Jukebox 1953-1949 Radio & Records (Barry Kowal) 2008-1974 Billboard Sales 1953-1946 TSort 2008-1900 Cashbox (Barry Kowal) 1953-1945 Radio & Records CHR/T40/Pop 2007-2001, Hit Parade (Barry Kowal) 1953-1935 1995-1974 Billboard Disc Jockey (BK) 1949, Radio & Records Hot AC 2005-1996 1946-1945 Radio & Records AC 2005-1996 Billboard Jukebox -
Jay-Z Collision Course Mp3, Flac, Wma
Jay-Z Collision Course mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop / Rock Album: Collision Course Country: Indonesia Released: 2004 Style: Hip Hop, Nu Metal MP3 version RAR size: 1582 mb FLAC version RAR size: 1376 mb WMA version RAR size: 1443 mb Rating: 4.9 Votes: 180 Other Formats: MOD MMF ADX MPC AUD MIDI MP3 Tracklist Studio Recordings CD-1 Dirt Off Your Shoulder/Lying From You 4:05 CD-2 Big Pimpin'/Papercut 2:36 CD-3 Jigga What/Faint 3:31 CD-4 Numb/Encore 3:25 CD-5 Izzo/In The End 2:45 CD-6 Points Of Authority/99 Problems/One Step Closer 4:56 Live Performances VCD-1 Dirt Off Your Shoulder/Lying From You 4:29 VCD-2 Big Pimpin'/Papercut 2:37 VCD-3 Jigga What/Faint 4:09 VCD-4 Numb/Encore 3:29 VCD-5 Izzo/In The End 2:41 VCD-6 Points Of Authority/99 Problems/One Step Closer 7:47 Companies, etc. Copyright (c) – Warner Bros. Records Inc. Copyright (c) – Roc-A-Fella Records, LLC Phonographic Copyright (p) – Warner Bros. Records Inc. Phonographic Copyright (p) – Roc-A-Fella Records, LLC Manufactured By – PT Warner Music Indonesia Distributed By – PT Warner Music Indonesia Credits Arranged By – Brad Delson Engineer – John Ewing*, Mark Kiczula Film Director – Kimo Proudfoot (tracks: DVD-1 to DVD-6) Film Producer – Matt Caltabiano* (tracks: DVD-1 to DVD-6) Producer, Arranged By, Engineer, Mixed By – Mike Shinoda Video Editor – Chris Wright (tracks: DVD-1 to DVD-6), Kevin McCullough (tracks: DVD-1 to DVD-6) Notes Printed in Indonesia Barcode and Other Identifiers Barcode: 093624 898724 Other versions Category Artist Title (Format) Label Category Country Year Jay-Z / Jay-Z / Linkin Park - Warner Bros. -
The Blueprint”--Jay-Z (2001) Added to the National Registry: 2018 Essay by Zack O’Malley Greenburg (Guest Post)*
“The Blueprint”--Jay-Z (2001) Added to the National Registry: 2018 Essay by Zack O’Malley Greenburg (guest post)* Original CD cover A son of Brooklyn’s notorious housing projects who became hip-hop’s first billionaire in 2019, Jay-Z is as close as it gets to the modern-day embodiment of the American dream. So it’s only fitting that “The Blueprint,” one of the most noteworthy albums of the aughts, is the first 21st century recording selected for the National Recording Registry. Jay-Z’s sixth studio album arrived on September 11, 2001, and could have been lost amid the ensuing wave of national mourning. Instead, “Blueprint” ended up as a soundtrack of sorts-- mirroring the heady mix of pride and paranoia that permeated the post-September 11th United States. A classic album in any era, fate deposited it just in time to mirror an American moment when wound-licking gave way to a defiant indomitability. At the time, Jay-Z’s foes included a burgeoning roster of rival rappers, most notably Queens native Nas (a challenger for the King of New York crown) and the justice system, which had placed Jay-Z in legal limbo over the attack of a producer thought to have bootlegged his prior album (Jay-Z would eventually receive probation). He was also years into a prescient Grammy boycott—“Blueprint” would later be shut out at music’s biggest night despite vast critical acclaim. Backed by a battalion of producers including Timbaland, Just Blaze and a young Kanye West, Jay-Z caps “Blueprint’s” opening salvo by pronouncing himself “God MC, me, Jay-Hova.” Though he slings a few barbs at Mobb Deep’s Prodigy, his real target is archrival Nas, who’d questioned Jay-Z’s underworld credentials in a radio freestyle that evolved into one of hip-hop’s most legendary verbal confrontations. -
Languages for America”: Dialects, Race, and National
UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE “LANGUAGES FOR AMERICA”: DIALECTS, RACE, AND NATIONAL IDENTITY IN NINETEENTH-CENTURY AMERICAN LITERATURE A DISSERTATION SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY By THOMAS LEE WHITE, JR. Norman, Oklahoma 2011 “LANGUAGES FOR AMERICA”: DIALECTS, RACE, AND NATIONAL IDENTITY IN NINETEENTH-CENTURY AMERICAN LITERATURE A DISSERTATION APPROVED FOR THE DEPARTMENT OF ENGLISH BY Dr. Daniel Cottom, Chair Dr. Francesca Sawaya Dr. Timothy Murphy Dr. Ronald Schliefer Dr. Benjamin Alpers © Copyright by THOMAS LEE WHITE, JR. 2011 All Rights Reserved. Acknowledgements To my God, thank you for your grace. To my beautiful wife, Tara, and family, thank you for your love. To the members of my committee, specifically Dr. Daniel Cottom, thank you for your patience. iv Table of Contents Introduction…………………………………………………………………………1 “By Shaint Patrick”: Irish American Dialect in H.H. Brackenridge’s Modern Chivalry ……………………………………………………...