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Severe Weather Friday, Saturday in Region EF-1 Tornado in Ware, Heavy Rain, Flooding Threat, “But a Tornado Can’T Inches of Rain on Friday Urday
THEThe G Talk AndAZETTE- Cobden Review • ServingD UnionEMOCRAT County Since 1849 Thursday, January 16, 2020 Anna, Illinois ©2020 Reppert Publications $1.00 Volume 171, Number 5 News Severe weather Friday, Saturday in region EF-1 tornado in Ware, heavy rain, flooding threat, “but a tornado can’t inches of rain on Friday urday. Rainfall at a location be ruled out,” the weather and another 2.52 inches on near Thebes totalled 3.28 An unseasonably strong were tossed and broken service advised Friday af- Saturday. inches. Other rainfall to- storm system by January near the hunting club. Nu- NotesItems of interest ternoon. The weather service re- tals in the area which were standards swept through the merous trees were snapped ported 4.01 inches of rain reported by the weather from throughout region Friday and Saturday, or uprooted along the path Storm Reports the Union County area The weather service at Bean Ridge in Alexander service included: Jan. 10-11, the National of the tornado. County on Friday and Sat- (continued on page 2) Weather Service office in Union County Sheriff reported that the severe Paducah reported. Scott Harvel said that last weather last Friday and Union County expe- weekend’s severe weather Saturday in the region were rienced severe weather, also led to damages in the accompanied by heavy including a tornado and Saratoga area near Anna. rainfall, flooding, damag- flooding caused by very For Harvel, Saturday’s ing winds and gusty, non- heavy rainfall, last Friday early morning tornado was thunderstorm winds. and Saturday. a personal experience. The The bulk of the event A short-lived tornado path of the tornado which occurred overnight and occurred early Saturday struck Ware appeared to into the morning hours on morning in Ware. -
Movie Museum NOVEMBER 2011 COMING ATTRACTIONS
Movie Museum NOVEMBER 2011 COMING ATTRACTIONS THURSDAY FRIDAY SATURDAY SUNDAY MONDAY Hawaii Premiere! THE LIGHTHORSEMEN THE EEL aka Unagi MY LIFE AS A DOG WATER FOR EYE OF THE EAGLE (1987-Australia) (1997-Japan) ELEPHANTS (1997-Denmark) (1985-Sweden) uncut version in widescreen in Japanese with English (2011) Danish w/Eng subtitles & w.s. in Swedish with English subtitles & in widescreen in widescreen 12:00 & 1:30pm only subtitles & in widescreen Directed by Lasse Halström. with Anthony Andrews, with Koji Yakusho. with Robert Pattinson, Reese ------------------------------ Peter Phelps, John Walton, 12:00, 1:45 & 3:30pm 12:15, 2:15, 4:15 & 6:15pm Witherspoon, Christoph TURTLES ARE Tim McKenzie, Jon Blake, ------------------------------ Waltz, Hal Holbrook. SURPRISINGLY FAST ------------------------------ Bill Kerr, Sigrid Thornton. CHICKEN AND DUCK SWIMMERS (2005-Japan) TORA! TORA! TORA! (1970-US/Japan) TALK (1988-HongKong) Directed by Japanese w/Eng subtitles, ws Directed by Francis Lawrence. 3:15 & 5:00pm only English/Japanese w/English Simon Wincer. Cantonese w/English subtitles -------------------------------- subtitles & in widescreen with Michael Hui, Ricky Hui. 12:15, 2:30, 4:45, 7:00 & THE EEL aka Unagi Martin Balsam, Sô Yamamura. 12:30, 3, 5:30 & 8pm 8:30pm ONLY 9:15pm 7:00pm only 5:30 & 8:00pm ONLY 3 4 5 6 7 Movie Museum Movie Museum TELL NO ONE TAMPOPO aka Ne le dis à personne (1985-Japan) Movie Museum Closed Closed (2006-France) in Japanese with English Closed French w/Eng subtitles & w.s. subtitles & in widescreen with François Cluzet. 4:00pm only 4:00pm only ------------------------------------ ------------------------------------ THAT MAN FROM RIO TAMPOPO (1964-Italy/France) (1985-Japan) in French/English/Portuguese in Japanese with English with English subtitles subtitles & in widescreen & in widescreen Directed by Juzo Itami. -
Sight & Sound Films of 2007
