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I L We're Why theAlan,odorne Looks at Honie

ltTookThousand s of Barrett Masonry Unit s to Fit This Stadium into the City of Mission s

It's true, the new Alamodome multipurpose stadium is San Antonio's most technically advanced new building. But it's also a major new downtown landmark. second in prominence only to its reno wned neighbor. the Tower of the Amer icas.That's why the exterior of the Alamodome could not be high-tech metal panel or ordinary precast concrete. Not for historic San Antonio. Instead, the architects used two kinds of Concrete Masonry Units from Barrett Industries to give the Alamodome its comfortable, historically inspired outer skin. Oversized I 6-by-16-inch architectural units work together with standard-size rock-face units to create dynamic visual patterns and tie together the building's many components. And return corners in both styles provide additional strength and a true masonry look. Choose Barren Industries, a subsidiary of Alamo Cement Company, for your next masonry challenge. Founded in 195 I and manufacturing masonry units, concrete, sacked cement products. and limestone aggregate.s throughout South and Centra l .We will satisfy your designs with quality architectural Barrett Industries ® units and concre te products that 6981 E. Evans Road San Antonio , Texas 7826lr-28 I 3 make buildings work. (800) 827-6550 (210)65 1-6550 Fax (210) 651-9632

Clrclo 78 on th o reader Inquiry card On the cover: Child ren's Editor 's note 5 Museum of Houston by Jackson & Ryon Architects Lett e rs 6 and Venturi Scott Brown As· sociotes; photo by Lisa Carol New s 12 TEXASARCHITECT & Poul Hester, Pho1ogro- Of Note 13 phern/ Fayetteville. Texas Calendar 14 7 / 8 1993 NEW TEXAS MUSE U MS

New Texas Museums 36 Over a ce ntur y .1go. Lhc first Texas museums were cre: llcd w house co l­ lections orco mm crci:11 dccorntion and politi ca l rm:morahilia. The fine arts c:unc lat e r, with Lhc first civic m11sc um s built in Dalla s. l lousto n , and San nlonio in the I C)I Os :111d( 920s. Today's ne,, · Texas mu se um s :ir e liig business, h ousi ng everything from expa ndin g public an co llec ­ tions ll> shi ps :rnd plnnes. By ,,.ii/i s 1/'intaJ

FromH ines to Eternity 44 Tcx.1s connecLio ns pla~•ed :1 pi vot:1 I ro le in th e l 1J7(h., ,,hen Ph ili p John so n :rnd hi s ranncr John Burgce W(>rkcd with H ouston tlt:ve lop cr Gcrn ld J li nes ro rc vo lu ti on i7.c d1e world of hi g-t ime rc.11 estate. By Lhc early ( 990s, hnwevcr, J ohnson was ready tu sett le down 10 hi s first love, :irchitecll1rc ,ls :in, as s hown in the l:H CSI Texns commissio n s he h as hccn d es ig nin g. P11rttwo 11f11projilt- /i_vFmnk ll1i•lrh, 1-:11: I

law s, Regs, and 21 Survey 54 Red Tape Produc ts and Information 57 Small Practice Issues 56 Roofing Indu stry 22 Resources 58 Special Adver tising M arketplace 59 Section TEXAS INDEX 60

Texas Architect 7/8 1993 3 Geometrics • • • Letyour imagination soar®

Alterna ting courses You can capilalize on the design of square5 and rec tangles enligh ten qualities of glass block and creole bold this unde r-the -stai rs wall , turning a geometric panels of light. Who would once -dark .spot into a b right , inviting think such rigid building materials could scene. Two diff e rent block designs be combined in so many ingenious combine to make the step-by-s tep ways? It's because PC Glas sBlock motif even more interesting. The products come in several shapes, sizes 8-inch sq ua res a re the clear VUE' and patterns- the only American-made pattern ; classic DECORA 4 "x8" glass block . rec tang les comp lete the pictur e. Master Distributor of American-Made f f tMSONRY6 GL4SS s~s INC. f f 9189 -F Winkler, Houston, Texas 77017 P.O. Box 87097, Houston, Texas 77287-7097 Phone: 713/94-4-97 16 Fax: 7 13/944-1723 Circle 10 on the reader Inquiry cord

A la Carte. TheWhole Enchilada. When you're on the moveo r ready Lo renovate, look at McCoy'sm enu or products and services. McCoyis the one sourceto satisly all your commercial furnishing needs.Wh ether it's a side order of chairs. Or the whole enchilada.We'veco mbinedo ur company's resourceswith the officef urniwre division of Wilson BusinessP roducts. Now,every thingyou've come coex pect from rhe cicy's cwo premier omce furnishing suppliers is available from one place. We supply the finest in commercial furniture. There's Nothing Like The Real McCoy And our servicese nsure the perfect recipe ('or your office environment. So table your conversation and sit down McCOY INC with us. We're readyt o cater Lo your individual taste.

bl t \Vt'SI'.>81 11S 11,>cl.I lou~klfl. T~~a.~77018 Td 713 t•07.2417' f.ix 71J,b'll.284~ 1 Chair : HON SENSIBLE Seating / Otllce: Gunlocke Geva Collection

Circle 51 on the reader Inquiry cord TEXASARCHITECT EDIT OR'S NOTE July/Augusl1993 Volume43, Number 4

1 Architectsand State Procurement 'lhfl< lrrl11rcr1(I SSN : ()O.JU-4 17 )) a. puhli,hc d ,c ,·cn times per ycar (l111110111hly <1nd in ,\p ril) l,y 1hc 1c,a, Soc,c1y or,\r d 111ccts. 114 \Vcsr Sevent h, Suite HOO. , Te~ns 7870 1. TSA is the oflicial l cx:1, srn1c org-ruiizolicn1o( die Amcric;in I n!'lt 11utc of ,\t' c'11tccts (Onvitl Lnncn,1er, Exeeuu,•e Vice l'rcs itlcnl). Cnpy ­ A RCI IIT ECTS LN T EXAS will find much co praise and not a litt le to be ,lppr c­ rii;h1 11)93 1,y rhc Tc.~n~ Sndct} of Architccl ,-. hensive abo ut in Prnmr emwt Rrr11gi11l'eriug Project: Fin,,/ Repo11,a doc w11ent Jud Warren B,1rnu Edilor released in Ma y by Stat e Co mptro ller J ohn Sharp as part of his perform ance Ray Dun T illey 6enerolMana ger review of stat e-gove rnm ent opcrations. Sus:u, \ Villia,usou AssoclaleEdll or Ead1 year, the State of Texas throu gh its variou s deparm1cnt s and agencies Carn lyn 11:ikcr< 1.!i"!"-'"''' Advertising Representative llillic Dixon ,w~•~·"'•~lA dvertising Representotlve spends $3.5 billion for goo ds and services, und er a system of reyui sitiun s and Kntic Lnrson I H/l•J 1111 Advertising Representative app rovals ceno·alized in the Genenil Services Co mmi ssion. Intended to ho ld Lincln l.nnb'11nM arketingAssistant do wn cos ts to the state, the syste m has been, in Sharp 's wo rds, "nee d lessly Kimht rly J. llurn< MembershipDirector Ircnc Gn rzo Controller costly, duplicative and time-co nsuming." Adds Sharp, "lt's ,l system that breeds waste and makes our employees' jobs difficult and frustratin g." TSAPublications Committee \ Vlllium L. l'ccl, ,\I,\, l l11us1011( chairmnn); Ltwrence The Pro,111·1.71m 1rRc e11gi111:eri11g Project:Fi11 1,I Report, put cogether by n team from 11.Cunnu lly. AJA. MicllanJ; \ 'onceiu l lnlJ>Cl',AIA,Aus­ the Co mptr oller's O ffice, the Gene ral tin; Gilhcn I luffn,.111, AL\, l l111ht1m:Manin). l lumlS, •\ IA. Luhlkock; C. MJrk Seiley,,\If\, D:ill.h: Ii.ti Suheru, Services Comm ission, the state's De­ UPCOMINGISSUES : Intern AJA, El Pa,o; Denni, \\ '. S1,1C),Au\, O.,llo~; Bill partm ent of Tnfon nari on Reso ur ces, ·1: 'Nilson 11, ,\IA, Coqm, Christi and the cons ultin g compan y Deloitte Weinv ite submissionsto TEXAS AROflTECT ConlrlbutlngEditors & Touche, recommends deceno'.llizing U:ivicl Dillon, l)olln,: Srcp hcn Fox, 1l ousto n; R. forall ourupcoming issues . Scheduled Lnwrcncc Good. FAIA, Dallas; Dougllll!I lrm·cy, Snn the state procurement process and giv­ issuethemes for 1993 and 1994 include ,\ 111011,0; Nestor lnfonwn. AIA, Unll11s;Li la 1-nighr. ing individual age ncies ,rnthority :111d r\11s1in: ll:irunro Kocrb lc. Fort Worth: Crn ,g Kuh­ ner, Arlii1i;11111; Ccro lll Moorhe:i d, FAit\, I luusrun: responsibility over their own purch.1ses NOV/ DEC (deadline9 Aug) \Villi, \ Vin ters. AL\ . D allas: Dav i,! \,Vouclcock, throu gh changes in state law and cre­ "NewChurches for o NewDecade " FAit\, Rll3t\, College S1..1riun ation of an electronic purc hasing net­ This iss11t 'il'illfoc 11s 011dmg,un gfar ibr li­ TSAOfficers work , with cono· ol fun ctions moved mrgir.nl ,mil logisric11/req11irm1 cnts of nw Jam<:>D. litt l,; 17-\1,\, Ahilenc, Prc,,idcnt; D.,vid Mess­ ersmith, All\, i\'li1ll:iml, Prcsid"n 1-Elcc1: Rohen .\ . from pre-pur chase reviews to post-pur­ rb1mbe1, p11rriru/i,rlyfar r11pi1/ly growing llrnoks. Al,\, I lnu,,1011,Vit-c l're.ircphcn Kem I lt1rris, Ali\ , Nu11.hc:1SL'foxn s C h:ipicr. Gahncl within ,l new procurement prncess that design, zoning,mass lron sil andhighway DurJnd -1ln llis, AJA, Sa11A 111U111t1 Chrtplcr; D. l.,ll:i,,,111dJ11 hn Onl)' Greer. techniqueand monogemenl forour SMAU Fr\lA, College Srntiun, AIA Dirccmr1; Lee Ro)' I lah­ tion more effectively than they do now. PIIAcnCEISSUES section. nfcltl, FALA.Fon Worth, TAF Ch,1in11an;John C:1>lr.1r- Ard,it ects in 11:xas would welcome 1>11,l·i\ lA, E.Jut':ltor ,\-le111l><:r,an,I Dr. i\Jcxumlcr Schilr. 1'111,lic s\lcml,cr such a change: T he state's agencies ,ire If youcon he lp withany o f theseloplcs, please curr entl y bound by the Pr ofess ional !'>ccond-clnsspo;m1gc paid nr Ausun, ·11:xus,111111 mld itiunnl CUiiTEXAS ARCHITECT al 512/478-7386 . nmiling oilin." Poslmo stor: Senti :1dd=.., dL1ngcsm Tex.IS Services P roc urement Act (PSPA) to JWB . lt1vi1tf1, 114 \\ l::stS..,cmh,Suite H!Xl.Austin,' lb,is7!l701. choose archite<-'tSon the basis of qu,1lifi­ l'hunc: (511) 47R-73!,fi.J>ri m,.._i in 1hc U.S.A. cations, but cl1e widespread philosophi- Sull'iL1ipliuupria: i~$16 11eryc:ir for I'S;\ mcmlJcrs,52 1 cal an11chment to focusing first and foremost on low bidders leads many agencies to for 11,111me111licrs with nJ. Rcpn> · circumvent or ignore the PSPAwh enever cl1ey can. Th e Rccngineering report sug­ ,lnLi:iun 11(editoria l m mcnt wi1huu1"rit11:11 pe n11issi1m i, gests revamping all srate laws affecting purchasing into a single code based un the pruhihired. U,c r,fnmm:smlll im:igc,ur pnHluruand SCJ'V­ ic.,; in either c,litnrinl nr ailn.·nisi11glit111c ,111 quality-driven focus of the PSPA. Un fortunately, the report then suggest,; abolish­ cndun,.e 11lcflt hy i'SA or t\lt\ no r rlc"'°"\i;.TJ nl m cnt nco.:s­ 1 ing the PSPA, as wmccessary. Whil e the people ofTcxa-; would be better served by scmly rcOC(.i.onoffit111l 11111 1111nl uf ci1herurg.mir.11fon. ·12n,.r .'lrrhitn"I is111 clCX1XI hr the A\'l:ryln dcxof' , \n:hiu:,.111,..JI Pe­ a reworked state J5urchasing system, doing away with cl1e law that provides the best nudlc:1ls. tt\':lilublo in 111:11orlihrn ncs. model for the system seems like a very bad place to start. Joel 1*trre11Bnnw

