The Banff Centre Annual Report 2014 | 2015
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C H R I S C R a N R C a Born 1949, Ocean Falls, British Columbia Lives
C H R I S C R A N R C A Born 1949, Ocean Falls, British Columbia Lives and works in Calgary, Alberta, Canada E D U C A T I O N 1979 Alberta College of Art and Design, Graduate with Honours, Calgary, Alberta 1976 Kootenay School of Art, Nelson, British Columbia S E L E C T E D E X H I B I T I O N S Solo 2015 That's an Excellent Question!, Wilding Cran Gallery, Los Angeles, CA 2011 Reading Room, Trepanier Baer Gallery, Calgary, AB 2010 “if something appears to be photographic, it is” Trepanier Baer Gallery, Calgary, AB 2009 Bright Spiral Standard, Clint Roenisch Gallery, Toronto Ont. Chris Cran: Diversions, Trépanier Baer Gallery, Calgary, Alberta 2008 The Secret Ecstasy of the Whole World, 809 Gallery, Calgary, Alberta 2006 Novel, TrépanierBaer, Calgary, Alberta Chris Cran: The Return of the Beautiful Hayseed, Clint Roenisch Gallery, Toronto, Ontario 2005 Camera Obscura, Theatre, One Yellow Rabbit’s High Performance Rodeo, Calgary, Alberta Chris Cran: Camera Obscura Theatre, Calgary Science Centre, Calgary, Alberta 2004 Inspirational Themes and Sublime Sales, TrépanierBaer, Calgary, Alberta Camera Obscura Theatre, One Yellow Rabbit’s High Performance Rodeo, Calgary, Alberta 2003 Big Opening!!!, Sable-Castelli Gallery, Toronto, Ontario And Now It’s Personal, Owens Art Gallery, Sackville, New Brunswick Camera Obscura Theatre, One Yellow Rabbit’s High Performance Rodeo, Calgary 2001 Fully Visible, Harcourt House, Edmonton Art Gallery, Edmonton, Alberta 2000 The Second Hundred Years, TrépanierBaer, Calgary, Alberta Surveying the Damage, 1977-1997, -
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Focused on the future. 2014 Annual Report 1 Report to Shareholders 4 Management’s Discussion and Analysis 57 Management’s Responsibility for Financial Statements and Report on Internal Control over Financial Reporting 59 Independant Auditors’ Reports 63 Consolidated Financial Statements 68 Notes to Consolidated Financial Statements 122 Five Years in Review 123 Shareholders’ Information 124 Corporate Information The Annual General Meeting of Shareholders will be held on January 14, 2015 at 11:00 am (Mountain Time) at the Shaw Barlow Trail Building, 2400 – 32 Avenue NE, Calgary, Alberta. Shaw Communications Inc. 2014 Annual Report At Shaw, every decision we make, and every initiative we launch, is driven by customer choice and the imperative to bring quality, reliability, innovation and value to the customer and viewer experience. Shaw Communications Inc. 2014 Annual Report Revenue* Dividends Figures in billions Figures in millions 5.2 5.1 485 5.0 445 4.7 416 391 372 3.7 10 11 12 13 14 10 11 12 13 14 Operating income before Free cash flow* restructuring costs and Figures in millions amortization* Figures in billions 698 2.3 2.2 2.1 2.1 617 604 1.8 515 482 10 11 12 13 14 10 11 12 13 14 *Financial information for fiscal 2010 is prepared in accordance with previous Canadian generally accepted accounting principles. Shaw Communications Inc. REPORT TO SHAREHOLDERS August 31, 2014 Dear Fellow Shareholders: Our performance in fiscal 2014 reflects our continued focus on the delivery of exceptional experiences and leading technology to our customers and viewers, a disciplined focus on operational efficiencies, and sound capital management creating value for all stakeholders. -
Summits on the Air – ARM for Canada (Alberta – VE6) Summits on the Air
