David Gedge Wedding Present
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums. -
Grunge Is Dead Is an Oral History in the Tradition of Please Kill Me, the Seminal History of Punk
THE ORAL SEATTLE ROCK MUSIC HISTORY OF GREG PRATO WEAVING TOGETHER THE DEFINITIVE STORY OF THE SEATTLE MUSIC SCENE IN THE WORDS OF THE PEOPLE WHO WERE THERE, GRUNGE IS DEAD IS AN ORAL HISTORY IN THE TRADITION OF PLEASE KILL ME, THE SEMINAL HISTORY OF PUNK. WITH THE INSIGHT OF MORE THAN 130 OF GRUNGE’S BIGGEST NAMES, GREG PRATO PRESENTS THE ULTIMATE INSIDER’S GUIDE TO A SOUND THAT CHANGED MUSIC FOREVER. THE GRUNGE MOVEMENT MAY HAVE THRIVED FOR ONLY A FEW YEARS, BUT IT SPAWNED SOME OF THE GREATEST ROCK BANDS OF ALL TIME: PEARL JAM, NIRVANA, ALICE IN CHAINS, AND SOUNDGARDEN. GRUNGE IS DEAD FEATURES THE FIRST-EVER INTERVIEW IN WHICH PEARL JAM’S EDDIE VEDDER WAS WILLING TO DISCUSS THE GROUP’S HISTORY IN GREAT DETAIL; ALICE IN CHAINS’ BAND MEMBERS AND LAYNE STALEY’S MOM ON STALEY’S DRUG ADDICTION AND DEATH; INSIGHTS INTO THE RIOT GRRRL MOVEMENT AND OFT-OVERLOOKED BUT HIGHLY INFLUENTIAL SEATTLE BANDS LIKE MOTHER LOVE BONE, THE MELVINS, SCREAMING TREES, AND MUDHONEY; AND MUCH MORE. GRUNGE IS DEAD DIGS DEEP, STARTING IN THE EARLY ’60S, TO EXPLAIN THE CHAIN OF EVENTS THAT GAVE WAY TO THE MUSIC. THE END RESULT IS A BOOK THAT INCLUDES A WEALTH OF PREVIOUSLY UNTOLD STORIES AND FRESH INSIGHT FOR THE LONGTIME FAN, AS WELL AS THE ESSENTIALS AND HIGHLIGHTS FOR THE NEWCOMER — THE WHOLE UNCENSORED TRUTH — IN ONE COMPREHENSIVE VOLUME. GREG PRATO IS A LONG ISLAND, NEW YORK-BASED WRITER, WHO REGULARLY WRITES FOR ALL MUSIC GUIDE, BILLBOARD.COM, ROLLING STONE.COM, RECORD COLLECTOR MAGAZINE, AND CLASSIC ROCK MAGAZINE. -
Riot Grrrl Revisited
RIOT GRRRL REVISITED Bikini Kill im Jugendzentrum Tonne e.V. in Wangen auf dem 1. All-Girl-Punk-Festival 1996. KATJA PEGLOW JONAS ENGELMANN (HG.) RIOT GRRRL REVISITED Geschichte und Gegenwart einer feministischen Bewegung Mit Illustrationen von Maren Karlson »In her kiss, I taste the revolution.« Bikini Kill (»Rebel Girl«) »The future of rock belongs to women.« Kurt Cobain Katja Peglow , geb. 1982 in Potsdam, hat schon zur Schulzeit lieber Hole als Nirvana gehört. Schreibt am liebsten über Popfeminismus. Lebt und arbeitet als Kulturwissenschaftlerin und freie Journalistin in Essen. Jonas Engelmann ist Literaturwissenschaftler, Mitherausgeber der testcard und eines Buches über Emo. Dank Riot Grrrl hat er Mitte der Neunziger seine Hardcore-Plattensammlung noch einmal überdacht. Maren Karlson lebt in Berlin, wo sie ihre freie Zeit vorzugsweise damit verbringt, über neue und alte Girlbands zu bloggen. Sie isst gern viel und ausgiebig und arbeitet nebenbei zusammen mit Kristina Hens an ihrem Zine (Girl Gangs) . Wenn sie gerade nicht Illustration studiert, zeichnet sie am liebsten mit 2B-Bleistiften und übt Schlagzeug. Bildnachweise Illustrationen S. 17, 86, 89, 165, 203 –205, 213: Maren | Fotos S. 2, 10 und 125: Christina Peterfaj | Abbildungen S. 117a und 119: Archiv Ruth Jacobson | Foto S. 126: Promo | Foto S. 145: Caldwell Linker | Abbildungen S. 153, 155 und 156: Archiv Sandra Grether | Foto S. 172: John Clark | Foto S. 177: Gerrit Starczewski | Foto S. 187: Garry Knight | Foto S. 189: Barbara Mürdter / Popkontext | Foto S. 201: Henning Stamer | DVD-Prints: © bei den jeweiligen Rechteinhabern | Platten-/Buchcover: © bei den jeweiligen Labels/Verlagen © Ventil Verlag KG, Mainz 2011 Abdruck auch in Auszügen nur mit ausdrücklicher Erlaubnis des Verlages. -
In “Love” Jukebox Memoir