TexasArchitect 7/8 1993 5 Letters For more Informat ion, visit one of the cent ers listed Payingfor PublicHousing marerfal:ind t.hatthe m:111ufucturcrn:.11rcscnrt'fl 1.hat t:he below. or circle 4 on the reader Inquiry ca, d CONC:ERNl 1 C the closing p:1r,1gr:1phnf your tile:.were, in foct.suic:1hlc for the imemlc..·d use. Unfor­ AUSTIN "Editor's Nmc'' column ('D-1 Mar/J\pr 1993) ,111cl nm:m:I)•, hotJ1the manufotturcrand the tile i.·ulx.'llr11:r:1e­ Marv in Windows Plannlng Canter Su,:m \\'illiam,nn\ Ne,,•, ~tur) ("I louse of Pain"( ton,ent out ofbusinl.'$aficr instnllation,and tJ,uswere 2120 Denton Drive, Suite 109 Austin, Texas 78758 in the ~amc i,suc, ic appears th:ll you as well as not :11"!lilahleto the c:1se. 800/333-9203 512/835-9203 1110~1 111cdi11indh •idu:ils feel the government -J..Finn lly. ns nddition:11 items on whnt we can Attn: John Faulkner should fund low-income housing. I feel a re­ :1llle:1rn (or re-lenrn) from this case: a. Jnf') find­ Bryan/ College Station 800/333 -9203 Temple/ Belton 800/333 ·9203 minder that thc gmemmcnt CQllectsfunds from ings arc often unpredict:ihlc, :rnd: b. There can he the citizens might he in order. In a time 1hnt fed­ no ~uch thing :is 100 much documenrnrion in our DALLAS Marv in Windows Plannlng Center eral, ~late, :mrl local budgets arc con!ois1emlyfilled dc:1lingswith comr:ictors, mnnufocturcrs, nnd cli­ 2619 Lombardy Lane out 111 red ink, I think someone should ask where ents-p:irticu lnrly in identifying for our clients Dallas. Texas 75220 the money's coming from. Providing housing the risks :1ssoci:11.ed,1ith the dccbions the)' mnkc. 800/888-3667 214/3511186 Attn: David Faulkner through this g11vern111en1 lrnnk :1ccount will not \ Ve wmrld also like 10 recogni1.c the TexnsSoci­ Waco 800/883 -3667 help. l11,1e:1d,look toward priv:11eenterprise. The ety of Arc:hitccrs:the Consulting Engineer\ Council J:1nu:1rr 1993 issue of .·lffbir1·r111rrpuhli~hed ~e\'­ ofTcx:1s, Inc.; che 'lcxns Medical As:.oci:uinn; the FORT WORTH Marvin Windows Plannlng Center er.il exnmplcs of projects funded privnrel>' in 1hc ·1c,ms Phnrm:iceutic:11 Associntion: :ind the 1cx:1s 5801 Curzon. Suite 1F C:ilifomin m:trkct. m:ulc prnfit:1hlehy ci1i~ need­ CivilJu,1icc League for their ~upport in chis ~,,sc. Fort Worth, TeKas 76107 800/955 -9667 817 /737 -8877 ing low-income housing :md willing to ,1 ork ,1 ith Roy111011d L But.r, J,:, AJA Altn: David Reynolds architects :ind developers. Pri11rip11/,/Judd 11rrtsI lrm/1·11Koljlllf So, y<>usec, when a need e.tisrs, we must ~inp I lo11s11111 HOUSTON Lone Star Plywood and Door Corp. thinking tb:11 the go,•ernmcnt need~ to solve it 16001 Tomball Parkway through spending and look instc:id to the cmrc­ TheCapitol Extension Houston. Texas 77086 800/934 -3502 713/440 -9090 prcncuri:d spirit thnt mudc this country great. EVERYONE :issociatcd with the Capirol Extension Beaumont/ Port Arthur 800/934-3502 Rtx l . C11rpc11tcr, ALA and Re~toratioa project (7:,/ Mar/ Apr 1993) is to Bryan/ College Station 800/934-3502 HKS for. he commended. \\le must include /\lien 1\lcCrce. LONGVIEW D11/111.r fAJJ\, for his contributions that cvenrually led to Mar vin Windows Plannlng Center the development of the master plan and approval 1707 Loop 281 West TheWhite Budd Verdict of the project. John M. Davis, FAM Longview, Texas 75604 800/288-3667 903/759 -9675 TIIOSF OF US who experienced first-hand the Tht· Urii-vr-rsirJ• ofuxl/ J .'>)Jlt'III Attn: Lonnie Robinson :igony :md frusrmlion of ''The White BuJJ Vcr­ .l1mi11 Tyler 800/283-3667 d ict" (Trl \1:ir/Apr 1993) appreci:ucd Ja ck LUBBOCK ,\lcCinty's article 0 11 the case. O,·crnll, the article Rangergate Frontier Wholesale Co. re:isnn:ihly summarized the issue~ orthis c:lhc. IT \\11\S with 1,rrc:llrelief thnt I read Joel \Vnrren 833 East 40th Lubbock, Texas 79404 There arc, however, sever:il other poinLSfrom our 8:irn :t\ ''Rethinking R:ingcrgate" (7;·/ Jan/Feb 800/444-3667 806/7441404 perspective las litigant~( that should he of :tddi­ 1993). For too long, the :1rchitcctur:1l communi ty Attn: David Thompson tion:d interest ro urchicecrs. has been ~ilcn1 in the foce of the erosion :1nd SAN ANTONIO I. Following the Tex:1~Supreme Court's rejec­ ahuse of the profession by those who ~cc us :is a The Asher Mlllwork 's Home Design Center tion of our :ippe:11due to the length of the hricf ready c:irget for c111ickl:1wsui1s, a!> :in e~pcmlable 6450 Camp Bullis Road San Antomo. Texas 78257 rnther than rhc merits of the case, rhe case was commodity that can he disc:mled when the hud­ 800/669-0914 512/698-0914 :ippenled ro the U.S. Supreme Court on the b:1sis gct docs nnc ":illow" for dc.~ign,:l!> the first on the Attn:Jan Salinas thnt \VBV h:id heen denied due process. Unforn1- list 11fthn ~e who will nm receive compCll!>:ltion Corpus Christi , McAllen , Brownsville 800/669-0914 n:Hcly. the case was not one of the vcr} sm:111 when a jnh goes sour, or, as in Lhis insr:incc, :is :1 Attn: Harry Armenia numher selected to he heard hy the court. quick and ready dupe for n cynko l PR scheme. Kerrville, Laredo 800/669 -0914 Attn: Jan Salinas 2. Contrary to the irnplic:ition of th e :irticle, As an intern architect who wns involved in rhe there was, in fort, a creditable, well-qualified li­ Texas Rangers stadium competition (as p:1rtof d1e TULSA cen~ctl architect 11 ho served us our expert wimcss Lawrence Speck/P:1gc Southerland Page te:un), I Marvin Windows Planning Center 5700 E. 61st St.. Suite 105 aml whc, test ifictl on our hclrnlf :is to the role of saw the :unounc of rime, effort, and money thnt a Tulsa, Oklahoma 74136 the architect :inti the st:indard of care. firm pours into such an effort. 011, a~ principal 800/283-6352 918/481 6352 1. The iurr·~ finding of Munconscionable ac­ of a gr:iphic ans/environmem:il graphic:. firm, I Attn: Tom Braswell Lions" W:Jh based on the plnintifrs alleg:Jtion tlrnt can al~n sec that t:ompctition s clo nor lrnl'e to in­ OKLAHOMA CITY \V II\' knowing!) approved tile 1h:1twas not suit­ volve 1hc whole~:ilc bankrup tcy of firms hut can Marv in Windows Planning Center altlc fur 1hc in1cmlccl purpose. should be noted be crulr hased on the merits nf a firn1's work. 116 E. Sheridan, Suite 100. Bricktown It Oklahoma City. OK 7310 4 that ll W:lS 1hc'"' ner nnil t-ontrncrorwho initfon..-d the 800/766-4690 405 /235-5633 pr11pu<,.1lIii sulMillttc "C-tile" in lieu of the specified "Letters," co11ti1111cd page 9 Attn: Gary Dawson

6 Texas Architect 7/ 8 1993 "Lcllerr, " ro11ti1111c1/J,-0111 p«J{ I' 6

Th e ( ,raphi n ·\m C11ild (GAG) h:is puh­ women nfth c firm , invoh-ctl in the Rnngcrs com ­ Tl I\ -..:1-..\' OU fur the storr on the Capit0I F ,t en­ lished guidcliJH:., rnr cnmpcrition., that clisapprn ve petition , who £!:ll'C up wee k!, (or Mllllething th e) sion. Your :irtid c \la ~ well don e , anti th e ph o1t1- of crca1mg work on "spccul:ition"- i.e .. specili­ believed in. the firm~ that spent tens 11ft housnnd~ gr:1phs lhy Joc C. ,\k cr, Hou~t1111Jw ere f:1hulous. c:illr for :i cump eLiuon withnuL linoncial rcmu ­ of rloll:1rs on nrnrcnals :ind lnbor, a111I the pru fcs­ \ Ve nrc n1rr cnt l) raisin{! mone y for the Cnpitnl ncrnwm for Ll1ework per for111e1I. Pcrh:1ps th e s1un, 11hicl, needs no further ecn1101111c drain s on and Exte nsion furni sh ings . :ind want ndd1tio11nl \I\ , h1rnl1lncn te ~imil:ir guior1- from -;uch guidelin es. E,-irJ<>sowit :. Lhe !~~tension rcall)' is. Denley Herndon foli11~fo r an iniii:11c ut, folluwcd h)' a final round Zr1·11•G f~rrruth•r /Jircrror. S111rr f',we111111ilJ118 111ml \lit h ,1 ,tipcncl for firm s in1olvcd. Th c men and • /11sti11 • l11sti11

Cast bronze or cast aluminum signage from OMC Industries.

Bargains Available Made in Texas. Made to last. Only To OMC Industries, Inc. P. 0. Box 3188 Call or fax for a Our Members Bryan, TX 77805 catalog ue and 1-800-488-4662 pricing guide . FAX 1-409-n9-4900 • Tenn Life Insurance • Disability Income Protection Ci rcle 22 on the reader Inquiry cord • Business Overhead Expense Protection "NATURALLY" 1HE BEST 1-800-367-7438 MARBLE • SLATE GRANITE • LIMESTONE TGMASSOCIATES , INC. Accept No Substitutes AIA Trust More Than 100 Varieties of Natura l Stone 1nS tock The American Institute ol Architec1S Benefit InsuranceTrust SHOWROOM • WAREHOUSE • FACTORY

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Circle 14 on the reade r Inquiry cord Circle 42 on the reader inquiry card Texas Architect 7/ 8 1993 9 I I I

r.------:i 1 Don't Forget Us!, I I J11,1 hi:,~,"~ }nu .,ri: 111mIOI( up, 111111•111glllll, or I 0 Another I \llltpl1 11111\1111( ltl1 UltCSll 1 1111.'.;II\\ IHI h,lVl' IU 111i,-, MILLER I li•,,lf lnb111',t l'ill 11m.md rclllrn 1hb nmkc ,h I BLUEPRINTCOMPANY NORTH ,1 wk, m .1rl, .11K~ tu I 14 \ \ -t h ',c. # 1400. \11~nn. I 10713METRIC BLVD QUALITY JOB I I'\ -1;,111 \\ c'll 111.1kc,urc 11c mu1•c 11ith 1·t1u! Austin, Texas I . I (512) 837-8888 from I I Ahl[AICAH MARBLEhlO~I C CO. R ..W:,~~"nt, I I C11l"I70 71J 4 f.U (71JI 7A111ZI I t I I ~t: I I ; I I ~ I I <.,. I ~ I I ~ ~ I-; ~ I ll ~ I - ~ c;f, I~ ~ I MILLER I ~ ·~ I . ~ BLUEPRINTCO . DOWNTOWN I ~ ~ I 501 WEST6TH ST . Austin. Texas 1.,; 1 I (512) 478-8793 I~- ~~ I A Member of the Association Ii j ] I ... TOSERVE BITTER THE Circle 137 on the reader Inquiry cord , -~ ~ N I ~ t ; I AUSTINPROFESSIONAL! I~ ~ . ~ ~ 1..:_ _::_ ~_ -=.._:1- ---- _:.J Circle 13 on the reader Inquiry cord Become a Slave to Fashion! Here'sHow: Ts HIRT oes1GN CONTEST Three years ago, Once you have finished your Send your design(s l to (no entry fees) : pr ese ntation board, fill out th e TSA created a Texas Society of Architects Conc ea led Identification Card below , T-shirt for Texa s 114 WeS1 Seventh Street , Suite 1400 seal it in an envelope , and attach it to arc hitects at the Austin, Texas 78701 the back of your board . Entrie s are due Nat ional AIA 512/478-7386 Co nvention in Houston . July 21, 1993 . The winner will receive Those are collector's 10 fr ee T-shirts (oth e rs must buy them ) (If you want your design returned , items, but now we're and recognition in TSA publications . please enclose postpaid mail pa ckaging .) gi ving you the chance to become an immortal of fashio n design in the ,------, firs t TSA T-shirt Design Contest. It's I I almp le to enter: Draw , render, paint, ake tch, or construct your design at full­ I I aize for a Texas Society of Architects I Name _ _ ...... :.....______I "Tex as Architect " T-s hirt on artboard or foa m-co re board no larger than 14 I I Inc hes In height or width. There Is only I Firm ______I o ne restrictio n : It must incorporate the I I phraae uTexas architect " into the I Add ress ______I daaig n . This is intended to describe the pers on, not the magazine, so the Texas : City/State/Zip ______: Arc hitect logo may or may not be used. The TSA logo will appear on the back of the sh irt , so it also may or may not be I Phone ______I Inc luded in your deaign . L------~

WORN:1863 D I S PLAYED : 12 2 0 \\ /,,·11 )'Ill/ /1,11•,·,I;,,, ·,,· 11/J,,,111; J /11 ;,;,·,,·; , ·,·.. . Ii 11,1 II /11 l11'1 '!1'1' Ill', '///\ .

