1995 Spring Program Guide
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In Defense of Rap Music: Not Just Beats, Rhymes, Sex, and Violence
In Defense of Rap Music: Not Just Beats, Rhymes, Sex, and Violence THESIS Presented in Partial Fulfillment of the Requirements for the Master of Arts Degree in the Graduate School of The Ohio State University By Crystal Joesell Radford, BA Graduate Program in Education The Ohio State University 2011 Thesis Committee: Professor Beverly Gordon, Advisor Professor Adrienne Dixson Copyrighted by Crystal Joesell Radford 2011 Abstract This study critically analyzes rap through an interdisciplinary framework. The study explains rap‟s socio-cultural history and it examines the multi-generational, classed, racialized, and gendered identities in rap. Rap music grew out of hip-hop culture, which has – in part – earned it a garnering of criticism of being too “violent,” “sexist,” and “noisy.” This criticism became especially pronounced with the emergence of the rap subgenre dubbed “gangsta rap” in the 1990s, which is particularly known for its sexist and violent content. Rap music, which captures the spirit of hip-hop culture, evolved in American inner cities in the early 1970s in the South Bronx at the wake of the Civil Rights, Black Nationalist, and Women‟s Liberation movements during a new technological revolution. During the 1970s and 80s, a series of sociopolitical conscious raps were launched, as young people of color found a cathartic means of expression by which to describe the conditions of the inner-city – a space largely constructed by those in power. Rap thrived under poverty, police repression, social policy, class, and gender relations (Baker, 1993; Boyd, 1997; Keyes, 2000, 2002; Perkins, 1996; Potter, 1995; Rose, 1994, 2008; Watkins, 1998). -
Soundtrack and Garnering Accolades for Their Debut Album “Remind Me in Three Days.” Check out Our Exclusive Interview on Page 7
Ver su s Entertainment & Culture at Vanderbilt DECEMBER 3—DECEMBER 9, 2008 VOL. 46, NO. 26 “Abstract Progressive” rapping duo The Knux are giving Vincent Chase his soundtrack and garnering accolades for their debut album “Remind Me in Three Days.” Check out our exclusive interview on page 7. We saw a lot of movies over break. We weigh in on which to see and … from which to fl ee. “808s and Heartbreaks” is really good. Hey, Kanye, hey. PLACES TO GO, PEOPLE TO SEE THURSDAY, DECEMBER 4 FRIDAY, DECEMBER 5 SATURDAY, DECEMBER 6 The Regulars Harley Allen Band — Station Inn Parachute Musical and KinderCastle with Noises Carols & Cocoa — Barnes and Noble, Cool THE RUTLEDGE The go-to joint for bluegrass in the Music City features Harley Allen, 10 — The Mercy Lounge and Cannery Ballroom Springs 410 Fourth Ave. S. 37201 Part of the Mercy Lounge’s Winter of Dreamz musical showcase, a well-known song writer who’s worked with Garth Brooks, Dierks Need to get into the Christmas spirit? The Battle Ground Academy 782-6858 Bentley and Gary Allan to name a few. Make sure to see this living Friday’s event showcases Parachute Musical and KinderCastle along Middle School Chorus will lead you in some of your favorite seasonal legend in action. ($10, 9 p.m.) with opener Noises 10. Head to the Mercy Lounge to enjoy some carols as you enjoy delicious hot chocolate. (Free, 11 a.m., 1701 MERCY LOUNGE/CANNERY live local music and $2.50 pints courtesy of Winter of Dreamz co- Mallory Lane, Brentwood) presenter Sweetwater 420. -
State of Bass