in “Love” Jukebox Memoir (release date: 2/25/14) After recording 2012’s Domestic Disturbances, I realized I’d been struggling on the last couple of records to assimilate some of our many influences into what could be described as “The Jet Age sound.” Thus the concept for this album: To “own” the music that inspired us, without worrying about appearances. Of course, we didn’t want to sound like a wedding band, so if a song didn’t make sense to a player, if it didn’t resonate, it wasn’t gonna happen. A few songs didn’t make the cut (notably my ABBA homage—seriously), but once we’d gotten those missteps out of the way, these tracks quickly fell into place: 1. I Can’t Turn Around – Deliberately written as a state-of-the-art Jet Age song, this track brings our memoir up- to-date. I’d initially attributed the extended outro to our stint opening for The Wedding Present during 2011’s Bizarro tour, but I realized we’d been doing stuff like this since our debut, 2005’s Breathless. 2. Come Lie Down – A dream come true for me as Swervedriver’s Adam Franklin and Ride’s Mark Gardener join me on vocals. When I first started making music, Ride really showed me how guys who sing like girls could rock like The Who, while Swervedriver gave me guitar heroics to aspire to. I also cribbed from Spiritualized’s take on the Troggs’ “Anyway That You Want Me” and The Wedding Present’s “Dalliance,” which is ironic, since the latter inspired me to pare back some of my shoegazing tendencies. -
Omega Auctions Ltd Catalogue 28 Apr 2020
Omega Auctions Ltd Catalogue 28 Apr 2020 1 REGA PLANAR 3 TURNTABLE. A Rega Planar 3 8 ASSORTED INDIE/PUNK MEMORABILIA. turntable with Pro-Ject Phono box. £200.00 - Approximately 140 items to include: a Morrissey £300.00 Suedehead cassette tape (TCPOP 1618), a ticket 2 TECHNICS. Five items to include a Technics for Joe Strummer & Mescaleros at M.E.N. in Graphic Equalizer SH-8038, a Technics Stereo 2000, The Beta Band The Three E.P.'s set of 3 Cassette Deck RS-BX707, a Technics CD Player symbol window stickers, Lou Reed Fan Club SL-PG500A CD Player, a Columbia phonograph promotional sticker, Rock 'N' Roll Comics: R.E.M., player and a Sharp CP-304 speaker. £50.00 - Freak Brothers comic, a Mercenary Skank 1982 £80.00 A4 poster, a set of Kevin Cummins Archive 1: Liverpool postcards, some promo photographs to 3 ROKSAN XERXES TURNTABLE. A Roksan include: The Wedding Present, Teenage Fanclub, Xerxes turntable with Artemis tonearm. Includes The Grids, Flaming Lips, Lemonheads, all composite parts as issued, in original Therapy?The Wildhearts, The Playn Jayn, Ween, packaging and box. £500.00 - £800.00 72 repro Stone Roses/Inspiral Carpets 4 TECHNICS SU-8099K. A Technics Stereo photographs, a Global Underground promo pack Integrated Amplifier with cables. From the (luggage tag, sweets, soap, keyring bottle opener collection of former 10CC manager and music etc.), a Michael Jackson standee, a Universal industry veteran Ric Dixon - this is possibly a Studios Bates Motel promo shower cap, a prototype or one off model, with no information on Radiohead 'Meeting People Is Easy 10 Min Clip this specific serial number available. -
1978-05-22 P MACHO MAN Village People RCA 7" Vinyl Single 103106 1978-05-22 P MORE LIKE in the MOVIES Dr
1978-05-22 P MACHO MAN Village People RCA 7" vinyl single 103106 1978-05-22 P MORE LIKE IN THE MOVIES Dr. Hook EMI 7" vinyl single CP 11706 1978-05-22 P COUNT ON ME Jefferson Starship RCA 7" vinyl single 103070 1978-05-22 P THE STRANGER Billy Joel CBS 7" vinyl single BA 222406 1978-05-22 P YANKEE DOODLE DANDY Paul Jabara AST 7" vinyl single NB 005 1978-05-22 P BABY HOLD ON Eddie Money CBS 7" vinyl single BA 222383 1978-05-22 P RIVERS OF BABYLON Boney M WEA 7" vinyl single 45-1872 1978-05-22 P WEREWOLVES OF LONDON Warren Zevon WEA 7" vinyl single E 45472 1978-05-22 P BAT OUT OF HELL Meat Loaf CBS 