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curnc:dco 1220 Exhibits10 do it justice. From sl":lrt to finish,

1220 offersqunliry in cuscommusc:um exhibit~ - cxpcn design:rnd construction,speci:illy secured casework, even original arr graphics

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of history to preserve... tnlSI it 10 1220. 3801 Vulam Drive,

Nashville:.TN 37211 (615) 333-1220

(800) 245-1220 F.1x(615) 331-7141 A,, '111tht111irU111tm ,iml/rryma11's Ciml Waruniform puk,r • Circle 76 on the read er Inquiry cord News A RemarkableRebirth A Remarkable Rebirth 12 AUSTINAlthough plans for a downtown .trt mu­ That planning procc.<;<;,which i~ continuing, was AUSTIN Plans for a downtown seum in Austiii :ire apparent!)' back on track. ques­ to include a new, s111:1ller 1,r.ille11 addition :ts part art museum appear to be re­ tions hnve been raised about the city's use of a de­ of the rrogram. vived after yea rs of prob lems. sign compleced seven years ago by Venturi Scan But even then mu be11111hoard members Brown Associate..~of Philadelphia. The city owns were working ro forge allinnct::; with the Then there were two 13 the design hut it was prepnrcd for another site, George \,Vashingtn n Carver 1\ I uscum and the SAN ANTONIOThe Alamodome saysAnn ·nowb ridgc of Venturi Scott Brown, :ind Mexican American Cultural Ce nter, impover­ invites comparisons to its pre­ questions of cooperation betwee n the city and ished hut politically wcll-conneeted Austin arts decessor, the Astrodome. Venturi regarding adaptation of the design CCIt he groups. Early this year, the grnu ps :111nounccd new site h:ivt:n ot heen worked out. their joint hacking for Lhc prnjccl, rechristened Of Note 13 In l 983, plans were made for a city-funded th e Austin /\lluscu m of /\n, which Lag un a museum to be built on land don:ited by G loria wou ld operate, and which would 1,rive Calendar 14 \Natsun-Casey, a

12 Texas Architect7 / 8 1993 Thenthere were two OFNOTE

SAN ANTONIOOn May Ii, ' lexas' l:irgc..-.;1 indoor hostile puhlic opinion durin g-its tlcsig-n. 1low ­ Award for designing with wood ~port-i.:md convention c1.:ntcr-t hc Alamodomc in cvcr. the 111uch-pn:clicrcd porking crisis has not Paul DeGroot of Houston won the 5an 1\nt onio. with rou 111fur 73,200 incl11cling 111accri::ilizcd :rnd ~nide comparisons to :1 tlc:id :ir- Grand Award in the 1993 Innovations 1e111pomrysc;Jc:i. ng- cascd into :J week-long gr:mcl 111:iclillnor :1 li:im h:ivc alsc,fodcd nncc :tcrial views in Housing Competition . The lnterna· opening. 'li.:x:1s is the only sr:nc with cwour these or Ll,c ~<.-:tic model gr:ttl11.1lly g;wc way w ground­ tional competition, which recognizes dre:1d11011ghn;: I luuston 's i\strodomc, Ll1c original level views of the :tctu:tl building :ts ii wa~ ton­ creativity In residential design using d11111ccl ~t:1diu111, opened in 1965. structccl (sec ·1.:1, ,\1ar/Apr 11)93). wood products, is sponsored by the San Antonio's "dome" (acLU:illy it has a rcla­ The site's virtut..-S :trc suh~t,mti11I.T his is a American Plywood Association, BET· t i, cl) n:11, c:ahlc-~uspcndcd roof) endured some sur prisingly urh:m proj t:cl. \1 ith mass tr:rnsit TERHOMES AND GARDENS,BUILDER, and PROGRESSIVEARCHITECTURE . DeGroot, who works for Morris Architects, will receive $10,000; his winning entry wlll be constructed and featured In BETTERHOMES AND GARDENS.

Andal so with brick La Estrella Ranch House by lake / Flato Architects of San Antonio (see TA, Jan /Feb 1992) was one of 11 win­ ners in the 1993 Brick In Architecture Awards. The program , cosponsored by the American Institute of Archi· tects and the Brick Institute of g' America, recognizes outstanding or­ [ chitectural achievement in brick . '! Lake /Flato's ranch compound is lo- ~ coted in Starr County in South Texas. if i And even with words CITE: THE ARCHITECTUREAND DESIGN RE­ Curving bay s of along both sides VIEW OF HOUSTON has been awarded blue glas s at each provide visitor s a $29,500 grant from the National En­ corner of the with glimp ses of dowment for the Arts. The grant will A lomodome and outdoor s. fund two issues: "On the Border," which will examine issues related to scn•ice ::ind li111iteup:1rk111 g, on :i ught site in the Texas- Mexico border and "Outer the inner d t}' rat her 1h:1ni n :1 suhurhan ·'loop Spaces," which will survey new de ­ l:111d." It is a ~hurt w:1lk from the Al:111111.the velopments on the peripheries of existing cnnvc m ion center, ,ind tht: S:1111\n10- large, Southern cities. CITE is pub­ 11io Rivcrw:ilk. Its proximit y to the South ern lished by the Rice Design Alliance . Pncific r:iil tr:tck~ and tcr111i11:1Ieve n ho ld:. out the possibility of tr,tin scn •in : (high-speed or A Summer in Paris otherwise) someday. Kimberly R. Kohlhaas, an architec ­ Linked ro the dome 1s :1 new \' Ii\ Tr;111s11 ture student at the University of Author ity hus wrmina l 11ndcri1c:11hthe plt11:1 Texa s at Austin , is one of two winners Tho Alamodome 's leave s the north of the ,;1:1diu111anil :1clj:1cc111to the hi,­ of the Gabriel Prize, a $15,000 award 1no1t prominent stadium 's interior tc1ric St. Paul Squar e .1rca. T he terminal. given annually by the Western Euro ­ 0111torl or features column -free . The dwarfed though ii i:..h) ii., ncig hhur, dc~i::rvc, pean Architecture Foundation . The oro the tower s that roof i s supported mention, too. 1\11hnugh pri11rnrilr ;1 set of load­ winner s are chosen for their personal ri10 300 feet at by cable s attached ing hay•s, still this i5 the first dmrntuwn tr:111si1 creativity and original work in design 1 och corner. The to the towers and termi nal in th e srnte. Ramps lo rhc ndptccnl and drawing . As a prize recipient , towors ar e part of anchored to piers 111- 37 were altered m enhance accc<:s to the Kohlhaa s will spend three months In un Innovative roof sunk 90 feet into Paris pursuing architectural studies 1truc ture that the ground . -. ll11111odo111t·. ~ r1111ti111m l 011flllf't' I> with the foundation 's representative .

Texas Architect 7/ 8 1993 13 NEWS CALENDAR

" In the Realmof Architecture" 30. Projects con be anywhere in the parencies of his outdoor projections The first major retrospective to ex­ world . Categories are design resolu ­ as well as drawing s and photographs amine the work of Louis Kahn in ­ tion or advancement ; technical, soci ­ of his projects. Contemporary Arts clude s drawing s, sketc he s, model s, etal, or environmental advancement; Museum, Houston (713 /526-0773), photograph s, and artifact s. The and /or preservation or restoration . through AUG. 22 exhibition's Installation wa s de ­ Submis sion binders for the Twenty ­ signed by Arata l sozakl , with walls five Year Award must be po stmarked AnnualConference on Lighting modeled upon Kahn' s plans for an by Aug . 30 . The award is given each The conference of the Illuminating unbuilt Philadelphia synagogue. A year to a work of architecture that Engineering Society of North se rie s of lectures by Texas artists exemplifies a de sign of enduring sig­ America , to be held this year In Hous­ and architects is to be presented a s nificance . American Institute of Ar ­ ton , will be an educational forum for part of the exhibition; it will include chitects (202 /626 -7300) professional s involved with design, Donald Judd (July 3); Mlchael specification, maintenance , and ap­ Benedikt (July 17); W. Mork ProfessionalDevelopment Seminars plication s In lighting. Illuminating En­ Gunder son (July 31); David lake The American In stitute of Architects gineering Society of North America (Sept . 11 ); and Gary Cunningham present s two seminars thi s summer In (212 /705 -7269), AUG. 9-AUG . 12 (Sept . 25) . Kimbell Art Mu seum, Fort Washington, D.C .: "From ADA to Uni­ Worth (817 /332 -8451 ), JULY3-0CT. 10 versal De sign " on July 22 and "Paintersof the GreatMing" "ConDoc" on Aug . 19. American Insti ­ This exhibition of paintings from the AIAAward Deadlines tute of Architects (202 /626 -7357) Ming Academy of the 15th and 16th Entries for the 1994 Honor Awards centurie s portrays a range of tradl· for Architecture program mu st be "PublicAddress : KrzysztofWodiczko " tional subjects of Chine se painting in po stmarked by Aug . 2; submission A 20-year survey of the artist's work a variety of format s. Dallas Museum binder s mu st be postmarked by Aug . presents large-scale lightbox trans· of Art (214/922-1200), through AUG. 1

Exterior in Corev's PRECOR System ~anufactured and Installed ~y COREY AMERICA ~~ ~~ ~ .~ '

14 TexasArchite cl 7/ 8 1993 Circle 86 on th o roador Inquiry card NEWS

··.-1Jm11odo1111·." rn11ti111ml_/i·,1111/lflgc I, terminal. h may prove Ill he the nud cus oi"a Lnr pull-, here . Th e orcna hns :1 1radc-:. how The A!>trndnmc follilled it3 creator~· wildest rca I Lrnnsport:11ion SJ'fft·m . undcrRnor grid and 1he world\ largest rcrr:1c1- dre.11ns. The Abm odomc appears equally well T he Al:11nodomc provide:, an inLerc~ling ~hlc-~c:1ting system. Th1.:rc arc 30.000 square equipp ed tu do what its builders wanr: 1ncr oc L cmmu.:rpoim 1n the Astrodomc (sec Ti-I. ,vta~,/ feet orco nference roo ms to support a 111:ijor some ortho se redefined spcc.:tadcs in order to 1 .f1111 1.:1 9 )0). At th1.:time of its constrnction the convcnLion. f+rom the concession promenades, redefine and enrich the city. 1 011 the re.11teq \~troclo me stuod outside the do111:1in of rhc visimrs have p:m or.imic views of I lcmisfa1r Pnrk hegins. Douglns Pegues 1-/nrvey l' II )', on :rn cmpc:y 1>rairie, surrounded by the :ind downtown. Unlike the Asrrodome, 11 hid, is ,, orld\ largest parking lot. every hit :1 world ap:1rt, ll,is focilit) 1:1kcs pains 1<1 TJnuglns Pegues Hllrvey ir ,,,, nrcbitect in Sm, l'he \ sLrodnme brought the outdoor;; in­ ~l:1)' in touch II ith the ciry'sot her ,1111cnitics. Ant onio. clo,,rs. II~ events had prc,•iousl~, hcen crntdoors: 1111\ehall, demolition derhic:,, IM!y Gr:ihaml>C ru­ ,.11le li>r ChriM. Al the same time, it s pbnim etTiC rmmdncs,,, it~ luminous roof, and illi true dome prufile nil alluded LO du: hisllwicnl rne:111i11g of cl111nes :is places of 111ct::1physic:u import. 1t w::is ::i " 1n·c:1l and otherworldly sening th:11 reshaped ev- c l) thmg iLheld . ILwa~ lar ger than lire. 11111th1.:n 1h e A~trmlo,ne\ mission w:1~ dif­ lerem. It w:is a pion eeri ng cffon. :1 wild-cat 11ell 1111 the fron tier nf' urhnn dcvclnpm t:nL hy ""ionary civic plungers- 1 loustn n 's btt cr-day l•lnrentine princes. Unavoidably. it was a shot 1111he d:irk. L11c:kily,ir hir rhc nrnrk, :rnd wound 11prcdclini11g w h::itit mc:ins to he :1 metropolis, lO lul\'c v:m rinial evcnt!i, Log:1t her liir spcct:1clcs. ',un \nt onio', Jomicilc i~ the pmduct of more ,l1•lillcmtivc d1inki11g,and I he differem:e shows. It 1dlcrn, :i long loc:11e ffort (led :1ggre~~ivcl) h) funner 111;1y or I lt:nry Cisneros. :md cvemu:ill) 1n111ed hy most nf the city's political nnd business l!:,,dcn.) to thrust Sau i\nto11ioimo the hig le:igu<.-s 11I\mcric:rn cit.ies by pmting up an :1sse111bl~, c:en- When you oombine Keystone with the latest in geogrid technology , 1c1 1h:11 could nor he ignored. you get more than solutions-you get design fiexibility. , c.1r; of deh:11ebl w concept propo~:,b and Keystone's patented system adapts to an incredible variety of site ,11.·t.uled ~llldiesof exi~Lingdome s and evcnt11:11l) requirements . Straight, curved, or terraced walls can easily be built- the 111., well- 11ndur;rnods trntcgy. T he facility would only limit is your imagination. 1i111:11 : 111r:1cting those events th:n would c.~11~1ly-t,c Keystone's high-strength ooncrete modules and fiberglass pin system thi; c:1ty'sex isting st:irus as :1 tourist dcstin:nion. provides a positiveinterlock with the reinforced soil mass enabling I hc r~ ul1 is a civic "IJusi11css" venture in the lo­ wall heights to exceed 40 feet. In addition , Keystone is non-polluting , t ,,I , r.ulirinn of pnhlic-privace p:umership. \ Vith permanent , and maintenance free- and the distinctive natural look of 1h.ll (!O:II obviously in mind, the site and building Keystone adds a timeless lasting beauty to any wall project. 111<1!:f ':1111Jo :1s much ro accommod :ne conven­ "' "" :i, 1m1s\s pcc1atnr ~ports. "FREE TECHN ICAL HAN DBOO K" ln response, architect~ Marmon Mok and It will introduce you to the KEYSTONE 11<)K-S port:, Fiicilitie:, Group and MTuc.:rnr:11c n- RETAIN1NG WALL SYSTEM. 1•111ecr., \V.E. Simpson :111dCo mpany. Inc .. have __,,c_:::v,;~ 1 ~ • The PRODUCT'S, ,k "gnc d .1 lmildi11irnther Limn: rnother .\ sm 1- The POSSIBlLITIBS, 1l111111:. l'hc urcna is strnighr-forw:ml, rccdline:1r, The POTENTIAL. 11111,tro ngly :1rchitecwnic. It has the ch:11':lctcr or 11 11 cll- lwundcd 111ecLing room - none of the \, trrnlmnc's ~en~c 11fin1111i1einterior sp:1c.:e. -;+7€'LLfELL Conc.- ete Produ c ta In c .. I he difference in e111ph:1'ii!><; t11r1:. as lhc hot- 111111 110 diri. In it'!; place is a concre te Floo r P.O. Box 7115 • Waco, TX 76712 • 1-800-792-3216 ,111h 1wo '\Jl ll.-spccilic:11ioni ce rinks. Nn rr.1c- Circle 7 on the rea der Inquiry cord Texas Architect 7/ 8 1993 15 NEWS A PossibleReprieve?

