Jonathan Forrest

Total Page:16

File Type:pdf, Size:1020Kb

Jonathan Forrest Jonathan Forrest Jonathan Forrest is an abstract painter who divides his studio time between Vancouver Island and small town Saskatchewan. Education: BFA, University of Saskatchewan, Saskatoon, SK, 1983 MFA, University of Saskatchewan, Saskatoon, SK, 1991 One-Person Exhibitions "Keep on Keeping on", Michael Gibson Gallery, London, ON, May 1-30, 2020 "The Other Side of Colour", Newzones Gallery. Calgary, AB, October 26 - November 16, 2019 "Material Resonance", The Gallery / Art Placement, Inc., Saskatoon, SK, May 25 - June 27, 2019 "Colour Coherence", Peter Robertson Gallery, Edmonton, AB, May 24 - June 9, 2018 "Building Blocks of Colour", Newzones Gallery, Calgary, AB, September 16 - October 21, 2017 "Light and Matter", Michael Gibson Gallery, London, ON, July 6 - 29, 2017 "Night and Day", The Gallery / Art Placement, Inc., Saskatoon, SK, September 10 - October 6, 2016 "A Conversation with Colour", Peter Robertson Gallery, Edmonton, AB, May 26 - June 14, 2016 "Jonathan Forrest & Brad Howe - Recent Work", Gallery Jones, Vancouver, BC, March 5 - 30, 2016 "Open Source", Newzones, Calgary , AB, March 14 - May 2, 2015 "Field Notes", The GALLERY / art placement, inc. Saskatoon, SK, May 31 - June 26, 2014 “Best Foot Forward”, Peter Robertson Gallery, Edmonton, AB, October 2012 “Loud and Clear”, Newzones Gallery, Calgary, AB, March 2012 “Character Study”, The Gallery / Art Placement, Inc, Saskatoon, SK, November 2011 “Mind Over Matter”, Peter Robertson Gallery, Edmonton, AB, November 2010 "Splinter Group", Newzones Gallery, Calgary, AB, March 2010 "More Pieces of the Puzzle", The Gallery / Art Placement, Inc, Saskatoon SK, November 2009 "Power Play", Michael Gibson Gallery, London, ON, March 2009 "Cross Section", The Gallery / Art Placement, Inc, Saskatoon SK, November 2008 "Off the Grid", Peter Robertson Gallery, Edmonton, AB, June 2008 "Recent Work", Newzones, Calgary, AB, June 2007 "Recent Work", The Vanderleelie Gallery, Edmonton, AB, June 24 - July 13, 2006 "Recent Work", The Gallery / Art Placement, Inc., Saskatoon, SK, November 2004 "Recent Work", The Vanderleelie Gallery, Edmonton, AB, November 29 - December 23, 2003 "Recent Work", The Gallery / Art Placement, Inc., Saskatoon, SK, March 2002 "Recent Work", The Vanderleelie Gallery, Edmonton, April 2001 "Recent Work", The Vanderleelie Gallery, Edmonton, April 1997 "Recent Work", The Dunlop Art Gallery, Regina, January 1997 (toured to the Mendel Art Gallery, Saskatoon, March 1997) "Salon Series", 1995, Norman Mackenzie Art Gallery, Regina, Sask. "Paper Works 1989-1993", The Swift Current National Exhibition Centre, Swift Current, Sask., February 1994 "Studio Watch", The Mendel Art Gallery, Saskatoon, Sask. January 1994 "Recent Work", The Grand Forks Art Gallery, Grand Forks, B.C. 1993 "Recent Work", The Vik Gallery, Edmonton, Alberta, September 1990 "M.F.A. Exhibition", Gordon Snelgrove Gallery, University of Saskatchewan, Saskatoon, October 1990 "Recent Work", The Gallery / Art Placement, Inc., Saskatoon, Saskatchewan, May 1990 "Recent Work", The Swift Current National Exhibition Centre, Swift Current, Saskatchewan, February 1990 (Toured to Moose Jaw Art Museum , June - July 1990) "Recent Paintings and Sculptures", The Francis Morrison Library, Saskatoon, Saskatchewan, January 1989 "Recent Work", The Gallery / Art Placement, Inc., Saskatoon, Saskatchewan, February 1988 "Jonathan Forrest, Recent Paintings and Sculptures", Gordon Snelgrove Gallery, University of Saskatchewan, Saskatoon, Saskatchewan, July - August, 1987 Two-Person / Feature Exhibitions "Squares and Stuff", A group abstract show featuring three new large works at Encomium Contemporary Art, Toronto, ON. April 2 - 30, 2005 "Materialism (2)", Art Gallery of Swift Current, Swift Current, Saskatchewan (Clay Ellis, Jonathan Forrest, Terry O'Flanagan), March, 