FLAGSTAFF Playground

Total Page:16

File Type:pdf, Size:1020Kb

FLAGSTAFF Playground FLAGSTAFF For the week of Feb. 11 -17 NOFX appemngs The NOFX punk quartet will be stop­ ping by to perform Feb. 24 at Club Rio in Scottsdale. Playground Marc’y Playground will be bringing some sex and candy Tues­ day to Gibson’s in Tempe. Next Week Arizona’s own Re­ freshments are inter­ viewed in Happenings next issue. Inside this week: Dance Hall Crashers http://www.thejack.nau.ed u/happenings l YSTORY Dance Hailin’ 1 vies • Ska/punk icons talk about An assassin with L ■ f t a heart, Chow breaking up and touring Yun-Fat and “Doing it" in front of an ter the album came out and Mira Sorvino cheering audience may be we decided to give itanother bust caps. quite disconcerting to many chance. A couple albums later Harkins 11 AWidlittds VitbjKHh.l. 774~rHH & atPhoto courtesy of but for Elyse Rogers, it’s bet­ and coundess tours later, here HoJtywood Pictures. ter than “doing it" anywhere we are," Rogers said. Blues Brothers 2000 (PG-I3» else. Rogers is just glad to be The band has just released (Fri)ll 30. 140.2:20.4:30.3:10. 7:3*. 8.10 10. 1040.12:40 doing it anywhere. a new album called Honey, I'm (Sat i 11.11 30.1:40.230.4:30. 3:10. 7 20. S. his family, who the drug lord For the last seven years, Homely. The album is full of 10:10. 10:40.12:40 aims to rub out for the be­ Rogers has been taking the the same pop-ska-punk cross (Sun ) 11.11:30.1:40.2:20.4:30.5:10.7:20. ». Replacement trayal. To get out of the coun­ ska/punk band Dance Hall over sounds as the rest of the 10:10 try, he must get a new pass­ Crashers all over the world band’s collective discography, (Mm.-TharO 11.30. 1:40. 2:20, 4:30,5:10.7:21 port, a forged passport. Enter and “doing it," or playing live, but Honey, I'm Homely may be *, 10: IO Killers Mira Sorvino. Why Fat needs wherever and whenever they a little more true to the band’s Zero Effect im (Fri & Sal.) 12. 2:50.5.20. 7:50. 1020. 12:45 ★ a new passport is not dis­ have the chance. stage performance. Sun Thun, t 12.2:50.5.20, 7:50, 10 20 cussed, as most of the finer “Our lifestyle __________ This new Who can tell me what John points of the plot are not. In­ is a pretty cool album is just Deep Rising ecu Woo’s first American movie <Fh.) 2.5,7:40.10.12:25 was? I’ll give you a hint, it had discriminately shooting every­ lifestyle. Well it a bit differ­ (Sal.) 11:20 2.5.7:40. 10.12:23 thing that moves is the order can be anyway. ent from the (Sml) 11:20.2.5.7 40.10 Jean Claude Van Damme in it of the day, and that plot writes Of course it last two (Mon - Thorv> 2.5.7:40.10 Time’s up. It was “Hard Tar­ itself. One thing that aggra­ can be really records. The sperateTieasures im get.” How about John Woo’s vates me about this movie is exhausting but guys and gals (Fri. a Sal ) 7:11**50.1205 second American movie? the fact that no one can hit you just kin da in the Dance (SuaTlwv) yiO. Does “Broken Arrow” ring a anything they are aiming at have to learn Hall Crash­ Spice World bell? Third? OK, that’s an easy until they have fired a mini­ how to make it ers tried to (Daily) 12:10.2-30.4:50 one, last summer’s “Face/ mum of 20 shots, not to men­ work with your capture As Good As It Gets (PG-IJ) Off.” What do these three tion the fact that no one re­ s y s t e m , * more ofthe (Daily) 12.50.4.7:10,10 30 movies have in common, be­ loads. In “Replacement Kill­ Rogers said. live feel on Titanic tpc-n) sides the fact that they all ers" world, guns are thrown The band this album (Fn & Sal) 11 40. 2:40. 3 40.6 50 8 10.10:50 stunk and disappointed at the started up as a i Sun - Thun l 11 40. 2.40. 1 40.6:50, 8:10 box-office? John Woo. Guess away when they are empty, compared to Wings Of A Dove <r> who the executive producer of because there is always a wait­ side project of the band’s (FH.) 2:10.4:40.7.930112:10 ing supply of fresh, reloaded the legendary previous (Sai.> 11:10. 