DOCSLIB.ORG

Home Mcr. Org Box Office 0161 200 1500

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Home Mcr. Org Box Office 0161 200 1500 home box office mcr. 0161 200 1500 org home film . apr– may The Breadwinner, 2017 NEW RELEASES Event 120 BPM (15) WONDERSTRUCK (PG) MY GOLDEN DAYS (15) WESTERN (CTBA) MARLINA THE MURDERER IN LET THE SUNSHINE IN (15) (120 BATTEMENTS PAR MINUTE) (TROIS SOUVENIRS DE MA FOUR ACTS (15) (UN BEAU SOLEIL INTÉRIEUR) From Fri 6 Apr JEUNESSE) From Fri 13 Apr From Fri 6 Apr Dir Todd Haynes/US 2017/116 mins Dir Valeska Grisebach/DE BG AT 2017/119 mins/ From Fri 13 Apr From Fri 20 Apr Dir Robin Campillo/FR 2017/143 mins/French wEng ST Oakes Fegley, Julianne Moore, Michelle Williams, From Fri 6 Apr German, Bulgarian and English with partial EngST Dir Mouly Surya/ID FR MY TH 2017/93 mins/ Dir Claire Denis/FR BE 2017/95 mins/French wEng ST Millicent Simmonds Meinhard Neumann, Reinhardt Wetrek, Syuleyman Nahuel Pérez Biscayart, Arnaud Valois, Adèle Haenel Dir Arnaud Desplechin/FR 2015/124 mins/French Indonesian wEng ST Juliette Binoche, Xavier Beauvois, Philippe Katerine Alilov Letifov In the early 90s, with AIDS having Based on Brian Selznick’s acclaimed wEng ST Egy Fedly, Dea Panendra, Yoga Pratama Adapted from Roland Barthes’ A Cultural difference, masculine already claimed countless lives for novel, Wonderstruck is the tale of two Quentin Dolmaire, Lou Roy-Lecollinet, Mathieu Powerful, provocative, and visually Lover’s Discourse, the latest film from Amalric bravado, and national pride lead to nearly a decade, activist group ACT UP children, Ben and Rose whose desire stunning, this is a luminous new entry Claire Denis is a characteristically My Golden Days follows Paul Dédalus high tensions in the latest work from takes their actions to another level in for better lives sets them on a journey in the feminist western subgenre. intelligent and sensuous affair. Juliette as he returns from a posting in Valeska Grisebach (Longing), about a order to fight general indifference. This of self-discovery. This latest film from Mouly Surya’s accomplished Binoche gives her best performance for Tajikistan and looks back over the group of German construction workers is a potent portrait of resistance fuelled Todd Haynes (Carol) is an intelligent, third feature is one of a kind: a some time, playing a divorced single years of his youth. A film of great wit labouring in the Bulgarian countryside. by powerful performances and an engrossing work with appeal to all contemporary reworking of the parent artist looking for true love in and insight that recalls the nouvelle incredible sense of time and place. ages. spaghetti western and smouldering contemporary Paris. vague’s exploration of young love. revenge movie deeply rooted in the Event/ The 17:40 screening on Tue 10 cultural and geopolitical landscapes of Apr will be introduced by Dr Monica Indonesia. Pearl, Lecturer in 20th Century American Literature at the University of Manchester. Event GHOST STORIES (15) From Fri 6 Apr Dirs Jeremy Dyson, Andy Nyman/GB 2017/98 mins Alex Lawther, Martin Freeman, Andy Nyman A classy and chilling horror ANTONIO LOPEZ 1970: SEX compendium from Nyman and The CUSTODY (15) FASHION & DISCO (CTBA) League of Gentleman’s Jeremy (JUSQU’À LA GARDE) Dyson, this is an incredibly cine- From Fri 6 Apr From Fri 20 Apr Dir James Crump/US 2017/90 mins literate work (think Dead of Night Dir Xavier Legrand/FR 2017/94 mins/French wEng ST An intimate portrait of Antonio Lopez, meets Tales of the Unexpected) that Léa Drucker, Denis Ménochet, Thomas Gioria manages to be chilling, atmospheric the most influential fashion illustrator FUNNY COW (15) French director