2001 "Materialism", The Gallery / Art Placement, Inc., Saskatoon, Sk. (Clay Ellis, Jonathan Forrest, Terry O'Flanagan), April, 2000 "Jonathan Forrest & Pat Service", The Gallery / Art Placement, Inc., Saskatoon, March, 1997 "Jonathan Forrest & Scott Plear" The Vik Gallery, Edmonton, November, 1991 "Large Scale Paintings Featuring Works by Jonathan Forrest", Virginia Christopher Galleries, Calgary, Alberta, January - February 1991 "Studio Watch", The Edmonton Art Gallery, Edmonton, Alberta, December 1987 - January, 1988 "Jonathan Forrest and Kim Houghtaling", Gordon Snelgrove Gallery, University of Saskatchewan, Saskatoon, Saskatchewan, 1984 "Jonathan Forrest and Gary Pearson", B.F.A. exhibition, Gordon Snelgrove Gallery, University of Saskatchewan, Saskatoon, Sk. 1983 Group Exhibitions: "Restless Geometry", four person exhibition (Robert Christie, Laura Dutton, Jonathan Forrest, Robert Youds), Gallery Jones, Vancouver, BC, Feb 28 - March 30, 2019 "Thick & Thin", Jonathan Forrest, William Perehudoff and Robert Christie, The Gallery / Art Placement inc, Saskatoon, SK. November 15 - December 10, 2014 "The Material Form: Contemporary Abstract Painting", Gallery Jones, Vancouver, BC, March 8 - 26h, 2014 2006 “Abstraction”,(group show featuring works by Jordan Broadworth, Francisco Castro, Cora Cluett, Karin Davie, Jonathan Forrest, Ilse Gradwohl, Elizabeth McIntosh, Ruben Ortiz Torres, Irma Palacios, Elspeth Pratt, Laura St Pierre), Diaz Contemporary, Toronto, ON. "Spell", The Mendel Art Gallery, Saskatoon, SK, September 2005 (co-curated with Jordan Broadworth - travelled to the Robert McLaughlin Gallery, Oshawa, November, 2006 and the Thames Art Gallery, Chatham, ON, July 2006). Catalogue "Three Generations - London, UK", APT Gallery, London, England, January 20 – 30, 2005 "Sunscreen", Newzones Gallery, Calgary, AB, July 10 - Aug 28, 2004 "Three Generations - Perehudoff / Christie / Forrest", Kenderdine Art Gallery, University of Saskatchewan, Saskatoon, SK., April 23 - July 4, 2004 "New Abstraction", The Gallery / Art Placement, Inc., Saskatoon, SK, October 18 - November 6, 2003 "The Intangible", The Mendel Art Gallery, Saskatoon, SK, September 12 - November 16, 2003 "Lodestar", The Kenderdine Gallery, Saskatoon, SK, July 14 - August 24, 2003 "The Power of 10", Vanderleelie Gallery, Edmonton, AB, February 8 - 28, 2003 "Contemporary Canadian Abstraction: A Selection", The Kenderdine Gallery, University of Saskatchewan, Saskatoon, April - June 1994 "Recent Acquisitions", The Mendel Art Gallery, Saskatoon, March - April 1994 "Saskatchewan Symbiotics in the Visual Arts - Harvest 20 Years", Maison de la culture Cotes-des-Neiges, Montreal, Oct-Nov. 1992 "Within Range", (Touring) Organized by the Prichard Art Gallery, University of Idaho, USA, Itinerary: June/July 1990, Prichard Art Gallery, U of Idaho, Moscow, Idaho October/November 1990, Paris Gibson Square, Great Falls, Montana, January/February 1991, Missoula Museum of the Arts, Missoula, Montana, USA. "Recent Contemporary Acquisitions", The Mendel Art Gallery, Saskatoon, Saskatchewan, December 1988 - January 1990 "A Common Bond", The Swift Current National Exhibition Centre, Swift Current, Saskatchewan, 1988 "Saskatchewan Art", The Art Centre, University of New Brunswick, St. Johns, New Brunswick, December 1987, (Touring the Maritimes and Saskatchewan) "Young Saskatoon Artists", The Francis Morrison Library, Saskatoon, Saskatchewan, December 1986 "Works on Paper", The Wade Gallery, Vancouver, B.C., 1986 Workshops Emma Lake Artists Workshop, August 2012, (participant), Elizabeth McIntosh Emma Lake Artists Workshop, August 2009, (participant), Kim Dorland Emma Lake Artists Workshop, August 2007, (participant), Monica Tap Emma Lake Artists Workshop, August 2005, (organizer), Ron Shuebrook and Robert Christie Emma Lake Artists Workshop, August 2003, (organizer), Clay Ellis and Karen Wilkin