Sight & Sound Films of 2007 Each year we ask a selection of our contributors - reviewers and critics from around the world - for their five films of the year. It's a very loosely policed subjective selection, based on films the writer has seen and enjoyed that year, and we don't deny them the choice of films that haven't yet reached the UK. And we don't give them much time to ponder, either - just about a week. So below you'll find the familiar and the obscure, the new and the old. From this we put together the top ten you see here. What distinguishes this particular list is that it's been drawn up from one of the best years for all-round quality I can remember. 2007 has seen some extraordinary films. So all of the films in the ten are must-sees and so are many more. Enjoy. - Nick James, Editor. 1 4 Months, 3 Weeks and 2 Days (Cristian Mungiu) 2 Inland Empire (David Lynch) 3 Zodiac (David Fincher) = 4 I’m Not There (Todd Haynes) The Lives of Others (Florian Henckel von Donnersmarck) 6 Silent Light (Carlos Reygadas) = 7 The Assassination of Jesse James by the Coward Robert Ford (Andrew Dominik) Syndromes and a Century (Apichatpong Weerasethakul) No Country for Old Men (Ethan and Joel Coen) Eastern Promises (David Cronenberg) 1 Table of Contents – alphabetical by critic Gilbert Adair (Critic and author, UK)............................................................................................4 Kaleem Aftab (Critic, The Independent, UK)...............................................................................4 Geoff Andrew (Critic -
The Servant of Two Masters.Pages
!(cast all yawn) the important things which are here in my fingers. !(Holds them up) THE SERVANT OF There are four. Let me tell you about the four most important !features of the commedia: First: the absence of script. (the dotor stops. Realises:) I have no script! (panic!) I don't know what to say. So I will stop now. My TWO MASTERS lecture is over. Thank you and good night. (Cast) But we can improvise. What is improvise? BY CARLO !GOLDONI ! (Cast) Make up our own dialogue. ! Adapted by Marco Luly ! INTRODUCTION OF THE DOCTOR Make up our own dialogue? Ah yes, the actors of the Commedia ! made up their own dialogue. This is the SECOND important Good evening. I am "Il Dottore", The Doctor, and I am going to feature of the Commedia. The 3rd thing is that the actors were tell you all about the Commedia because I know more about it professional than anyone else in the whole world (cast shake their heads)...er I ! (cast) What is professional? !know more about commedia than most people .. some people… ! Commedia began in Italy in the pre-historic period …. It means they got paid (others: AHHH!) After the performance! If ! they performed well. (cast react derisively)...In the Roman period… ! ! The next thing is the actors wore masks. The men, but not the (as before)...Some time ago? (cast applaud) women. Why? I will tell you! This was the first time that women ! could perform on the stage in public, and so the Commedia There are many things to tell you about the Commedia which are wanted the women, the BEAUTIFUL women, to be seen, and here in my book (holds up his BIG book - enjoyed and admired and loved and adored and (cast add their suggestions and starts to mime something naughty) !cast all point to their watches). -
LITTLE WHITE LIES Press
EuropaCorp Presents Written and directed by Guillaume Canet Starring: François Cluzet, Marion Cotillard, Benoit Magimel, Gilles Lellouche, Laurent Lafitte, Jean Dujardin, Valérie Bonneton, Pascale Arbillot, Anne Marivin, Louise Monot, Joel Dupuch and Hocine Merabet Produced by: Alain Attal and Hugo Sélignac Sales Contacts: EuropaCorp Marie- Laure Montironi / Pascal Degove / Yohann Comte [email protected] / [email protected] / [email protected] Press Contacts: MPRM Communications Clay Dollarhide / Brooke Medansky [email protected] / [email protected] Cells: 323-428-7460 / 323-314-9553 EUROPACORP LES PRODUCTIONS DU TRÉSOR PRESENT LITTLE WHITE LIES A coproduction CANEO FILMS LES PRODUCTIONS DU TRESOR EUROPACORP M6 FILMS With the participation of CANAL + CINECINEMA M6 In association with COFINOVA 6 and COMPAGNIE CINEMATOGRAPHIQUE EUROPEENNE PANACHE PRODUCTIONS FRANÇOIS CLUZET MARION COTILLARD BENOÎT MAGIMEL GILLES LELLOUCHE JEAN DUJARDIN LAURENT LAFITTE VALÉRIE BONNETON PASCALE ARBILLOT ANNE MARIVIN LOUISE MONOT JOEL DUPUCH HOCINE MERABET