7" vinyl single ES 280 1978-05-22 P THIS TIME I'M IN IT FOR LOVE Player POL 7" vinyl single 6078 902 1978-05-22 P TWO DOORS DOWN Dolly Parton RCA 7" vinyl single 103100 1978-05-22 P MR. BLUE SKY Electric Light Orchestra (ELO) FES 7" vinyl single K 7039 1978-05-22 P HEY LORD, DON'T ASK ME QUESTIONS Graham Parker & the Rumour POL 7" vinyl single 6059 199 1978-05-22 P DUST IN THE WIND Kansas CBS 7" vinyl single ES 278 1978-05-22 P SORRY, I'M A LADY Baccara RCA 7" vinyl single 102991 1978-05-22 P WORDS ARE NOT ENOUGH Jon English POL 7" vinyl single 2079 121 1978-05-22 P I WAS ONLY JOKING Rod Stewart WEA 7" vinyl single WB 6865 1978-05-22 P MATCHSTALK MEN AND MATCHTALK CATS AND DOGS Brian and Michael AST 7" vinyl single AP 1961 1978-05-22 P IT'S SO EASY Linda Ronstadt WEA 7" vinyl single EF 90042 1978-05-22 P HERE AM I Bonnie Tyler RCA 7" vinyl single 1031126 1978-05-22 P IMAGINATION Marcia Hines POL 7" vinyl single MS 513 1978-05-29 P BBBBBBBBBBBBBOOGIE -
The Pennsylvania State University
The Pennsylvania State University The Graduate School College of Health and Human Development BRIDGING TOURISM AND MIGRATION MOBILITIES: DIASPORA TOURISM AS A COPING STRATEGY A Dissertation in Recreation, Park, and Tourism Management by Svitlana Iarmolenko 2014 Svitlana Iarmolenko Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy August 2014 The dissertation of Svitlana Iarmolenko was reviewed and approved* by the following: Deborah L. Kerstetter Graduate Officer Professor of Recreation, Park, and Tourism Management Dissertation Adviser Chair of Committee Garry Chick Professor of Recreation, Park, and Tourism Management Carter A. Hunt Assistant Professor of Recreation, Park, and Tourism Management Fuyuan Shen Associate Professor of Advertising and Public Relations *Signatures are on file in the Graduate School iii ABSTRACT The fields of tourism and migration have been uneasy companions despite the fact that both study the two largest patterns of human movement across geographical areas. A recent emergence of the mobilities paradigm created potential for bridging the two knowledge networks and providing opportunities for crossover and mutual enrichment. Engaging with the intersection of tourism and migration mobilities, this study has a dual purpose. Theoretically it explores diaspora tourism as a promising link between tourism and migration. Practically diaspora tourism is offered as a coping strategy that can be used by immigrants to alleviate stress associated with relocation to a culturally dissimilar society. In this dissertation three aspects of diaspora tourism are explored as they pertain to the fourth wave of Ukrainian immigrants in the United States. The first aspect concerns identity formation and adjustment issues Ukrainian immigrants experience upon arrival to the United States, and how these issues affect their relationship with and desire to visit Ukraine. -
Concierto De the WEDDING PRESENT En Sala Sala López
Re gist ro Ent ra r martes, 05 de junio de 2012 Inicio Not icias Lo + Crít icas Ent revist as Agenda Blogs Foro Mondo TV Buscar Discos | Concie rtos | DVD | Valoracion lector / 4 votos / Articulo comentado 0 veces. Valoración Mondosonoro.com The Wedding Present, la pureza del rock THE WEDDING PRESENT Fecha del evento: domingo, 07 de noviembre de 2010 Redactor: Raúl Julián Sala: Sala López Ciudad: Z aragoza Pais: España Promotor: El Fantasma Produccione Twitte ar 1 Recommend 0 Fotografo: Raúl Julián Noticias La enésima visit a de The Wedding Present a la ciudad de Discos Zaragoz a se ubicaba dent ro de la gira que los brit ánicos vienen realiz ando desde el pasado año con mot ivo del T HE WEDDING PRESENT vigésimo aniversario de “Bizarro” (1989). La formación "Valentina" (Scopitones / 2012) cont inúa capit aneada por el incorrupt ible David Gedge en est ado puro, al que los clichés del rock provocan alergia hast a la nausea, no at endiendo circunst ancias T HE WEDDING PRESENT más allá de subir al escenario y arrasar con un conciert o "Take Fountain" (Scopitones/Houston t an cont undent e como carent e de innecesarios Party / 2005) ornament os. Así la inexplicable escasa afluencia resumida PDFmyURL.com en menos de un cent enar de fieles no impidió que el T HE WEDDING PRESENT vocalist a sudase honest idad brut al a golpe de guit arra y "Search For Paradise" largos desarrollos en plena reconquist a de adept os. Est renando nueva bajist a en la figura de Pepe le Moko, el cuart et o aprovecha lo rodado de las canciones para T HE WEDDING PRESENT ofert ar una t rabajada precisión que por moment os mut a "Live 1987" (Houston Party al guit arrist a Graeme Ramsay en segundo bat ería. -
Razorcake Issue
PO Box 42129, Los Angeles, CA 90042 #17 www.razorcake.com It’s strange the things you learn about yourself when you travel, I took my second trip to go to the wedding of an old friend, andI the last two trips I took taught me a lot about why I spend so Tommy. Tommy and I have been hanging out together since we much time working on this toilet topper that you’re reading right were about four years old, and we’ve been listening to punk rock now. together since before a lot of Razorcake readers were born. Tommy The first trip was the Perpetual Motion Roadshow, an came to pick me up from jail when I got arrested for being a smart independent writers touring circuit that took me through seven ass. I dragged the best man out of Tommy’s wedding after the best cities in eight days. One of those cities was Cleveland. While I was man dropped his pants at the bar. Friendships like this don’t come there, I scammed my way into the Rock and Roll Hall of Fame. See, along every day. they let touring bands in for free, and I knew this, so I masqueraded Before the wedding, we had the obligatory bachelor party, as the drummer for the all-girl Canadian punk band Sophomore which led to the obligatory visit to the strip bar, which led to the Level Psychology. My facial hair didn’t give me away. Nor did my obligatory bachelor on stage, drunk and dancing with strippers. -
Title "Stand by Your Man/There Ain't No Future In
TITLE "STAND BY YOUR MAN/THERE AIN'T NO FUTURE IN THIS" THREE DECADES OF ROMANCE IN COUNTRY MUSIC by S. DIANE WILLIAMS Presented to the American Culture Faculty at the University of Michigan-Flint in partial fulfillment of the requirements for the Master of Liberal Studies in American Culture Date 98 8AUGUST 15 988AUGUST Firs t Reader Second Reader "STAND BY YOUR MAN/THERE AIN'T NO FUTURE IN THIS" THREE DECADES OF ROMANCE IN COUNTRY MUSIC S. DIANE WILLIAMS AUGUST 15, 19SB TABLE OF CONTENTS Preface Introduction - "You Never Called Me By My Name" Page 1 Chapter 1 — "Would Jesus Wear A Rolen" Page 13 Chapter 2 - "You Ain’t Woman Enough To Take My Man./ Stand By Your Man"; Lorrtta Lynn and Tammy Wynette Page 38 Chapter 3 - "Think About Love/Happy Birthday Dear Heartache"; Dolly Parton and Barbara Mandrell Page 53 Chapter 4 - "Do Me With Love/Love Will Find Its Way To You"; Janie Frickie and Reba McEntire F'aqe 70 Chapter 5 - "Hello, Dari in"; Conpempory Male Vocalists Page 90 Conclusion - "If 017 Hank Could Only See Us Now" Page 117 Appendix A - Comparison Of Billboard Chart F'osi t i ons Appendix B - Country Music Industry Awards Appendix C - Index of Songs Works Consulted PREFACE I grew up just outside of Flint, Michigan, not a place generally considered the huh of country music activity. One of the many misconception about country music is that its audience is strictly southern and rural; my northern urban working class family listened exclusively to country music. As a teenager I was was more interested in Motown than Nashville, but by the time I reached my early thirties I had became a serious country music fan. -