Triangle Artists Workshop, Brooklyn, NY, October 2002, (participant) Emma Lake Artists Workshop, August 2001, (organizer), Chris Cran SIAW workshop, Emma Lake, SK, July 2000, (participant) Emma Lake Artist's Workshop, July 1991, (participant), Kenneth Noland, John Gibbons, Terry Fenton & Nancy Tousley Emma Lake Artist's Workshop, July 1988, (participant), Joseph Drapell, Harold Feist, Douglas Haynes & William Perehudoff Emma Lake Artist's Workshop, July 1985, (participant), Karen Wilkin and Maryanne Harman Collections Alberta Securities Commission, Edmonton, AB Art Gallery of Alberta, Edmonton, AB Canada Council / Art Bank Canpotex International Cenovus Energy Ltd., Calgary, AB Dunlop Art Gallery, Regina Encana Corporation, Calgary, AB James Hotel, Saskstoon, SK The Glenbow Museum, Calgary Mendel Art Gallery, Saskatoon Moose Jaw Art Museum Norman Mackenzie Art Gallery, Regina Norcen, Calgary Nordstrom's Potash Corporation of Saskatchewan Saskatchewan Arts Board Stantec, Edmonton Suncorp Valuations, Saskatoon University of Lethbridge University of Saskatchewan Westburne Industries, Montreal Wood Gundy, Edmonton Articles Gilbert Bouchard, "Rural immersion colours Saskatoon artist`s work", Edmonton Journal - "What`s On", June 6, 2008 Gilbert Bouchard, "Abstractionist`s work looks to the future, not the past", Edmonton Journal, The Visual Arts, June 23, 2006 Robert Christie, “Jonathan Forrest: New Works”, (catalogue essay, Art Gallery of Swift Current), 1990 Julia Dault, "Prairie Fields of Colour", National Post, April 15, 2004, B6 Robert Enright, “Shaking Up All Over”, Border Crossing, Winter 2004 (“borderviews section”) Terry Fenton, “Studio Visit”, (pamphlet for studio watch exhibition at the Mendel Art Gallery), 1994 Sky Glabush, “Three Generations”, Canadian Art, Summer 2004 (exhibition review) Sky Glabush, "Pursuing Paint", the
Recommended publications
  • C H R I S C R a N R C a Born 1949, Ocean Falls, British Columbia Lives
    C H R I S C R A N R C A Born 1949, Ocean Falls, British Columbia Lives and works in Calgary, Alberta, Canada E D U C A T I O N 1979 Alberta College of Art and Design, Graduate with Honours, Calgary, Alberta 1976 Kootenay School of Art, Nelson, British Columbia S E L E C T E D E X H I B I T I O N S Solo 2015 That's an Excellent Question!, Wilding Cran Gallery, Los Angeles, CA 2011 Reading Room, Trepanier Baer Gallery, Calgary, AB 2010 “if something appears to be photographic, it is” Trepanier Baer Gallery, Calgary, AB 2009 Bright Spiral Standard, Clint Roenisch Gallery, Toronto Ont. Chris Cran: Diversions, Trépanier Baer Gallery, Calgary, Alberta 2008 The Secret Ecstasy of the Whole World, 809 Gallery, Calgary, Alberta 2006 Novel, TrépanierBaer, Calgary, Alberta Chris Cran: The Return of the Beautiful Hayseed, Clint Roenisch Gallery, Toronto, Ontario 2005 Camera Obscura, Theatre, One Yellow Rabbit’s High Performance Rodeo, Calgary, Alberta Chris Cran: Camera Obscura Theatre, Calgary Science Centre, Calgary, Alberta 2004 Inspirational Themes and Sublime Sales, TrépanierBaer, Calgary, Alberta Camera Obscura Theatre, One Yellow Rabbit’s High Performance Rodeo, Calgary, Alberta 2003 Big Opening!!!, Sable-Castelli Gallery, Toronto, Ontario And Now It’s Personal, Owens Art Gallery, Sackville, New Brunswick Camera Obscura Theatre, One Yellow Rabbit’s High Performance Rodeo, Calgary 2001 Fully Visible, Harcourt House, Edmonton Art Gallery, Edmonton, Alberta 2000 The Second Hundred Years, TrépanierBaer, Calgary, Alberta Surveying the Damage, 1977-1997,
    [Show full text]
  • Proquest Dissertations
    I THE UNIVERSITY OF CALGARY accumulation/ablation by Diane Edith Colwell A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF FINE ARTS DEPARTMENT OF ART CALGARY, ALBERTA SEPTEMBER, 2010 ©Diane Edith Colwell 2010 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-69413-8 Our file Notre reference ISBN: 978-0-494-69413-8 NOTICE: AVIS: The author has granted a non­ L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non­ support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation.