Xavier Legrand’s debut of the 1970s. Featuring interviews with and hugely entertaining. feature is an explosive family drama Grace Coddington, Jessica Lange, Bill From Fri 20 Apr that is as gripping as it is authentic. Event/ We will be joined by co- Cunningham and many more, the film Dir Adrian Shergold/GB 2017/103 mins The story of a custody battle between director Jeremy Dyson for a Q&A Maxine Peake, Christine Bottomley, Stephen Graham follows Antonio’s rise to fame at a Miriam and Antoine, the film, driven following the screening on Mon 9 time when fashion designers and their Set against the backdrop of working by riveting performances, effectively Apr at 18:10. entourages became the rock stars. men’s clubs and the stand-up comedy conveys the horrors of the home and circuit in the North of England, Funny an unfolding domestic nightmare. Cow charts the rise to stardom of a stand-up comedienne in an all-male world during the 1970s and 1980s. Maxine Peake is incredible in the central role. 2 3 Event Event THE WOUND (15) (INXEBA) From Fri 27 Apr Dir John Trengove/ZA DE NL FR 2017/88 mins/ Xhosa, Afrikaans and English with partial EngST BEAST (CTBA) Nakhane Touré, Bongile Mantsai, Niza Jay THE YOUNG KARL MARX (CTBA) LEAN ON PETE (15) MARY AND THE WITCH’S FLOWER The Wound is an exploration of (LE JEUNE KARL MARX) (CTBA) From Fri 27 Apr tradition and sexuality set amid From Fri 4 May (MEARI TO MAJO NO HANA) Dir Michael Pearce/GB 2017/107 mins Dir Andrew Haigh/GB 2017/122 mins South Africa’s Xhosa culture. From Fri 4 May Johnny Flynn, Jessie Buckley, Geraldine James Dir Raoul Peck/FR BE DE 2017/118 mins/German, Travis Fimmel, Steve Buscemi, Chloë Sevigny Every year the tribe’s young men From Fri 4 May Anchored by a fierce performance French and English with partial EngST Andrew Haigh directs a modern-day Dir Hiromasa Yonebayashi/JP 2017/102 mins participate in an ancient coming- by Jessie Buckley as the troubled August Diehl, Stefan Konarske, Vicky Krieps western about a 15-year-old lost of-age ritual, which also becomes Hiromasa Yonebayashi – whose Moll, this is a brooding thriller that Fresh from the success of his James soul who hooks up with a pair of an opportunity for exploration of work for Studio Ghibli included the asks what it means to love someone Baldwin documentary, I Am Not Your itinerant horse trainers and develops a queer identity within this masculine beloved Arriety – continues his fine not in spite of, but because of, their Negro, Haitian-born director Raoul Peck powerful bond with an ailing racehorse. environment. form with the recently formed Studio imperfections. Pearce is most certainly tackles the early days of the friendship Evocative of Kelly Reichardt’s Wendy Ponoc. Based on the novel The Little a talent to watch. between Karl Marx and Friedrich and Lucy, it features a fine, naturalistic Broomstick by British author Mary Event/ We will be joined by director Engels as they struggle to establish John Trengove for a Q&A following performance from Charlie Plummer. Stewart, this is a sublime animated Event/ We will be joined by director the Communist Party and complete the the screening on Mon 30 Apr at 18:10. adventure that is full of charm and Michael Pearce for a Q&A following the Communist Manifesto. Plus/ We will be screening the BAFTA innovation. screening on Sun 29 Apr, 20:25. winning short film Cowboy Dave with this film. This film will have a mix of Dubbed and Subtitled screenings, please see website for information. Event THE OLD DARK HOUSE (PG) From Fri 27 Apr Dir James Whale/US 1932/70 mins Boris Karloff, Melvyn Douglas, Charles Laughton Frankenstein director Whale turned J.B. Priestley’s novel