Preview, the Gallery Guide | June–August, 2007
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C H R I S C R a N R C a Born 1949, Ocean Falls, British Columbia Lives
C H R I S C R A N R C A Born 1949, Ocean Falls, British Columbia Lives and works in Calgary, Alberta, Canada E D U C A T I O N 1979 Alberta College of Art and Design, Graduate with Honours, Calgary, Alberta 1976 Kootenay School of Art, Nelson, British Columbia S E L E C T E D E X H I B I T I O N S Solo 2015 That's an Excellent Question!, Wilding Cran Gallery, Los Angeles, CA 2011 Reading Room, Trepanier Baer Gallery, Calgary, AB 2010 “if something appears to be photographic, it is” Trepanier Baer Gallery, Calgary, AB 2009 Bright Spiral Standard, Clint Roenisch Gallery, Toronto Ont. Chris Cran: Diversions, Trépanier Baer Gallery, Calgary, Alberta 2008 The Secret Ecstasy of the Whole World, 809 Gallery, Calgary, Alberta 2006 Novel, TrépanierBaer, Calgary, Alberta Chris Cran: The Return of the Beautiful Hayseed, Clint Roenisch Gallery, Toronto, Ontario 2005 Camera Obscura, Theatre, One Yellow Rabbit’s High Performance Rodeo, Calgary, Alberta Chris Cran: Camera Obscura Theatre, Calgary Science Centre, Calgary, Alberta 2004 Inspirational Themes and Sublime Sales, TrépanierBaer, Calgary, Alberta Camera Obscura Theatre, One Yellow Rabbit’s High Performance Rodeo, Calgary, Alberta 2003 Big Opening!!!, Sable-Castelli Gallery, Toronto, Ontario And Now It’s Personal, Owens Art Gallery, Sackville, New Brunswick Camera Obscura Theatre, One Yellow Rabbit’s High Performance Rodeo, Calgary 2001 Fully Visible, Harcourt House, Edmonton Art Gallery, Edmonton, Alberta 2000 The Second Hundred Years, TrépanierBaer, Calgary, Alberta Surveying the Damage, 1977-1997, -
Corporate Registry Registrar's Periodical Template
Service Alberta ____________________ Corporate Registry ____________________ Registrar’s Periodical SERVICE ALBERTA Corporate Registrations, Incorporations, and Continuations (Business Corporations Act, Cemetery Companies Act, Companies Act, Cooperatives Act, Credit Union Act, Loan and Trust Corporations Act, Religious Societies’ Land Act, Rural Utilities Act, Societies Act, Partnership Act) 10024457 CANADA INC. Federal Corporation 2010182 ALBERTA LTD. Numbered Alberta Registered 2017 JAN 03 Registered Address: 10819 108 Corporation Incorporated 2017 JAN 10 Registered STREET, EDMONTON ALBERTA, T5S 2T2. No: Address: 209, 10836 - 24 STREET SE, CALGARY 2120145327. ALBERTA, T2Z 4C9. No: 2020101826. 10024503 CANADA INC. Federal Corporation 2012106 ALBERTA LTD. Numbered Alberta Registered 2017 JAN 03 Registered Address: 10819 184 Corporation Incorporated 2017 JAN 03 Registered STREET, EDMONTON ALBERTA, T5S 2T2. No: Address: 209, 10836 - 24 STREET SE, CALGARY 2120145459. ALBERTA, T2Z 4C9. No: 2020121063. 10050415 CANADA LTD. Federal Corporation 2013296 ALBERTA LTD. Numbered Alberta Registered 2017 JAN 09 Registered Address: 9831 - 107 Corporation Incorporated 2017 JAN 05 Registered STREET, WESTLOCK ALBERTA, T7P 1R9. No: Address: C/O #202, 10441 124 ST NW, EDMONTON 2120155953. ALBERTA, T5N 1R7. No: 2020132961. 101 BUFFET RESTAURANT LTD. Named Alberta 2013298 ALBERTA LTD. Numbered Alberta Corporation Incorporated 2017 JAN 13 Registered Corporation Incorporated 2017 JAN 04 Registered Address: 4909 - 50 AVENUE, BONNYVILLE Address: 2380, 10155 102 ST NW, EDMONTON ALBERTA, T9N 2H1. No: 2020168106. ALBERTA, T5J 4G8. No: 2020132987. 101287488 SASKATCHEWAN LTD. Other 2013300 ALBERTA LTD. Numbered Alberta Prov/Territory Corps Registered 2017 JAN 10 Corporation Incorporated 2017 JAN 10 Registered Registered Address: 2440 KENSINGTON ROAD NW, Address: 2070 BLACKMUD CREEK DR SW, CALGARY ALBERTA, T2N 3S1. No: 2120157843. -
“One Man's Trash …”