……………..26 “Ain’t Princerple Precious?”: Yankee Dialect in James Russell Lowell’ s The Biglow Papers …………………………………………………………74 Cooking the “Liddle Tedails”: German American Dialect in Charles Godfrey Leland’s Hans Breitmann Ballads ………………………………………122 The “Melican Man”: Asian American Dialect and Bret Harte’s Truthful James Poems…………………………………………………….……………….165 “Delinquents of Some Kind”: White and Black Dialect in Charles W. Chesnutt’s The Colonel’s Dream…….………………………………….. 191 v Abstract I argue the process of institutionalizing linguistic stereotypes began as authors during the nineteenth century pursued ways of characterizing the voices of literary figures using nontraditional languages. Literary dialects became a method for visualizing perceived racial differences among various minority groups and influenced the stereotypes associated with each discourse community. -
Jay Z H to the Izzo Free Mp3 Download Mp3 Seru Download Gratis
jay z h to the izzo free mp3 download Mp3 Seru Download Gratis. Jayz the hits collection vol. 1 mp3 album. About file formats. Mp3 is a digital audio format without digital rights management (drm) technology. Because our mp3s have no drm, you can play it on any device that. Jayz hard knock life video. Das leben ist hart trotz dieser frustrierten erkenntnis, über die jay z in hard knock life rappt, besticht der clip zum track mit durchweg positiven vibes. Passend. Xlyrix best place for karaoke and lyrics. Lyricsize all lyrics database lyricsize is a searchable lyrics database featuring 1,000,000+ song lyrics from 20,000 artists. Use xlyrix to find your favorite song. Listen to the blueprint jayz online. The blueprint is a studio album by jayz released in 2001. Listen now for free! Jay z the hits collection vol 1 (deluxe. Jay z the hits collection vol 1 (deluxe edition) year 2010 disc 1 1. Public service announcement (interlude) 246 2. Run this town 428 3. 03' bonnie & clyde 325. Stream Top Podcasts. Take yourself back in time. back to high school. The ups and downs, the loves the losses, the struggles the triumphs, being together with your friends. feeling every emotion of it. Is 23 more than just a number to you? Do you respond to people by saying I don't wanna be anything other than what I've been trying to be lately? Do you expect to have life-changing moments while caught in the confetti or the rain? Are you One Tree Hill obsessed. -
Jay-Z CEO of Hip-Hop by Stephen G
This Page Left Blank Intentionally Lifeline BIOGRAPHIES Jay-Z CEO of Hip-Hop by Stephen G. Gordon Twenty-First Century Books · Minneapolis To Jackie, who sat under my desk while I wrote this one. USA TODAY®, its logo, and associated graphics are federally registered trademarks. All rights are reserved. All USA TODAY text, graphics, and photographs are used pursuant to a license and may not be reproduced, distributed, or otherwise used without the express written consent of Gannett Co., Inc. USA TODAY Snapshots®, graphics, and excerpts from USA TODAY articles quoted on back cover and on pp. 10–11, 20, 22, 24–25, 31, 42–43, 46–47, 56, 68–69, 78, 79, 87, and 90–91 and all backgrounds © copyright 2013 by USA TODAY. Copyright © 2013 by Lerner Publishing Group, Inc. All rights reserved. International copyright secured. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means— electronic, mechanical, photocopying, recording, or otherwise—without the prior written permission of Lerner Publishing Group, Inc., except for the inclusion of brief quotations in an acknowledged review. Twenty-First Century Books A division of Lerner Publishing Group, Inc. 241 First Avenue North Minneapolis, MN 55401 U.S.A. Website address: www.lernerbooks.com Library of Congress Cataloging-in-Publication Data Gordon, Stephen G. Jay-Z : CEO of hip-hop / by Stephen G. Gordon. p. cm. — (USA today lifeline biographies) Includes bibliographical references and index. ISBN 978–1–4677–0811–1 (lib. bdg. : alk. paper) 1. Jay-Z, 1969–—Juvenile literature. -
Rider Awaits Result of Lawsuits Hearing