Benighted into MANSFIELD 66/67 (CTBA) REDOUBTABLE (CTBA) THAT GOOD NIGHT (12A) a nerve-jangling tale that became From Fri 11 May From Fri 11 May From Fri 11 May the template for all spooky-house Dirs P. David Ebersole, Todd Hughes/US GB 2017/84 mins Dir Michel Hazanavicius/IT FR 2017/107 mins/ Dir Eric Styles/GB 2017/92 mins chillers to come. Stranded travellers Ann Magnuson, Richmond Arquette French, English and Italian with partial Eng ST John Hurt, Charles Dance, Sofia Helin stumble upon a strange old house 2017 marked the 50th anniversary Louis Garrel, Stacy Martin, Bérénice Bejo This enthralling film is a wonderful and find themselves at the mercy of of the death of Jayne Mansfield in Paris 1967. Jean-Luc Godard, the tribute to the late John Hurt, who a highly eccentric and potentially a bizarre car accident. The makers leading filmmaker of his generation, is gives a characteristically riveting dangerous family. deliberately choose to put forward shooting La Chinoise with the woman performance in one of his final roles. many different, conflicting visions of he loves, Anne Wiazemsky, 20 years He plays Ralph, a once-famous writer Event/ The 18:15 screening on Tue 1 the ‘blonde bombshell’. Was Mansfield his junior. They are happy, attractive, who is terminally ill and wants to be May will be introduced by Dr Xavier a living cartoon, a camp character – or in love. They marry. But the film’s reconciled with his long-abandoned son Aldana Reyes, author of Horror was she very gifted actor? reception unleashes a profound self- Michael. Film and Affect (2016) and the examination in Jean-Luc. The events of forthcoming Gothic Cinema (2019). May ’68 will amplify this process, and the crisis that shakes the filmmaker. 4 5 Event THE BREADWINNER (12A) From Fri 25 May Dir Nora Twomey/IE 2017/93 mins Saara Chaudry, Soma Chhaya, Noorin Gulamgaus Equal parts thrilling and enchanting, The Breadwinner tells the story of ON CHESIL BEACH (CTBA) JEUNE FEMME (15) REVENGE (18) Parvana, an 11-year-old girl growing From Fri 18 May From Fri 18 May From Fri 18 May up under the Taliban in Afghanistan in Dir Dominic Cooke/GB 2017/110 mins Dir Léonor Serraille/FR 2017/98 mins/French wEng ST Dir Coralie Fargeat/FR 2017/108 mins/French and 2001.
Load more

Recommended publications
  • DVD Movie List by Genre – Dec 2020
    Action # Movie Name Year Director Stars Category mins 560 2012 2009 Roland Emmerich John Cusack, Thandie Newton, Chiwetel Ejiofor Action 158 min 356 10'000 BC 2008 Roland Emmerich Steven Strait, Camilla Bella, Cliff Curtis Action 109 min 408 12 Rounds 2009 Renny Harlin John Cena, Ashley Scott, Aidan Gillen Action 108 min 766 13 hours 2016 Michael Bay John Krasinski, Pablo Schreiber, James Badge Dale Action 144 min 231 A Knight's Tale 2001 Brian Helgeland Heath Ledger, Mark Addy, Rufus Sewell Action 132 min 272 Agent Cody Banks 2003 Harald Zwart Frankie Muniz, Hilary Duff, Andrew Francis Action 102 min 761 American Gangster 2007 Ridley Scott Denzel Washington, Russell Crowe, Chiwetel Ejiofor Action 113 min 817 American Sniper 2014 Clint Eastwood Bradley Cooper, Sienna Miller, Kyle Gallner Action 133 min 409 Armageddon 1998 Michael Bay Bruce Willis, Billy Bob Thornton, Ben Affleck Action 151 min 517 Avengers - Infinity War 2018 Anthony & Joe RussoRobert Downey Jr., Chris Hemsworth, Mark Ruffalo Action 149 min 865 Avengers- Endgame 2019 Tony & Joe Russo Robert Downey Jr, Chris Evans, Mark Ruffalo Action 181 mins 592 Bait 2000 Antoine Fuqua Jamie Foxx, David Morse, Robert Pastorelli Action 119 min 478 Battle of Britain 1969 Guy Hamilton Michael Caine, Trevor Howard, Harry Andrews Action 132 min 551 Beowulf 2007 Robert Zemeckis Ray Winstone, Crispin Glover, Angelina Jolie Action 115 min 747 Best of the Best 1989 Robert Radler Eric Roberts, James Earl Jones, Sally Kirkland Action 97 min 518 Black Panther 2018 Ryan Coogler Chadwick Boseman, Michael B. Jordan, Lupita Nyong'o Action 134 min 526 Blade 1998 Stephen Norrington Wesley Snipes, Stephen Dorff, Kris Kristofferson Action 120 min 531 Blade 2 2002 Guillermo del Toro Wesley Snipes, Kris Kristofferson, Ron Perlman Action 117 min 527 Blade Trinity 2004 David S.