“One Man’s Trash …” Your guide to reducing, reusing and recycling Southeastern Indiana Recycling District Serving: Franklin, Jefferson, Jennings, Ohio, 812-574-4080 Ripley, Scott & Switzerland Counties www.seird.org Winter 2021 Quarterly Newsletter Which types of COVID Spring household hazardous trash are recyclable? waste local collection dates set SEIRD accepts HHW (household hazardous waste) from residents throughout Franklin, The pandemic has changed Jefferson, Jennings, Ohio, Ripley, Scott, and Switzerland counties. During 2021, two much of our lives. We are special collection days will be still spending more time at available in each county except home than we used to. Plus, Jefferson, where HHW is accepted when we are out, we see year-round. Residents from all seven people wearing face masks SEIRD counties can dispose of HHW and sometimes gloves in at the Jefferson County Recycle offices, stores, schools, and Center in Madison at 6556 North Shun almost everywhere. Soap, Pike Road, Building #534, inside the Jefferson Proving Ground, during hand sanitizer, paper towels, normal business hours. disinfecting wipes, and plastic Here is the HHW local collection bags are being used more schedule for this spring. All local than ever. Many families are collections take place on Saturdays: choosing grocery delivery and takeout food instead of going • April 3 to supermarkets or dining Franklin County Recycle Center, inside restaurants. Boxes and Brookville – 8 to 10 a.m. shipping envelopes are piling Batesville Area Recycle Center (Ripley Jefferson County up in homes due to increased County) – 11 a.m. to 1 p.m. Recycle Center online shopping. And, while • April 10 we are keeping ourselves and Jennings County Recycle Center, North accepts HHW our neighbors healthier by Stella opts for a washable and reusable mask. -
Squamish Community: Our People and Places Teacher’S Package
North Vancouver MUSEUM & ARCHIVES SCHOOL PROGRAMS 2018/19 Squamish Community: Our People and Places Teacher’s Package Grade 3 - 5 [SQUAMISH COMMUNITY: OUR PEOPLE AND PLACES KIT] Introduction SQUAMISH COMMUNITY: OUR PEOPLE AND PLACES KIT features 12 archival photographs selected from the Skwxwú7mesh Úxwumixw: The Squamish Community: Our People and Places exhibit presented at the North Vancouver Museum & Archives in 2010. This exhibit was a collaborative project undertaken by the North Vancouver Museum & Archives and the Squamish Nation. These archival images were selected by the Squamish Elders and Language Authority to represent local landscapes, the community and the individual people within the Squamish Nation. The Squamish Elders and Language Authority also contributed to the exhibit labels which are included on the reverse of each picture. This Kit has been designed to complement BC’s Social Studies curriculum for grades 3 - 5, giving students the opportunity to explore themes related to First Nations cultures in the past and cultural First Nations activities today. Included within this Kit is a detailed teacher’s package that provides instructors with lesson plan activities that guide students in the analysis of archival photographs. The recommended activities encourage skills such as critical thinking and cooperative learning. Altogether, the lesson plan activities are estimated to take 1 hour and 45 minutes and can easily be stretched across several instructional days. Through photo analysis worksheets and activities, students will be introduced to the Squamish Nation and historical photographs. Teachers are encouraged to read through the program and adapt it to meet the learning abilities and individual needs of their students. -
Reunion Keepsake Directory