DALLAS I lo11ing to ~:weth e historic Dr Pepper building in D:1ll:is,the N:nicmal Trust for I li:.­ toric Preservation :ind the I listoric Prcserv;1- tion League orD:dl:is were waiting:is 7; 1 went co press for a ruling from LhcU.S. Court nf J\p­ pL~lsin \,\':ishington, D.C.; they hoped the rul­ ing ,,mild require the Fedcr:il Dcpo~il lnsur­ nnce Corpnr:nion to nsses:.1hc hi:.wric value of huildin ir-,it owm and sell, n:itionwide.

Preservationist s histor ic Dr. Pepper hope a laws uit headquarters filed against the build ing from FDIC will keep the being demolished .

The ~uit was filed tu keep the FDIC frmn selling d1c art mudcrne Dr Pepper he:11lquar­ tc~ (Thrnn:is.J:imcson :ind \ lerrill, 1948). The FDIC ha:. owned the pmpcrt}, :IL the intersec­ tion of Centr~,I Exprc1-sw:1y;111J ,\l ockinghin l L:ine. si nee I IJ91. Prcscrvorion ists' concerns were aroused when D:111\lac lnvest111e11tCo r­ poranon, buyer for the property, npplieJ for ::i demolition permit as part uf the ,;ale procc,-;s.The permit wn~ gr:1111ed in 1\ larch, hur D:11.\1\achas since wid1dr:1wnit. DalMac has imlit1llt.'CI that it intend:. 10 pursue crnnmercial dcvdopmcm of t.hc pmpcrry. ,, prime site on the ciry~ pl:mnl!dli ghc­ rail line. Tht: Dr Pepper building is eligible for listing in the Narional Rc·gistcr ur I listoric Pl:ll:cs. lt. was d,c soft-wink company'sheadquarters frorn I1 1-HIlll t 986; its clock tower inspired the slog:111, "Drink Dr Pcpper :11 I 0, 2 and 4.'' Pr e1-crv,ll11rni:.tsaero:,:. th e coun tr } .,re ,,;11ching 1.hc Dr Pepper lawsuit e11rcrully. ac­ cording to Lil,1,y Willi:, oft.he Nmion:11Tru~t.':, Fort \\' ort h oflicc. If the :1ppc:1l:,court finds in favor of thc trust, it could :iffcct the future of 1he 111:rnyhi storic lwilrlin!:,rsI h :11 have follen inrn the hand!-of the FDIC. The N:1uo11:1lTrust's h,\\..,,1iL,tiled in .S. Dis­ trict Court in \\ 'ahhington, D.C., in early 1\l:ih :1rgucd1h:it, under Ll,eN:iriona l I listorit· Prcscr­ v:1titm\ c4 the FDTC,:1$ :i fcdcml agent.), mu!itdu nothing th:1twould adversely:11Tec1. a h istoric sit«.! ur buildingwithuur !:,ri,,jngconsiclcr:1rion ro :1lter- 11nrivC$thar mighr s:iveit. The FDIC daimecl rh:11. it is not :1 governmc111agency :rnd is thus not bound l,y the prcserv.mon l:1,,. The rcqucsr for an injunction to block thc :,11le to 0:1lt\1:t c w:1~denicd h) the district court; thl' Natiu11:1ITru st i1111ne­ dia1.clyfih.:d an appcal :mt! while that appenl is pcntling fill) sale;:or demolition of thc built.ling w:1s blockt:

16 TexasArchitec t 7/ 8 1993 NEWS DowntownEnterprise

AUSTIN i\ group of property owners seeking to v;1lued at umli.:r$500,000. These small propt:r­ and 50 percent of the assessed value of :.1ffet:tern,ntown M:1n.1gcmcntOrg:rni;, ,ation (DJ\110), In :1 I 1)1)0,wcly, a visiting AJA Regional/Urban I h-,ign Assistance Team sLTnnglyurged civic :ind p11l11ic;tl le:idt:rs to pursue the format ion of :1 I> \10/P I D in . The recom­ nwndation of this eight-membe r team of :irchi­ tn t, :ind planners, along with rhe completion of \11"111·~dnwmown convention ccnrt:r, galv:mizcd , 1,111111t111i1ysupport for thr.:OMO concepi. l he \ustin DMO' s first (partia l year) hud- 1'' I 111 $586,625 rnntnin s $-WU,500 ror the 1111',111i,.1tion's tJ1rt:e111:1in serv ice :1rc.1s:sccuriry, 111111111c11:mce, and promotion. A $2 15,000 sccu­ TSA TfUSt t 11, ,1llrn.~11ionwill be used primarily LO hire urn! , q111pdg hr "Duwntuwn Rangers" who will as- Endorsed Programs 1,1 1 i~llors and i11formpolice of suspicious :1c- 11, 11,J'hr.: $1+0,000 c:1r111arkeJ for 111:1intc- • Workers ' Compensation 11lllt'e 11 ill he used to purch:1se sidcwalk-cle:111- for "Design Professionals Only" 11111. 111dgr:1ffiti-re111nv.tl equipment :ind ro , ,11111w11~:nchomeless ind ividu:ils who p:1rrici- • Life and Health Insurance 11111:in a "Sc.:ruh-Cluh" lin cr patrol. ,\ $45.500 for Texas architects only 111,11kct ing/promotion compom: nt will fund :i r111hli~·-n:larion s campaign aimed :1t making Please call Robbie Bederov or Toni Scott at .fn\\ 11tuwn n,orc appea ling m Austin resident s Association Administrators & Consultants, Inc . 11111l'1np loycrs. 1-800-854-0491 toll tree \\'hi le testimony at the April 15 public hc:ir- 1111• 11, 1' geni.:r:1lly positive, some objections AA&C. ,,, •• r.1ised. particularly from owners tJf prop- PuttingPeople First. 1111·-.in the S500,000-rn-$ I million 1~111ge,who 111tit'i1.r.:d tht: Pl D's exemption of propt:rtics Clrcle 11 on th e read er Inqu iry card Texas Architect 7/8 1993 17 NEWS Dallasdoes design

DALLAS Fourtec!n project~, includin g hoth huilt and unbuilt designs, wcn: selected a~ ,1 inners in Lhe 1993 Dalla s Chapt er/A IA rlcsign-:1w:1rcli. comp c ririon. J uror s Bru ce h:uwnbara of 'foronr o, Enrique J ortcn or i\l cxico CiLy, nnd James Stewart Polshek of Ne" York Ctt) chose the winm:rs frn111:im ong ·W -.ulimissinns. Th e only project to receive :in honor aw:1rd ,1 1b the Lehowit z 11>wnho11scs in D:1ll:1!. h}' Lion el 1\ lurri sion, FAI \ , or Omniplan , Inc. 1\ lorri son :1lso received ;1 meri l !l\\ :1rd for the Fidcliry Bank in D:111:is. Od1e1 merit nw:ml s wcnc co C ood. Fulwn & Fnrrcll Archite cts for the 11:irris d:icom Tcdrn ology Ce nter in Irving (sec '[;./, Nov/ Dec 1992) and lO Phillips/ Ryhurn As~oci:itcs, Inc., for a Co untr )' rlnu sc in A t hen~. In addition, ci1:1tion:1w:1rd, ,, ere presented to Cunnin gh:1111A rchi- tects for d1c Cistcrcian Abuey C hurch in Irv­ ing (sec T, I, t ov/ Dec 1991); to RTKL Asso­ ciates for Th i: Boulc.:­ v:1rd, :1 shoppin g mall in L :1:. Vega:., Ne ,.: 10 D:111S hipley for 5501 Co lumbia . a no n­ prouc 3r( S center in :i convert ed f'ire ~t:ni on in Dnll:is; :iml to Phil- 1i ps/ R yhu rn \ ~~1ici­ :ites for i1s restoration o f th e Levin Rc~i­ dcnct: in Dall:i~. ward s were ;ilsn pr ese nt ed for unhu ilt nf D:111:h, completed in 1954; :md the Repuhllc projecn.. Merit :1wnrds wcnr to Richard r,'crrier, Bnnk 'lbwcr h) Omnipl nn :\r chitc!ct4 l larrell + FA1A, for An Oh sen•arion ·fower; to 1l uwnrd I lamihon nf 1);1ll:1s, co111plc!tcd in 196-+. SW G ln hrook l[J , Architect., fur Res idence, Si. C roi x, U.S. Virgin Island s; and to C oml, Top left : Lebowitz Center right : Fulton & Fnrrell rchitecrs for Park Ci ticc; Townhou ses by Fidelity Bank , Y,\ IC/\- Prc~wn Ce nter Sat ellit e F:iciliry. Omnlplan , Inc., Dalla s, by Cit:11ion :,ward, in ,h e 1111h11ilicat ego ry winner of an honor Omnlplan, Inc . went rn Good, Fulrnn & F:1rrcll for La~er ·1cch award Color Corporat e I leadqu:irtcrs; to I l;1ldem:1n, Right : Republi c .Powcll,Jobn s Con sonium for Archit ccn 1rc for Top right : Horr is Bank Compl ex, by University Lihrnry Comp etiti on, Mexico Ci ry; Adacom by Good , Harr ison & Abram· :ind 10 II KS Inc. for St. Mar y's ll os pitnl Fulton & Farrell ow ltz with Gill & l) zaukcc, Port \V:1~hin gton. \ Vise. Architects Harrell, and Th e Repuhlil· B:ink Co mple:-was c;d ccted as Omnlplan Arch l• the winn er orth e chapters 25-ycar awn rd. Th e Center left : tect s/Harrell + m11lti-h11ilding complex includes the Rcpuhlic Country Hou se, Hamilton, winner of Natiunnl Bnnk Building designed hy Harrbon & Athen s, by Phillip s/ th e chapter 's 25· /\ hrnmowiLI, orNe w York, with Gill & H:irrcll Ryburn A ssociat es year -award

18 Texas Architect 7/8 1995 BuildYour Collection SUBSCRIPTIONACTION CARD Save by Subscribingto TA! -I Slut "" .. wt.. , .. 11. Ille IHI lu .... , TLW AHtlltnl PINII llllf 11f I I I Compl e t e a nd r etu rn the adja ce nt utnufpllH ror 1u 11t111l 'n .. rttd INlew: po stag e-paid sub scription card to rece iv e D I year , 6 luves, $21 11, oH - , ...... ,_, ~,. u.r.._,) Pri••rr hll11SJ/11dn1rrIdled! nl'f 0111: ovo ry i ssue- all si x regular Issues, plu s o D 2 years, 12 lnue1, $38 ~,,.G11111u- 0 lR.IIHltrl 11 Aft Hr111 0 llltlHtrilt llr• bonu s seve nth Issue, If you pr epay . And S1uden1 rote, one-year , $1 S ...,_ o11,.,. ._ D 0 4R.lllt1Ul f dnlp ao ve at lea st 13% off the cove r pric e! 0 "flHtl fll

