High School Required Marches List
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INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI University Microfilms international A Bell & Howell Information Company 300 North! Z eeb Road, Ann Arbor, Ml 48106-1346 USA 313/761-4700 800/521-0600 Order Number 9130640 The influence of Leonard B. Smith on the heritage of the band in the United States Polce, Vincent John, Ph.D. -
Lister); an American Folk Rhapsody Deutschmeister Kapelle/JULIUS HERRMANN; Band of the Welsh Guards/Cap
Guild GmbH Guild -Light Catalogue Bärenholzstrasse 8, 8537 Nussbaumen, Switzerland Tel: +41 52 742 85 00 - e-mail: [email protected] CD-No. Title Track/Composer Artists GLCD 5101 An Introduction Gateway To The West (Farnon); Going For A Ride (Torch); With A Song In My Heart QUEEN'S HALL LIGHT ORCHESTRA/ROBERT FARNON; SIDNEY TORCH AND (Rodgers, Hart); Heykens' Serenade (Heykens, arr. Goodwin); Martinique (Warren); HIS ORCHESTRA; ANDRE KOSTELANETZ & HIS ORCHESTRA; RON GOODWIN Skyscraper Fantasy (Phillips); Dance Of The Spanish Onion (Rose); Out Of This & HIS ORCHESTRA; RAY MARTIN & HIS ORCHESTRA; CHARLES WILLIAMS & World - theme from the film (Arlen, Mercer); Paris To Piccadilly (Busby, Hurran); HIS CONCERT ORCHESTRA; DAVID ROSE & HIS ORCHESTRA; MANTOVANI & Festive Days (Ancliffe); Ha'penny Breeze - theme from the film (Green); Tropical HIS ORCHESTRA; L'ORCHESTRE DEVEREAUX/GEORGES DEVEREAUX; (Gould); Puffin' Billy (White); First Rhapsody (Melachrino); Fantasie Impromptu in C LONDON PROMENADE ORCHESTRA/ WALTER COLLINS; PHILIP GREEN & HIS Sharp Minor (Chopin, arr. Farnon); London Bridge March (Coates); Mock Turtles ORCHESTRA; MORTON GOULD & HIS ORCHESTRA; DANISH STATE RADIO (Morley); To A Wild Rose (MacDowell, arr. Peter Yorke); Plink, Plank, Plunk! ORCHESTRA/HUBERT CLIFFORD; MELACHRINO ORCHESTRA/GEORGE (Anderson); Jamaican Rhumba (Benjamin, arr. Percy Faith); Vision in Velvet MELACHRINO; KINGSWAY SO/CAMARATA; NEW LIGHT SYMPHONY (Duncan); Grand Canyon (van der Linden); Dancing Princess (Hart, Layman, arr. ORCHESTRA/JOSEPH LEWIS; QUEEN'S HALL LIGHT ORCHESTRA/ROBERT Young); Dainty Lady (Peter); Bandstand ('Frescoes' Suite) (Haydn Wood) FARNON; PETER YORKE & HIS CONCERT ORCHESTRA; LEROY ANDERSON & HIS 'POPS' CONCERT ORCHESTRA; PERCY FAITH & HIS ORCHESTRA; NEW CONCERT ORCHESTRA/JACK LEON; DOLF VAN DER LINDEN & HIS METROPOLE ORCHESTRA; FRANK CHACKSFIELD & HIS ORCHESTRA; REGINALD KING & HIS LIGHT ORCHESTRA; NEW CONCERT ORCHESTRA/SERGE KRISH GLCD 5102 1940's Music In The Air (Lloyd, arr. -
RODGERS, HAMMERSTEIN &Am
CONCERT NO. 1: IT'S ALL IN THE NUMBERS TUESDAY JUNE 14, 2005 ARTEL METZ DRIVE, 7:30 pm SOLOISTS: Trumpet Quartet Lancaster HS Concert Choir - Gary M. Lee, Director SECOND CENTURY MARCH A. Reed SECOND SUITE FOR BAND G. Holst FOUR OF A KIND J. Bullock Trumpet Quartet IRISH PARTY IN THIRD CLASS R. Saucedo SELECTIONS FROM A CHORUS LINE J. Cavacas IRVING BERLIN'S AMERICA J. Moss WHEN THE SAINTS GO MARCHIN' IN Traditional Lancaster HS Concert Choir - Gary M. Lee, Director 23 SKIDOO Whitcomb STAR SPANGLED SPECTACULAR G. Cohan GALLANT SEVENTH MARCH J. P. Sousa CONCERT NO. 2: RODGERS, HAMMERSTEIN & HART, WITH HEART TUESDAY JUNE 21, 2005 ARTEL METZ DRIVE, 7:30 pm SOLOISTS: Deborah Jasinski, Vocalist Bryan Banach, Piano Pre-Concert Guests: Lancaster H.S. Symphonic Band RICHARD RODGERS: SYMPHONIC MARCHES Williamson SALUTE TO RICHARD RODGERS T. Rickets LADY IS A TRAMP Hart/Rodgers/Wolpe Deborah Jasinski, Vocalist SHALL WE DANCE A. Miyagawa SHOWBOAT HIGHLIGHTS Hammerstein/Kerr SLAUGHTER ON 10TH AVENUE R. Saucedo Bryan Banach, Piano YOU'LL NEVER WALK ALONE arr. Foster GUADALCANAL MARCH Rodgers/Forsblad CONCERT NO. 3: SOMETHING OLD, NEW, BORROWED & BLUE TUESDAY JUNE 28, 2005 ARTEL METZ DRIVE, 7:30 pm SOLOISTS: Linda Koziol, Soloist Dan DeAngelis & Ben Pulley, Saxophones The LHS Acafellas NEW COLONIAL MARCH R. B. Hall THEMES LIKE OLD TIMES III Barker SHADES OF BLUE T. Reed Dan DeAngelis, Saxophone BLUE DEUCE M. Leckrone Dan DeAngelis & Ben Pulley, Saxophones MY OLD KENTUCKY HOME Foster/Barnes MY FAIR LADY Lerner/Lowe BLUE MOON Rodgers/Hart/Barker Linda Koziol, Soloist FINALE FROM NEW WORLD SYMPHONY Dvorak/Leidzon BOYS OF THE OLD BRIGADE Chambers CONCERT NO. -
Til OOIHT Seiel 1 %
EISITY Mil 8 IB AIL SOCIETY EARL V. MOORE, Musical Director CHARLES A. SINK, Business Manager BOARD OF DIRECTORS FRANCIS W. KELSEY, President HARRY B. HUTCH INS Vice-President DURAND W. SPRINGER Secretary- LEVI D. WINES Treasurer G. FRANK ALLMENDINGER HORACE G. PRETTYMAN JUNIUS E. BEAL SHIRLEY W. SMITH MARION LEROY BURTON ALBERT A. STANLEY JAMES INGLIS JAMES H. WADE A Til OOIHT SEiEl 1 % FIFTH SEASON FIRST CONCERT No. CCCXCVIII COMPLETE SERIES SOUSA AND HIS BAND Lieutenant-Commander JOHN PHILIP SOUSA, Conductor HARRY ASKIN, Manager Miss NORA FAUCHALD, Soprano MR. JOHN DOLAN, Comet Miss RACHEL, SENIOR, Violin MR. GEORGE CAREY, Xylophone MONDAY EVENING, OCTOBER 22, 1923, AT EIGHT O'CLOCK HILL AUDITORIUM, ANN ARBOR, MICHIGAN PROGRAM 1. RHAPSODY, "THE INDIAN" Orem Among those who have made careful records and researches of the music of the Aborigines of America may be named Thurlow Lieurance, Charles Cadman, and Arthur Farwell. The Indian themes introduced into this rhap sody were recorded by Mr. Lieurance and welded into rhapsodic form by the well-known composer, Preston Ware Orem. 2. CORNET SOLO, "CLEOPATRA" Denture MR. JOHN DOLAN 3. PORTRAITS, "AT THE KING'S COURT" Sousa (a) "Her Ladyship, the Countess" (b) "Her Grace, the Duchess" (c) "Her Majesty, the Queen" 4. SOPRANO SOLO, "THE LARK NOW LEAVES HIS WAT'RY NEST" Parker (OVER) PROGRA M—Continued 5. FANTASY, "THE VICTORY BALL" ScJielling This is Mr. Schelling's latest-completed work. The score bears the inscription, "To the memory of an American soldier." The fantasy is based on Alfred Noyes' poem, "The Victory Ball," here with reprinted, by permission, from "The Elfin Artist and Other Poems," by Alfred Noyes, copyright 1920, by Frederick A. -
High School Band Required List