COLORADO COLLEGE CLASS OF 1970 KEEPSAKE DIRECTORY EAR REU YY N T IO F I N F OFFICE OF ALUMNI AND FAMILY RELATIONS Colorado College 14 E. Cache La Poudre St. Colorado Springs, CO 80903 Phone: (719) 389-6775 Email: [email protected] Published October 2020 50TH REUNION DIRECTORY CLASS OF 1970 TABLE OF CONTENTS 4 ...... AUTOBIOGRAPHICAL PAGES 98 ...... IN MEMORIAM 99 ...... CLASSMATE REMEMBRANCES 104 ...... DIRECTORY 126 ...... MAIDEN NAME LIST EAR REU YY N T IO F I N F KATHY ADELSHEIM Fifty years ago this week I arrived at CC for the and as program director the for the American biggest adventure of my life. I loved academics Lung Association. We left the corporate world and meeting so many people from so many behind in 1992 when we moved to Santa Fe. places. We started our own business, a video store. I continued to ski, working as a ski patrol in June 1970: graduation, my engagement to Stu Minnesota and New Jersey and loving our own Waugh, his becoming a 2nd lieutenant in the Ski Santa Fe. U.S. Army. September 1970 we were married and moved to Aspen for two wonderful years of In 2000 we got our first RV, a small motor home skiing and working many jobs. Then to Senegal, which we drove more than 120,000 miles with West Africa, for two years of teaching English three trips to Alaska and one to Newfoundland in the Peace Corps. Then to Minnesota and and Labrador. We slept in that RV in 49 states grad school for my Master’s in Education. -
Materials Challenged in Oregon 1979
Materials Challenged in Oregon 1979 - July 2015 Based on published reports from the American Library Association, the Oregon Intellectual Freedom Clearinghouse (OIFC) and other news sources L e v e Author/ Other Title & Publisher Date, Reason & Outcome Description of Material l This rap album was the first music work to be prosecuted under obscenity law. The Broward County (Florida) District Court decision was As Nasty as They overturned & the album was Wanna Be, Luke Challenged at the Multnomah ruled not to be obscene in 1992 Skywalker County Library in 1995. Reason: by the 11th Circuit Court of 2 Live Crew Records(recording) obscene and vulgar lyrics Retained. Appeals. A Challenged in 2011 in a public library by an individual. Reason: Secrets of Boys, The promotes sexual activity, smoking, and all other titles by drinking, taking drugs & other this author; Harper high risk behavior for teens. Hailey Abbott writes romance Abbott, Hailey Collins Requested removal; retained. novels for teenagers. YA Parents challenged the use of this program in a 12th grade class in Growing Up in the Age Redmond 1994. Reason: does not A news program on AIDS and ABC News of AIDS emphasize abstinence AIDS education A In this graphic novel, the Lone Wolves are Space Marines from the Space Wolf chapter. No one knows where they Challenged at the Multnomah come from or where they go, County Library in 2005. Reason: but when the soldiers of the concern that the content would Slovak Regiment of the Lone Wolves, Games contribute to hate, bad feelings and Imperial Guard need them Abnett, Dan Workshop. -
Squamish Nation Direct Evidence
Hearing Order MH-052-2018 Board File: OF-Fac-Oil-T260-2013-03 59 NATIONAL ENERGY BOARD IN THE MATTER OF the National Energy Board Act, R.S.C. 1985, c. N-7, as amended (“NEB Act”) and the Regulations made thereunder; AND IN THE MATTER OF an application by Trans Mountain Pipeline ULC as General Partner of Trans Mountain Pipeline L.P. (collectively “Trans Mountain”) for a Certificate of Public Convenience and Necessity and other related approvals pursuant to Part III of the NEB Act for the Trans Mountain Expansion Project (“Project”); AND IN THE MATTER OF the National Energy Board’s reconsideration of aspects of its Recommendation Report (“Report”) as directed by the Governor in Council through Order in Council P.C. 2018-1177 (the “Reconsideration”). SQUAMISH NATION DIRECT EVIDENCE December 5, 2018 Introduction 1. The Squamish Nation (“Squamish” or the “Nation”) relies on and adopts the evidence that it provided to the National Energy Board (the “Board” or the “NEB”) in the OH-001- 2014 proceeding. The Nation references some of the information on the record in the OH-001-2014 proceeding below to highlight relevant aspects and to provide context for the evidence to be considered in the Reconsideration hearing. Squamish Nation 2. The Squamish Nation (“Squamish” or the “Nation”) is a Coast Salish Nation. Squamish is a self-identifying Aboriginal Nation and an Aboriginal people. We currently have over 4,053 registered members. 3. Since a time before contact with Europeans, Squamish have used and occupied lands and waters on the southwest coast of what is now British Columbia extending from the Lower Mainland of British Columbia, and including Burrard Inlet, English Bay, Howe Sound, the Squamish Valley and north to Whistler (the “Territory”). -