San Miguel Primavera Sound
SAN MIGUEL PRIMAVERA SOUND CARTELL 2012 PARC DEL FÒRUM PROGRAMACIÓ COMPLEMENTÀRIA san MIGUEL PRIMAVERA A LA CIUTAT PRIMAVERAPRO ORGANITZACIÓ I PARTNERS TIQUETS I PUNTS DE VENDA CRONOGRAMA D’activitats PLÀNOL parc DEL fòrum adreces recintes CAMPANYA GRÀFICA CITES DE PREMSA HISTÒRIA ANNEX: Biografies D’artistes CONTACTE SAN MIGUEL PRIMAVERA SOUND Des dels seus inicis el festival ha centrat els seus esforços en oferir noves propostes musicals de l’àmbit independent juntament amb artistes de contrastada trajectòria i de qualsevol estil o gènere, buscant primordialment la qualitat i apostant essencialment pel pop, el rock i les tendències més underground de la música electrònica i de ball. El festival ha comptat al llarg de la seva trajectòria amb propostes dels més diversos colors i estils. Així ho demostren els artistes que durant aquests deu anys han desfilat pels seus escenaris: de Pixies a Aphex Twin, passant per Neil Young,Sonic Youth, Portishead, Pet Shop Boys, Pavement, Yo la tengo, Lou Reed, My Bloody Valentine, El-P, Pulp, Patti Smith, James Blake, Arcade Fire, Public Enemy, Grinderman, Television, Devo, Enrique Morente, The White Stripes, Wil- co, Tindersticks, PJ Harvey, Shellac, Dinosaur Jr., New Order, Surfin’ Bichos, Fuck Buttons, Melvins, The National, Psychic TV o Spiritualized, entre molts d’altres. REPERCUSSIÓ D’EDICIONS ANTERIORS Any rere any, el festival San Miguel Primavera Sound ha anat incrementant tant l’assistència de públic com la re- percussió als principals mitjans de premsa, ràdio i televisió. Si la primera edició va tancar amb una assistència de 8.000 persones, la del 2002 va arribar a 18.000 i la de 2003 va reunir entre els seus espais a més de 24.000 persones, l’assistència de 40.000 persones a l’any 2004 va significar un punt i apart i el festival va abandonar el Poble Espanyol. -
Setembre Octubre Novembre Desembre 2010 Setembre Octubre
LA LLOTJA SALA CULTURAL LA SOMBRA DEL TENORIO ELOGIO DE LA PRIMAVERA SETEMBRE TEATRO CERØ y otras demoliciones TACHENKO + NUEVA VULCANO L’obra d’Alonso de Santos és quasi un recorregut pel text de Zorrilla, vist des de l’òptica d’un comediant d’ínfima NSM (Nosomos Monstruos Teatro) 18 DISSABTE, 22.00 h categoria que està desnonat en un hospital de caritat. ESTRENA Música pop, rock. Entrada: 5 € Saturnino, el comediant malalt, parla només amb un personatge que ell ha creat, una monja de l’hospital, a qui Cau la neu; pel camí cobert pel blanc mant, LA LLOTJA DEL MAGREB AL MASHREK contarà les seues ventures i desventures al llarg d’aquells anys com a còmic de la llegua. Anècdotes, vivències, avança, entre els últims calius de l’hivern, ASSOCIACIÓ DANSES ÁRABS D’ALACANT la seua família... Tot això envoltant amb els versos del Tenorio, que són una espècie de Cató amb el qual s’ha l’alegre comitiva de la primavera. 25 DISSABTE, 20.00 i 21.30 h (2 SESSIONS) fabricat un codi, un estil de vida. La pluja, la neu, transformada en l’aigua fa Dansa oriental. Entrada: 8 € Teatro Cerø ha fet una lectura particular de la peça d’Alonso de Santos. Potenciant l’únic personatge, col·locant renàixer la naturalesa que esclata en una eclosió OCTUBRE SALA CULTURAL un subratllat en cada una de les seues ferides, donant llum a les enormes cicatrius que solquen la seua de llum, color i alegria; és la festa de la vida. DESAFIANT A LA DIGNITAT fisonomia.