2:10.4:40.7. *30.12:10 “The Replacement Killers’ is? ones. I didn ’t give it zero stars Operation Ivy Work,Rogers ' (Sun ) 1110.2:10.4:40, 7.9:30 This movie is the worst by far because of Chow Vim-Fat, and members Tim said. (Mow - Thun »2 10. «-H>. 7. *30____________ in 1998. In this movie, a hired Chow Yim-Fat alone. This guy Armstrong and Despite a Mr. Magoo with Flutter n*c gun played by Hong Kong ac­ is cool. He’s cool looking and Matt Freeman. successful re­ fFn A Sal.) 1130. 130.4:13. 6: M. 9. 12 tion star Chow \im-Fat must looks tough firing a gun. One Armstrong and cord ing ca­ (Sun. - Thun > 11:50. 1:50. 4:15.6:30.9 kill a policeman 's child in or­ star for the way he looks, and Freeman soon reer, the L.A. Confidential nt> der to finally repay a debt to a that’s it. Mira Sorvino contin­ took off to band is very (Daily) 12:20. 3: Ml. b40.9:40 ruthless drug lord. When he ues to prove my maxim that a form the band much aware refuses, the drug lord brings recent first time winner of the Rancid. After a of where its Prochnow in, that’s right, replacement best-supporting actress Oscar few more per­ strengths lie. killers. will only be in a terrible movie. sonnel changes, the band fi­ Backed by three albums, many I TBA The rest of the movie cen­ For further corroboration, see nally settled on it’s current compilation listings and vari­ (Thtirs Sunt 7.9.30pnr ters on Win-Fat trying to get Marisa Tomei. lineup. But not before a ous soundtracks, such as out of the country to protect By Anthony Del Rosso breakup almost ended the “Biodome” and “Angus,” the band for good. band knows that its strengths “We were just bored with are not in the records them­ what we were doing. We just selves. 12:05 a.m. Thursday NBC weren’t really happy. We “Honestly I think we do bet­ national TV. Now that’s love. Th is shows gonna be a hadn’t had our album come ter live. Just because we have doozy. Sports caster Bob out yet and it seemed like it been doing that for seven “Teen Angel" Costas will be on to tell of was taking forever. It was just years and we only have three 8:SO p.m. FridayABC embarrassing moments “cov­ a kind of consensus to break records. Working with the au­ Our dead friend Marty is in ering" some of today’s best up and work on other stuff for dience is so much easier and kind of a fix. You see, he likes athletes. Also, Salt-N-Pepawill a while," Rogers said. interesting than sitting in a this girl, only problem is that be there to rock the proverbial Eventually the album did studio working with techni­ “Jerry Springer” he’s DEAD! I don’t see any house. Word! come out and it made quite cians,” Rogers said. 2 p.m. Friday Ch. 3 problem there, she might, but an impact, an impact so big, The Dance Hall Crashers This show is set to be one I don’t. Anyway, Marty has to “Viper” the band was hounded by fans will be “doing it" Thursday at brawl after another. You go “undercover,” if you know 9 p.m. Friday UPN until finally giving in. Gibson’s in Tempe. guessed it, it’s another of what I mean just to see this Cole sure can pick a good “We got tons of fan mail af­ By Jeffrey Bell those wacky gender bender girl. Poor, poor Marty, when girlfriend. It seems an ar­ shows. It will be nice for Jane will you ever learn? mored car full of )1 million to finally tell John that “she" in ones is stolen. And who’s is really a man, and have John “LateNight with Co nanO’ the prime suspect? Bet you it Cover photo illustration of Dance Hall Crashers by Jeffrey Bell beat the stuff <*it of “her” on Brien” isn’t Baby Spice. http:/^rww. thejack.nau.edu/happening*> E VI E WS oncerf s where olhers are obssessed attempt at a new album. looking oriental girl from the with fortune. Of course it hits some good Smashing Pumpkins "Today" This is a tight and diverse beats in here and even a sam­ video? Yeah? Then remember album with emotional, intro­ pling of the Squirrel Nut Zip­ how freaked out we all were spective tracks like “Retro­ pers* “Hell,” but put a little when we found out that girl spect For Life” featuring oomph in it at least.