Portland State Perspective Productions
Portland State University PDXScholar University Archives: Campus Publications & Portland State Perspective Productions 1-1-1983 Portland State Perspective; Summer 1983 Portland State University Let us know how access to this document benefits ouy . Follow this and additional works at: https://pdxscholar.library.pdx.edu/perspective Recommended Citation Portland State University, "Portland State Perspective; Summer 1983" (1983). Portland State Perspective. 38. https://pdxscholar.library.pdx.edu/perspective/38 This Article is brought to you for free and open access. It has been accepted for inclusion in Portland State Perspective by an authorized administrator of PDXScholar. For more information, please contact [email protected]. Voluntary Support 1982-83 Portland State Voluntary Support University 1982-83 A special edition of PSU Perspective Private giving shows dramatic gain Summer 1983 Private support to Portland State University increased medical research. Significant advances can be made dramatically during the 1982-83 year. Gifts and grants in the knowledge of the structure of normal and totaling $1,741,246 were recorded, more than doubling malignant cell surfaces due to the increased the dollar amount received the previous year. resolution possible with this equipment. "Several large grants were responsible for most of the (Murdock Charitable Trust) increase," noted Philip R. Bogue, executive director of • $135,000 to the Viking Athletic Association the PSU Foundation. "But the success is also due to a To enhance the baseball program and further large number of donors who have become aware of the develop all athletic programs at PSU. importance of private support to the University." (Chiles Foundation) Alumni giving was up more than SO percent over the Of equal importance to the University are the previous year and gifts from corporations and friends also unrestricted gifts received from alumni, businesses and increased. -
Proquest Dissertations
I THE UNIVERSITY OF CALGARY accumulation/ablation by Diane Edith Colwell A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF FINE ARTS DEPARTMENT OF ART CALGARY, ALBERTA SEPTEMBER, 2010 ©Diane Edith Colwell 2010 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-69413-8 Our file Notre reference ISBN: 978-0-494-69413-8 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
Virgil, Aeneid 11 (Pallas & Camilla) 1–224, 498–521, 532–96, 648–89, 725–835 G
Virgil, Aeneid 11 (Pallas & Camilla) 1–224, 498–521, 532–96, 648–89, 725–835 G Latin text, study aids with vocabulary, and commentary ILDENHARD INGO GILDENHARD AND JOHN HENDERSON A dead boy (Pallas) and the death of a girl (Camilla) loom over the opening and the closing part of the eleventh book of the Aeneid. Following the savage slaughter in Aeneid 10, the AND book opens in a mournful mood as the warring parti es revisit yesterday’s killing fi elds to att end to their dead. One casualty in parti cular commands att enti on: Aeneas’ protégé H Pallas, killed and despoiled by Turnus in the previous book. His death plunges his father ENDERSON Evander and his surrogate father Aeneas into heart-rending despair – and helps set up the foundati onal act of sacrifi cial brutality that caps the poem, when Aeneas seeks to avenge Pallas by slaying Turnus in wrathful fury. Turnus’ departure from the living is prefi gured by that of his ally Camilla, a maiden schooled in the marti al arts, who sets the mold for warrior princesses such as Xena and Wonder Woman. In the fi nal third of Aeneid 11, she wreaks havoc not just on the batt lefi eld but on gender stereotypes and the conventi ons of the epic genre, before she too succumbs to a premature death. In the porti ons of the book selected for discussion here, Virgil off ers some of his most emoti ve (and disturbing) meditati ons on the tragic nature of human existence – but also knows how to lighten the mood with a bit of drag. -
