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Making Musical Magic Live
Making Musical Magic Live Inventing modern production technology for human-centric music performance Benjamin Arthur Philips Bloomberg Bachelor of Science in Computer Science and Engineering Massachusetts Institute of Technology, 2012 Master of Sciences in Media Arts and Sciences Massachusetts Institute of Technology, 2014 Submitted to the Program in Media Arts and Sciences, School of Architecture and Planning, in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Media Arts and Sciences at the Massachusetts Institute of Technology February 2020 © 2020 Massachusetts Institute of Technology. All Rights Reserved. Signature of Author: Benjamin Arthur Philips Bloomberg Program in Media Arts and Sciences 17 January 2020 Certified by: Tod Machover Muriel R. Cooper Professor of Music and Media Thesis Supervisor, Program in Media Arts and Sciences Accepted by: Tod Machover Muriel R. Cooper Professor of Music and Media Academic Head, Program in Media Arts and Sciences Making Musical Magic Live Inventing modern production technology for human-centric music performance Benjamin Arthur Philips Bloomberg Submitted to the Program in Media Arts and Sciences, School of Architecture and Planning, on January 17 2020, in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Media Arts and Sciences at the Massachusetts Institute of Technology Abstract Fifty-two years ago, Sergeant Pepper’s Lonely Hearts Club Band redefined what it meant to make a record album. The Beatles revolution- ized the recording process using technology to achieve completely unprecedented sounds and arrangements. Until then, popular music recordings were simply faithful reproductions of a live performance. Over the past fifty years, recording and production techniques have advanced so far that another challenge has arisen: it is now very difficult for performing artists to give a live performance that has the same impact, complexity and nuance as a produced studio recording. -
See Cartridge Glossary
32 Cartridge-making Dictionary Audio-Technica’s guide to cartridge-making terminology 33rpm Bonded diamond Channel Balance Connecting (the phono cartridge) very often denotes 12” LP Vinyl records Bonded diamond refers to a The channel balance of a cartridge is the (1949-Today), that should be played at stylus where the diamond tip is ability of the transducer to reproduce left a speed of 33 1/3 rpm, rpm stands for glued on a metal shank that is and right channels in the same manner. Rotation Per Minute. itself glued into the hole of the Channel balance should be part of the cantilever. This construction may cartridge specifications, it expresses the 45rpm increase the mass of the overall tip and possible output difference in dB from one 45rpm very often denotes 7” Vinyl records, affect transient reproduction compared channel to another. A cartridge with ideal (1949-Today) that should be played at a with nude styli that are preferred and used channel balance will playback any mono speed of 45rpm, rpm stands for Rotation on higher-priced models. signal with equal level in both channels. Per Minute. The channel balance will be 0dB. The ratio of the signals between the two channels To install a Phono cartridge, connect the 78rpm Boron (boron cantilever) is specified in dB. Channel imbalance four wires of the cartridge headshell to the 78rpm very often denotes 10” Shellac SP Boron is a chemical element from the can result in several factors independent correct terminals on the back of the Gramophone records (1925-1950) that metalloid family, extracted from Borax and from the cartridge itself: mechanical cartridge. -
Stereo Pickups & Phono Cartridges: 1958