With the friendly participation of MATTHIEU CHEDID AND MAXIM NUCCI Director of Photography CHRISTOPHE OFFENSTEIN EDITING HERVÉ DE LUZE SOUND PIERRE GAMET JEAN GOUDIER JEAN-PAUL HURIER MARC DOISNE PRODUCTION DESIGNER PHILIPPE CHIFFRE COSTUMES CARINE SARFATI SCREENPLAY AND DIALOGUES BY GUILLAUME CANET LINE PRODUCER HUGO SÉLIGNAC PRODUCED BY ALAIN ATTAL A FILM BY GUILLAUME CANET SYNOPSIS: Despite a traumatic event, a group of friends decide to go ahead with their annual beach vacation. Their relationships, convictions, sense of guilt and friendship are sorely tested. They are finally forced to own up to the little white lies they have been telling each other. Directed by Guillaume Canet and starring: François Cluzet, Marion Cotillard, Benoît Magimel, Gilles Lellouche, Jean Dujardin, Laurent Lafitte, Valérie Bonneton and Pascale Arbillot DIRECTORS STATEMENT: Les Petits Mouchoirs (Little White Lies) is my third feature as a director and the most personal of the three. -
Catalogue-2018 Web W Covers.Pdf
A LOOK TO THE FUTURE 22 years in Hollywood… The COLCOA French Film this year. The French NeWave 2.0 lineup on Saturday is Festival has become a reference for many and a composed of first films written and directed by women. landmark with a non-stop growing popularity year after The Focus on a Filmmaker day will be offered to writer, year. This longevity has several reasons: the continued director, actor Mélanie Laurent and one of our panels will support of its creator, the Franco-American Cultural address the role of women in the French film industry. Fund (a unique partnership between DGA, MPA, SACEM and WGA West); the faithfulness of our audience and The future is also about new talent highlighted at sponsors; the interest of professionals (American and the festival. A large number of filmmakers invited to French filmmakers, distributors, producers, agents, COLCOA this year are newcomers. The popular compe- journalists); our unique location – the Directors Guild of tition dedicated to short films is back with a record 23 America in Hollywood – and, of course, the involvement films selected, and first films represent a significant part of a dedicated team. of the cinema selection. As in 2017, you will also be able to discover the work of new talent through our Television, Now, because of the continuing digital (r)evolution in Digital Series and Virtual Reality selections. the film and television series industry, the life of a film or series depends on people who spread the word and The future is, ultimately, about a new generation of foreign create a buzz. -
Walpole Public Library DVD List A
Walpole Public Library DVD List [Items purchased to present*] Last updated: 9/17/2021 INDEX Note: List does not reflect items lost or removed from collection A B C D E F G H I J K L M N O P Q R S T U V W X Y Z Nonfiction A A A place in the sun AAL Aaltra AAR Aardvark The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.1 vol.1 The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.2 vol.2 The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.3 vol.3 The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.4 vol.4 ABE Aberdeen ABO About a boy ABO About Elly ABO About Schmidt ABO About time ABO Above the rim ABR Abraham Lincoln vampire hunter ABS Absolutely anything ABS Absolutely fabulous : the movie ACC Acceptable risk ACC Accepted ACC Accountant, The ACC SER. Accused : series 1 & 2 1 & 2 ACE Ace in the hole ACE Ace Ventura pet detective ACR Across the universe ACT Act of valor ACT Acts of vengeance ADA Adam's apples ADA Adams chronicles, The ADA Adam ADA Adam’s Rib ADA Adaptation ADA Ad Astra ADJ Adjustment Bureau, The *does not reflect missing materials or those being mended Walpole Public Library DVD List [Items purchased to present*] ADM Admission ADO Adopt a highway ADR Adrift ADU Adult world ADV Adventure of Sherlock Holmes’ smarter brother, The ADV The adventures of Baron Munchausen ADV Adverse AEO Aeon Flux AFF SEAS.1 Affair, The : season 1 AFF SEAS.2 Affair, The : season 2 AFF SEAS.3 Affair, The : season 3 AFF SEAS.4 Affair, The : season 4 AFF SEAS.5 Affair, -
Florence Foster Jenkins