    [Show full text]
  • Glenbow Report to the Community 2014 – 15
    One Museum. A Million Stories. Glenbow Report to the Community 2014 – 15 125,697 Total annual attendance between April 1, 2014 – March 31, 2015 4,108 Number of visitors who received complimentary admission through special access programs (Aboriginal Access Program, SunLife Arts & Culture Pass, Community Outreach Program, Cultural Access Program for new Canadian citizens) 7,394 Number of people assisted with research requests and access to Glenbow’s collections MAKING AN IMPACT As a key cultural cornerstone in Calgary for nearly 50 years, Glenbow has surprised and engaged generations of Albertans and visitors to the province with remarkable connections between art, culture and the world around us. Glenbow provides us with a sense of place – what it means to live in this amazing landscape – and an appreciation for the legacy of the remarkable people and events that have shaped our community. We are proud to collect, showcase and involve Alberta’s wealth of artistic talent in our programming and to offer a glimpse into the artistic and cultural achievements of other parts of the world. Glenbow has always been a trusted place to explore ideas, to present new ways of thinking, and to open discussions on topical issues in our community. In the year ahead, we’ll be planning programs and exhibitions to celebrate our 50th Anniversary. Calgary has changed dramatically in the last 50 years – even the last five years – and Glenbow is repositioning itself to respond to a new generation of visitors. We look to artists and cultural creators to help us explore our world. Artists are fearless observers, and their works – funny, beautiful, poignant, challenging – open the door to new conversations.
    [Show full text]
  • One Yellow Rabbit Performance Theatre (OYR) Harnesses the Bold, Adventurous Spirit of Our Calgary Community to Enrich the Place We Live
    One Yellow Rabbit Performance Theatre Report to the Community 2014/2015 Community the to Report Robust cultural landscapes nurture vibrant societies. Through high-calibre work in the performing arts across the wide range of projects we undertake each season, One Yellow Rabbit Performance Theatre (OYR) harnesses the bold, adventurous spirit of our Calgary community to enrich the place we live. Our mission is to create and present vital, surprising performance experiences that engage and reward our audience. We believe it is through this kind of artistic To realize this vision work – work that arouses curiosity, ignites we are commited to… passion, stimulates imagination and challenges expectation – that individuals 6WhW^ab[`YS`VbdaVgU[`YfZW are inspired and communities fourish. work of the One Yellow Rabbit Performance Ensemble By extension, we believe that the rigor and love that feeds the work we put forward 7VgUSf[`YS`V_W`fad[`Y`Wi translates to a community that values and established artists through connection, compassion, and strives programs like the Summer to nourish its people – a society that is Lab Intensive and the galvanized by challenge and energized by beautifulyoungartists initiative possibility. BdaVgU[`YS`VbdWeW`f[`YfZW High Performance Rodeo, Calgary’s International Festival of the Arts 5W^WTdSf[`YfZWegbbadfaXagd community partners through special events like Wine Stage and unique events in the Big Secret Theatre Our Mission Cover photo credit: Kelly Hofer Kelly credit: photo Cover Photo Credit: Kelly Hofer The work of One Yellow Rabbit Our heartfelt thanks to everyone who has One Yellow Rabbit Performance Theatre is entrenched in helped One Yellow Rabbit throughout Performance Ensemble Staf deeply rooted values of respect, dignity, this year.