Stereo Pickups & Phono cartridges: 1958 - today - stereophonic sound customer . Pickup Technology by some popular stereo Pickups & Cartridges 1958 - today Some well-known stereo Pick-up from 1958 to today " URLs OF popular cartridge & pickup fire " The influence OF A so-called ' Compensation Capacitor ' on frequency response OF mm of cartridges. " the influence of a compensation condenser on the frequency response of a mm pick-up. 1958 This is typical frequency response OF 1st generation Ceramics stereo Pickup Typical frequency response of one of the first ceramic(s) stereophonic sound customers: Fig. 2.1 file:///C|/HiFiStuff/CartridgeDatabase/PickupTechnology.htm (1 of 17)6/3/2005 11:12:39 AM Stereo Pickups & Phono cartridges: 1958 - today - stereophonic sound customer Ceramics Pickup cartridge by ELAC: BST 1 (1958) [ 2.2 ] Ceramic(s) pick-up . Fig. 2.2 refers tons of A Fig. 2.2 refers to the fundamental basic construction OF structure of a piezoelectric pick- piezoelectric pickup that up, as it was usually planned with which usually supplied crystal elements from with low turntables cost. Seignettesalz Most OF thesis pickups (Kaliumnatriumtartrat) for have seignette salt crystals inexpensive record players. To based on potassium the unfavorable influence of sodium tartrate. Regarding temperature and air humidity on the disadvantageous such a crystal connection ceramic influence OF temperature (s) offers against it by far more and humidity, more favorable characteristics. Fig. however, ceramics instead shows 2.1 the frequency OF that crystal compound response of a piezokeramischen does more offer much pick-up made of barium titanate more better properties. (asking IO 3 ). Fig. -
The Quadraphonic Sound of Pink Floyd: a Brief History
THE QUADRAPHONIC SOUND OF PINK FLOYD: A BRIEF HISTORY 1: 1967 – The Azimuth CoorDinator. A quaD panning Device that featured two panning joysticks in a large metal box, it was built in 1967 by Abbey RoaD sounD engineer Bernard Speight and used for the Floyd’s Games For May show at London’s Queen Elizabeth Hall. It was stolen after the show. 1969 – Its replacement, a seconD Azimuth Coordinator, was first used at a Royal Festival Hall concert in 1969. It was also useD by recorD proDucer Alan Parsons during the recording of Dark Side of the Moon (an album which was issueD in both stereo and quadraphonic versions). This device is now on display in the Victoria & Albert Museum in LonDon. 2. 1972 – British pro auDio manufacturer Allen & Heath is commissioneD to builD the MoD1. This quad console was built for Pink Floyd’s live use around 1972 and can be seen in their film Live in Pompeii. This was subsequently sold and is thought to have endeD up in a lock-up garage in North London. 3. 1973 – Allen & Heath built a seconD quaD boarD in 1973. This was useD for the 1974 Winter Tour. Its whereabouts are unknown. 4. 1977 – Another British pro auDio manufacturer, MiDas, builDs a pair of ‘mirror’ PF1 consoles (so calleD because they exactly mirror each other’s facilities). These were baseD on the MiDas Pro4 console design. They had input and output sections and could be used as stand-alone consoles. They fed signals into a central, specially designed quad routing box, and were used on the 1977 In The Flesh (Animals) tour. -
Claimed Studios Self Reliance Music 779
I / * A~V &-2'5:~J~)0 BART CLAHI I.t PT. BT I5'HER "'XEAXBKRS A%9 . AFi&Lkz.TKB 'GMIG'GCIKXIKS 'I . K IUOF IH I tt J It, I I" I, I ,I I I 681 P U B L I S H E R P1NK FLOWER MUS1C PINK FOLDER MUSIC PUBLISH1NG PINK GARDENIA MUSIC PINK HAT MUSIC PUBLISHING CO PINK 1NK MUSIC PINK 1S MELON PUBL1SHING PINK LAVA PINK LION MUSIC PINK NOTES MUS1C PUBLISHING PINK PANNA MUSIC PUBLISHING P1NK PANTHER MUSIC PINK PASSION MUZICK PINK PEN PUBLISHZNG PINK PET MUSIC PINK PLANET PINK POCKETS PUBLISHING PINK RAMBLER MUSIC PINK REVOLVER PINK ROCK PINK SAFFIRE MUSIC PINK SHOES PRODUCTIONS PINK SLIP PUBLISHING PINK SOUNDS MUSIC PINK SUEDE MUSIC PINK SUGAR PINK TENNiS SHOES PRODUCTIONS PiNK TOWEL MUSIC PINK TOWER MUSIC PINK TRAX PINKARD AND PZNKARD MUSIC PINKER TONES PINKKITTI PUBLISH1NG PINKKNEE PUBLISH1NG COMPANY PINKY AND THE BRI MUSIC PINKY FOR THE MINGE PINKY TOES MUSIC P1NKY UNDERGROUND PINKYS PLAYHOUSE PZNN PEAT PRODUCTIONS PINNA PUBLISHING PINNACLE HDUSE PUBLISHING PINOT AURORA PINPOINT HITS PINS AND NEEDLES 1N COGNITO PINSPOTTER MUSIC ZNC PZNSTR1PE CRAWDADDY MUSIC PINT PUBLISHING PINTCH HARD PUBLISHING PINTERNET PUBLZSH1NG P1NTOLOGY PUBLISHING PZO MUSIC PUBLISHING CO PION PIONEER ARTISTS MUSIC P10TR BAL MUSIC PIOUS PUBLISHING PIP'S PUBLISHING PIPCOE MUSIC PIPE DREAMER PUBLISHING PIPE MANIC P1PE MUSIC INTERNATIONAL PIPE OF LIFE PUBLISHING P1PE PICTURES PUBLISHING 882 P U B L I S H E R PIPERMAN PUBLISHING P1PEY MIPEY PUBLISHING CO PIPFIRD MUSIC PIPIN HOT PIRANA NIGAHS MUSIC PIRANAHS ON WAX PIRANHA NOSE PUBL1SHING P1RATA MUSIC PIRHANA GIRL PRODUCTIONS PIRiN -