First published by Velocity Press 2020 velocitypress.uk Copyright © Martin James 2020 Cover design: Designment designment.studio Typesetting: Paul Baillie-Lane pblpublishing.co.uk Photography: Cleveland Aaron, Andy Cotterill, Courtney Hamilton, Tristan O’Neill Martin James has asserted his right under the Copyright, Designs and Patents Act 1988 to be identied as the author of this work All rights reserved. No part of this publication may be reproduced, in any form or by any means, without permission from the publisher While the publishers have made every reasonable eort to trace the copyright owners for some of the photographs in this book, there may be omissions of credits, for which we apologise. ISBN: 9781913231026 1: Ag’A THE JUNGLISTS NAMING THE SOUND, LOCATING THE SCENE ‘It always has been such a terrible name. I’ve never known any other type of music to get so misconstrued by its name.’ (Rob Playford, 1996) Of all of the dance music genres, none has been surrounded with quite so much controversy over its name than jungle. No sooner had it been coined than exponents of the scene were up in arms about the racist implications. Arguments raged over who rst used the term and many others simply refused to acknowledge the existence of the moniker. It wasn’t the rst time that jungle had been used as a way to describe a sound. Kool and the Gang had called their 1973 funk standard Jungle Boogie, while an instrumental version with an overdubbed ute part and additional percussion instruments was titled Jungle Jazz. The song ends with a Tarzan yell and features grunting, panting and scatting throughout. -
Funk Soul Brother – Repertoire 2018
FUNK SOUL BROTHER – REPERTOIRE 2018 PARTY MUSIC & DANCE FLOOR FILLERS! A Little Less Conversation - Elvis Another One Bites The Dust - Queen Beat It - Michael Jackson Billie Jean - Michael Jackson Blame It On The Boogie - Jackson 5 Blurred Lines - Robin Thicke Cake By The Ocean - DNCE Canned Heat - Jamiroquai Car Wash - Rose Royce Cold Sweat - James Brown Cosmic Girl - Jamiroquai Dance To The Music - Sly & The Family Stone Don't Stop Til You Get Enough - Michael Jackson Get Down On It - Kool and the Gang Get Down Saturday Night - Oliver Cheatham Get Lucky - Daft Punk Get Up Offa That Thing - James Brown Good Times - Chic Groove Is In The Heart - Dee-Lite Happy - Pharrell Williams Higher And Higher - Jackie Wilson I Believe in Mircales - Jackson Sisters I Wish - Stevie Wonder It's Your Thing - The Isley Brothers Kiss - Prince Ladies Night - Kool and the Gang Lady Marmalade - Labelle Le Freak - Chic Let's Stay Together - Al Green (continued) +44 (0)1572 335108 • [email protected] • www.pureartists.co.uk Long Train Running - Doobie Brothers Locked Out of Heaven - Bruno Mars Love Shack - B52s Mercy - The Third Degree/Duffy Move On Up - Curtis Mayfield Move Your Feet - Junior Senior Mr Big Stuff - Jean Knight Mustang Sally - Wilson Pickett Papa’s Got A Brand New Bag - James Brown Pick Up The Pieces - Average White Band Play That Funky Music - Wild Cherry Rather Be - Clean Bandit ft. Jess Glynne Rehab - Amy Winehouse Respect - Aretha Franklin Signed Sealed Delivered - Stevie Wonder Sir Duke - Stevie Wonder Superstition - Stevie Wonder -
Capturing Hip Hop Histories
capturing hip hop histories SOUTH-WEST HEADZ Master Blast Roadshow poster by Raz (Kilo), 1986. Photograph: Kilo. First published 2021 2021 Adam de Paor-Evans Cover graff by Remser Remser started writing in 1997 after seeing dubs and pieces by Sceo, Fixer, Teach, and G-Sane at the M5 pillar spot in Exeter. His school bus used to loop around Sannerville Way and the pieces could be seen from the road as well as the train. A couple of years prior to this, Remser’s mum randomly bought him a copy of Spraycan Art, and he knew straight away that it was something he wanted to be part of. In early 2000 he moved to London and hooked up with the DNK/CWR boys, they were way better than him and super-active but this experience pushed him to develop his style and learn about all aspects of graffiti writing. Respect and love to all of the South-West writers and hip hop headz, too many to mention but you know who you are! DNK CWR Waxnerds forever... Approved for free Cultural Works Creative Commons Licence Attribution 4.0 International Published by Squagle House, United Kingdom Printed in Great Britain Although every precaution has been taken in the preparation of this publication, the publisher and author assume no responsibility for errors or omissions. Neither is any liability assumed for damages resulting from the use of information contained herein. RHYTHM•obscura: revealing hidden histories through ethnomusicology and cultural theory is a long-term research venture that explores the relationships of the non-obvious and regional-rural phenomena within music cultures. -