    [Show full text]
  • Preview, the Gallery Guide | June–August, 2007
    CALENDAR OF OPENINGS - PG 95 GALLERY INDEX - PG 91 THE GALLERY GUIDE ALBERTA ■ BRITISH COLUMBIA ■ OREGON ■ WASHINGTON June/July/August 2007 www.preview-art.com www.vanartgallery.bc.ca 24-hour Info604662 4719 BC 750 HornbyStreet Vancouver www.vanartgallery.bc.ca America. Purchaseadvancedtimedticketsonlineat in finest collectionsof19th-and 20th-centuryEuropeanart Canadian venueontheinternational tourofonethe Art Gallery the Vancouver This summerthegreatestnamesinartwillbeat . Don’t miss the exclusive . Don’tmisstheexclusive Presenting Sponsor: Media Sponsor: Henri Fantin-Latour, Marie-Yolande de Fitz-James, 1867, (detail), oil on fabric, The Cleveland Museum of Art, Gift of Lewis C. Williams. © The Cleveland Museum of Art FORT ST. JOHN BRITISH ALBERTA COLUMBIA DAWSON CREEK PRINCE GEORGE EDMONTON QUEEN CHARLOTTE ISLANDS WEST NORTH DEEP COVE MCBRIDE VANCOUVER WELLS VANCOUVER BURNABY PORT MOODY NEW WESTMINSTER COQUITLAM VANCOUVER MISSION RICHMOND SURREY MAPLE RIDGE CHILLIWACK DELTA FORT LANGLEY ABBOTSFORD TSAWWASSEN WHITE ROCK WILLIAMS LAKE PRINCE RUPERT 100 MILE HOUSE CALGARY SALMON ARM BANFF SILVER STAR MOUNTAIN KAMLOOPS VERNON CAMPBELL RIVER WHISTLER KASLO KELOWNA COURTENAY COMOX HARRISON MEDICINE HAT UNION BAY HOT SPRINGS SUMMERLAND NELSON LETHBRIDGE SUNSHINE COAST VANCOUVER, BC PENTICTON CASTLEGAR PARKSVILLE OSOYOOS OLIVER TOFINO NANAIMO CHILLIWACK GRAND FORKS GULF ISLANDS OROVILLE DUNCAN BELLINGHAM SHAWNIGAN LAKE EASTSOUND SAANICH/SIDNEY ORCAS ISLAND TWISP LAKE COWICHAN LA CONNER SOOKE EVERETT VICTORIA FRIDAY HARBOR, SAN JUAN ISLAND PORT LANGLEY MONROE ANGELES KIRKLAND SPOKANE SEATTLE BELLEVUE TACOMA OLYMPIA WASHINGTON ASTORIA SEASIDE LONGVIEW CANNON BEACH GOLDENDALE PORTLAND MCMINVILLE SHERIDAN SALEM PACIFIC CITY OREGON EUGENE ASHLAND Serving the visual arts community since 1986 Celebrating 21 years www.preview-art.com 8 PREVIEW COVER: Anne Siems, Little Fox (2007), mixed media [Laura Russo Gallery, Portland OR, Jun 7-30] previews ALBERTA Vol.