Recommended publications
  • In Defense of Rap Music: Not Just Beats, Rhymes, Sex, and Violence
    In Defense of Rap Music: Not Just Beats, Rhymes, Sex, and Violence THESIS Presented in Partial Fulfillment of the Requirements for the Master of Arts Degree in the Graduate School of The Ohio State University By Crystal Joesell Radford, BA Graduate Program in Education The Ohio State University 2011 Thesis Committee: Professor Beverly Gordon, Advisor Professor Adrienne Dixson Copyrighted by Crystal Joesell Radford 2011 Abstract This study critically analyzes rap through an interdisciplinary framework. The study explains rap‟s socio-cultural history and it examines the multi-generational, classed, racialized, and gendered identities in rap. Rap music grew out of hip-hop culture, which has – in part – earned it a garnering of criticism of being too “violent,” “sexist,” and “noisy.” This criticism became especially pronounced with the emergence of the rap subgenre dubbed “gangsta rap” in the 1990s, which is particularly known for its sexist and violent content. Rap music, which captures the spirit of hip-hop culture, evolved in American inner cities in the early 1970s in the South Bronx at the wake of the Civil Rights, Black Nationalist, and Women‟s Liberation movements during a new technological revolution. During the 1970s and 80s, a series of sociopolitical conscious raps were launched, as young people of color found a cathartic means of expression by which to describe the conditions of the inner-city – a space largely constructed by those in power. Rap thrived under poverty, police repression, social policy, class, and gender relations (Baker, 1993; Boyd, 1997; Keyes, 2000, 2002; Perkins, 1996; Potter, 1995; Rose, 1994, 2008; Watkins, 1998).
    [Show full text]
  • 1995 Spring Program Guide
    c;; 5([1 ~ -H~J JJ _0~ ·. o:'6-:5i--S ,· I ~~ - - - ---------------------- -·· ,.----··--·---- i ' /') l ' ,/ ·' !! ' , r: _;( - ./' ' . ·'1i .1 'I ' '-----·•--- ------- . ;: ._;. : .. ~ .. :' · .. ~ .. ' MONDAY: the wack. 12-2 am: "The Glory Box" Kara Fiegenschuh 8-lOam: "The Circus Freakshow" Nina Aronson Shoegazers and slackers from the 50 states and A mix of everything: New sounds, groovy Europe. rhythms, and upbeat melodies. Music that 2-4 am: "Fishin' the Northwest" Michael Wolfe makes you feel good, whether you feel good The Edge tries to tell you what Seattle music is. about life, pain, whatever. None of that here, we'll show you what real 10-12 pm: "Punker Than You" Stephanie Boehmer Sea ttli tes listen to. Spinnin' the punk and oi! anthems from the late '70's and early '80's. There's no show more WEDNESDAY: desperate and more bored. 12-2pm: "Classical Lunchbox" Chris Schiffer 8-10 am: "Swingcheese" Robin Moore Chris will play classical music and will try not to Two hours of swing and jazz with snappy vocals, DJ in a monotone NPR voice. There is the swingin' instrumentals and an ever lovin open possibility of guest composers/musicians. request line. In all things be fabulous baby. 2-4pm: "Variety Show" Thien-Bao Thuc Phi 10-12 am: "Kara and Joanna's Office Hours" One show I may devote to hip hop, one to show We'll play you music while we clean the office tunes, or maybe on the same day I'll bust Craig and organize things. Mack and Sophie B. Hawkins back to back. 12-2 pm: "A Night at the Village Vanguard" Chris 4-6pm: "Music for the Fall Guy" Nate Sparks Stromquist Country and Western music from the past and The best jazz you'll hear before midnight.