The Hawk's Eye Ess of a Human Being
Roger Williams University DOCS@RWU Hawk's Eye Student Publications 11-16-1993 The aH wk's Eye - November 16, 1993 Follow this and additional works at: http://docs.rwu.edu/hawk_eye Part of the Education Commons Recommended Citation "The aH wk's Eye - November 16, 1993" (1993). Hawk's Eye. Paper 8. http://docs.rwu.edu/hawk_eye/8 This News Article is brought to you for free and open access by the Student Publications at DOCS@RWU. It has been accepted for inclusion in Hawk's Eye by an authorized administrator of DOCS@RWU. For more information, please contact [email protected]. o RWU Menu Changes p.5 o Santa Fe Program p.4 o Poetry p.8 o False Alarms p.3 OMen's B-ball preview p.13 o Sports Fall roundup p.14 () Volume II Issue VI Published by the students of Roger Williams University November 16, 1993 New dorm plans still RWU's performing \ sketchy Artists in Residence By Chris Cousineau Baretta agency. She was asked to Senior Writer provide a wishlist from student life, which she did, and pass it on. All that needs to happen now is a decision. All plans for the prospective new The new dorm, should it be built, dorm are in the, talking stage right is intended to allow a more indepen now, according to Roger Williams dent life style. In both Santoro's and University President Anthony Haskell's minds it will be apartments. Santoro. Santoro agrees that some· Students who wish to, will be allowed thing has to be done to gain more beds to move into the new dorm from on campus. -
Free 70S Disco Samples
Free 70s disco samples The royalty free 70s disco loops, samples and sounds listed here have been kindly uploaded by other users and are free to use in your project. If you use any of. Disco music loops, stock samples, royalty free downloads. Acid, FL Studio Download bpm Disco Drum by rasputin - 70s Disco Beat-- Highly Swung. KVR Forum Topic: 'Funk/70's Disco Samples ' - Hi all, I want to "disco-fy" my sound. Does anyone know where I can get any kind of disco sas disco drum kit? (Topic in the 'Samplers, Sampling. The glory years of disco may have been in the late '70s and early '80s, but its dancefloor friendly sound has never really gone away. Here some of the classic disco drums we've used over the years. Perfect for filling up your drums and giving them that live drum feel. All samples were sampled. True Disco by Loopmasters is on Splice Sounds. collection of royalty free disco samples since Jon Travolta hung up his flares. True Disco is an electrifying collection of Live instrument loops recorded through Worry no more about Licencing issues with those dodgy samples of old Disco records, get the full 70s Vibe here. Inject your music with authentic disco flavours with the hottest royalty-free sample packs, loops, MIDI, patches and presets - all available to audition instantly and. Download FREE Disco sounds - royalty-free! Find the Disco sound you are looking for in seconds. Free Soul sample pack downloads from Samplephonics. Check the website for a huge range of free Soul drum loops, instrument samples, sounds & sample libraries. -
New Park's Efforts Earn New Contract