2021-2022 High School Band Required List Table of Contents Click on the links below to jump to that list Band Group I (Required) Group II (Required) Group III (Required) BAND 2021‐2022 ISSMA REQUIRED LIST HIGH SCHOOL Perform as published unless otherwise specified. OOP = Permanently Out of Print * = New Additions or Changes this year Approximate times indicated for most selections GROUP I (REQUIRED) Aegean Festival Overture Makris / Bader E.C. Schirmer 10:00 Aerial Fantasy Michael A. Mogensen Barnhouse 10:30 Al Fresco Karel Husa Associated Music 12:13 American Faces David R. Holsinger TRN 6:00 American Hymnsong Suite (mvts. 1 & 3 or mvts. 1 & 4) Dwayne Milburn Kjos 3:11 / 1:45 / 1:50 American Overture For Band Joseph Willcox Jenkins Presser 115‐40040 5:00 American Salute Gould / Lang Belwin / Alfred 4:45 And The Mountains Rising Nowhere Joseph Schwantner European American Music 12:00 And The Multitude With One Voice Spoke James Hosay Curnow 8:00 Angels In The Architecture Frank Ticheli Manhattan Beach 15:00 Apotheosis Kathryn Salfelder Kon Brio 5:45 Apotheosis Of This Earth Karel Husa Associated Music 8:38 Archangel Raphael Leaves A House Of Tobias Masanori Taruya Foster Music 9:00 Armenian Dances Part I Alfred Reed Sam Fox / Plymouth 10:30 Armenian Dances Part II Alfred Reed Barnhouse 9:30 Army Of The Nile (March) Alford or Alford / Fennell Boosey & Hawkes 3:00 Aspen Jubilee Ron Nelson Boosey & Hawkes 10:00 Asphalt Cocktail John Mackey Osti Music 6:00 Austrian Overture Thomas Doss DeHaske 10:20 Away Day A. -
JOHN PHILIP SOUSA MARCHES (Reprinted from Their Original Editions) Sunday, October 28, 2012
BOVACO Catalog ‐ JOHN PHILIP SOUSA MARCHES (reprinted from their original editions) Sunday, October 28, 2012 Catalog# Price Across The Danube March BOV‐S3689‐00 $60.00 America First March BOV‐S3690‐00 $60.00 Anchor And Star March BOV‐S3691‐00 $60.00 The Beau Ideal March BOV‐S3693‐00 $60.00 The Belle Of Chicago March BOV‐S3694‐00 $60.00 Extra condensed score BOV‐S3694‐01 $6.00 Ben Bolt March BOV‐S3695‐00 $60.00 Bonnie Annie Laurie March BOV‐S3697‐00 $60.00 The Boy Scouts Of America March BOV‐S3698‐00 $60.00 The Bride Elect March BOV‐S3699‐00 $60.00 Bullets and Bayonets March BOV‐S3700‐00 $60.00 The Chantyman's March BOV‐S3701‐00 $60.00 The Charlatan March BOV‐S3702‐00 $60.00 Comrades Of The Legion March BOV‐S3703‐00 $60.00 Congress Hall March BOV‐S3704‐00 $60.00 The Corcoran Cadets March BOV‐S3705‐00 $60.00 Extra condensed score BOV‐S3705‐01 $6.00 The Crusader March BOV‐S3706‐00 $60.00 Extra condensed score BOV‐S3706‐01 $6.00 Daughters Of Texas March BOV‐S3707‐00 $60.00 The Diplomat March BOV‐S3708‐00 $60.00 All amounts are USD. Prices are subject to change without notice. Page 1 BOVACO Catalog ‐ Sousa Marches Catalog# Price Extra condensed score BOV‐S3708‐01 $6.00 The Directorate March BOV‐S3709‐00 $60.00 El Capitan March BOV‐S3710‐00 $60.00 Esprit De Corps March BOV‐S3711‐00 $60.00 The Fairest Of The Fair March BOV‐S3712‐00 $60.00 Extra condensed score BOV‐S3712‐01 $6.00 One of Sousa’s most melodic and tuneful marches! Composed 1908. -
Sousa Cover the ONE.Qxd 24/7/08 2:38 Pm Page 1
Sousa cover THE ONE.qxd 24/7/08 2:38 pm Page 1 Chan 4535 CHANDOS BRASS FROM MAINE TO OREGON THE WILLIAMS FAIREY BAND PLAYS SOUSA MARCHES CONDUCTED BY MAJOR PETER PARKES CHAN 4535 BOOK.qxd 24/7/08 2:41 pm Page 2 Sousa Marches 1 Semper Fidelis arr. C.W. Hewitt 2:55 2 The Crusader arr. Peter Parkes 3:36 3 El Capitan March 2:33 4 The Invincible Eagle arr. Peter Parkes 3:47 5 King Cotton 2:58 6 Hands across the Sea arr. Peter Parkes 2:57 7 Manhattan Beach arr. C.W. Hewitt 2:25 8 Our Flirtations arr. James Howe 2:43 9 The Picadore arr. Peter Parkes 2:58 10 The Gladiator March 