    [Show full text]
  • Soundtrack and Garnering Accolades for Their Debut Album “Remind Me in Three Days.” Check out Our Exclusive Interview on Page 7
    Ver su s Entertainment & Culture at Vanderbilt DECEMBER 3—DECEMBER 9, 2008 VOL. 46, NO. 26 “Abstract Progressive” rapping duo The Knux are giving Vincent Chase his soundtrack and garnering accolades for their debut album “Remind Me in Three Days.” Check out our exclusive interview on page 7. We saw a lot of movies over break. We weigh in on which to see and … from which to fl ee. “808s and Heartbreaks” is really good. Hey, Kanye, hey. PLACES TO GO, PEOPLE TO SEE THURSDAY, DECEMBER 4 FRIDAY, DECEMBER 5 SATURDAY, DECEMBER 6 The Regulars Harley Allen Band — Station Inn Parachute Musical and KinderCastle with Noises Carols & Cocoa — Barnes and Noble, Cool THE RUTLEDGE The go-to joint for bluegrass in the Music City features Harley Allen, 10 — The Mercy Lounge and Cannery Ballroom Springs 410 Fourth Ave. S. 37201 Part of the Mercy Lounge’s Winter of Dreamz musical showcase, a well-known song writer who’s worked with Garth Brooks, Dierks Need to get into the Christmas spirit? The Battle Ground Academy 782-6858 Bentley and Gary Allan to name a few. Make sure to see this living Friday’s event showcases Parachute Musical and KinderCastle along Middle School Chorus will lead you in some of your favorite seasonal legend in action. ($10, 9 p.m.) with opener Noises 10. Head to the Mercy Lounge to enjoy some carols as you enjoy delicious hot chocolate. (Free, 11 a.m., 1701 MERCY LOUNGE/CANNERY live local music and $2.50 pints courtesy of Winter of Dreamz co- Mallory Lane, Brentwood) presenter Sweetwater 420.
    [Show full text]
  • ~ Market Offersweeldy Fun
    " C2 The Orion September 6, 2000 ~ Market offersweeldy fun ~~ KEVIN PERRY the Thursday Night Market has ' ~ Staff Writer it all. '( . Celtificd farmers are also in Move over f"rmer's market, attendance, offering some of the because Chico's Thursday Night season's freshest fruits, vegeta­ Market is here to stay. bles, eut flowers, nuts, herbs The Evil Empire ~ As the week begins to wind, and houseplants. Prices for concert tickets to your down, be sure to check out the The weekly event is designed favorite major-label bands are likely Thursday Night Market on to provide fun for all. lOrise in the near future. Z Third Street and Broadway. The "The Thursday Night Market A recently approved merger market, which is produced by is an opportunity to shop down­ between promoter-powerhouse SFX the Downtown Chico, Business town with your friends and and radio conglomerate Clear Channel Associatio~, brings food,' pro- neighbors," Watner said. Communications Inc. will not be good ~ duce, arts and crafts plus live There is something for for concert goers' pocketbooks, accord­ entertainment to the downtown everyone to enjoy. The event is ing to Rolling Stone's Sept. 14 issue. H area every week. well-rounded in its entcrtain­ Clear Channel operates more than' Originally, the Thursday ment, which ranges from 900 radio and 19 television stations Night Market began as the African dancing to polka nationwide. SFX controls 120 concert ~ Chico Certified Farmer's music. venues spanning coast to coast. r-..,... ., Market. At that time it only had There's amusement for chil- This merger will hit close to home.
    [Show full text]
  • Feature Guitar Songbook Series
    feature guitar songbook series 1465 Alfred Easy Guitar Play-Along 1484 Beginning Solo Guitar 1504 The Book Series 1480 Boss E-Band Guitar Play-Along 1494 The Decade Series 1464 Easy Guitar Play-Along® Series 1483 Easy Rhythm Guitar Series 1480 Fender G-Dec 3 Play-Along 1497 Giant Guitar Tab Collections 1510 Gig Guides 1495 Guitar Bible Series 1493 Guitar Cheat Sheets 1485 Guitar Chord Songbooks 1494 Guitar Decade Series 1478 Guitar Play-Along DVDs 1511 Guitar Songbooks By Notation 1498 Guitar Tab White Pages 1499 Legendary Guitar Series 1501 Little Black Books 1466 Hal Leonard Guitar Play-Along® 1502 Multiformat Collection 1481 Play Guitar with… 1484 Popular Guitar Hits 1497 Sheet Music 1503 Solo Guitar Library 1500 Tab+: Tab. Tone. Technique 1506 Transcribed Scores 1482 Ultimate Guitar Play-Along Please see the Mixed Folios section of this catalog for more2015 guitar collections. 1464 EASY GUITAR PLAY-ALONG® SERIES The Easy Guitar Play-Along® Series features 9. ROCK streamlined transcriptions of your favorite SONGS FOR songs. Just follow the tab, listen to the CD or BEGINNERS Beautiful Day • Buddy Holly online audio to hear how the guitar should • Everybody Hurts • In sound, and then play along using the back- Bloom • Otherside • The ing tracks. The CD is playable on any CD Rock Show • Use Somebody. player, and is also enhanced to include the Amazing Slowdowner technology so MAC and PC users can adjust the recording to ______00103255 Book/CD Pack .................$14.99 any tempo without changing the pitch! 10. GREEN DAY Basket Case • Boulevard of Broken Dreams • Good 1.