An Associated Collegiate Press Pacemaker Award Winner FRIDAY April 3, 1998 • • Volume 124 THE Number 44 on-Profit Org. U. S. Postage Paid ewark, DE Permit No. 26 250 Student Center• University of Delaware • Newark, DE 19716 Candidates square off First-ever mayoral debate features Godwin, Ashley BY ROBERT ARMENGOL "It wasn't really a debate," said Mayor properties was not as important to Ashley Ma11.aging Maga:.ine &litnr Ro nald L. G ardner, o ne of abo ut 80 as encouraging more family home An unprecedented mayoral debate people - mostly city residents - who ownership through mongage and loan he ld on campus Tuesday nig ht left atte nded the event at the Trabant incentives. Newarl<'s two candidates pretty tired and University Center Theatre. "But that's all Godwin also said he is not interested some voters a little confused. right. It gave us the opportunity to hear in fiddling with current regulations tliat "I'm pooped," councilman Harold F. the candidates· opinions and for them to forbid more than three unrelated tenant God win said afte r the two-ho ur ~----~ he a r the people ' s per rental unit except on some properties discussion of the c ity's most pressing concerns'' g ra ndfathe red to al low fo r four issues. editorial After their five housemates. Political newco m er M a rg ue rite pageA6 minute opening But that confusing disparity, Ashley Ashley, his opponent, also said she was s ta te m e nts. Ashley said. may lure rental bu iness to those exhausted. -
This Is the Sound of Bass Triumphing Above All Others, Of
Reviews Last to Leave E.P. Reviews DJ returns Andrew Weatherall (Various – World-wide) "Happy Days" blew my head off on a wet Monday morning, proper music, total reality.” Rob Da Bank (Fabric/Sunday Best/Cargo – London) “Darkly gorgeous – fat bass, groovy beats – inspiring and one of the best bets this year!” Richard Dorfmeister (Various – Vienna/World-wide) “Nice beats on the dub.” Matthew Prall (Carbon/Muzik/FBI – London/Dublin) “Quite simply amazing!” DJ Wool (Influx/DLR 106FM – Ireland) “Excellent!” i-D NME.com “This is the sound of bass triumphing above all others, of dark corners in dangerous places, of smoke and dust and madness: the kind of record that Massive Attack would no doubt love to return with.” http://www.nme.com/NME/External/Reviews/Reviews_Story/0,1069,7160,00.html When It Hits You Feel No Pain – Album Reviews Q magazine – June 2001 NME The Face Independent Hot Press Mixmag Touch The Irish Times Muzik Online reviews Muse http://www.muse.ie/060401/reviews/revu_first.html Etronik http://www.etronik.com/section.asp?sectionId=10&IssueId=100 Arts Culture & Entertainment http://www.rte.ie/arts/2001/0412/firstborn.html Oceanfree http://home.oceanfree.net/channels/entertainment/music/albumreviews.html I Close My Eyes – Organic Audio Remix review Dj Magazine Features & Interviews Irish times, hot tickets The Guardian Muzik Hot Press interview Hot Press – Dance News Mojo Dance News Online Features & Interviews Arts Culture & Entertainment http://www.rte.ie/arts/2001/0412/lunnyo.html Etronik http://www.etronik.com/section.asp?sectionId=8&IssueId=100&Random=6 Oh Yeah clubbing.com Musix Dotmusic DJ / Live “Filled with hip hop, techno, northern soul and spoken word, Firstborn has provided the lot. -
Pressure Radio Soulful House Music Radio Presentation
Pressure Radio Deep Soulful House Music • Pressure Radio is one of longest running internet radio stations from our humble beginnings as a small UK only line up of DJs to a mass network of global DJ’s. • We are an independent, not-for-profit organisation, we only do this because we love the music we play, however because of the running costs we will gracefully accept any offers of support or donations. • We play HOUSE MUSIC mainly DEEP HOUSE, SOULFUL HOUSE plus BROKEN BEAT, NU JAZZ and the occasional specialist shows (soul, funk, disco, rare-groove). Keep it soulful, keep it Pressure, keep it forever Community • We rely on word of mouth and in recent years spreading via social networking our website has Facebook, Twitter & Myspace share and like links for the whole site and for individual content posts. • We have rss feeds for news and our weekly Soulful house chart. Our internet radio stream is running 24/7 every day of the year with much of that being live shows from real DJ presenters and its this live content that sets us apart from other stations. • We are a global family and we regard our listeners as extended family and welcome everyone to our global community. Keep it soulful, keep it Pressure, keep it forever Website Keep it soulful, keep it Pressure, keep it forever Website Keep it soulful, keep it Pressure, keep it forever Schedule Multi time-zone Schedule page Keep it soulful, keep it Pressure, keep it forever Playlists As well as links to Individual DJ’s podcasts we also have a unique combined podcast rss link which show the latest podcast from each DJ. -