Summits on the Air – ARM for Canada (Alberta – VE6) Summits on the Air Canada (Alberta – VE6/VA6) Association Reference Manual (ARM) Document Reference S87.1 Issue number 2.2 Date of issue 1st August 2016 Participation start date 1st October 2012 Authorised Association Manager Walker McBryde VA6MCB Summits-on-the-Air an original concept by G3WGV and developed with G3CWI Notice “Summits on the Air” SOTA and the SOTA logo are trademarks of the Programme. This document is copyright of the Programme. All other trademarks and copyrights referenced herein are acknowledged Page 1 of 63 Document S87.1 v2.2 Summits on the Air – ARM for Canada (Alberta – VE6) 1 Change Control ............................................................................................................................. 4 2 Association Reference Data ..................................................................................................... 7 2.1 Programme derivation ..................................................................................................................... 8 2.2 General information .......................................................................................................................... 8 2.3 Rights of way and access issues ..................................................................................................... 9 2.4 Maps and navigation .......................................................................................................................... 9 2.5 Safety considerations .................................................................................................................. -
Proquest Dissertations
I THE UNIVERSITY OF CALGARY accumulation/ablation by Diane Edith Colwell A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF FINE ARTS DEPARTMENT OF ART CALGARY, ALBERTA SEPTEMBER, 2010 ©Diane Edith Colwell 2010 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-69413-8 Our file Notre reference ISBN: 978-0-494-69413-8 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
Of Analogue: Access to Cbc/Radio-Canada Television Programming in an Era of Digital Delivery
THE END(S) OF ANALOGUE: ACCESS TO CBC/RADIO-CANADA TELEVISION PROGRAMMING IN AN ERA OF DIGITAL DELIVERY by Steven James May Master of Arts, Ryerson University, Toronto, Ontario, Canada, 2008 Bachelor of Applied Arts (Honours), Ryerson University, Toronto, Ontario, Canada, 1999 Bachelor of Administrative Studies (Honours), Trent University, Peterborough, Ontario, Canada, 1997 A dissertation presented to Ryerson University and York University in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Program of Communication and Culture Toronto, Ontario, Canada, 2017 © Steven James May, 2017 AUTHOR'S DECLARATION FOR ELECTRONIC SUBMISSION OF A DISSERTATION I hereby declare that I am the sole author of this dissertation. This is a true copy of the dissertation, including any required final revisions, as accepted by my examiners. I authorize Ryerson University to lend this dissertation to other institutions or individuals for the purpose of scholarly research. I further authorize Ryerson University to reproduce this dissertation by photocopying or by other means, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. I understand that my dissertation may be made electronically available to the public. ii ABSTRACT The End(s) of Analogue: Access to CBC/Radio-Canada Television Programming in an Era of Digital Delivery Steven James May Doctor of Philosophy in the Program of Communication and Culture Ryerson University and York University, 2017 This dissertation -
Glenbow Report to the Community 2014 – 15
One Museum. A Million Stories. Glenbow Report to the Community 2014 – 15 125,697 Total annual attendance between April 1, 2014 – March 31, 2015 4,108 Number of visitors who received complimentary admission through special access programs (Aboriginal Access Program, SunLife Arts & Culture Pass, Community Outreach Program, Cultural Access Program for new Canadian citizens) 7,394 Number of people assisted with research requests and access to Glenbow’s collections MAKING AN IMPACT As a key cultural cornerstone in Calgary for nearly 50 years, Glenbow has surprised and engaged generations of Albertans and visitors to the province with remarkable connections