    [Show full text]
  • The Hawk's Eye Ess of a Human Being
    Roger Williams University DOCS@RWU Hawk's Eye Student Publications 11-16-1993 The aH wk's Eye - November 16, 1993 Follow this and additional works at: http://docs.rwu.edu/hawk_eye Part of the Education Commons Recommended Citation "The aH wk's Eye - November 16, 1993" (1993). Hawk's Eye. Paper 8. http://docs.rwu.edu/hawk_eye/8 This News Article is brought to you for free and open access by the Student Publications at DOCS@RWU. It has been accepted for inclusion in Hawk's Eye by an authorized administrator of DOCS@RWU. For more information, please contact [email protected]. o RWU Menu Changes p.5 o Santa Fe Program p.4 o Poetry p.8 o False Alarms p.3 OMen's B-ball preview p.13 o Sports Fall roundup p.14 () Volume II Issue VI Published by the students of Roger Williams University November 16, 1993 New dorm plans still RWU's performing \ sketchy Artists in Residence By Chris Cousineau Baretta agency. She was asked to Senior Writer provide a wishlist from student life, which she did, and pass it on. All that needs to happen now is a decision. All plans for the prospective new The new dorm, should it be built, dorm are in the, talking stage right is intended to allow a more indepen­ now, according to Roger Williams dent life style. In both Santoro's and University President Anthony Haskell's minds it will be apartments. Santoro. Santoro agrees that some· Students who wish to, will be allowed thing has to be done to gain more beds to move into the new dorm from on campus.
    [Show full text]
  • "Eustace the Monk" and Compositional Techniques
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2013 An original composition, Symphony No. 1, "Eustace the Monk" and compositional techniques used to elicit musical humor Samuel Howard Stokes Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Stokes, Samuel Howard, "An original composition, Symphony No. 1, "Eustace the Monk" and compositional techniques used to elicit musical humor" (2013). LSU Doctoral Dissertations. 1053. https://digitalcommons.lsu.edu/gradschool_dissertations/1053 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. AN ORIGINAL COMPOSITION, SYMPHONY NO. 1, "EUSTACE THE MONK" AND COMPOSITIONAL TECHNIQUES USED TO ELICIT MUSICAL HUMOR A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College In partial fulfillment of the Requirements of the degree of Doctor of Philosophy in The School of Music by Samuel Stokes B.M., University of Central Missouri, 2002 M.A., University of Central Missouri, 2005 M.M., The Florida State University, 2006 May 2013 ACKNOWLEDGMENTS I would like to thank Dinos Constantinides for his valuable guidance and enthusiasm in my development as a composer. He has expanded my horizons by making me think outside of the box while leaving me enough room to find my own compositional voice.