To ReceiveFree FREEPRODUCT INFORMATION Reader luq uiry Service I I I I ProductInformation Plee11seed ''" leforaetl1e •••11 lM prod,cts 11d same,, drdtd NIIT "- cha 1i. ,,, ...,n,11 hm -.1ow: •••• JI~ f1MIIH 0 llttn AtdlltK1 >< Take ad vantag e of additional information 0 OwHr"'11cl,.1 0 11H1111r CIN111pt/hptltH ava llabl e ab out product s and ser vices 0 $1111Ardllttcl Cla h9I-'""'" °"'Plf 0 ProitctMe, ... , C] C:llt111 odv ortl sed In th is Issue of T EXAS ~ ARCHITECT. Simply fill out th e information Oo.,.. wr111or .,,,... prod•« 1ptcJH<1ll011l a,u a lo r oques t ed on the adjacent Read er J:> 1y,. of lnl11n : Inq uiry Se rvice Cord , detach It, and drop ._ __, r,,,,,,.. ______Cl An:~l1eci111Itr All flra :::0 II In th e moil , po stag e-pa id . We wlll Cl Cn11lti1t h111-l11t PIHM drdt J1111t111dtr la.1lry Hahr(II '. c-, forw ard you r requ ests to our adverti ser s Cl toolrocttr tr 1tild11 I 2 J 4 I 1 I 10 11 IJ 1J 14 Iii 0 Co._.n:l•I. l1dntrt•I . If l1s1lt11!1111I Imme d iat e ly. 11 1t If 20 11• 21 23 24' 2S 16 27 2• 2' JO 0 Geftnat111A1HCY J"I 12 n J4 JS s, J7 JI s, 40 41 42 4l u 45 41 41 ., 52 SJ St l1 SI st a ''""" o.,,,e .. 50 SI ss u ,o u u 65 67 JO 1, 72 7J 74 75 loltrwtllMI INttd fir • "76 77 71 "7f ,o " 1.2 "91 u" IS ..17 .. ,o 0 C1m-t1I Prejffl CJlew hll•l•t I fl n n ,. ,s " f7 100 101 ,01 10J 104" 105 a ,.,.,.,,.tK, a ...... ,., 106 107 101 10, 110 111" 111 1U" 114" 115 114 117 111 11, 110 I I 12, 124 ,u I 111 Ill 121 127 121 l?f uo 111 U? 151 IM 115 r.,,el C..IKt l141nttd u, 117 IH u, 140 ,., 141 14J , 145 146 10 141 14f 150 .. 0 Int ,011 re,tuea1111¥1 ull •t. 152 151 154 1SS ,s. 117 ,u 1'0 141 141 1'3 1'5 c-, •111lltd 1tdl1lc1l l1l•ra11lo-. 1'7 161 170 171 111 171 114 175 11, 171 111 '"11, 110 0 Stad ••rt '" "' 0 Seedua,111 or •••0t1trollt1 p1cb1t . 111'" Ill 1U "',.. 115 ,.. 117 1H llf ,,o 1,1 If? lfl ltt 1'5 • I would olso Ilk• 10 subscrlb• 10 flu! lRt•llltl Pl•oso bill mo I Ccmlopl,9tlepl.SO, lffJ w .....,,,,, ....

To ReceiveFree FREEPRODUCT INFORMATION Reader lnqui1y Service ProductInformation lo~ ftn re ques t ed on th e ad j acent Read e r PoslllH Inqu i ry Se rvice Cord , detach it, and drop Tr,e 11lw111u1 : 0 Arc•lltct111Itr A/f.f11111 :::0 It In th e moi l , postage -paid . We will o c.... 11.., l••'""""' Cl Contractotor 11ll•er c-, for war d your requ est s to our ad ve rti ser s """ drtl• '"' rndtt •~•Irr eu•kr(sl I 1 l 4 • 1 • ,o II 11 IJ 14 15 0 C:11a•tRl1i l1d11!rf1I, tr l11tii.llH1I l mrned i otcly . 17 If 10' 11 u u 1A' 1S 14 17 u 2' so 0 &Sftfll-1 A1ucy JI" J2 u" M lS JJ SI If 40 ., 42 u u 45 Cl lnltrler Dt1l11 41 49 ., 50 "51 52 5l 54 ss u SJ SI Sf ,o "'1 42 u u u ,1 61 70 n 72 u 74 75 l1lora11l11IHitd for • •• ., fO 7' n 71 7' •o 11 12 91 .." IS ..17 .. a '"""' ~,.,,ci o .,. a,11.i,, I ,. ,. 1cµ fl n tJ ,1 100 IOI 102 101 105 0 f111rt 'rtftcl O Rtudtllltf 104 107 101 10, 110" 1"11 112 IU 114" 115 IU 117 Ill 11, no I I I 121 IU 114 125 114 127 121 12, uo U1 U2 us IM us !f.Ptol CHIICI 11411.tsl~ ,u IJ7 1SI u, 140 141 142 10 144 145 146 141 141 14f ,so '" IIIIYt ,.,,,n1Lolln coll •• . 151 ISl IU 154 155 IU 157 IH IS, ,,o 1,2 ,... us D '°" c-, 0 Sud .. ,, dll•lltd IKilah:11lolora1UH . IH 167 161 170 171 ,n 17J 174 171 "'176 111 171'" 11, 110 Sm st•pla or ••moulrallH ,,0111. 111 181 113 114"' 185 117 188 lf0 lf2 ltl ,,.lfS 0 • I would oho like 10 jUbsc'"rl bt lo Hu ! A1c11111c1P" leo,e' bill me I "' Cord~,_s.p..so, tffl . My 'Aoogl"Sluve I I NO POSTAG E NECESSARY IF MAILED IN THE BUSINESS REPLY MAIL UN ITED STATES FIRST-CLASS MAIL PERMIT NO . 3149 AUSTIN, TEXAS

POSTAGE W ILL BE PAID BY ADDRES SEE T XASARCHITECT 114 W 7TH ST, STE 1400 AUSTIN, TX 78701 -9833

II II I IIII Irl II, 111I II 111 II Iii II II ,III ii IIl l 11I rl II I I

NO POSTA.GE NECESSARY IF MAILED IN THE BUSINESS REPLY MAIL UNITED STATES FIRST-CLASS MAIL PERM IT NO. 3149 AUSTIN, TEXAS

POSTAGE WILL BE PA ID BY ADDRESSEE TEXASARCHITECT 114 W 7TH ST, STE 1400 AUSTIN, TX 78701-9833

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NO POSTAGE NECESSARY IF MAILED INTHE BUSINESS REPLY MAIL UNITED STATES FIRST-C LASS MA IL PERMIT NO. 314'9 AUSTIN, TEXAS

POSTAGE Will SE PA I D BY ADDRESSEE TEXASARCHITECT 114 W 7TH ST, STE 1400 AUSTIN , TX 78701 -9833

11,,,II, ,I, I,,, II I ,,,,,,1 11,I ,,I, ,I ,,,I I, ,, 11, r1,, II lows, Regs , and Red Top e

ARCHITECTURALPRACTICE The Casefrom Hell

I \\\ <;Ul'I", invoh•ing cnnstruct io11prc>j1.: cts arc Th e :1ppc:1ls m un :1trecd 1\ ith lhe tri:11jur} oflc n long and comp lex. blll thi!>w:b 011e fnr 1h:11 the hondin g c.:0111p:111y' :1ri;11111cntw:1~ the reco r

Texas Architect 7/ 8 1993 21 Erwin Center, Aust in. a project of Anerlcan Roofing and M et al Co .. Inc.

American Roofing & Metal Co., Inc. American Roofin g and Metal Co., Inc., a full­ Our services include: -,crv ice roofing and shcet-melal conlr aclor, • Qua lit } roofi ng systems of a ll ty pes has been operaleJ continuou sly since 190-1 • Shee t-metal fabrication and installa- by four general ion~ of lhe Spalten family. We tion rrid c our sclvc~ on our customcr-orhm tcd • Lt!ak-rcpair service :;taff and qua lily-conscious cra ftsmen w ho • Roof sur vey :rnd evaluatio n can compl ete you r project in a professional • Lightni11g pro tection systems and tim ely maim er. Amer ican Roofi ng & Meta l Co. is co mm illed Lo compl ete cus­ Ge l in touch wilh us for a qul 1lc o n yo u r tom er servic e. next proj ect.

Clrc le 32 on t he reader Inquiry card

• < FOR -a-HE FU"a--UHE ALUMINUM SHAKES AND SHINGLES STANDING SEAM METAL

22 Texas Architect 7/ 8 1993 Bw/d,ngConfidence for Over 100Years 10901Elm Avenue • Fontana, CA 92335 Clrcle 47 on tho reodor Inquiry card ROOFING INDUSTRY Special Advertising Section

Alcoa Building Products TI1e lust roof yo u'll ever need to buy is Son Antonio's new Alamodome Is the Coun try Cedar Aluminum Shnke roofed wit h an energy .ernclent Rm1(from Alcoa Building Produ cts. white HI-Tuff slngle ·ply roofing membrane from Stevens Roofing System s Besides being beautiful an J loo king so mu ch like rea l hand-split ced;ir:,hukes, Country Cedar Alumi num Shake s offer u ltra-quiet, sec ure performance and ru gged, lon g- las ting protection against the clements. Stev ens Roofing Systems Even on thl' hotte-;t c;unny day, ii white I li­ Since roofs in most commcrci.ll c;tructur es Tuff c;ingle-p ly roofing sys tem from Cnun lr y Cedilr Alum in um Shake i, us unlly represent Lhe largest porlfon of Lhe St..-, eni. Roofing Sys tems Division, JPS stand up lo sun, hail, rire, eve n hurri­ ex ter ior building ~urfac..--typically three Flastomerici. Corp., can reflect 78 percent cane-force windi,, and won't warp, times lhe surface area of the" all:,-a n en­ of the sun's radiant t'nergy. Suc h a roof, sp lit, rot. break. or ru st. It rea lly is the ergy-efficie nt roofing !>ystcm can subi.tan­ like the one shown here un Son Anto nio's lasl roof yo u ' ll ever buy. tiflll) reduce energy-re lated costs over the new Alamodome, can keep the roof's tem ­ lifetime of a roof. The most important fact perature a t on ly llO ' F. A black rubber Call 800 / 621 -9961 often overlooked in determining the en­ roofing mcmbrnne Lhal absorbs heat might for more information ergy efficiency of a roof Le;lhe surface color allow a roof's surface temp era tur e le>go ,1s of the roofing membrane. high ai, 170°F-a 60° difference.

Circle 58 on the rondo, Inquiry card Clrcle 90 on the reader Inquiry card

Call the Franchised Deal er Nearest You:

It's TheLast Roof DALLAS A & T Builder s ...... (214) 324-3837 ou'll EverBuy. Aluminum Roofing Specialist s ...... (800) 255-6911 Billy Ellis Inc ...... (800) 255-0114 (817) 572-1781 (817) 295-0348

HO USTON AL-CO Aluminum Metal . Beside.\bc:ing bcnutiful and Roofing Systems ... (800) 392-4661 look,ni: sc,much l,kc real hnnd· spUtce dar ~hnkc~.C'.o()UntTY Champion Constructor s Cedilr Aluminum Shakes offer Corp ., Inc ...... (713) 587-2573 ulrro·quiet, si:cun: pcrfurmnnce and rugged. lung·lnsung pro­ Weather seaJ Roofing Inc .. (800) 255-8399 tection ngnln.sr the clement,. Counrrv Cedar Aluminum AUSTIN Shnkes ~mnJ up 10 5un, hnil. flre. even hurricane-force AL-CO Aluminum Metal wind,. and won I wnrp , spin. Roofing Systems ... (800) 392-4661 rot. break, or rust It really ts 1h1•1,m m.if ~'Ou'lll>vcr buy SAN ANTONIO Southwest Metal Roofing Systems ...... (210) 828-5255

rilALCDA CORPUS CHRISTI AL-CO Aluminum Meta l Roofing Systems ... (800) 392-4661 Circle 90 on the reod er Inquiry card 24 TcxnsArchi lecl 7/8 1993 Victorian Recovery

In the late 1800sand early1900s Victorian housessuc h as the LittlefieldMansion existed throughout the "40original" acres of the \J111vorsity's campus. Todaythe onlymansion 10 .urv,vethe years of remodernizationis the L11tlofteld Mansion. Designedand constructed by JomesWahrenberger in 1893,this mansion , colebrating its 100thanniversary . The ll 111vorsrty's goalis to restorethis mansionto 11 o rigma I glory. Thefirst phaseof this tu torationincluded a completenew roof, which includedthe cupolaand conical towers. Thl' effortsof the Universityof Texas.A & E !i1rv1ce s, in cooperationwith Coffee, Crier& Schenck Architectsand American Roofing & Mt•tal Company, Inc.• madethis restoration project becomea reality. TheUniversity of loxassele cted AmericanRoofing & Metal Company, Inc., to restorethe historicalorigina l mnarnontal metalstampings , finials, and metal 1111llage. Uponfull restorationthe components ofingContractor for the wore coated with ZolatonePaint Additionally, Amoncan Roofing& Metal Company,Inc . • was Tex StateCaR!!_ol Restoration 1ble to salvagehalf or the original slatefor 1 installation. Replicationof the new standing Let us improveyour next roofingor restorationproject , am and flat-lock metalroof , metalshingl es, wmdow restorationand masonry restoration wns includedin the scopeof work. The AMERICANROOFING & METAL CO., INC. I ,ulefield Mansionnow entersits second ROOFING SHEETMETAL LIGHTNINGPROTECTION SPECIALTY WORKS runtury as the Universityof Texas' crown 800Wyoming St. SanA ntonio,Tx . 7820321 0/224-5463 1•we l of the campus, betterprepared for the 8505Peaceful H ill Austin. Texas78748 512/280-2033 ruoct1 00 yearsof the weatheringelements . Clrcle 32 on th•• T'!llQC>r inquiry c..rd AnotherFirst from Manier ... NorD)aJl_dfSiate M

Furni ~h your clients with the look they wane, with Normandy Slate by Mo nier. Thi s pate nt ed pr odu ct gives the roo f the appearance o f small slate shin gles with half the labor tu install. Available w id1 two separate int egral co lors on one til e, this tile is designed to create easy custo m co lo r blend s. Find o ur more about this exciting new prod­ uct exd usively from Monier.