2:58 11 The Free Lance arr. Norman Richardson 4:33 12 The Washington Post arr. C.W. Hewitt 2:46 13 The Beau Ideal arr. Peter Parkes 3:36 14 The High School Cadets arr. John Hartmann 2:45 15 The Fairest of the Fair arr. Norman Richardson 3:50 16 The Thunderer arr. Harry Mortimer 2:57 17 The Occidental arr. Peter Parkes 2:55 18 The Liberty Bell arr. J. Ord Hume 3:49 19 The Corcoran Cadets arr. Peter Parkes 3:15 John Philip Sousa (1854–1932) 20 National Fencibles March arr. Norman Richardson 3:36 Royal College of Music 21 The Black Horse Troop arr. Peter Parkes 3:34 22 The Gridiron Club March arr. James Howe 3:38 23 The Directorate arr. Norman Richardson 2:38 24 The Belle of Chicago arr. -
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PUBLIC AUDITORIUM Portland, Oregon program Sunday Matinee, January 24th, 1926 SOUSA AND HIS BAND LIEUT.-COMMANDER JOHN PHILIP SOUSA, CONDUCTOR HARRY A SKIN, Manager SOLOISTS MISS MARJOR1E MOODY, Soprano MISS WINIFRED BAM BRICK, Harpist MR. JOSEPH DELUCA, Euphonium MR. GEORGE CAREY, Xylophone 1. Overture, "When Autumn Comes" (new) ... Leo Sowerby "COMES AUTUMN TIME" Now when the time of fruit and grain is come, When apples hang above the orchard wall, And from a tangle by the roadside stream Scent of wild grapes fills the racy air, Comes Autumn with her sunburnt caravan, Like a long gypsy train with trappings gay. 2. Harp Solo, "Fantasie" Op. 57 Parish Alvars MISS WINIFRED BAMBRICK 3. Suite, "Camera Studies" Sousa (a) "The Flashing Eyes of Andalusia" (b) "Drifting to Loveland" - (c) "The Children's Ball" 4. Soprano Solo, "Caro Nome" from "Rigoletto"... Verdi MISS MARJORIE MOODY 5. "Neapolitan Scenes" Massenet h INTERVAL 6. Fantasie, "Algerienne*? Saint Saens 7. (a) Euphonium Solo, "Concerto in B" DeLuca r\ j MR. JOSEPH DELUCA (b) March, "Solid Mpn to the Front" Sousa 8. Xylophone Solo, "Andree" Carey MR. GEORGE CAREY 9. Folk Tune, "Country Gardens" Grainger ENCORES ARE SELECTED FROM THE FOLLOWING COMPOSITIONS AND ARRANGEMENTS OF JOHN PHILIP SOUSA New Humoresque, "Follow The Swallow' "Look for the Silver Lining" Bride Elect King Cotton Washington Post Charlatan Liberty Bell Semper Fidelis Diplomat Man Behind the Gun The Gallant Seventh Directorate Manhattan Beach U. S. Field Artillery El Capitan Co-Eds of Michigan Sabre and Spurs Fairest of the Fair Power and Glory (new) Comrades of the Legion Free Lance Ancient and Honorable Boy Scouts From Maine to Oregon Artillery (new) Bullets and Bayonets Glory of the Yankee Navy Peaches and Cream (new) The Thunderer Hands Across the Sea Music of the Minute (new) Liberty Loan March Imperial Edward Nobles of the Mystic Shrine League of Nations March Invincible Eagle The Dauntless Battalion By G. -
Semper Fidelis March Sousa, John Philip