    [Show full text]
  • Alberta Painter Chris Cran Featured in Major Retrospective at National Gallery
    The art of play: Alberta painter Chris Cran featured in major retrospective at National Gallery Peter Robb Ottawa Citizen May 20, 2016 http://ottawacitizen.com/entertainment/local-arts/the-art-of-play-alberta-painter-chris- cran-featured-in-major-retrospective-at-national-gallery * A short video of Cran during a walk through of the exhibition is also found at this link. Canadian artist Chris Cran with some of his work from his exhibit “Sincerely Yours,” which will be on view at the National Gallery of Canada from May 20 to September 5. (Errol McGihon – Post Media) A refreshing chinook from Alberta has blown into the National Gallery of Canada. The breeze is provided by the whimsical, inventive paintings of Calgary artist Chris Cran. Although he is a serious artist with serious things to say about art, culture and society, Cran manages to leaven those messages with a dose of humour that eases the viewer into his conversation. The 66-year-old is the subject of a major retrospective, called Chris Cran: Sincerely Yours. More than 100 pieces are included, ranging from early works, such as the 1985 Self-Portrait with the Combat Nymphos of Saigon, that feature the artist in various situations; to an exploration of Pop and Op art styles (he calls this kind of homage to an art movement “recycling”); to his discovery of the potential of stencils; to more abstract works that play inside a self-described frame and finally to a period that exploits all of the above and that is dotted, literally, with faces pulled from magazines and displayed, as he says, like the omnipresent putti found in Renaissance art.
    [Show full text]
  • Chris Cran 2018 ABOUT the ARTIST
    EXPLORE Chris Cran 2018 ABOUT THE ARTIST CHRIS CRAN was recently the subject of the major exhibition Chris Cran, Sincerely Yours, featured by both the National Gallery of Canada and the Art Gallery of Alberta. He is known for his ability to play with illusion, for manipulating the perception of the viewer while exploring, fusing and subverting traditional artistic genres as well as contemporary movements, from pop art to abstraction and photorealism. Now Cran, one of the great forces of contemporary Canadian art and a Fellow of The Royal Canadian Geographical Society, has produced Explore, a portrait series depicting some of Canada’s greatest explorers, all of them inextricably linked to the RCGS. “Chris brings a new awareness to our interaction with images,” says Josée Drouin- Brisebois, senior curator of contemporary art for the National Gallery of Canada. “He’s one of those special people who sees the world and his subjects in a different way, and he shares that with us — the things we might have been missing.” His contributions to the contemporary art scene have been enormous, she says, as he has given both his art and, as a mentor, himself to the artistic community. Cran, who lives in Calgary, has been a prolific and influential artistic presence in Canada for decades. A graduate of the Alberta College of Art + Design, where he was an instructor from the 1990s until 2018, he has helped shape generations of new visual artists. In addition to the permanent collections of the National Gallery and the AGA, his often satirical and self- referential works appear in galleries and private collections across Canada and internationally.
    [Show full text]
  • Guide and Silent Auction Catalogue Janice Price, President & CEO, David T
    Guide and Silent Auction Catalogue Janice Price, President & CEO, David T. Weyant, Q.C., Chair, Banff Centre for Arts and Creativity Board of Governors, and the Midsummer Ball Committee welcome you to The 39th Banff Centre MIDSUMMER Thank you for supporting the BALL WEEKEND creative potential of artists. July 20 – 22, 2018 Donations during the Ball Weekend, including all auction proceeds, go directly to the Midsummer Ball Under the honourary patronage of Artists’ Fund. Your generous contribution provides Her Honour, the Honourable Lois E. Mitchell, artists with the support, mentorship, time, and space CM, AOE, LLD, Lieutenant Governor of Alberta they need to realize their creative potential. Presenting Sponsor Artwork by Shannon Fidler Together with the Board of Governors, the Midsummer Ball ABA WATH TECH. Committee, and the Banff Centre team, I am delighted to OKI. welcome you to Banff Centre for Arts and GWANISTŁI NANIYA. Creativity’s Midsummer Ball Weekend as we celebrate 85 years of BIENVENUE. creative practice in the Canadian Rockies. WELCOME. Since 1933, Banff Centre has provided creative individuals from across Canada and around the Banff Centre is located on Treaty 7 Territory. world with the support to expand their artistic We acknowledge the past, present, and future practice and cultivate their craft. The Midsummer generations of Stoney Nakoda, Blackfoot, and Ball Weekend is your opportunity to experience Tsuut’ina Nations who help us steward this sacred the best of Banff Centre’s training programs. and protected land, as well as honour and celebrate We are proud to give you exclusive behind-the- this place. This is one of the reasons why you see the scenes access to one of the world’s leading welcome at the top of this page in English, French, and creative arts and leadership training centres.