    [Show full text]
  • Adam Sandler: Mentor Of
    ADAM SANDLER: MENTOR OF MIDDLE-CLASS MASCULINITY AND MANHOOD A Thesis Presented to the Faculty of California State University, Stanislaus In Partial Fulfillment of the Requirements for the Degree of Master of Arts in History By Kathleen Boone Chapman April 2014 CERTIFICATION OF APPROVAL ADAM SANDLER: MENTOR OF MASCULINITY AND FATHERHOOD by Kathleen Boone Chapman Signed Certification of Approval Page is on file with the University Library Dr. Bret E. Carroll Date Professor of History Dr. Samuel Regalado Date Professor of History Dr. Marcy Rose Chvasta Date Professor of Communications © 2014 Kathleen Boone Chapman ALL RIGHTS RESERVED DEDICATION I am dedicating this work to my three dear friends: Ronda James, Candace Paulson, and Michele Sniegoski. Ronda’s encouragement and obedience to the Lord gave me what I needed to go back to school with significant health issues and so late in life. Candace, who graduated from Stanford “back in the olden days,” to quote our kids, inspired me to follow my dream and become all God wants me to be. Michele’s long struggle with terminal kidney disease motivated me to keep living in spite of my own health issues. We have laughed and cried together over many years, but all of you have given me strength to carry on. Sorry two of you made it to heaven before I could get this finished. I also want to give credit to my husband of forty years who has been a faithful breadwinner, proof-reader, and a paragon of patience. What more could any woman ask for? He has also put up with me yelling at my computer and cursing Bill Gates – A LOT.
    [Show full text]
  • Sherlock Holmes
    sunday monday tuesday wednesday thursday friday saturday KIDS MATINEE Sun 1:00! FEB 23 (7:00 & 9:00) FEB 24 & 25 (7:00 & 9:00) FEB 26 & 27 (3:00 & 7:00 & 9:15) KIDS MATINEE Sat 1:00! UP CLOUDY WITH A CHANCE OF MEATBALLS THE HURT LOCKER THE DAMNED PRECIOUS FEB 21 (3:00 & 7:00) Director: Kathryn Bigelow (USA, 2009, 131 mins; DVD, 14A) Based on the novel ‘Push’ by Sapphire FEB 22 (7:00 only) Cast: Jeremy Renner Anthony Mackie Brian Geraghty Ralph UNITED Director: Lee Daniels Fiennes Guy Pearce . (USA, 2009, 111 min; 14A) THE IMAGINARIUM OF “AN INSTANT CLASSIC!” –Wall Street Journal Director: Tom Hooper (UK, 2009, 98 min; PG) Cast: Michael Sheen, Cast: Gabourey Sidibe, Paula Patton, Mo’Nique, Mariah Timothy Spall, Colm Meaney, Jim Broadbent, Stephen Graham, Carey, Sherri Shepherd, and Lenny Kravitz “ENTERS THE PANTEHON and Peter McDonald DOCTOR PARNASSUS OF GREAT AMERICAN WAR BEST SUPPORTING ACTRESS MO’NIQUE FILMS!” –San Francisco “ONE OF THE BEST FILMS OF THE GENRE!” –Golden Globes, Screen Actors Guild Director: Terry Gilliam (UK/Canada/France, 2009, 123 min; PG) –San Francisco Chronicle Cast: Heath Ledger, Christopher Plummer, Tom Waits, Chronicle ####! The One of the most telling moments of this shockingly beautiful Lily Cole, Johnny Depp, Colin Farrell, and Jude Law Hurt Locker is about a bomb Can viewers who don’t know or care much about soccer be convinced film comes toward the end—the heroine glances at a mirror squad in present-day Iraq, to see Damned United? Those who give it a whirl will discover a and sees herself.