Semper Fidelis March Sousa, John Philip Semper Fidelis March by: John Philip Sousa Original Copyright: 1888 By: Carl Fischer BandMusic PDF Library Chester Nettrower Collection Music Committee Members Tom Pechnik, Senior Archivist; Mary Phillips; Wayne Dydo; Bill Park, Director North Royalton, Ohio www.bandmusicpdf.org John Philip Sousa DOB: November 6th, 1854 (Washington, DC) DOD: March 6th, 1932 (Reading, PA) John Philip Sousa wrote the most famous American military marches of all time, including "Stars and Stripes Forever," earning him the nickname "the March King"; he was also known as a great bandleader, and organized the famed concert and military group, Sousa's Band. Born in Washington, D.C., on November 6, 1854, Sousa followed in the footsteps of his father, a musician in the U.S. Marine Corps, and enlisted by the age of 14. Before this, Sousa had studied violin with John Esputa. While active in the Marines, he composed his first march, "Salutation." Around the age of 16, Sousa began studying harmony with G.F. Benkert, then worked as a pit orchestra conductor at a local theater, followed by jobs as first chair violinist at the Ford Opera House, the Philadelphia Chestnut Street Theater, and later led the U.S. Marine Corps Band (1880- 1992). Although most famous for his marches, Sousa composed in other styles as well, including a waltz, "Moonlight on the Potomac"; a gallop, "The Cuckoo" (both in 1869); the oratorio "Messiah of the Nations" (1914); and scores for Broadway musicals The Smugglers (1879), Desiree (1884), The Glass Blowers (1893), El Capitan (1896; which was his first real scoring success), American Maid (1913), and more. -
"A" - You're Adorable (The Alphabet Song) 1948 Buddy Kaye Fred Wise Sidney Lippman 1 Piano Solo | Twelfth 12Th Street Rag 1914 Euday L
Box Title Year Lyricist if known Composer if known Creator3 Notes # "A" - You're Adorable (The Alphabet Song) 1948 Buddy Kaye Fred Wise Sidney Lippman 1 piano solo | Twelfth 12th Street Rag 1914 Euday L. Bowman Street Rag 1 3rd Man Theme, The (The Harry Lime piano solo | The Theme) 1949 Anton Karas Third Man 1 A, E, I, O, U: The Dance Step Language Song 1937 Louis Vecchio 1 Aba Daba Honeymoon, The 1914 Arthur Fields Walter Donovan 1 Abide With Me 1901 John Wiegand 1 Abilene 1963 John D. Loudermilk Lester Brown 1 About a Quarter to Nine 1935 Al Dubin Harry Warren 1 About Face 1948 Sam Lerner Gerald Marks 1 Abraham 1931 Bob MacGimsey 1 Abraham 1942 Irving Berlin 1 Abraham, Martin and John 1968 Dick Holler 1 Absence Makes the Heart Grow Fonder (For Somebody Else) 1929 Lewis Harry Warren Young 1 Absent 1927 John W. Metcalf 1 Acabaste! (Bolero-Son) 1944 Al Stewart Anselmo Sacasas Castro Valencia Jose Pafumy 1 Ac-cent-tchu-ate the Positive 1944 Johnny Mercer Harold Arlen 1 Ac-cent-tchu-ate the Positive 1944 Johnny Mercer Harold Arlen 1 Accidents Will Happen 1950 Johnny Burke James Van Huesen 1 According to the Moonlight 1935 Jack Yellen Joseph Meyer Herb Magidson 1 Ace In the Hole, The 1909 James Dempsey George Mitchell 1 Acquaint Now Thyself With Him 1960 Michael Head 1 Acres of Diamonds 1959 Arthur Smith 1 Across the Alley From the Alamo 1947 Joe Greene 1 Across the Blue Aegean Sea 1935 Anna Moody Gena Branscombe 1 Across the Bridge of Dreams 1927 Gus Kahn Joe Burke 1 Across the Wide Missouri (A-Roll A-Roll A-Ree) 1951 Ervin Drake Jimmy Shirl 1 Adele 1913 Paul Herve Jean Briquet Edward Paulton Adolph Philipp 1 Adeste Fideles (Portuguese Hymn) 1901 Jas. -
American Music Research Center Journal