State Auditor Finds UCOP Mismanaged Funds
VOLUME 50, ISSUE 35 MONDAY, MAY 1, 2017 WWW.UCSDGUARDIAN.ORG CAMPUS LOCAL SUN GOD Students, Faculty FESTIVAL March for Climate Change ILLUSRTATION BY JUAREZ DAVID ILLUSRTATION The goal of the march was to call attention to the causes and importance of global warming. BY Kevin Pichinte Contributing Writer Thousands of activists marched the streets of Downtown San Diego for The People’s Climate March on April 29 to raise awareness about NOT FEELING THOSE POST- both the planetary and political SUN GOD FESTIVAL BLUES? factors causing Earth’s warming READ OUR GUIDE TO GET BACK climate. The demonstration featured Students dance in the crowd at the Sun God Festival that took place on Saturday on RIMAC feld. Photo by Christian Duarte//Guardian INTO SHAPE FOR MIDTERM speeches from former teachers, locals, SEASON AND THE REST OF THE Assemblywoman Lorena Gonzalez Fletcher and UC San Diego student LONG, HOT DAYS THAT MAKE Mukta Kelkar. UP SPRING QUARTER. UC SYSTEM The San Diego People’s Climate March was one of 300 marches across lifestyle, PAGE 10 the nation including The People’s State Auditor Finds UCOP Mismanaged Funds Climate March in Washington D.C., By Lauren HOlt and the goal was to call on leaders to News Editor use clean energy sources and put a SUN GOD REFLECTION halt on climate change policies that he Office of the California State Auditor paying more campus assessment, which in turn OVERBEARING VIBES are being implemented by the current released a report today finding that the has potentially necessitated the recent increases OPINION, Page 4 administration. -
1960 Catalog
Shure-the Standard of Quality.. ."In Electronics Since 1925'" Shure Brothers, Inc. is providing for today's critical requirements and will meet the exacting demands of the future. The world of electronics is at the threshold of a new era, and Shure planning envisions dramatic new products and revolutionary applications which will meet the challenge and fulfill the promise of tomorrow. Since 1925 Shure Brothers, Inc., has made numerous significant contributions to the development of orig- inal acoustical-electronic products. In the future, as in the past, you can look to Shure for continued leadership in : Fine Studio and Public Address Microphones Precision Magnetic Recording Heads High Fidelity Phonograph Cartridges and Arms Original Equipment and Replacement Phonograph Cartridges "Industry-Standard" Communications Microphones Handsets and Special-Purpose Microphones CONTENTS Shure Brothers, Inc., is able to give you quality products because we continually strive to raise already critical standards to precision levels previously considered unattainable. Some of the more important factors governing Shure Page quality are: Carbon. .................16 *RESEARCH AND DEVELOPM ENT-A contin- Controlled Magnetic. .l3-14 uing research program is devoted to the objective Crystal.. .............11-12 of developing new products with performance and General Purpose. ......6-10 design standards of a high order. Special Purpose. ...l5,17 & 18 *ENGINEERING FACILITI ES-The most modern Studio .................4-5 anechoic chambers and laboratory equipment, much of it unavailable commercially, have been designed and built by our own engineering laboratory staff. "ADVANCED METHODS AND STANDARDS- Special control techniques and devices enable us to improve the precision quality of customized Stereo Broadcast Equalizer. -
1962 Phono Catalog