between art, culture and the world around us. Glenbow provides us with a sense of place – what it means to live in this amazing landscape – and an appreciation for the legacy of the remarkable people and events that have shaped our community. We are proud to collect, showcase and involve Alberta’s wealth of artistic talent in our programming and to offer a glimpse into the artistic and cultural achievements of other parts of the world. Glenbow has always been a trusted place to explore ideas, to present new ways of thinking, and to open discussions on topical issues in our community. In the year ahead, we’ll be planning programs and exhibitions to celebrate our 50th Anniversary. Calgary has changed dramatically in the last 50 years – even the last five years – and Glenbow is repositioning itself to respond to a new generation of visitors. We look to artists and cultural creators to help us explore our world. Artists are fearless observers, and their works – funny, beautiful, poignant, challenging – open the door to new conversations. -
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Shaw Communications ANNUAL REPORT August 31, 2005 SHAW COMMUNICATIONS INC. ANNUAL REPORT CONTENTS Page Report to Shareholders 1 Management’s Discussion and Analysis 4 Management’s Responsibility for Financial Reporting 45 Auditors’ Report 46 Consolidated Financial Statements 47 Notes to Consolidated Financial Statements 50 Five Years in Review 96 Shareholders’ Information 97 Corporate Information 98 The Annual General Meeting of Shareholders will be held on January 12, 2006 at 11:00am (Pacific Time) at Shaw Tower, 1067 West Cordova Street, Vancouver, British Columbia. Shaw Communications REPORT TO SHAREHOLDERS August 31, 2005 Dear Shareholders: Fiscal 2005 was marked by a number of significant achievements, including customer growth, improved financial results, and enhanced products and services. It was a landmark year with the launch of our Digital Phone service, which positions us with a triple play offering of voice, video and data. All of this contributed to enhanced returns and greater shareholder value. FINANCIAL HIGHLIGHTS Our financial position continued to improve: ) Total service revenue for the year was $2.2 billion, up 6.3% over last year. ) Consolidated service operating income before amortization1 was $982 million, up 6.1% over last year. ) Funds flow from operations2 was $763 million, up 10% over last year. ) Free cash flow1 for the year was $277 million, consistent with last year despite the increased investment made to support the launch of Digital Phone. ) Net income for the year was $161 million or $0.64 per share, up from $91 million or $0.22 per share last year. STRATEGIC FOCUS We operate in a highly competitive, rapidly evolving business environment. -
One Yellow Rabbit Performance Theatre (OYR) Harnesses the Bold, Adventurous Spirit of Our Calgary Community to Enrich the Place We Live
One Yellow Rabbit Performance Theatre Report to the Community 2014/2015 Community the to Report Robust cultural landscapes nurture vibrant societies. Through high-calibre work in the performing arts across the wide range of projects we undertake each season, One Yellow Rabbit Performance Theatre (OYR) harnesses the bold, adventurous spirit of our Calgary community to enrich the place we live. Our mission is to create and present vital, surprising performance experiences that engage and reward our audience. We believe it is through this kind of artistic To realize this vision work – work that arouses curiosity, ignites we are commited to… passion, stimulates imagination and challenges expectation – that individuals 6WhW^ab[`YS`VbdaVgU[`YfZW are inspired and communities fourish. work of the One Yellow Rabbit Performance Ensemble By extension, we believe that the rigor and love that feeds the work we put forward 7VgUSf[`YS`V_W`fad[`Y`Wi translates to a community that values and established