CAI.L1-800- 3-MONIER~~:J~11fu N BILL BILL

IONS? Clint on's new energy policy n1eans your ta.,xesvv ill be gauge d by a thermon1eter... and your old kaky roof cou ld push yow- "conu·ibution" deep into the red. Premium Polyme rs rooting systems arc unique insulnting waterproof blankets or protection which control operating expen ses by maximizing hearing and coo ling dollars. Conti nuo us po lymer ic layers of coverage seal the roof, dramatical ly reducing thermal transfer and energy robb ing moisn 1rc. And while you'n.: savi11gprecious energy resou rces and tax do llars, you can also please "'Al" by using Premium systems which arc 95 % more environmenta lly frknd ly than those old CFC bearing roofs .

PR EMIUM POLYM ERS

' 9721 Highwar 290 Ea~c· Aubtin, Tcx:i~ 78714 · 800-756 -3626. Fax 512-272-8618 Circle 40 on the reader Inquiry cord R OOFING INDUS T RY Special Advertising Section

Monier ~ ; -'l>V~.sw.b JE.r:ax:t:J)FII:IHf~ When architects and builder~ need pcr­ ~~~~"f7 ~ 'if/' 'f,7~~ ~1?~ ~~~~ ~ ..!J.L~ ~ .JiUL '..JI ~ 0 manenl so lution s to their pitched roots, "Texas' Leading Metal RoonngInstallers · they have some options open to lhem. When lhey need thl' best overn ll value CoUNTRvCEnAR Ho:MECREST and longc s l life cyc le, the y use Monier Aluminum Shakes by Alcoa Aluminum Shingles by Alcoa roof-lilc products. Monier pioneered CusToM Ro LLF'oRl\otED S T ANDIN G S E~ the u~e nf concrete roofing til~ in Texas Aluminum and Steel Pane ls by Aluminum Roofing Specialists and the rest of lhc Uni ted Stntes. They PERMANENT PRESTIGIOUS ENERGY EFFIC IEN T ROOFING ha ve supp lied the Texas market with high-quality extruded concrete tile., since before 1970 lrom their facility in Clrclo 88 on tho roador Inquiry card Duncc1nville just outside or Dallas.

BERRIDGE .... When Monier built their fir~! plant in Corona, CalH., in 1969, clay tile was THE WIDEST SOURCE OF used ~poradica lly and concrete til es were vir tu ally unknown. early 25 ARCHITECTURAL METAL PANELS years later, concrete r0ofing lile cur­ rently l1r1s a market share urover 80 TO FIT ANY APPLICATION! percent in Sou thern California and the Sou thw eo;t and continues to grow in o ther U.S. markcb.

To continue a leadership role in the roof-tile industry in the U.S., better and more efficient machinery anti produc­ tion method s ha, e been introduced. Monier brings new products to the market on a regular basis, pmvid in~ iti, cus tom er-; with the competitive etlge they de-,erve. Pn.'mium Durillite bat the heart or Monicr's re-roof busine:;s, catering to the rl·placement of cedar shakes and asph,1lt shingles with a produc t that will lc1sl a lifetime.

Monier mof tiles are avail,,ble in a wide , ariety of color, ;mJ profile., to comp le­ ment c1ny archilcctura l s ty le c1nd ,,re CURVED BERRIDGE TEE·PANcLS, FORMED ON SITE TO A RADIUS OF 65' FORM AN ARC (REMINISCENT OF AN AIR FOIL) bad,ed by a 50-) car warr,,nty. These OVER THE IWERKS THEATRE THE ·SATIN FINISH GALVALUME" PANELS TIE IN WITH THE SHINY METAL OF THE V/NrAGE DC-3 ON DISPLAYADJACENT° TO THE ENTRYPLAZA profiles include thl.' bold lbsion "S" tile for Sp,m ish-s ty lc a rchi tecture , Villa PRojecT: AMrRICANAIRIIMS C.R. SMl1l1M USIUM tile for the Mediterranean -sty le project, ARchincT: F, WoR1H,Toos and I lom cstea. fiNish: SAIINFlNISli CA lvAIUME

If you would like additional informa­ tion about M onter and its products, call 214 / 299-5233. Berri dge Manufactur ing Company 1720 MAURY ST /HOUSTON,• TX 77026 / 1-800-231-8127 Circle 85 on tho reader Inquiry card Cl rclo 102 on tho roador Inquiry card

28 TexasArchit ect 7/8 1993 Features • Innovative new gutte r splice plate

•Ava ilable in .040 - .125 aluminum and 24 ga. stee l

• Finishes include Kynar 500~ 4295 Hayes Avenue Other Plant locations : anodized coatings and a Tyler, TX 757'17 AnnapoUs Junction , MD: 1-800-344-1400 wide variety of custom FAX: 1-903-581-8592 Elk Grove VIiiage , IL: 1-800-PAC-CLAD post -finishe d options 1-800-441-8661

•Available in up to 14 foot lengths NEOPRENE COMPRESS/ON •Also available with metal PAD compr ession strip

• Produced at all three Petersen locations

•Availablewith reinforced hold down cleat for FM 1-60and 1-90approval

Circle 83 on the reader Inquiry cord STRENGTHENING BEAD

PATl!NTPIINDING I R OOFING INDUSTRY Specia l Advertis ing Sect ion They'vesurvived some of the Petersen Aluminum Corporation hottes~,most humid, tropical Peter se n Aluminum Corporat io n, base d rcgionaUy in Tyler, offers a sing le environmentson earth. so ur ce for a full range of pr e mium ­ qunlily architec tu ral me tal produ cts, Siding & Soffitfrom James Hardie including metal-rot>fin14panel s, sof fit Hardiplank • Hardipanel™ • Hardisoffit™ pane ls, fascia pc1nels, cop ing s, grave l • Appearanceof Wood stops, .1nd rningoods. Petersen's Tyler • Durabilityof Concrete facility fe.iture s a wide range or on-site • Non-combustible proce ss ing capc1bilities including roll­ • WithstandsHurricane Force Winds forming, fabricating, finishing, and weld­ • ResistsMoisture and Rot ing , a llowing them to produ ce high ly craft ed metalwork while maintainin g • WithstandsTermites and other Vermin short lec1dlim es and competitiv e prices. • Immuneto damagingUltravi olet Rays or corrosiveSall Air Spray • Lightweight Pe terse n Aluminum is the excl us ive • DimensionallyStable di s tributor o r PAC-CLA D, a full ­ • VirtuallyMaintenance Free s trength Kynar 500 finish ava ilab le in • 50-YearLimited TransferableProduct Warranty 24 stock colors on steel and 12 colors on Hardie Building Products, Inc. aluminum . All produ cts a rc available ..... Col!lpatty From s tock in Ty le r. In addition, ldlng Confidence for Over 100 Years Peterse n offers a wide ran ge of custom colm ,1nd finish capc1bilities. Available From: B00/766-7094

Circle 47 on th o road or inqu iry card Peter sen·~ PAC-CLAD Me tal Roofin g Panels are ava ilable in a wide variety of profiles and arc factory produced lo or­ der . Several profiles have been tested to meet the full requir ements of the UL-90 wind-uplirt tes t a nd all roofing panel s h,we been tested for resista nce to r1ira nd water infiltr ation . In addition, fastener pu lI -out tests ,1reav.1ilable upon request.

Pettc:rsen c1lso manufacture s a complete line of copings a11d~ravel stop s, includ ­ ing the inn ova tive new TITE-LOC Cop­ The New Standard ing Sys tem. TITE-LOC Coping feat ures In Low Slope a reinforced hold-dnwn clea t that pro ­ v ides s up erior pe rforman ce in high ­ ~:!!ni.:1··1Mer• SelfClaning, Steel Roofl LowMaintenanc. wind c1ppllcations. TITE-LOC Coping System. Ad ced and severa l of Pl'ter scn'~ olher metr1l­ steel techno , • Ughtweight superiorcoating edge sys tems have been tested to meet design and years I • Environ11H1ntally tbe rig id requir e ment s of Fc1ctory of testing have Friendly Mutu al's 1-60 and 1-90 wind-up lift tests. resulted ln a system engineered for long-range • lnt8malExpansion Petersen's services include specification endurance. andContraction Absor6ing .issistance , technical supp ort, budgeting advice , c1nd custClm-co lor matching. H FOR MORE INFORMA N CALL 1-800-321-9336 Y

Since 1895 Circ le 83 on t he reader inquiry card

Cl rcto 77 on th o roador Inq uiry ca rd .\0 11.1•11\f11chitoct 7/8 1993 From top to bottom,

the names behind the

most durable roofing

system in the industry.

hat fellow below, on the left, is air weldabiliLy and exce llent weather­ Kevin Willis. He's Lhe M anager ing character istics. of Quality Cont rol at Stevens Roof­ O f course, the best membrane in ing Systems' $12 million calendering the world needs to be put down so it faciliry. And he's instrumental in won't come up. Which explains why overseeing rhe qualiry of the indu s- we've developed an d enforce so m e try's mo st successfu l white, single-ply of rhc industry's must rigid spec ifi- roofing syste m: Steve ns Hi -Tuff ~ cations. Ou r picture framing sheet

Which has proven its durability in layout and tight fastening pattern!>, some of the worst conditions Mocher for instance, insu res that your roof Nature has to offer. Namely, Hurri- assemb ly lasts. canes Andrew, Hu go, and Alicia. To find ou t more ,,b out the The scrim-reinforced Hi-Tuff roofing syc;tcm 1hat\ ,wod the tc,1 membrane utilizes DuPont's of time ,111Jdll · te'iLS of Andre,\,

Hypalon synt hetic rubber. IL actu­ Hugo , and J\lac1:1.111d Kevin, or to

ally combines the bes, prop ­ :irrangc .1 quote from nn auth o- enics of hoth thermo ­ nzcJ I Ii-Tuff appl icato r, plastics and rubb ers, 1us1call Ann Duffy at n:uncl), it's hot - 1-800-621-ROOF.

reader Inqui ry ca rd ROOFING INDU STRY Special Advertising Section TECT le the Number It's quick. It's easy. It's free. Tear off one of the cards on page 19. Then circle the reader inquiry number for each advertiser whose products or services are of interest to you. Add your name and address, mail it free to Texas Architect, or fax it to us at 512/478- 0528 for fastest service, and relax. We 'll take care of the rest. And soon you'll have the extra information you need.

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PublicCulture and

Tf!E FIRST museum in Texas preserved the house and effects of Texas Pr esident Sam H ousto n; the next mu­ seu 111 was a saloon with a display of horns and .tntler s. Tim es have drnngeJ: Th e ex­ hibi tion of painting , sculptur e, and oth er high-cultur e arti­ facts has become a significant industry, and major museum s around the state are cxp,rnding ro serve crowds clrnwn to their blockbuste r shows .rnd growing· collections. Our lcaJ rc,,nire, by Dallas architect \!\Tillis \Mincers, rr cscnts somt: of the re­ cent and planned museum projects in Tt:xas. Frank \Velcl1, F/\l , :1lso orDalla s, concludes his profile of Philip John son in thi s issue, t:overi ng th e yca rs in which Johnson and John Burgcc, working for Gera ld I lines, revolu­ tio nized th e hu<;inc ss of big- time rea l cst~Hc wo rldwid e. \ Vclch's ,1rticlc brings Lhc issue full circle: As J ohnson btdlds a nc\\ prnctit:c with llC\\ clicnLs, his ~1ucntion has shifted more and more to The Glass I louse::,\\ hid1 he has given as a mu­ seum to the Nation. ii Tru st for l listoric Preservation. JWB

TexasArchitect 7/8 1993 35 NewTexas Museums

by Willis Winters

TI IE PAST FE\ \' years have been Lhe bcsL of times for museums in Texas, hut success :rnd cxp,111nof native natural-history curiosities, and for education. Tht: first 1cx.1s museum \\ ,l:> e!>t:1hlisln:d in 1879 in ITuntsville to prest:rvt::111 :Heri:1ls rt::­ lating tn Sam ll ouston. In 1881, Albert Friedrich began exhibiting his collec­ t.inn nf horns nt his dmmto wn saloon, which would evcnnrnlly become the Buck- Evolving from saloons to urban horn Hall of 1 lorn s in S,m Antoni o. By the turn of the century, the 1\llL'iCUlll of cultural precincts in a little more I fuman Anaromy at Ll1e University of Texas i\lctli cal Branch in Galvesto n (Nic:holns J. C layton, 1890), the Strecker Museum al Baylor Un iversity in than a century, museums in Texas \Vnco ( 1893) :rnd the leach ing museum al Our Lady of the Lake Co llege in have become more important S:in Antoni o Oamcs vVahrcnbcrger, 1896) were in operat ion, and an associ,1- tions Lhroughout the state had given birth to art galleries in Tfousw n, San An­ institutions and bigger business. tonio. Dalhls :ind other cities. T he initi.1Iwave of civic museum building began in Dallas prior to the first world Wll r wid1 lfohhcU & Greent:'s 19 l0 Museum ofTt:xtilt:s anti Fine Art. l !ousto n followed suit with it,; new Museum of Fine Arcs in 1924, designed by vVilliam \Nard Watkin, with Cram & Ferguson; .111dS,tn Amcmio's vVictc Mu­ seum, hy t\yrcs & Ayrt::s,opene