    [Show full text]
  • CRUELPROGRAM-20559D80d6.Pdf
    EVA PRICE SUCKER LOVE PRODUCTIONS MARTY BOWEN NEAL MORITZ HUNTER ARNOLD BLOOD ORANGE PICTURES MARK LONOW & JOANNE ASTROW TOM MCGRATH RACHEL WEINSTEIN SARA BETH ZIVITZ PRESENT CREATED BY JORDAN ROSS, LINDSEY ROSIN AND ROGER KUMBLE BASED ON THE FILM BY ROGER KUMBLE STARRING JOHN BATTAGLIESE RICHARD CRANDLE JEFFREY KRINGER NICOLE MEDORO DARA ORLAND ARAMIE PAYTON TAYLOR PEARLSTEIN BROOKE SINGER BETSY STEWART DAVID WRIGHT SCENIC DESIGN LIGHTING DESIGN COSTUME DESIGN SOUND DESIGN JASON SHERWOOD JEANETTE OI-SUK YEW TILLY GRIMES MATT KRAUS CASTING DIRECTOR MUSIC SUPERVISION, ARRANGMENTS, ORCHESTRATIONS PRODUCTION MANAGER PRODUCTION STAGE MANAGER HENRY RUSSELL ZACH MARY JAMES BERGSTEIN, CSA SPOUND DUFFE STEELE TOUR BOOKING, MARKETING & PUBLICITY COMPANY MANAGER GENERAL MANAGEMENT BOND THEATRICAL GROUP HANNAH ABAIR MAXIMUM ENTERTAINMENT CHOREOGRAPHED BY JENNIFER WEBER TOUR DIRECTION BY KENNETH FERRONE ORIGINAL DIRECTION BY LINDSEY ROSIN CAST (in alphabetical order) Greg McConnell .........................................................................................JOHN BATTAGLIESE Ronald Clifford ......................................................................................... RICHARD CRANDLE Sebastian Valmont ........................................................................................ JEFFREY KRINGER Mrs. Bunny Caldwell ......................................................................................... DARA ORLAND Kathryn Merteuil ....................................................................................TAYLOR
    [Show full text]
  • New Park's Efforts Earn New Contract
    An Associated Collegiate Press Pacemaker Award Winner FRIDAY April 3, 1998 • • Volume 124 THE Number 44 on-Profit Org. U. S. Postage Paid ewark, DE Permit No. 26 250 Student Center• University of Delaware • Newark, DE 19716 Candidates square off First-ever mayoral debate features Godwin, Ashley BY ROBERT ARMENGOL "It wasn't really a debate," said Mayor properties was not as important to Ashley Ma11.aging Maga:.ine &litnr Ro nald L. G ardner, o ne of abo ut 80 as encouraging more family home­ An unprecedented mayoral debate people - mostly city residents - who ownership through mongage and loan he ld on campus Tuesday nig ht left atte nded the event at the Trabant incentives. Newarl<'s two candidates pretty tired and University Center Theatre. "But that's all Godwin also said he is not interested some voters a little confused. right. It gave us the opportunity to hear in fiddling with current regulations tliat "I'm pooped," councilman Harold F. the candidates· opinions and for them to forbid more than three unrelated tenant God win said afte r the two-ho ur ~----~ he a r the people ' s per rental unit except on some properties discussion of the c ity's most pressing concerns'' g ra ndfathe red to al low fo r four issues. editorial After their five­ housemates. Political newco m er M a rg ue rite pageA6 minute opening But that confusing disparity, Ashley Ashley, his opponent, also said she was s ta te m e nts. Ashley said. may lure rental bu iness to those exhausted.
    [Show full text]
  • Chuck Beek O NATALIE IMBRUGLIA Tom (RCA) 2060 2045 43/0 Watching the Grammies, I Felt Very Privileged to Be Part It
    44 R &R May 1. 1998 POP/ALTERNATIVE -4\._ TOP 20 BY R &R's exclusive sub -chart combining airplay from Hot AC, Alternative. Adult Alternative, and CHR/Pop 102. r- TOTAL PLAYS-1 The poin5 TOTAL t Lw Tw ARTISTT1TLEL4BEL(S) TW LW STATIONS/ADDS chuck Beek o NATALIE IMBRUGLIA Tom (RCA) 2060 2045 43/0 Watching the Grammies, I felt very privileged to be part it 2 MARCY PLAYGROUND Sex And Candy (Capitol) 1796 1831 39/0 of this format. When you saw all the artists who won Grammies, you realized that a whole bunch of them were 4 FASTBALL The Way (Hollywood) 1607 1434 41/0 0 started at Adult Alternative radio stations. 1397 1484 33/0 3 MATCHBOX 20 3am (Lava/Atlantic) These artists have been making great music and 1412 a long time and are finally getting some long 5 THIRD EYE BLIND How's It Going To Be (Elektra/EEG) 1367 35/0 performing j overdue recognition. And if it hadn't been for our format, 7 1238 1172 33/0 0 EDWIN MCCAIN I'll Be (Lava/Atlantic) they wouldn't have had the exposure that enabled them to to o ALANIS MORISSETTE Uninvited (Warner Sunset/Reprise) 1204 983 30/2 have multiformat smash hits- It was very cool to feel like we were part of that success. 6 VERVE Bitter Sweet Symphony (HuWirgin) 1138 1227 32/0 Pop /Alternative Hot ACs add these artists a little later 1015 919 33/1 11 0 MATCHBOX 20 Real World ( Lava/Atlantic) than we do, but they target themselves to a different audience.