    [Show full text]
  • Reminder List of Productions Eligible for the 90Th Academy Awards Alien
    REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx.
    [Show full text]
  • Une Année Studieuse
    Extrait de la publication DU MÊME AUTEUR Aux Éditions Gallimard DES FILLES BIEN ÉLEVÉES MON BEAU NAVIRE (Folio no 2292) MARIMÉ (Folio no 2514) CANINES (Folio no 2761) HYMNES À L’AMOUR (Folio no 3036) UNE POIGNÉE DE GENS. Grand Prix du roman de l’Académie française 1998 (Folio no 3358) AUX QUATRE COINS DU MONDE (Folio no 3770) SEPT GARÇONS (Folio no 3981) JE M’APPELLE ÉLISABETH (Folio no 4270) L’ÎLE. Nouvelle extraite du recueil DES FILLES BIEN ÉLEVÉES (Folio 2 € no 4674) JEUNE FILLE (Folio no 4722) MON ENFANT DE BERLIN (Folio no 5197) Extrait de la publication une année studieuse Extrait de la publication Extrait de la publication ANNE WIAZEMSKY UNE ANNÉE STUDIEUSE roman GALLIMARD © Éditions Gallimard, 2012. Extrait de la publication À Florence Malraux Extrait de la publication Un jour de juin 1966, j’écrivis une courte lettre à Jean-Luc Godard adressée aux Cahiers du Cinéma, 5 rue Clément-Marot, Paris 8e. Je lui disais avoir beaucoup aimé son dernier i lm, Masculin Féminin. Je lui disais encore que j’aimais l’homme qui était derrière, que je l’aimais, lui. J’avais agi sans réaliser la portée de certains mots, après une conversation avec Ghislain Cloquet, rencontré lors du tournage d’Au hasard Balthazar de Robert Bresson. Nous étions demeurés amis, et Ghislain m’avait invitée la veille à déjeuner. C’était un dimanche, nous avions du temps devant nous et nous étions allés nous promener en Normandie. À un moment, je lui parlai de Jean-Luc Godard, de mes regrets au souvenir de trois rencontres « ratées ».