LINE-UP2015 EFM PATHÉ INTERNATIONAL OFFICIAL SCREENING 03 SELMA Tuesday 10th Oscar Nominee February for Best Picture Golden Globe Nominee 9PM for Best Picture Friedrichstadtpalast PROMO EVENT Thursday 5th February 10AM, CineStar 4 SCREENINGS THURSDAY FRIDAY SATURDAY TUESDAY 05/02 06/02 07/02 10/02 PAPA OU MAMAN 9.45 AM CineStar 2 PATHE INTERNATIONAL 10.00 AM PROMO CineStar 4 PAPA OU MAMAN 11.15 AM CineStar 2 FAR FROM MEN 1.00 PM CinemaxX 1 NOBODY FROM NOWHERE 1.30 PM CineStar 6 INVISIBLE BOY 3.10 PM CineStar 2 NOBODY FROM NOWHERE 3.15 PM CineStar 2 INVISIBLE BOY 5.30 PM CineStar 6 SELMA 9.00 PM GALA SCREENING Friedrichstadtpalast 03 OFFICIAL SCREENING Drama – 122 mins © Atsushi Nishijima SELMA DIRECTOR CAST OFFICIAL SCREENING Ava Duvernay (Middle of Nowhere) David Oyelowo (Middle of Nowhere, The Butler) 10/02 – 9PM –Friedrichstadtpalast Tom Wilkinson (The Full Monty, Michael Clayton, The Ghost Writer) SCREENPLAY Carmen Ejogo Paul Webb Tim Roth (Pulp Fiction, Reservoir Dogs) PRODUCERS Oprah Winfrey (The Color Purple, Beloved, The Butler) Christian Colson (Slumdog Millionaire) Oprah Winfrey Dede Gardener (12 Years a Slave) Jeremy Kleiner (12 Years a Slave) SELMA is the story of Dr. Martin Luther King Jr.’s historic struggle to secure voting rights for African-Americans – a dangerous and terrifying 3 month campaign that culminated in the epic march from Selma to Montgomery, Alabama that galvanized American public opinion and persuaded President Johnson to introduce the Voting Rights Act in 1965. 2015 is the 50th anniversary of this pivotal moment in the Civil Rights Movement. -
TALL TALES SHORT STORIES 20 Years of the V.S
TALL TALES SHORT STORIES 20 years of the V.S. Pritchett Short Story Prize CONTENTS The RSL is grateful to the Authors’ Licensing and Collecting Society (ALCS) for supporting the Tall Tales, Short Stories programme. First published in 2019 by the Royal Society of Literature. Foreword Molly Rosenberg 2 Each story extract © its named author. ‘Love Silk Food’ Leone Ross 4 ‘Love Silk Food’ from Come Let Us Sing Anyway by Leone Ross, published by Peepal Tree Press, 2017. Copyright ‘Please Be Good To Me’ Emily Ruth Ford 6 © Leone Ross. Reproduced by permission of Peepal ‘The Street of Baths’ Fiona Vigo Marshall 8 Tree Press. ‘Synsepalum‘ from Nudibranch by Irenosen ‘The Seduction of a Provincial Accountant’ Jonathan Tel 10 Okojie, published by Dialogue Books, 2019. Reproduced with permission. ‘Hermitage’ from Love and its Seasons ‘Synsepalum’ Irenosen Okojie 12 by Aamer Hussein, published by Mulfran Press, 2017. ‘Ray the Rottweiler’ Alice Jolly 14 Reproduced with permission. ‘A Better Man’ from the ‘Sahel’ Peter Adamson 16 collection, Tell No-One About This: Collected Short Stories 1975-2017, by Jacob Ross, published by Peepal ‘Singing Dumb’ Martina Devlin 18 Tree Press, 2017. Reproduced by permission of Peepal ‘Hermitage’ Aamer Hussein 20 Tree Press. ‘The Redemption of Galen Pike’ Carys Davies 22 Stories reproduced as supplied by their authors. ‘The Premises’ Michael Newton 24 Cover illustration © Anna Trench, 2019 ‘The Not-Dead and the Saved’ Kate Clanchy 26 ‘A Better Man’ Jacob Ross 28 The contributors have asserted their Right under the Copyright, Designs and Patents Act, 1988, ‘A Dangerous Place’ Cynthia Rogerson 30 to be identified as authors of this work. -
No Vember/De Cember 20 18
NOV/DEC 2018 NOVEMBER/DECEMBER 2018 NOVEMBER/DECEMBER Christmas atCINEMASTERS: GFT BILLY WILDER PETERLOO | WIDOWS | NAE PASARAN SUSPIRIA | SHOPLIFTERS | OUTLAW KING FRENCH FILM FESTIVAL | AFRICA IN MOTION THE OLD MAN AND THE GUN | UTØYA | SQIFF GLASGOWFILM.ORG | 0141 332 6535 12 ROSE STREET, GLASGOW, G3 6RB CONTENTS 3 Days in Quiberon 23 Possum + Q&A 21 White Christmas 17 Access Film Club: Blindspotting 28 Science Fair 21 CINEMASTERS: BILLY WILDER Scottish Animation: Access Film Club: Home Alone 28 7 The Apartment 15 Stories Brought to Life Anna and the Apocalypse + short 23 Double Indemnity 15 Shoplifters 22 Archive Film, Propaganda and The Private Life of Sherlock Holmes - 5 15 Spanish Civil War Sorry to Bother You 23 35mm Bad Reputation 20 Super November + Q&A 7 Some Like It Hot 15 Becoming Animal + Q&A 6 Suspiria 