The Capilano Review Do Not Cause Damage to the Walls, Doors, Or Windows
The Capilano Review Do not cause damage to the walls, doors, or windows. — Chelene Knight Editor Fenn Stewart Managing Editor Matea Kulić Editorial Assistant Dylan Godwin Designer Anahita Jamali Rad Contributing Editors Clint Burnham, Roger Farr, Aisha Sasha John, Andrew Klobucar, Natalie Knight, Erín Moure, Lisa Robertson, Christine Stewart, Liz Howard Founding Editor Pierre Coupey Interns Tanis Gibbons and Crystal Henderson The Capilano Review is published by the Capilano Review Contemporary Arts Society. Canadian subscription rates for one year are $25, $20 for students, $60 for institutions. Rates plus S&H. Address correspondence to The Capilano Review, 102-281 Industrial Avenue, Vancouver, BC V6A 2P2. Subscribe online at www.thecapilanoreview.com/subscribe. For submission guidelines, visit www.thecapilanoreview.com/submit. The Capilano Review does not accept hard-copy submissions or submissions sent by email. Copyright remains the property of the author or artist. No portion of this publication may be reproduced without the permission of the author or artist. The Capilano Review gratefully acknowledges the financial assistance of the Province of British Columbia, the British Columbia Arts Council, and the Canada Council for the Arts. We acknowledge the financial support of the Government of Canada through the Canada Periodical Fund of the Department of Canadian Heritage. The Capilano Review is a member of Magazines Canada, the Magazine Association of BC, and the BC Alliance for Arts and Culture (Vancouver). Publications mail agreement -
Tunisian Theater at the Turn of the Century: "Hammering the Same Nail" in Jalila Baccar and Fadhel Jaïbi's Theater Rafika Zahrouni Washington University in St
Washington University in St. Louis Washington University Open Scholarship All Theses and Dissertations (ETDs) Spring 3-11-2014 Tunisian Theater at the Turn of the Century: "Hammering the Same Nail" in Jalila Baccar and Fadhel Jaïbi's Theater Rafika Zahrouni Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/etd Recommended Citation Zahrouni, Rafika, "Tunisian Theater at the Turn of the Century: "Hammering the Same Nail" in Jalila Baccar and Fadhel Jaïbi's Theater" (2014). All Theses and Dissertations (ETDs). 1274. https://openscholarship.wustl.edu/etd/1274 This Dissertation is brought to you for free and open access by Washington University Open Scholarship. It has been accepted for inclusion in All Theses and Dissertations (ETDs) by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS Program in Comparative Literature Dissertation Examination Committee: Nancy Berg, Chair Robert Hegel Robert Henke Pascal Ifri Lynne Tatlock Tunisian Theater at the Turn of the Century: “Hammering the Same Nail” in Jalila Baccar and Fadhel Jaïbi’s Theater by Rafika Zahrouni A dissertation presented to the Graduate School of Arts and Sciences of Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy May 2014 St. Louis, Missouri Copyright by Rafika Zahrouni © 2014 Table of Contents Acknowledgments ………………………………………………………………….……….. iii Introduction: From Edison Theater in St. Louis to the New Theater of Tunis ….................... 1 Chapter 1: Background of Tunisian Theater History ……………………………….…......... 17 Chapter 2: The Development of the New Theater ………………………………………….. 58 Chapter 3: From Silence to Madness, from Madness to Speech: The Psychiatric Institution as Metaphor ………………………………………………………………………………….