Joaquín Nin-Culmell Papers [Coll 076]
Joaquín Nin-Culmell papers [Coll 076] Biographical Information Joaquín Nin-Culmell (1908-2004) Pianist, Conductor, Lecturer, Professor of Music, and Composer Educated at the Schola Cantorum (1925-1930) first studying in the class of Paul Braud, himself a pupil of Cesar Franck)and privately with Alfred Cortot and Ricardo Vines, also in Paris. At the Paris Conservatory Nin- Culmell studied harmony, counterpoint, and fugue with Jean and Noel Gallon, and composition with Paul Dukas in 1932. He then studied privately with Manuel de Falla in Grenada. As a concert virtuoso, Nin-Culmell then performed in Spain, France, Switzerland, Italy, Belgium, Denmark, England, the United States, Canada and in Cuba. Instructor of Music, Williams College, 1940, establishing a separate Music Department there in 194; he was chairman, 1949-1950. Correspondent, Royal Academy of Fine Arts of San Fernando, Madrid; served on many international Juries; Creative Arts Institute Fellow; Chairman, Music Department, University of California, Berkeley (1951-1954). Professor Emeritus, University of California, Berkeley, retiring in 1971. Founder and conductor of the Berkshire Community Orchestra. Conductor of the University of California Symphony from 1950 to 1954. Guest conductor of the Miami Symphony Orchestra, San Francisco Symphony Orchestra, Aspen Festival Orchestra, and the Municipal Orchestra of Barcelona. Composer for piano, for voice and piano, for piano and string quartet, voice and string quartet, solo cello, solo guitar, for piano and orchestra, for cello and orchestra, for orchestra, for unaccompanied chorus. Composer for organ and mixed chorus of the Dedication Mass for St. Mary’s Cathedra in San Francisco (1971); 48 tonadas for piano, an XVIIIth century Spanish Cantata for voice, string orchestra and harpsichord, and a new set of Five Traditional Songs for voice and piano.
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