    [Show full text]
  • DJ Muggs Production Discography
    DJ Muggs production discography DJ Muggs production discography. From Wikipedia, the free encyclopedia. Jump to navigation Jump to search. This article does not cite any sources. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (December 2012) (Learn how and when to remove this template message). This is a Full length List of Production Credits for DJ Muggs outside of his Cypress Hill, Soul Assassins & "Vs" albums. Contents. 1 Afu Ra. 2 Apathy. 3 Beastie Boys. 4 Big Noyd. 5 Big Red. 15 DJ Muggs. 16 Funkdoobiest. 17 George Micheal. DJ Premier discography ┠The following list contains songs produced, co produced or remixed by DJ Premier.[1] Contents 1 Production Discography 1.1 1990 1.1.1 Branford Marsalis Quartet Music from Mo ⦠Wikipedia. RZA discography ┠Discography for Wu Tang Clan leader RZA.tudio AlbumsInstrumental Albums*2007: The RZA Instrumental Experience oundtracks*1999: *2004: Kill Bill Volume 1 (soundtrack) Kill Bill Volume 2 (soundtrack) *2004: Soul Plane *2004: *2005: Unleashed *2005 ⦠Wikipedia. DJ Khalil discography ┠The following is a list of productions by American hip hop and soul producer, DJ Khalil DJ Muggs production discography. From Wikipedia, the free encyclopedia. This is a Full length List of Production Credits for DJ Muggs outside of his Cypress Hill, Soul Assassins & "Vs" albums. YouTube Encyclopedic. 1/5. Dj Muggs Presents | The Soul Assassins (Chapter I) | (1997). Cypress hill | IV | (1998) | [full album] + bonus track. L'Orange - Blame The Author (feat. DJ Muggs. They Talk About It, We Live It (Bullworth) (f/ Prodigy, KRS-One, Method Man & Kam).
    [Show full text]
  • Assimilation and Hip-Hop
    Assimilation and Hip-Hop Interethnic Relations and the Americanization of New Immigrants in Hip-Hop Culture By Audun Kjus Aahlin A Thesis Presented to The Department of Literature, Area Studies and European Languages -North American Area Studies- -Faculty of Humanities- University of Oslo In Partial Fulfillment of the Requirements for the MA Degree Spring 2013 Assimilation and Hip-Hop Interethnic Relations and the Americanization of New Immigrants in Hip-Hop Culture II © Audun Kjus Aahlin 2013 Interethnic Relations and the Americanization of New Immigrants in Hip-Hop Culture Audun Kjus Aahlin http://www.duo.uio.no/ Print: CopyCat, Lysaker in Oslo III Acknowledgements It would not be hip-hop without a lot of shout-outs. So… I will like to thank my supervisor, Associate Professor David C. Mauk for his encouragements and advises. I also need to acknowledge Associate Professor Deborah Lynn Kitchen- Døderlein for some needed adjustments in the early part of this project. I am much grateful to Terje Flaatten, who proofread the thesis. Thank you for taking the time out of your busy schedule. Thank you to the John F. Kennedy Institute for North American Studies in Berlin, who let me use their facilities last autumn. I am also grateful to Espen Sæterbakken for his help with the printing of my thesis. Appreciations are also due to Jeff Chang, The Mind Squad, Nelson George, Bakari Kitwana, ego trip, Dream Hampton, and the countless other journalists, writers, scholars and activists who taught me at an early age that few things in life are better combined than hip-hop and intellectual writings.
    [Show full text]