22 Sunset Boulevard 15 Been So Long + Q&A 6 Three Identical Strangers 23 COMEDY GENIUS Blue Black Permanent 24 Utøya - July 22 20 9 to 5 25 Blueprint: Scottish Independent Shorts 8 Visible Cinema: It’s A Wonderful Life 28 Shaun of the Dead 25 Calibre + Q&A 5 Visible Cinema: RCS Curates: Widows 28 South Park Sing-a-long - 35mm 25 21 Disobedience 23 Widows DID YOU MISS 22 The Wild Pear Tree 23 Distant Voices, Still Lives Black 47 25 20 Wildlife 22 Don’t Worry, He Won’t Get Far on Foot BlacKkKlansman 25 6 A Woman Captured + Q&A 5 Evelyn + Discussion C’est la vie 25 20 The Workshop 22 An Evening with Beverley Luff Linn Cold War 25 @glasgowfilm 24 Worlds of Ursula K Le Guin 7 The Evil Dead ESTONIA NOW Fahrenheit 11/9 20 AFRICA -
Hliebing Dissertation Revised 05092012 3
Copyright by Hans-Martin Liebing 2012 The Dissertation Committee for Hans-Martin Liebing certifies that this is the approved version of the following dissertation: Transforming European Cinema : Transnational Filmmaking in the Era of Global Conglomerate Hollywood Committee: Thomas Schatz, Supervisor Hans-Bernhard Moeller Charles Ramírez Berg Joseph D. Straubhaar Howard Suber Transforming European Cinema : Transnational Filmmaking in the Era of Global Conglomerate Hollywood by Hans-Martin Liebing, M.A.; M.F.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2012 Dedication In loving memory of Christa Liebing-Cornely and Martha and Robert Cornely Acknowledgements I would like to thank my committee members Tom Schatz, Charles Ramírez Berg, Joe Straubhaar, Bernd Moeller and Howard Suber for their generous support and inspiring insights during the dissertation writing process. Tom encouraged me to pursue this project and has supported it every step of the way. I can not thank him enough for making this journey exciting and memorable. Howard’s classes on Film Structure and Strategic Thinking at The University of California, Los Angeles, have shaped my perception of the entertainment industry, and having him on my committee has been a great privilege. Charles’ extensive knowledge about narrative strategies and Joe’s unparalleled global media expertise were invaluable for the writing of this dissertation. Bernd served as my guiding light in the complex European cinema arena and helped me keep perspective. I consider myself very fortunate for having such an accomplished and supportive group of individuals on my doctoral committee. -
The Changing Topography of Contemporary French Policier in Visual and Narrative Media
Deathly Landscapes: The Changing Topography of Contemporary French Policier in Visual and Narrative Media DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Paige M. Piper, M.A. Graduate Program in French and Italian The Ohio State University 2016 Dissertation Committee: Margaret C. Flinn, Advisor Jennifer Willging Patrick Bray Copyrighted by Paige M. Piper 2016 Abstract This dissertation explores spatio-temporal shifts in twenty-first century French crime narratives, through a series of close readings of contemporary crime films, television, literature, and comics. The works examined rely on the formal properties of the policier genre but adapt its standard conventions, most notably with deviations in the use and function of space. In this dissertation, I demonstrate that the modern policier is one that embraces its spatio-temporal, social, and generic non-fixity. The textual/visual constructions of many hyper-contemporary crime narratives contain multiple modes of decomposition within: a decentralization of space, which moves the action away from the genre’s traditionally urban location to boundless rural spaces and border zones; a de- concentration of the policier genre, through the incorporation of tropes from other literary styles and works; and a devolution of social cohesion and community identity in the narratives. Chapter 1 examines works where historic references and urban legends of the 19th century fantastique literary genre unfold in modern rural locations. The past and the present converge to problematize modern ideals, identity, and community unity in rural spaces where reason is pitted against the supernatural.