    [Show full text]
  • Jeremy Pavka ([email protected]) Jeremypavka.Com Curriculum Vitae
    Jeremy Pavka ([email protected]) jeremypavka.com Curriculum Vitae Born 1987, Lethbridge, Alberta Lives and works in Calgary, Alberta, Canada EDUCATION 2011 Alberta College of Art + Design, BFA Media Arts, Calgary, AB SELECTED EXHIBITIONS 2017 Big Foot, Big Whoop, Latitude 53, Edmonton, AB (Upcoming) Have a Good One, Platform Gallery, Winnipeg, MB (Upcoming) 2016 Inversus Mundi, Unit Pitt Projects, Vancouver, BC Best Intentions, Stride Gallery, Calgary, AB 2015 Choice Interface, 8eleven Gallery, Toronto, ON Art Present: Frontier, Sometimes Art Space, Havana, Cuba sidewalkscreening.gif, Whippersnapper Gallery, Toronto, ON 2014 Voted Most Likely, Contemporary Calgary, Curated by Kim Dorland, Calgary, AB Calgary Artist Review, Avenue Gallery, Vancouver, BC Garden of Zeden, POP Montreal, Place De POP, Montreal, PQ Contemporary Cowboy, Visual Arts Alberta, Edmonton, AB The Chase, Gallery of Alberta Media Art, Calgary & Lethbridge, AB No More Bad Days, The New Gallery +15, Calgary, AB 2013 UPLOAD.gif, Newhive & Gray Area Foundation for the Arts, San Francisco, CA After The Flood, Pith Gallery, Calgary, AB Contemporary Cowboy, Avalanche Institute of Contemporary Art, Calgary, AB Garage Montage, Art Gallery of Calgary, Calgary, AB Wreck City, Calgary, AB 2012 The Cedar Room, Portland State University, Portland, OR Our First Solo Exhibition, Root Cellar Gallery, Calgary, AB Calgary Biennale, Haight Gallery & Eightohnine Gallery, Calgary, AB YOU HALL, Open Engagement, Portland, OR Two Liners, C1rca Showroom, Calgary, AB BYOB! Calgary, Calgary, AB 2011 Bad Kids, Haight Gallery, Calgary, AB Graduating Students Exhibition, Illingworth Kerr Gallery, Calgary, AB ARTIST TALKS, LECTURES & WORKSHOPS 2017 The .gif that keeps on giving, Art City Inc., Winnipeg, MB 2015 The .gif that keeps on giving, Children’s Festival, The Banff Centre, Banff, AB Art Present, the ARTE NO ES FÁCIL Symposium, Havana, Cuba.
    [Show full text]
  • Ada Gallery, Richmond
    DESIGN: WWW.HAUSER-SCHWARZ.CH THU – SUN 6TH – 9TH MARCH 2014 / 82MERCER, NEW YORK / NY 10 012 RYAN BROWNING ADA GALLERY, RICHMOND VOLTA NY 2014 | BOOTH NUMBER 2.32 ADA GALLERY: RYAN BROWNING WEBSITE Ryan Browning is a painter and interdisciplinary artist whose art practice revolves www.adagallery.com around traditional concepts of space, new perceptual experiences such as video E-MAIL games and simulated virtual worlds, and the role images play in the construction [email protected] of memory. PHONE Magical, mysterious landscapes with elaborate cities carved into mountainsides, +1 804 644 0100 dark caves, and floating worlds are the locations and the characters in Brownings CELL work. Miró-esque sculptures, rainbow colored ladders, oriental rugs, and bonfires +1 804 301 1550 speckle the shadowy creases and plateaus that inhabit these fantastical worlds in- CONTACT NAME viting the viewer to explore. John Pollard Regarding the ideas employed within his works, Browning states: “I like games- playing them and designing scenarios and settings in which games of fantasy can REPRESENTED ARTISTS take place. I’ve been playing role-playing games like Dungeons and Dragons since Jared Clark I was a kid, and since I started painting, I began to realize that painting and role Michelle Forsyth playing in such games are similar. In a game you imagine layers of surface and sub- Shannon Wright Jakob Boeskov stance on a framework of governing rules. You give names to things that are oth- Daniel Davidson erwise represented by abstract data or systems, and you carve your way into that Kirsten Kindler world by exploring and making changes to it.