0 Musical Borrowing in Hip-Hop
MUSICAL BORROWING IN HIP-HOP MUSIC: THEORETICAL FRAMEWORKS AND CASE STUDIES Justin A. Williams, BA, MMus Thesis submitted to the University of Nottingham for the degree of Doctor of Philosophy September 2009 0 Musical Borrowing in Hip-hop Music: Theoretical Frameworks and Case Studies Justin A. Williams ABSTRACT ‗Musical Borrowing in Hip-hop‘ begins with a crucial premise: the hip-hop world, as an imagined community, regards unconcealed intertextuality as integral to the production and reception of its artistic culture. In other words, borrowing, in its multidimensional forms and manifestations, is central to the aesthetics of hip-hop. This study of borrowing in hip-hop music, which transcends narrow discourses on ‗sampling‘ (digital sampling), illustrates the variety of ways that one can borrow from a source text or trope, and ways that audiences identify and respond to these practices. Another function of this thesis is to initiate a more nuanced discourse in hip-hop studies, to allow for the number of intertextual avenues travelled within hip-hop recordings, and to present academic frameworks with which to study them. The following five chapters provide case studies that prove that musical borrowing, part and parcel of hip-hop aesthetics, occurs on multiple planes and within myriad dimensions. These case studies include borrowing from the internal past of the genre (Ch. 1), the use of jazz and its reception as an ‗art music‘ within hip-hop (Ch. 2), borrowing and mixing intended for listening spaces such as the automobile (Ch. 3), sampling the voice of rap artists posthumously (Ch. 4), and sampling and borrowing as lineage within the gangsta rap subgenre (Ch. -
January 16, 1996 FI Llvi S~Zlz L.;:.M
, EDITORIAL The Commencement UPB has the money, but do they The Student Voice ceremony for January have the motivation? ~ Page 2 tl of UM -8t. Louis graduates was held Sun ... .r day at Mark Twain. FEATURES Page 3 Blueberry Hill hosts a celebration of \\ Elvis Presley's birthday. Page 3 SPORTS Rivermen basketball makes strong showing in MIAA tourney. Page 7 If: RR --------------------------------~--------------------------------------------------------~~------------------------------------------------ .' Issue 844 UNIVERSITY OF MISSOURI- ST. LOUIS January 16,1996 • ~ I 'Passing the Torch' UM-St. Louis celebrates Martin Luther King Day with a message of hope for the next generation by Susan Benton observe the national holiday, so a a good time." of The Current staff lot of the parents bring their kids to Co-sponsors of the event in the program. cluded the Black Studies Program, As the voice of baritone Leslie We found that the program is so the Hispanic/Latino Student Asso Johnson reverberated throughout adult-geared that we developed a . ciation, the Institute for Women's the J.e. Penney auditorium, over second portion where the children and Gender Studies, the Women's 100 children of UM-St. Louis fac are doing activities that are geared Center, and the Department of An uIty, staff, students and community for their age level." thropology. The School of Educa members joined in singing, "We Over 100 children ranging in tion was also involved and was re Shall Overcome," in celebration of age from 3 to 14 were in atten sponsible for coordinating the Dr. Martin Luther King, Jr. 's birth dance. The children were gath children's participation in the pro day from 11 a.m.