Volume 15 2005 UNIVERSITY OF COLORADO AT BOULDER AMERICAN MUSIC RESEARCH CENTER JOURNAL Volume 15 2005 Laurie J. Sampsel, Guest Editor Thomas L. Riis, Editor-in-Chief American Music Research Center College of Music University of Colorado at Boulder THE AMERICAN MUSIC RESEARCH CENTER Thomas L. Riis, Director Laurie J. Sampsel, Curator Cassandra M. Volpe, Archivist Sister Mary Dominic Ray, O. P. (1913–1994), Founder Karl Kroeger, Archivist Emeritus William Kearns, Senior Fellow Daniel Sher, Dean, College of Music Joice Waterhouse Gibson, Research Assistant, 2004–2006 Ross Hagen, Research Assistant, 2005–2007 EDITORIAL BOARD Alan Cass Portia Maultsby Susan Cook Tom C. Owens Robert R. Fink Katherine Preston William Kearns Catherine Parsons Smith Karl Kroeger Helen Smith Victoria Lindsay Levine Jessica Sternfeld Kip Lornell Joanne Swenson-Eldridge Jeffrey Magee The American Music Research Center Journal is published annually. Subscription rate is $14.50 per issue ($16.50 outside U.S.). Please address all inquiries to Laurie J. Sampsel, College of Music, University of Colorado at Boulder, 301 UCB, Boulder, CO 80309-0301. ISSN 1058-3572 © 2005 by the Board of Regents of the University of Colorado INFORMATION FOR AUTHORS The American Music Research Center Journal is dedicated to publishing articles of general interest about American music, particularly in subject areas relevant to its collections. We welcome submission of articles and pro - posals from the scholarly community. All articles should be addressed to Laurie J. Sampsel, College of Music, University of Colorado at Boulder, 301 UCB, Boulder, CO 80309-0301. Each separate article should be submitted in two copies, on 81/2-by-11-inch paper, double-spaced, with 1" margins. -
Sousa US 22/11/10 17:07 Page 8
572651-52 bk Sousa US 22/11/10 17:07 Page 8 the 150th anniversary of the signing of the Declaration % The National Game (1925) of Independence, the Sesqui-Centennial Exposition Composed at the request of Judge Kenesaw Mountain WIND BAND CLASSICS march is also particularly appropriate for the celebration Landis, major league baseball’s first high commissioner, of Sousa’s own sesqui-centennial of his birth in 1854. It Sousa’s unique The National Game featured four features a chime solo evocative of the Liberty Bell. baseball bat solos. (Track 2 from 8.559093) (Track $ from 8.559092) SOUSA’S # La Flor di Sevilla (1929) ^ Bullets and Bayonets (1918) Composed for the 1929 Ibero-American Exposition in Bullets and Bayonets, another First World War rouser, Seville, the march La Flor di Sevilla was ‘written and was dedicated ‘To the officers and men of the U.S. GREATEST dedicated to the people of Spain’. The soaring trio tune Infantry’. is one of Sousa’s most flowering melodies. (Track # from 8.559059) (Track 5 from 8.559092) MARCHES & The Naval Reserve March (1917) $ The Corcoran Cadets (1890) The 1917 Naval Reserve March was composed for the The march The Corcoran Cadets was composed for a 300-piece naval band Sousa led at Great Lakes Navy crack Washington D.C. teenage drill team. Their Training Center during World War I. It was dedicated The Liberty Bell organization performed with colorful uniforms and “To the Officers and Men of the U.S. Naval Reserve”. bearing wooden rifles. The march was most likely The trio incorporates a popular Sousa song of the time: written for the band that accompanied their drill Blue Ridge I’m Coming Back to You.