    [Show full text]
  • Guide to Galleries + Museums Albert A I British Columbi a I Orego N I Washington
    GUIDE TO GALLERIES + MUSEUMS ALBERT A I BRITISH COLUMBI A I OREGO N I WASHINGTON April/May 2013 www.preview-art.com • downloaodanble ilssueis ne • extra images • searchable listings www.preview-art.com 6 PREVIEW I APRIL/MAY 20 13 Apr/May 2013 67 Vol. 27 No.2 previews ALBERTA 10 Urban Wild 8 Banff, Black Diamond, Calgary 16 Edmonton Alberta Craft Council Gallery 18 Lethbridge, Medicine Hat, 12 First Hand: Civil War Era Drawings Red Deer Douglas F. Cooley Memorial Art Gallery BRITISH COLUMBIA 14 Splendid Isolation 18 Abbotsford Esker Foundation 20 Britannia Beach, Burnaby 21 Campbell River, Castlegar, 24 Nancy Holt Chilliwack, Coquitlam Contemporary Art Gallery 24 Courtenay, Fort Langley 25 Grand Forks , Kamloops 26 William Perehudoff 26 Kaslo, Kelowna 7 Newzones Gallery 6 27 Maple Ridge, Nanaimo, Nelson 38 Full Frontal 28 New Westminster , North Vancou ver Satelllite Gallery 30 Osoyoos, Penticton, Port Alberni, Port Moody 40 Yared Nigussu 31 Prince George, Prince Rupert, Kurbatoff Gallery Qualicum Beach, Richmond 48 42 David Blackwood: Black Ice 33 Salmon Arm, Salt Spring Island, Art Gallery of Greater Victoria Sidney , Sooke, Squamish , Sunshine Coast (Roberts Creek) 48 Safar/Voyage 34 Surrey Musuem of Anthropology 35 Tsawwassen, Vancouver 53 Vernon 50 Bert Monterona: Struggle 54 Victoria Amelia Douglas Gallery 58 West Vancouver 54 Pierre Coupey 59 Whistler, White Rock, 67 West Vancouver Museum Williams Lake Art Gallery at Evergreen OREGON Gallery Jones 60 Cannon Beach 56 Tales from the Backyard: Cat Thom 61 Marylhurst, Portland Slide Room Gallery 64 Salem 11 62 Julie Green: The Last Supper WASHINGTON The Art Gym at Marylhurst 64 Bellevue 65 Bellingham , Everett, Friday Harbor, 64 Nicolai Fechin La Conner, Port Angeles, Seattle Frye Art Museum 73 Spokane, Tacoma 72 David Byrd © 1986-2013 Preview Graphics Inc.
    [Show full text]
  • The Artist at Play: Calgary's Chris Cran Still 'Tampering with People's
    Chris Cran with some of his artwork at the Glenbow Museum in Calgary, on Thursday February 14, 2019. Leah Hennel/Postmedia By Eric Volmers Calgary Herald February 21, 2019 The artist at play: Calgary’s Chris Cran still ‘tampering with people’s perceptions’ innew Glenbow exhibition There is nothing quite like getting a tour of a Chris Cran exhibit by Chris Cran. The renowned artist is enthusiastic and informative. He is meticulous in explaining his techniques and his tools. But most fun of all, at least for the viewer, is his constant encouragement to take in work from different angles. Step closer. Step back. Look at pieces through the camera of an iPhone. Cran wants the viewer to notice how the work changes, sometimes dramatically, with a shift in focus. Back in 1999, the New York Times suggested Cran “has built a career on tampering with people’s perceptions.” It has become an oft-quoted summary of the artist. While he says he doesn’t really analyze his methods or work — “it’s not a realm of words I deal with,” he says — he acknowledges that he has long been fascinated by an idea 2 about perception that he was introduced to years ago, even if he doesn’t remember where it originated. “Way back, I heard somebody say: ‘The mind can’t entertain two things at the same time,’” says Cran. “With all of the paintings, I think I’ve paid attention to that. If you give the viewer this to look at and that to look at, now they are travelling.
    [Show full text]