    [Show full text]
  • Marlina Si Pembunuh Dalam Empat Babak 93
    TITRE ORIGINAL : Marlina si Pembunuh dalam Empat Babak ORIGINAL TITLE: Marlina si Pembunuh dalam Empat Babak 93 MIN/ Indonésie – France – Malaisie – Thailande / 2017/ FICTION/ COULEUR/ Indonésien, dialecte de Sumba/ DCP/ 24 FPS/ 2.39:1/ 5.1 93 MIN/ Indonesia – France – Malaysia – Thailand / 2017/ FICTION/ COLOR/ Indonesian, dialect from Sumba/ DCP/ 24 FPS/ 2.39:1/ 5.1 Attachées de presse /Press releases Vanessa Jerrom- 06 14 83 88 82 Claire Vorger- 06 20 10 40 56 [email protected] Synopsis Au cœur des collines reculées d’une île indonésienne, Marlina, une jeune veuve, vit seule. Un jour, surgit un gang venu pour l’attaquer, la violer et la dépouiller de son bétail. Pour se défendre, elle tue plusieurs de ces hommes, dont leur chef. Décidée à obtenir justice, elle s’engage dans un voyage vers sa propre émancipation. Mais le chemin est long, surtout quand un fantôme sans tête vous poursuit. In the deserted hills of an Indonesian island, Marlina, a young widow, is attacked and robbed for her cattle. To defend herself, she kills several men of the gang. Seeking justice, she goes on a journey for empowerment and redemption. But the road is long especially when the ghost of her headless victim begins to haunt her. www.asian-shadows.com | [email protected] 3 Sales & Festivals moi : je ne lui ai pas demandé de jouer le texte, mais juste de me montrer à quel point elle voulait le rôle. Pour le rôle de Markus, j’ai travaillé avec le comédien Egi Fedly sur mon premier film, et il était une évidence depuis le début.
    [Show full text]
  • Fourth Southeast Asian Film Festival Returns with 20 Singapore Premieres – the Freshest and Most Compelling Cinematic Work Emerging from the Region
    MEDIA RELEASE For Immediate Release Fourth Southeast Asian Film Festival returns with 20 Singapore premieres – the freshest and most compelling cinematic work emerging from the region 11 April (Friday) to 4 May (Sunday) 2014, Moving Image Gallery, SAM at 8Q 19 March 2014, Singapore – Featuring the region’s best contemporary art expressed via the moving image, the Singapore Art Museum (SAM) is proud to present the fourth Southeast Asian Film Festival (SEAFF). Organised by SAM, along with prominent film critic Philip Cheah, veteran arts administrator Teo Swee Leng and SAM curator Sam I-shan, this annual Festival puts the spotlight on Southeast Asia through the compelling contemporary visual art genre of film. This year’s festival will highlight 20 films created by both established and up-and-coming directors from across the region including Cambodia, Indonesia, Malaysia, Myanmar, Philippines, Singapore and Thailand. All the films will be making their Singapore premieres at the Festival, including four Asian premieres and one world premiere. Festival-goers from the region will explore some of the most urgent contemporary challenges facing this diverse and rapidly developing region through the lenses of the directors, from the religious sectarian conflict in Mindanao to cross-border migration between Myanmar and China, to the hardship of ordinary families and more. Visitors will also get a glimpse of life in turbulent regions across Asia through War is a Tender Thing by Adjani Arumpac, The Journey of the Stars into the Dark Night by Arnel Mardquio, Letters of Solitude by Gutierrez ‘Teng’ Mangansakan II and Ice Poison by Midi Z, that tell the stories of communities that live through adversity.
