FEMININITY, POWER, RESISTANCE AND POLITICS OF OUTRAGE: THE LEGEND OF PADMAVATI 1DR. FOUZIA FAROOQ AHMED 2MEHNAZ SHAHEEN 1Assistant Professor Department of History Quaid-i-Azam University Islamabad Pakistan E-mail:
[email protected] 2Department of History, Quaid-i-Azam University Islamabad Pakistan This paper refers to the Padmavat poem as a source of social and cultural history along five major themes. The first is the historicity of Padmavat, the second is the construction of Padmavat as the esoteric ‘other’ in Jayasi’s account. The third is the role of image and power in women’s histories. The fourth is patriarchal honor in historical memory, and the last engages with the politics of recent protests in relation to Rajput historical consciousness about Padmavati. Key Words: Women in Medieval India, Delhi Sultanate, Feminism, Rajput History, Identity Politics, History of Indian Cinema Malik Muhammad Jayasi one of the oldest vernacular poets from India immortalized by his Sufi-romantic epic Padmavat1 was born in the important Sufi centred Jayas (modern day Uttar Pradesh) around 900/ 1494. His works, especially Akhari Kalam, contain his biographical account but he is not mentioned at length in any other contemporary records.2 As a disciple of the Bhakti saint Kabir (817-924/1414-1518) Jayasi’s work reflects the synthesis of Indo-Islamic literary traditions.3 34 Feminity, Power, Resistance and Politics... Jayasi inscribed a love saga under the patronage of Afghan founder of Suri dynasty Sher Shah Suri (878-952/1473-1545) featuring Sultan Ala al-Din Khalji (r. y. 696-716/1297-1316).4 Other important works of Jayasi in Awadhi language include Akhrawat, Akhiri Kalam, Kanhavat Mahari Baisi, Masalanama, Kanhavat and Citrarekha.5 These works came in mass circulation after their publication by the Asiatic Society of Bengal in the final decades of the nineteenth century.