Vol. 90, No. 16 Wednesday, February 19, 2020 theridernews.com Rider awaits result of lawsuits hearing By Stephen Neukam N front of a standing-room-only courtroom, packed with Westminster Choir College (WCC) students, alumni and faculty, lawyers representing Rider and those opposing the consolidation of the school argued their cases for nearly Ithree hours in the Mercer County Civil Courthouse in Trenton on Feb. 14. The hearing, which was presided over by Judge Robert T. Lougy, was held to consider the university’s motion to dismiss two lawsuits against it over its actions with WCC — one suit comprised of WCC alumni and faculty and the other of 71 current students. As the hearing concluded, Lougy said he did not make decisions from the bench, leaving both parties to wait for a ruling in the near future. The university moved to have the suits dismissed for a number of reasons but predominantly on the argument that the plaintiffs in both cases do not have sufficient standing to bring the lawsuits forward. Angelo Stio from the law firm Pepper Hamilton represented the university at the hearing, along with Vice President of Legal Affairs and General Counsel Mark Solomon and two other lawyers. Rider’s latest tax documents show that the school contracted Pepper Hamilton, which represents the school on a number of legal issues, for $340,683 in 2017. The university declined to disclose the amount it paid the law firm in 2018 and 2019. The students, faculty and alumni, the university argued, are not party to or third party beneficiaries of a number of agreements concerning WCC, including the 1991 merger agreement between WCC and Rider. -
Epistemologias Do Sul Nas Vozes Ininteligíveis E Nos Infinitos Silêncios Orais De Rap Global
Pontifícia Universidade Católica de Minas Gerais Programa de Pós-graduação em Letras Jefferson Ubiratan de Araújo Medeiros Epistemologias do sul nas vozes ininteligíveis e nos infinitos silêncios orais de Rap global Belo Horizonte 2019 FICHA CATALOGRÁFICA Elaborada pela Biblioteca da Pontifícia Universidade Católica de Minas Gerais Medeiros, Jefferson Ubiratan de Araújo M488e Epistemologias do sul nas vozes ininteligíveis e nos infinitos silêncios orais de Rap global / Jefferson Ubiratan de Araújo Medeiros. Belo Horizonte, 2019. 144 f. : il. Orientadora: Ivete Lara Camargos Walty Dissertação (Mestrado) – Pontifícia Universidade Católica de Minas Gerais. Programa de Pós-Graduação em Letras 1. Santos, Boaventura de Sousa, 1940- - Crítica e interpretação. 2. Rap Global - Crítica e interpretação. 3. Epistemologias do Sul - Crítica e interpretação. 4. Rap (Música) – Aspectos sociais. 5. Hip-hop (Cultura popular). 6. Gramática cognitiva. 7. Semiótica e literatura. 8. Poética. I. Walty, Ivete Lara. Camargos. II. Pontifícia Universidade Católica de Minas Gerais. Programa de Pós-Graduação em Letras. III. Título. CDU: 801.5 Ficha catalográfica elaborada por Fabiana Marques de Souza e Silva – CRB 6/2086 Dedico esse trabalho aos cometas de uma única órbita sobre essa terra: Manuel Antunes de Araújo, vôvô, “cabra véi!” Juarez Esteves Soares, Juá, Professor de Sabedoria de Rua. Alexandre Augusto Timotéo de Almeida, Xela, Innocent manibus et mundus corde. AGRADECIMENTOS Agradeço, a todos os brasileiros e brasileiras, que, por meio da Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES), me possibilitaram realizar essa pesquisa. à Professora Ivete Walty por acreditar, orientar e incentivar a realização dessa pesquisa quando ela ainda era só uma evanescente ausência. à minha mãezinha, Suely Araújo. -
Bye, Bye, Miss American Pie? the Supply of New Recorded Music Since Napster
NBER WORKING PAPER SERIES BYE, BYE, MISS AMERICAN PIE? THE SUPPLY OF NEW RECORDED MUSIC SINCE NAPSTER Joel Waldfogel Working Paper 16882 http://www.nber.org/papers/w16882 NATIONAL BUREAU OF ECONOMIC RESEARCH 1050 Massachusetts Avenue Cambridge, MA 02138 March 2011 The title refers to Don McLean’s song, American Pie, which chronicled a catastrophic music supply shock, the 1959 crash of the plane carrying Buddly Holly, Richie Valens, and Jiles Perry “The Big Bopper” Richardson, Jr. The song’s lyrics include, “I saw Satan laughing with delight/The day the music died.” I am grateful to seminar participants at the Carlson School of Management and the WISE conference in St. Louis for questions and comments on a presentation related to an earlier version of this paper. The views expressed in this paper are my own and do not reflect the positions of the National Academy of Sciences’ Committee on the Impact of Copyright Policy on Innovation in the Digital Era or those of the National Bureau of Economic Research. NBER working papers are circulated for discussion and comment purposes. They have not been peer- reviewed or been subject to the review by the NBER Board of Directors that accompanies official NBER publications. © 2011 by Joel Waldfogel. All rights reserved. Short sections of text, not to exceed two paragraphs, may be quoted without explicit permission provided that full credit, including © notice, is given to the source. Bye, Bye, Miss American Pie? The Supply of New Recorded Music Since Napster Joel Waldfogel NBER Working Paper No. 16882 March 2011 JEL No.