artists through connection, compassion, and strives programs like the Summer to nourish its people – a society that is Lab Intensive and the galvanized by challenge and energized by beautifulyoungartists initiative possibility. BdaVgU[`YS`VbdWeW`f[`YfZW High Performance Rodeo, Calgary’s International Festival of the Arts 5W^WTdSf[`YfZWegbbadfaXagd community partners through special events like Wine Stage and unique events in the Big Secret Theatre Our Mission Cover photo credit: Kelly Hofer Kelly credit: photo Cover Photo Credit: Kelly Hofer The work of One Yellow Rabbit Our heartfelt thanks to everyone who has One Yellow Rabbit Performance Theatre is entrenched in helped One Yellow Rabbit throughout Performance Ensemble Staf deeply rooted values of respect, dignity, this year. -
Harvard Mountaineering 1
HARVARD MOUNTAIN · ERING Volume I • Number 1 JUNE, 1927 THE HARVARD MOUNTAINEERING CLUB CAMBRIDGE, MASS. Foreword Contents HE Harvard Mountaineering Club is now in its third year. ..... 3 Organized in November, 1924, with some ten or a dozen FOREWORD .......... charter members, it has grown rapidly, until there are now By Henry S. Hall, Jr. Tsome thirty active members and fifteen qualifying members in the 5 IN SEARCH OF MOUNT CLEARWATER . University, as well as thirty odd graduate members, some of whom are former active members and others Harvard graduates By W. Osgood Field who are or have been active mountaineers. Active membership 'MOUNT :MORAN AND THE TETONS . is limited to those who have had at least some real mountaineer By Beverly F. Jefferson 18 ing experience in the Alps, Canadian Rockies, or equivalent THE LYELL PEAKS AND :MOUNT FORBES . regions. Qualifying membership was established last fall to By Alfred J. Ostheimer, 3rd enable men 'who had done little or no active mountaineering, IMPRESSIONS OF DOLOMITE CLIMBING. ....... but who were interested, to be carried in the club rolls, so that they might attend its meetings and take part in its other By Lincoln O'Brien 31 activities. LIST OF ~t[E:\'1BERS . The original idea of forming such a club came to two Harvard graduates, who with an undergraduate were camped in the summer of 1923 at the base of a certain fine peak in the Canadian Rockies, which they were keenly hoping to climb. Fortune Club Officers favored. The peak was climbed, and a year from the following 1926--27 winter several undergraduates were found who enjoyed moun 1924-25 Pres. -
Preview, the Gallery Guide | June–August, 2007
CALENDAR OF OPENINGS - PG 95 GALLERY INDEX - PG 91 THE GALLERY GUIDE ALBERTA ■ BRITISH COLUMBIA ■ OREGON ■ WASHINGTON June/July/August 2007 www.preview-art.com www.vanartgallery.bc.ca 24-hour Info604662 4719 BC 750 HornbyStreet Vancouver www.vanartgallery.bc.ca America. Purchaseadvancedtimedticketsonlineat in finest collectionsof19th-and 20th-centuryEuropeanart Canadian venueontheinternational tourofonethe Art Gallery the Vancouver This summerthegreatestnamesinartwillbeat . Don’t miss the exclusive . Don’tmisstheexclusive Presenting Sponsor: Media Sponsor: Henri Fantin-Latour, Marie-Yolande de Fitz-James, 1867, (detail), oil on fabric, The Cleveland Museum of Art, Gift of Lewis C. Williams. © The Cleveland Museum of Art FORT ST. JOHN BRITISH ALBERTA COLUMBIA DAWSON CREEK PRINCE GEORGE EDMONTON QUEEN CHARLOTTE ISLANDS WEST NORTH DEEP COVE MCBRIDE VANCOUVER WELLS VANCOUVER BURNABY PORT MOODY NEW WESTMINSTER COQUITLAM VANCOUVER MISSION RICHMOND SURREY MAPLE RIDGE CHILLIWACK DELTA FORT LANGLEY ABBOTSFORD TSAWWASSEN WHITE ROCK WILLIAMS LAKE PRINCE RUPERT 100 MILE HOUSE CALGARY SALMON ARM BANFF SILVER STAR MOUNTAIN KAMLOOPS VERNON CAMPBELL RIVER WHISTLER KASLO KELOWNA COURTENAY COMOX HARRISON MEDICINE HAT UNION BAY HOT SPRINGS SUMMERLAND NELSON LETHBRIDGE SUNSHINE COAST VANCOUVER, BC PENTICTON CASTLEGAR PARKSVILLE OSOYOOS OLIVER TOFINO NANAIMO CHILLIWACK GRAND FORKS GULF ISLANDS OROVILLE DUNCAN BELLINGHAM SHAWNIGAN LAKE EASTSOUND SAANICH/SIDNEY ORCAS ISLAND TWISP LAKE COWICHAN LA CONNER SOOKE EVERETT VICTORIA FRIDAY HARBOR, SAN JUAN ISLAND PORT LANGLEY MONROE ANGELES KIRKLAND SPOKANE SEATTLE BELLEVUE TACOMA OLYMPIA WASHINGTON ASTORIA SEASIDE LONGVIEW CANNON BEACH GOLDENDALE PORTLAND MCMINVILLE SHERIDAN SALEM PACIFIC CITY OREGON EUGENE ASHLAND Serving the visual arts community since 1986 Celebrating 21 years www.preview-art.com 8 PREVIEW COVER: Anne Siems, Little Fox (2007), mixed media [Laura Russo Gallery, Portland OR, Jun 7-30] previews ALBERTA Vol. -