36 le.us Architect 7/8 1993 81ockmonWlntors

--.-- --, - --. -~ n

- -.-- -- ..-- -.-- - -

Even some of these insrinition s have been pre ssured to mokc Facing pag e, top : The Top: OMA Hamon ad ­ 1.ufiL'jjch:mgc.s, however. The Dallas, \,lusew 11 of Art , hea

TheDallas Museum of Art HamonBuilding fac ing page bottom : Above, left to right : "' F \ll'ICLY 'ff \TI C cultural repo si torie s, mu seu ms h:wc hc- Interior, OMA Hamon gallery, second-floor and 11111c, in fact, singularly

Texas Architect 7/8 1993 37 New Texas Museums

north e:1st corner of downtown-a role it has ably filled since the relocation, helping to cncourngc cre:1tion of the Meyerson Symphony Center (I.M. Pei. 1989), Tramm ell Cro w Ce nt er, and "lt!xas Co mmerce 8:1nk rlr1wer (both SOM , 1986 and 1989, n:spccrivcly). After less than a Jec.:ade at its new location , the DMA is expanding. Scheduled ro open in Septem­ ber, the new Nancy .111dJ ake I fomon lfoilding will :1dd 1-1-0,000 squ.1re feet of g.dlery, educational, ad­ m inistrn tive, sto rage, :ind publi c space Lo the museums current invemory, resulting in thc largcst museum of :my type in the state. Th e addition pro­ vided the opportuni ty for the museum's sc:iff, with the an.:hitec.:ts, to re-pror,rr:im rhc existing building concu1Tcntly with rhc new wing. T his was a Jiffi ­ A "fo rtification tower" cull proc.:ess,a t times, for Barnes's office (now Ed­ mark s the north -side ward Larr:1bcc Barnes/John M.Y. Lee Architects), entry of the DMA's :is functinnal ni1ws and aesthetic prohlcms in the Nancy and Jake origin.ii museum were identified :incl discussed. Yet Hamon building , set In there was never a doubt, according to Co nsulting a skillfully pla nned Director Richard Brettell. that Barnes would he the vehicular court. architec t. Th ere w:is much to admir e abou t the original buildin g: a rational , yet flexible, plan; or" blockhusler" exhibitions w museums across the smooth gallery circul:lrion; a modesty of materials country in the lace 1970s created space ncccls Lh:ll :ind detailing; and a pervasive. c,1!111at mosphere. forced snrnllcr mu~eums to pl:ice their perman ent Th ese traits :ire rcplicaLCd in lhc new huilding. collections entirely in stor:1geu r LO look elsewhere Th e l lam on Building serves as the centerpiece for suitable venues. Greatly incn:.,scJ memberships of the DMA's program LO transform the institution ar rhesc instiLUtiuns (usually stimulat ed by the into an inte6rr;1ted c.:ompk x or four different "muse­ bluckbustl.:r shows) raised cxpcctar ions ahuut the ums"- or Contemporar y Art, of Eu rope, of Afric.:a physic.:.11fac ilities, :ll Lhe same time pl:1cing severe and sia, and of the Americ.:as. lt will hnu se the space cons traints upon Lhem. C:ollec:Lions grew J\lluscurn or the Americas (sur veying art of th e with donations, hut opcr:iting funds shnmk. Cul­ \ Vestern I lemisphcre) on its top noor. Direccion:11 wral organizations (not just museums), hy neccs­ now throu gh the re- prog ramm ed facility will be sicy, became more competitive in their c:1pit:1l c:1m­ from Lhis new lloor ''down" through the existing p:1igns for new buildings or new win/P', Museum:,, museum terr:1ces (the c.:urrent llow patlern is ''up"). for the first time, heg:111en srudy other sources of T he three cxisting gallerie~ arc being remodt:led to rcl'e nuc- producing income: 111useu111s tor es re­ ncccpt their respective designate

,11 luu~ /11chitocl // 8 1995 NewTexas Museums

1,.1,1 the pcclestri,rn drop -off ;1round rhe sire to an purchased for expansion. There is virtually no pre­ 1111,lcrgrou nd parking g:m1ge. cedent for a siJ1glc-instimtion museum campus in The entrance to the Hamon BuiJding is m.1rkecl tl1e United St,1tes;the disjointed L.A. County Mu­ i., ;1"fortification tower" (connoting, offici.1ls say, seum of An comes w mind , but its building s are ~lf'l'llg'th .md protection for the art objects within), not separated by city streets. In Houston, VSBA's \1 l11ch con .ilso be seen .is a m.infature of the office focus was to maintain and strengt hen tl1c museum's ,mw rs lining Ross Avenue. The tower has, extend­ identity and image, while further dispersing its u1p down from its parapet, a vertical window slit, many pares. The architects and planners also strove 11•t•al1ing a similar device on the west face of chc to creacc a new "publ.ic realm" for the institutio n. 11111,:111:tlh,1rrel vault. Inside, the tower and entrance The first component of the master plan, now , 111111ccthack to the existing museum vi:1an extcn­ under constructio n, is the Administration .md Jun­ ,11111of the original circulation spine, resulting in a ior School l3uilding on Mono·ose (across from the h,illw;1y longer than the Grand G:tleric of the Lou- Glassel! School), designed by Carlos Jimenez, asso­ 11t ·. Upon eno-y, however, ,mention is quickly di- ci,1ted witl, Kcndall/He:1ton Associates, both of 1 , . , 1cd tn the left , into a majest ic public space, Houston. The three-story, L-sh:iped building has 11b11 :h Brcrtcll describes as the "l.iving room" of the its primary long facade along Montrose and will be 11111-.cum. Along one side is a grand promenade clad in limestone, with anodized aluminum panels; ,11 11·t·asc which takes visitors up first to the educa- the ensemble will be topped by a vaulted srnnding­ 111111admi nistratio n level, tben upward again to the seam metal roof. The serene composition, together \ 111,c um of the Americas. Near the top landing, a with Jimenez' skiUfulexpress ion of interior functions 11i. mgular window penemnes the wall :rnclextends and handling of elegant materials, will stand in sr:irk 11111w:ml from the facade of the building, allowing contr.1st to the building's less-subtle neighbors: the d, 11111:1,icview s of the Arts Distri ct (mostly parking Glassel! School ,llld Birkerts' Contemporary Art 1111<.. for now), the Meyerson Symphony Center, Museum. At the southern end of the new museum 111d111 the north along tl,e east face of the existing precinct, at the corner of Main and Bissonnet , Venturi Scott Brown 11111wum. It is a cathartic experience to ascend the Spanis h architect Rafael Moneo is currently de­ Associa tes's 1.iir~ :rnd then co move beyond the plane of the signing the principal ingredient of VSBA'sm,,ster ma sterplan for the l1111lding. A second exo·aordinary experience also plan: a new 125,000-square-foot g.:illcry;iddition. Mu seum of Fine Art s, l11Il11ws o n th is s,11nel evel. Inside the forti t'ication Scheduled for completion in 1999, this building will Houston creat es an 111\\cr, Barnes has inserted an impossibly narrow hopefully overcome tl,c site constra ints and cap­ arcaded east- we st ,!we of the formidable barrel-vault gallery from the n,re the public renlm idenrifiecl in the master pl;in. precinct of building s. 1111g-inal museum; with the same cross-sectional 111, ,portions as the original, bur one-fifth its length, KEY 1 MUSEUMO~ I lie ~:1llery is an awe-inspiring vertical space, made ~~MfJt 111nrcdram:itic by tl,c narrow window slit extend­ 2 CONTI; MPO · RARYARTS '"!{down from rhe ceiling. The room will contai n MUSEUM 5 NOGUCHI the treasures of rhc new world, and is itself an ar­ SCULPTURE GARDEN t hi1cctura l gem, providing both a resonant re- 4 GLASSELL SCHOOL 1111ndcr of the original building and an uplifting 5 ADM INISTRA· TIONAND rnl,nination of tbe new. JUNIOR SCHOOL ADDITION 6 GALLERY/ HoustonMuseums ADMINISTRATION ADDITIONS AND I II I~ J\IIO VF to ,111 empty downtown site made tl1is WALKWAY n pansion rel.1tively easy for the OMA. Adminis- i?'- SYSTEM 1ra1ors of the Museum of Fine Arts, lluu ston (1\IFAJ -£), however, face a mon : difficult cask for ~d); " tl,cir planned expansion. Tht! MFAII's functions .11·t· currentl y scatte red , and, because the main ~·:--..,~ buildin g sic~ on Bissonnet is crowded and sur-

1111111cledby mnjor d1oroughfores1 there is no way to l rcate ;J contiguous addition. To deal with the di­ lL·111ma,tl,e MFAH hired Venturi Scott Brown As­ " 1ciates (VSBA) of Philadelphia to create a 30-ycar 111:1ster plan (completed in 1990) for a museuni'pre­ ('mct" of multiple buildings on ne,irby city blocks

TexasArchitect 7/8 1993 39 s~ n 0 2. ~ '3 s :c 51 ;; C'.., 5 8 a ..,..,,. '- 0"" ~..

fii • -; e"

1ST• Top and top right : flOOR (.0 istration on one side (in .1 two-story build ing). :111ci PLAN Skillfully handled EIFS :111 exhibit hnll and :1udituriu n1 on the other side. 1 LOBBY cladding and a 1 KID'S The 1111111wnental Kid's 1fall is filled with natural HAll sensible circulation 5 GIF'l ligh t filtered d1roug h ccr:imic friL glas'i in high SHOP I plan turned a low ­ • ClASS clcrcsLOr) windows. Co lorful arches :l t the <:ciling qooM budget Job into a 5 CElEBIIA echo clc,·iccs em plo yed hy VSl3 in th eir other IIONS colorful, convincing 6 WORK museums. The galleries consi::.tof n ~cric::.of" ell­ ROOM obj ect at the 7 AUDI proportioned :.p,1cc:, th:11 look onw nn ::ictivity TORIUM Children 's Museum In a GAUERY courtyard framed between the m.1in buildin g :md a Hou ston . shed cont::iining s11ppnrrrind service funct.ions. The organizarional prin ciples of this huildin g Right : fir st -floor plan of arc derived from the 1986 p!:ln for d,c L:1guna Hou ston Children 's \ 'S BA's masrerplan did not win Ll1c 11rm the Gloria \rt ,\luc;eum in downtown \u sLin (killed in Museum commission that went to 1\loneo, hut it did inOu­ the lnte I 980s hut scc m111gl) rcc;urrectccl h) Ll,t: cnce their selection ;1s design ,1rchit ects ror the \wain City Council in April ol" this ycnr), , i:1:.u h­ Be low : (middle left In Children's 1\,t11scu m of I louston, designed "ith SCllllCnt \'SB .\ mmeum:, in London and Seattle. photo ) mod e l of the Ja ckson & Ryan Architects of I Touston. Tht.: mu­ The bui ldin g's clitl:1c1ic cha racier is dcri, :1tivc :is new Admini stration :.cu111is loc;:ned six hlncks et1st of the ,\lu sc um of well. A gr:md cb ssicnl order, :ma sh in vihr:int color, and Junior School Fine Arts .• md is :.itu.1ted .1mong towerin g pine is estnl,lisheJ 011 the monumenrnl nonh focnde, Building at the tr<.:cson virgin propert y c:-u-vedout of the tu-iginal only LO be viob ied- a~ at th<.:S ain sbur y \\ 'ing in Mu seum of Fine Arts , llenn :rnn estate. The plan is simple and cohe rent : London - in inci,;ive :111d mic;chil.!vouc;wayc;. Bold Houston a douhle-loaucd circul:nion ,;pine (c,1lled the Kid's lcuc ring marches across the foc,1dc'c;co rnice-as it 11:ill) with classrooms, :1 mus\.!umsLOre :ind admin- also doc:-,, ll the Se:1ttle -\rt 1\ lw,curn-thcn turns 1he corner and :innnuncc.., that Lhi:. buildin g i:, n "museum" on :111 :111110:,t, ulgar. o, ersizcd temple pediment supported by four mammoth column s. T his is 1c,onl:rnd, and kids prohalily lm·e it. Com­ par ed with the pomp of LheC llll") .lllll norUl foc:tde, however, Ll,e now-f:11nous"C:iryak id" ,1rc:1de, fo<:­ ing e,1c;L,is plc:ii;anli y ;1ppc;tling. It functions to sheltcr and orga nize husloac ol11111n~ c.:nnsi~t of :.i:\ di ffert:nt head designs. two cloLl1ing styll:!s .• 111dthirteen skin and hair colors, :ill studied on CADD, nc.:corwng tn

40 It 111\ ArLhllutl 7/8 1993 Blockmo,,W1nter1

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Entry plaza (top) and structure for the Cy plan (left) of C.R. Smith Twomb ly pavilion at the Museum at D/FW Airport Monll Coll octlon In Houston by Renxo Plano 1 Above and above right : Work shop with Richard I I I '------plan and conceptual Fitzgerald Partners diagram of roof