iIGH FIDELITY rONE ARMS Shure FOR THE LATEST IN SHURE STEREO DYNETIC high-fidelity PHONO CARTRIDGES- stereo products SEE BACK COVER.. THE ALL-IMPORTANT SOURCE OF SOUND True high fidelity sourld re-creation, begrns at the source of sound. Just as SHURE PROFESSIONAL TONE ARM 1 Combines more important features than any other independent tone arm. 1 balance (without altering overall arm length), tracking force (0-8 grams), and overhang. Floats the needle over the record . smoothly-without "drag"- without "skipu-without unnecessary Cable-Plug Assembly (and ruinous) force. Furnished with cable Eliminates Soldering having plug on each end to simplify and speed up installation (eliminates soldering). 4TIONS: MODELS M232 - MDgfi PROFESSIONAL TONE ARM NET F 3E : TONE ARM M232, for 12" records. TONE ARM M236, for 16" reco-"- . .$31. Model A23H Extra Plug-In ED ACCESSORIES: Arm rest, M236-14%" long . .for Utmost Performance in superior high fidelity systems NEW -.JSTEREO- DYNETIC -PHONO CARTRIDGES featuring THE INCREDIBLY COMPLIANT N21D TUBULAR, DIAMOND S To meet the overwhelming demand for a separate stereo cartridge that will enable tracking at extremely low pressures (2-2% grams), Shure announces these worthy additions to the incomparable family of Stereo Dynetics. SPECIFICATIONS : D. C. Resistance: 280 ohms. Channel Separation: More than 20db Terminals: 4 terminals. Adaptable to at 1000 cps. 3 terminal arms. Frequency Response: 20 to 20,000 cps. MOUNTING: Standard W" and A'' centers. Output Voltage: 4 mv per channel at IOOOcps. STYLUS: .0007" diamond stylus, Load Impedance: 47,000 ohms' Model M7D Custom Stereo Dynetic cartridge Compliance: Vertical, Lateral 9.0 x 10-6 . -
SPU Classic SPU Gold Reference SPU 85 SPU 90Th Anniversary
SPU Classic SPU Gold Reference SPU 85 SPU 90th Anniversary Content Why these four SPUs 5 Overview 6 Heritage and new technology: Ortofon’s continuous development since 1918 8 Ortofon timeline (1957– 2010) 12 Cartridge manufacturing: a culture of excellence in 5 steps 14 The Ortofon SPU – a fifty years product story 18 SPU Classic 22 SPU Gold Reference 24 SPU 85 26 SPU 90th Anniversary 28 The Ortofon exchange service for the SPU Collector Box and maintenance 30 SPU Classic technical data 32 SPU Gold Reference technical data 32 SPU 85 technical data 33 SPU 90th Anniversary technical data 33 Why these four SPUs Being the inventor of the world famous SPU stereo cartridge in 1958, Gold Reference is a genuine SPU, known for it’s beautiful fluid midrange, most music lovers, even today, find that there is no name like Ortofon but with just a taste of extra detail. which is more involved in the history of analogue reproduction. This year we decided to give our SPU fans around the world an opportunity to get The SPU 85, from 2003, was a limited production of 500 units. SPU a collection of the four most famous SPUs, each of them a very special 85’s unique characteristics included an outstanding housing made of collector’s item. These four SPUs were limited editions in their days Japanese Hida Beech wood, famous for its strength and hardness. In (except for SPU Classic). These four cartridges represent the diversity of order to influence sound from the motor system, a new wire concept for technical solutions and materials and reflect the non-stop technological the armature windings called “AUCURUM” was developed. -
NEW MEXICO STATE CHAMPIONSHIPS 2007 Founders Ranch Innovations Continue … by Tex, SASS #4 Photos by Tex and Edward R
MercantileEXCITINGSee section our NovemberNovemberNovember 2001 2001 2001 CowboyCowboyCowboy ChronicleChronicleChronicle(starting on pagePagePagePage 90) 111 The Cowboy Chronicle~. The Monthly Journal of the Single Action Shooting Society ® Vol. 20 No. 7 © Single Action Shooting Society, Inc. July 2007 NEW MEXICO STATE CHAMPIONSHIPS 2007 Founders Ranch Innovations Continue … By Tex, SASS #4 Photos by Tex and Edward R. S. Canby, SASS #59971 ounders Ranch, NM April See HIGHLIGHTS on page 73 ’07 – The sun shown brightly F and nary a whiff of dust arose Restarts from the shuffling boots as cowboys, Clever competitors have found bankers, engineers, and other ne’er- many ways to use the rules to gain do-wells ambled onto the Ranch an unfair advantage. The ability to loaded to the teeth in a quest to see instantly create “interference” that