Alberta Painter Chris Cran Featured in Major Retrospective at National Gallery
The art of play: Alberta painter Chris Cran featured in major retrospective at National Gallery Peter Robb Ottawa Citizen May 20, 2016 http://ottawacitizen.com/entertainment/local-arts/the-art-of-play-alberta-painter-chris- cran-featured-in-major-retrospective-at-national-gallery * A short video of Cran during a walk through of the exhibition is also found at this link. Canadian artist Chris Cran with some of his work from his exhibit “Sincerely Yours,” which will be on view at the National Gallery of Canada from May 20 to September 5. (Errol McGihon – Post Media) A refreshing chinook from Alberta has blown into the National Gallery of Canada. The breeze is provided by the whimsical, inventive paintings of Calgary artist Chris Cran. Although he is a serious artist with serious things to say about art, culture and society, Cran manages to leaven those messages with a dose of humour that eases the viewer into his conversation. The 66-year-old is the subject of a major retrospective, called Chris Cran: Sincerely Yours. More than 100 pieces are included, ranging from early works, such as the 1985 Self-Portrait with the Combat Nymphos of Saigon, that feature the artist in various situations; to an exploration of Pop and Op art styles (he calls this kind of homage to an art movement “recycling”); to his discovery of the potential of stencils; to more abstract works that play inside a self-described frame and finally to a period that exploits all of the above and that is dotted, literally, with faces pulled from magazines and displayed, as he says, like the omnipresent putti found in Renaissance art. -
Gazetteer of Yukon
Gazetteer of Yukon Updated: May 1, 2021 Yukon Geographical Names Program Tourism and Culture Yukon Geographical Place Names Program The Yukon Geographical Place Names Program manages naming and renaming of Yukon places and geographical features. This includes lakes, rivers, creeks and mountains. Anyone can submit place names that reflect our diverse cultures, history and landscape. Yukon Geographical Place Names Board The Yukon Geographical Place Names Board (YGPNB) approves the applications and recommends decisions to the Minister of Tourism and Culture. The YGPNB meets at least twice a year to decide upon proposed names. The Board has six members appointed by the Minister of Tourism and Culture, three of whom are nominated by the Council of Yukon First Nations. Yukon Geographical Place Names Database The Heritage Resources Unit maintains and updates the Yukon Geographical Place Names Database of over 6,000 records. The Unit administers the program for naming and changing the names of Yukon place names and geographical features such as lakes, rivers, creek and mountains, approved by the Minister of Tourism and Culture, based on recommendations of the YGPNB. Guiding Principles The YGPNB bases its decisions on whether to recommend or rescind a particular place name to the Minister of Tourism and Culture on a number of principles and procedures first established by the Geographic Names Board of Canada. First priority shall be given to names with When proposing names for previously long-standing local usage by the general unnamed features—those for which no public, particularly indigenous names in local names exist—preference shall be the local First Nation language.