    [Show full text]
  • 3. Groundhog Day (1993) 4. Airplane! (1980) 5. Tootsie
    1. ANNIE HALL (1977) 11. THIS IS SPINAL Tap (1984) Written by Woody Allen and Marshall Brickman Written by Christopher Guest & Michael McKean & Rob Reiner & Harry Shearer 2. SOME LIKE IT HOT (1959) Screenplay by Billy Wilder & I.A.L. Diamond, Based on the 12. THE PRODUCERS (1967) German film Fanfare of Love by Robert Thoeren and M. Logan Written by Mel Brooks 3. GROUNDHOG DaY (1993) 13. THE BIG LEBOWSKI (1998) Screenplay by Danny Rubin and Harold Ramis, Written by Ethan Coen & Joel Coen Story by Danny Rubin 14. GHOSTBUSTERS (1984) 4. AIRplaNE! (1980) Written by Dan Aykroyd and Harold Ramis Written by James Abrahams & David Zucker & Jerry Zucker 15. WHEN HARRY MET SALLY... (1989) 5. TOOTSIE (1982) Written by Nora Ephron Screenplay by Larry Gelbart and Murray Schisgal, Story by Don McGuire and Larry Gelbart 16. BRIDESMAIDS (2011) Written by Annie Mumolo & Kristen Wiig 6. YOUNG FRANKENSTEIN (1974) Screenplay by Gene Wilder and Mel Brooks, Screen Story by 17. DUCK SOUP (1933) Gene Wilder and Mel Brooks, Based on Characters in the Novel Story by Bert Kalmar and Harry Ruby, Additional Dialogue by Frankenstein by Mary Wollstonecraft Shelley Arthur Sheekman and Nat Perrin 7. DR. STRANGELOVE OR: HOW I LEARNED TO STOP 18. There’s SOMETHING ABOUT MARY (1998) WORRYING AND LOVE THE BOMB (1964) Screenplay by John J. Strauss & Ed Decter and Peter Farrelly & Screenplay by Stanley Kubrick and Peter George and Bobby Farrelly, Story by Ed Decter & John J. Strauss Terry Southern 19. THE JERK (1979) 8. BlaZING SADDLES (1974) Screenplay by Steve Martin, Carl Gottlieb, Michael Elias, Screenplay by Mel Brooks, Norman Steinberg Story by Steve Martin & Carl Gottlieb Andrew Bergman, Richard Pryor, Alan Uger, Story by Andrew Bergman 20.
    [Show full text]
  • 22—25 Juin 2017
    22—25 juin 2017 TOULOUSE MÉTROPOLE 13e festival international de littérature LE MARATHON DES MOTS SOMMAIRE Direction - Programmation : Serge Roué Direction déléguée : Dalia Hassan Coordination générale : Noémie de La Soujeole assistée de Marion Lemmet Communication : Édouard de Cazes ÉDITOS assisté de Laure Perrinet Service de presse : Shanaz Barday Olivier POIVRE DʼARVOR ........................................ 5 (Faits & Gestes - 01 53 34 64 84) Jean-Luc MOUDENC ............................................... 5 assistée de Camille Carnevale Carole DELGA ......................................................... 7 Évènements spéciaux : Elsa Viguier Coordination des bénévoles : Charlotte Barbe Philippe WAHL ......................................................... 7 assistée de Nelly Frisicaro Serge ROUÉ | Dalia HASSAN .................................. 9 Collaboration artistique : Patrick Autréaux, Laurent Belvèze, Jean-Jacques Cubaynes (Lettres occitanes) et Guillaume Poix Coordination technique : Jean-Pierre Siguier (SED Spectacles) PROGRAMME Jeudi 22 juin ............................................................................................................ 11 TOULOUSE, LE MARATHON DU LIVRE Vendredi 23 juin ................................................................................................. 23 Association Loi 1901 (Siret 481 981 165 000 30 - Code APE : 8230Z Samedi 24 juin ..................................................................................................... 43 Licences n°2-1052821 et n° 3-1052822) Dimanche
    [Show full text]
  • Painterly Style in Robert Bresson's Au Hasard Balthazar
    Interin E-ISSN: 1980-5276 [email protected] Universidade Tuiuti do Paraná Brasil Watkins, Raymond Portrait of a Donkey: Painterly Style in Robert Bresson’s Au hasard Balthazar Interin, vol. 2, núm. 2, 2006, pp. 1-23 Universidade Tuiuti do Paraná Curitiba, Brasil Available in: http://www.redalyc.org/articulo.oa?id=504450755004 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative Portrait of a Donkey: Painterly Style in Robert Bresson’s Au hasard Balthazar Raymond Watkins “[Robert Bresson] . would have us be concerned here not with the psychology but with the physiology of existence” (133). —André Bazin, “ Le Journal d’un curé de campagne and the Stylistics of Robert Bresson” (1951) “Bresson’s cinema is closer to painting than to photography.” —François Truffaut Although commentary on Robert Bresson’s Au hasard Balthazar (1966) has focused on the film’s narrative structure,1 critics invariably point to its painterly qualities. During a roundtable discussion just after the film was released, Mireille Latil-Le Dantec observes that the film “more closely resembles a non-figurative painting than Bresson’s previous works.”2 In that same discussion Michel Estève speculates that because “painting was Bresson’s first passion and has greatly influenced him,” he “wanted to make a portrait” in the form of Balthazar.3 Summarizing his interview with Bresson while the film was still being shot at Guyancourt, Paul Gilles arrives at a similar conclusion: “Bresson is not a filmmaker, he’s a painter.”4 And according to Gilbert Salachas it is not Balthazar, but the characters around him who function as a collective portrait or painting.5 Even Bresson himself, reflecting on the decision to use a donkey as his protagonist, confirms much of the critical conjecture: “Perhaps the idea came to me plastically because I am a painter.