who the best New Mexico Cowboy warrants a reshoot when things go Action Shooter was. And, clearly, the wrong or simply stopping and interest in this quest spread far requesting a reshoot after fumbling beyond the borders of New Mexico! the initial gun or ammo are leg- There were competitors from all over endary. The Governors are experi- the West in attendance. menting with and discussing a pos- One of the attractions of matches sible rule change for next year at Founders Ranch is getting a where a shooter becomes committed glimpse of the Cowboy Action future. to the stage as soon as he reacts to In addition to hosting a quality shoot the buzzer, rather than when the and great social evenings, it’s an first round goes downrange. -
TUNECODE WORK TITLE Value Range 285057LV
TUNECODE WORK_TITLE Value Range 285057LV House & Pressure ££££ 297057LM The Groovy Cat ££££ 298131GQ Jaydee ££££ 276810DN Latmun - Everybody's Dancin' ££££ 268301FV Solardo - The Aztecs ££££ 292787EW Body Funk ££££ 277998FP Egyptian Lover ££££ 286605AN Techno (Not Techno) £££ 276810FV Cosmic £££ 306678FT Strand £££ 296595EV Latmun - Footsteps £££ 252459CT Set It Out £££ 292130GU Party £££ 255100KN Sorry I Am Late £££ 262293LN La Luna £££ 276810DQ That's Good £££ 303663LM Master Blaster £££ 220664BT The Girl Is Mine Ft Destiny's Ch £££ 280471KV Back To The Music £££ 323770CW Sueno £££ 273165DT You & I £££ 289765FN House Nation £££ 0412043T Needin' U (I Needed U) £££ 268756KU House Music £££ 292389EM I Found You £££ 314202DM So Grateful £££ 131751GN Tonight ££ 130999GN Finder ££ 296595CT Latmun - Piquant ££ 271719HU Saxomatic ££ 249988HR Moorthon Ii ££ 263938BT Aguardiente ££ 250247GW 9 Years ££ 294966AN Let Go Of This Acid ££ 292489KV 17 ££ 291041LV Ya Kidding ££ 3635852T Shiny Disco Balls ££ 2240177E In And Out Of My Life ££ 269881EM How Can I ££ 188782KN Xtc ££ 327225LU In Arms ££ 156808BW Talking To You ££ 289773GU Play ££ 277820BN False Start ££ 264557BU Angel Dust ££ 215602DR Veins ££ 238913KS Nana ££ 224609BS Baby Slow Down ££ 300216HW Thinking Of You ££ 305278HT Desole Feat. Davi ££ 264557BV Twiple Fwet ££ 232106BS Take You There ££ 272083CP Shakti Pan Feat. Sven ££ 254207FW Bruzer ££ 296650DR Satisfaction ££ 261261AU Burning ££ 2302584E Atlantis ££ 036282DT Don't Stop ££ 309979LN The Tribute ££ 215879HU Devil In Me ££ 290470BR Kubrick -
Nycemf 2021 Program Book
NEW YORK CITY ELECTROACOUSTIC MUSIC FESTIVAL __ VIRTUAL ONLINE FESTIVAL __ www.nycemf.org CONTENTS DIRECTOR’S WELCOME 3 STEERING COMMITTEE 3 REVIEWING 6 PAPERS 7 WORKSHOPS 9 CONCERTS 10 INSTALLATIONS 51 BIOGRAPHIES 53 DIRECTOR’S NYCEMF 2021 WELCOME STEERING COMMITTEE Welcome to NYCEMF 2021. After a year of having Ioannis Andriotis, composer and audio engineer. virtually all live music in New York City and elsewhere https://www.andriotismusic.com/ completely shut down due to the coronavirus pandemic, we decided that we still wanted to provide an outlet to all Angelo Bello, composer. https://angelobello.net the composers who have continued to write music during this time. That is why we decided to plan another virtual Nathan Bowen, composer, Professor at Moorpark electroacoustic music festival for this year. Last year, College (http://nb23.com/blog/) after having planned a live festival, we had to cancel it and put on everything virtually; this year, we planned to George Brunner, composer, Director of Music go virtual from the start. We hope to be able to resume Technology, Brooklyn College C.U.N.Y. our live concerts in 2022. Daniel Fine, composer, New York City The limitations of a virtual festival meant that we could plan only to do events that could be done through the Travis Garrison, composer, Music Technology faculty at internet. Only stereo music could be played, and only the University of Central Missouri online installations could work. Paper sessions and (http://www.travisgarrison.com) workshops could be done through applications like zoom. We hope to be able to do all of these things in Doug Geers, composer, Professor of Music at Brooklyn person next year, and to resume concerts in full surround College sound.