    [Show full text]
  • 29Th Tokyo International Film Festival Announces Lineup for CROSSCUT
    PRESS RELEASE September 21, 2016 29th Tokyo International Film Festival Announces Lineup for CROSSCUT ASIA #03: Colorful Indonesia Lovely Man Cado Cado: Doctor 101 About a Woman Three Sassy Sisters Fiction. Someone’s Wife in The Boat of Someone’s Husband Something in the Way Filosofi Kopi Following Diana Emma’ (Mother) After the Curfew The 29th Tokyo International Film Festival (TIFF) is just around the corner! We are pleased to announce the lineup for CROSSCUT ASIA #03: Colorful Indonesia. The third chapter of the CROSSCUT ASIA series, launched by the Japan Foundation Asia Center and TIFF in 2014 to showcase Asian films, now turns its attention to recent cinema from Indonesia. Known as a nation of “tolerant Islam,” Indonesia is made up of more than 10,000 islands and has regional cultural differences that make it the ultimate land of diversity. TIFF has been presenting outstanding Indonesian films, reflecting the nation’s diverse culture, since the 80’s. In this year’s focus, we will showcase 11 films, from the latest works by veterans to the unique, ambitious work of up-and-coming directors. In the showcase, we will highlight three films by Teddy Soeriaatmadja, whose provocative and powerful work is internationally acclaimed. Along with Soeriaatmadja’s so-called Trilogy About Intimacy, the lineup also includes such rising female directors as Nia Dinata, a pioneer in LGBT films, and Kamila Andini of the Mirror Never Lies. Please see the following pages for the full lineup. During the festival, guests from the films will attend the Q&A sessions and symposium.
    [Show full text]
  • Insubmersible Godard Jean Beaulieu
    Document generated on 09/26/2021 5:23 p.m. Séquences : la revue de cinéma Le redoutable Insubmersible Godard Jean Beaulieu Abdellatif Kechiche, Mektoub My Love : Canto Uno Number 314, June 2018 URI: https://id.erudit.org/iderudit/89068ac See table of contents Publisher(s) La revue Séquences Inc. ISSN 0037-2412 (print) 1923-5100 (digital) Explore this journal Cite this review Beaulieu, J. (2018). Review of [Le redoutable : insubmersible Godard]. Séquences : la revue de cinéma, (314), 31–31. Tous droits réservés © La revue Séquences Inc., 2018 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ MICHEL HAZANAVICIUS Le redoutable Insubmersible Godard JEAN BEAULIEU Un pitch improbable. Michel Hazanavicius s’est liés à son modèle (cartons-titres géants intercalés montré plutôt gonflé de proposer à ses producteurs dans une scène, passage alternatif d’un tirage positif/ une comédie biographique ayant comme principal négatif à la Alphaville, travelling longeant le corps protagoniste l’un des monstres sacrés du cinéma dénudé de Stacy Martin calqué sur celui de Raoul moderne, Jean-Luc Godard, à un moment charnière Coutard filmant BB dans Le mépris, la voix-off de de sa carrière où, après le tournage de La Chinoise, Michel Subor, une musique de Martial Solal, etc.).
    [Show full text]