TexasArchitect 7/ 8 1993 41 ~ -

I n ....,..,.....,.r.n ~

Top left and top right : project archirccr 1\ lnnha Seng, to achieve tht.: most Richard Fitzgerald Parmcr s of I TousLOn.L ocate d plan and harbor view dcsirahle combination ;1nd pl:1ccmcnt. across rhe sLrcct from Lhe cxisti ng museum, lhe of the Maritime Pcrh:1ps Lhc most impressive accomplishment of nc\1 g:1llcry will he inserted :1111ongex isting h11ng.1- Mu seum In Rockport lhc Children 's ,vtuscum il, "h :n Venuir i Scou low~ anu will he respectful of their scalt:, in the by O'Ne ill Conrad Brown and Jackson & Ryan ;1chieved on a budget manner of Piano's original building-.Conct:ived ;1:. :1 Opp elt of $90 per st1uarc foot {the I f:1111on\\'in g at rhc ninc-Sljll:lre g:illery plan, wiLhn n addition;1I u;1y for D:1ll:1s Museum of Arr cost $214 pcr square font). lolihy and st:rvice, Lhe building will he topped hy n Ab ovo: The Museum of As ,1 basic mct:11hnx clad on une facade in ErFS (a c,1rcfully-co nccivcd and cl:ihor:nc, light - filteri ng South ea st Texa s in stuu .:n-likc material), the huilding moves l,cyond a roof. Beginning inside wirh fohric panels s1retchcd downtown Beaumont !-implc imcrprcrntion nf the dcconlled shed: It is :1 across the ceiling of each room , Lhe nw lti- l:1yered by Tho Whit e Budd Van bold and complex composition, l,c:1Ulifully dct,1iled syo;rcm continu es up throu gh the buildin g with a Noss Partn ers hip and cr:1ftcd, Lh:ll also mana ges to speak the l:in­ zone oro pcr:ihle sun sh,tde louver-;, follnwecl hy a guagc of children. gl:iss pyramid expressed above the p:1r:1pet.On top A litd c over :1mile away, lt:1li:1narc hitect Rcnzo o f th e entir e co mpo siti on is .1 hori 1.onrn l stt:el Pi:1110ii. :It work in fo111ili:1rsmTountli ngs. T he l\llc­ fr:1111cwith ,111othcr layer of louvers. T he new gal­ nil Co llect ion has hrokcn grnu n

,n 111111\ i\rd11tutt //8 1995 NewTexos Museums

Museumsas UrbanReclamation manufocu,ring focilit)', incorpor;nes a wide rnnge of P! E\\' OT ! F R rli:xas cities have huill civic museums progn1111111alic funcrions-cv crythin g from a gift on rhe order of lhosc 11ndert:1kcn in I lnuswn ,1nd shop LO :~ B-29 hangar- rendered in .1sty lt! remi­ D;lllas since the mid-I 980s. Booth Kiersey Mijares niscent nf the \Vorld \ Var LI era. Th e arc.:hite<.:lsr e­ of El P.1so with Bill Boozintii. of D:111:is nre working searched early military structure s and devised n sur ­ on retrofitting El Paso's downtown bus station ,1s prisingly cohcrt!nt scheme hy merging the diverse ,lll art museum. ln Beaumont, rhe 1\.l11seum of South­ styles and buildin g types associated with the staLC­ east Texas, ) 111metrical gallery sp;1ces, opening from the cor­ tained Lhroughout the new c,m1pus hy crisp detail­ ners nf a centrnl .1triu111with .1 pyn1111icb l glazed ing, minimal exterior graphic s and a cohesive mili­ roo f, .111fr onted by a massive porrc- cnchcr c. tnry gTay color scheme. At the C. R. Smith Museum near Dallas/f ort Vlo rth lntern:1tion:1IAi rport , Corg.111 ssociatt.:s Entry pla za (thi s pag e, uses a less metaphori cal languagc than in Rockport left) and site pion or Midhrnd, ancl co11cc1Hr:ites instead on dclinin g (facing pag e, cen ter an emerging sub-specie~ of musi::um architect ure: left column ) of the the corpornte museum. As .m instrument of public American Airpow er relati ons for t\ mcri c:111A irlin c;s, thi s buildin g Herit age Mus e um at (nam ed fo1· a form er compan y prcsidcnr) :1p­ the Confederate Air proachcs irs image more deliberately, yet it is nor as Force World conserv.uive as one would expect. In fact, it is .1 vi­ Headqua rte rs In sually .1ggressive project, designed LOt erminate 1he Midland by t.:ml of a mundane existing '60s an:adt:, while cap­ Rhotenbe rry Welle n :r: Luring the !_!azco f mo LOrists speedin g to the .1ir­ Ar chitect s ~ ~ port. Th e :m.:hitects capit:1lized on the nvclvc-foor change in grnde by mcking :111 adminisu·ati"c anJ Shipsand Planes archjval-storage Aoor under the 111:1in cxhibi1 level, Ill ·1 C IV IC: :in museums arc not the only game in giving rhc 'lOllth facade of the lllUSelllll :1 formi ­ lex~1s. T hree reccnr projects resurrect 1hc cornmer­ d:tbfe presence to the main vehic:ul:1r and pcdes­ t 1.d :ind cducarion:1Imu seum types that kicked off tri :111.1ppro :1ch. Th e exhil>ition :m.:a (with :i bc:1uri­ lhc ' lcxas lllU SCUl\1 industry :I century :lgo . Fully crnrted pcnnan ent insrnll:1tion designed hy T he smallest of l11ese projecL<;is the Tex:1s Mari­ Z.ilisk 1\T:1rtin Assm:i;1tcs orC ambrid ge) is inserte d l 1111cJvlu scum in Rockport by O'Neill Conn1d Op ­ inw lht: existing '60~ huildin g. leaving the publi <.: pelt rchirec1s of San Anronio. Sitt:d ,11 the t..:rmi­ function s for the comparati vely sm:111n ew foot ­ nus of Rockµort 's circular harbor, the building h:1s print. The se ele111ents- lobb y, gifr shop and .1 co111111:111ding sculptura l presence that liclies its l\\ 'E R!,,.S theatr e (similar LO, but small er d,:111a n -.N111:111 size. estled among shrimp hoal masts and l,\·IAX)- :ire ;111e .xprcssed 0 11 the exterior :rnd en-;il) 1ulm trees, the museum embra ces wh:H ,1rcbit ec1 comprehended. A restore d DC- .l is LO hc par~ed l.,IIT) O' 1cill describes as :1 "cmisrnl i111;1ge":s imple, on the from phm1, where i1s silver skin will c.;11111r.1M , l·t -.lightly ec:ccn1rie, m;1ssi11g, rnixecl with :111 ir­ wi1h the soft er srn ne exterior of the m11 ,;c 11111, \ , c~ular ground plan and so lid-a ppeari ng whitc grand night ors teps (;1l1nth c;:r grndc-c:hang-ch o11ui.) ,1.dls. Inside, 1hc two-level exhihit hall yields simi­ rises betwee n the new building :ind :1 d r:1111111il' I' ) - lar result,; withom a liter:11in terpretation of its suh- Inn, focusing :llt entirn, on 1h e plune. 1cct mnttcr. T he mom is surprisingly spacious, vi­ I lorns :rncl politi<::nl mcmnr:1hil1:1,,; !1111\ :111d pl.111c,;, , willy crnuplex and rich in maritime im:1gcry. T\vo pain Lings ;1nd sculpture: For over I 00) c;m,, lb. 111, 111hcr rccem museums share similar tr:111sport:1tion h:lVeCll lleCled :llld di,;pf:iyed C\ll'I') ,l'ipC<:t of' (1Clpt1lar 1lte111cs- yct very different :1rchi1cc:u1ral responses. and high c11lt11rc. Th e need foi t·11lt11ral 11gµrandize­ T he first is Amcric::1111\irpow er I lerit age Mu­ ment ~p:nvned thc ,t:ite\ e:irlie,;t 11111-.c111m,, 11wdc,t w 11111 at the Co nfederate Air Forcc \Vurld ITe.1d­ a11cc~to1"!-nf the in.,t i1111ion, currellll) ht.:ing h11ih. TA 'Jl':trters iii Midland hy Rhntenherry \,\tellen ,\r c.;hi­ lcni, of Midl:ind. Th e museum, ;1 modified aircr:ift I I ·;11;s I I 'in ten· ism, orrhitl'fl pmr1iri11g i11/ )11/!11s.

TexosAr chitect 7/8 1993 43 FromHines to Eternity

Part two of a history of Philip Johnson's Texas Connection s by Frank Welch , FAIA

Be low : Phlllp Johnson's T E, ,\ S C:O"l'>:F CT IO S have always been imponant in the long and productive Thank s-Giving Squa re career orPhilip Johnson, F•\ l \ . In the late 19-Hls, even before his st>on-tu- bc­ In Dalla s Is a pocket famous transparent house in Co nnecticut was completed, Johnson was t.:0111- park of founta ins and missioncd w design :in innU(.:nti:il house in r fousto n for the French- 0\m erican gra ss focused on a ;1n pacrnnsjuhn and Do111inillllt: de 1\lcnil. swirlin g mastaba of T he 1'vlt:nil p.1tro11.1ge .tnd the referrals Lhat follo\\ed- including the 1\ lenil concre te and stucco. housc and thc c::imrus of Sr. T homn s Llnivcrsi~ in I Lousron, the Amon C 1rter J\I u se um and chc H'arcr Gardens in Fort \\'nr th, Philip Johnson and John Burgee's the John F. Kenned~ J\ km orinl in Dallas, and commercial projects revolutionized the ,\ rt \'1useum o f big-time real estate by turning tall South Texas in Co rpus Christi- Fom1ed the ba­ developer office buildings from sis of Jo hnson's -1-0-ycar business into mass entertainment. archirccmrnl practice for 1exas clients. A.-;inOu ential as these e:1rly Texas projccL,;w ere, it was cu111n1erdalprujc <.:L'i, underrnkcn in partn ership with Jo hn Burgee for developer Gerald Hin es of I low,ton, tlrnl came tO ,r cvolutionized big-time re.ii t:St:1tc h; 111rn­ ing tall developer office buildings from dull busincss into m:iss cnccrrninmem, and puuin g J Loustun and Dallas :ll :irchirccrural center sragc. In a 191)2 inrcrvicw, John son was at a remporar y loss to recall how J lines had cntered his life and become his must important di em in terms of both :tr­ tislic su<:cessand magnitude of projects. "Gerald I lines," he said discr.1ctcdl}, "\\ 'here in Lhc world did hr come from?·· Th e am,\\ er Ii e!>in the weh of Johnson's 1cxas connections from the I 95(b . Johnson had w:rnted to ui,c a New York firm to !,upply thc milh, ork for thc Amon C 1rtcr 1\lu seum in Fort Vv'orth, \\ hich W :l!> m bc built hy Th oma!>S . B\'rne Consrru ction Cn. 811t Byrn e recomm ended mi llwork from th e B;·ochsrcin Company of l lousron, ; ml John son acl1uiesced . .Johnson became a Ern, and used Brochstein's millw ork in a number of later projects. By the 111id- 1970s, Ge rald r lines h:1tl -;tart cd LO move vigorously into br gc high-rise devclopmcnl, after the -;ucccs~ of his Galleria mixed-use projccl. It happened that the Brochstein fomil) m, ned :1par cel or land near the Ga llcri:l t hat I lincs leased. and Raymond Bro<.:h:.,tcin urged H ines to hir e Phi lip Johnson to dl!Sign the pl.rnned office buildings. 11in es had al read) hcen ntrnt:d Facing page : Johnson's down h} Li\ I. Pei :md S0.\-1 Chicago. Johnson .111dBur gcc':. then-re<:cnt I. D.S. e volving ae sthetic and Center in 1\ linneapolis, their first hig-h-risc project rngcthcr, had garnerccl nn­ formal Inte re sts are Il­ lion:11publi city :is a successful archirecrnral landmark. Ll ines found that the ar­ lustrated by Pennzoil chitects were not avcr,;e to p:1rticip,1cing in spccul:tci\'e high-rise llcvclopment. Place ( 1976) and Re publlcBank (1986) PostOak Central In Hou ston . Tl IF 1I OL1STO'\! PIH>JfCT, later dubb ed Post Oak Cc.:mral , was ne,, tt!rritc>r) for Johnson. hnwevc::r. Earlit r expcricnce wilh instillltiona l client:.,w a:.,for re-

44 Iu •us 1\1c hll ccl 7/ 8 1993

Right : Built after Pennroll Plac e but de· signed befor e, Post Oak Ce ntral wa s Johnson/Burge e·s fir st commercia l project for Gerald Hine s.

Below right : Johnson/ Burgee webbed Pennzoil 's stumpy trap · e roidal tow e rs to· gether at the ba se with a taut , slop ing glass lobby atrium .

muved from lhe co mm crcinl venue, l1ut he and Burgec cnthu 'iinstic,11ly joined the task orrn mply­ ing with develop er I lines' syste111ror nchicving cons tructi on eco nomy while produ cing-an :1pprn­ pri,1tc nrchitcccuml image for the maximum mnrket impact ;1nd response. ! lines relate s thar rhe Jo hn so n/llurg ec learn went throu gh scvcrnl quire different design "itera­ tions" before propo sing the st reamlined mod crnc langu:igc for the rhrcc-huildin g-proj ect. Post Oak Ccn 1rnl Two ( 1976) was the fir-;t huildin g co m­ pleted; the three buildings in the n 11nplcx , ary in footprint, l1tn nll were cm from the same dl:co­ heribhoncd fohric, standing out from the orihogon:11, tnwny-roned. •md rather c:111h-l1nw1d co11crc1cbuilt1ildi11!:,"l.wchbed together at the bas<.:b y :1 of his projects, ns he sc.m.:hcs for "Ll,e righ t archi­ t.lltl, :.loping g-1:iss lobby :1trium. Th e L\\'O stumpy lcct for the hui ldi ng." As n result, none orthe man)' "w wers." chopped off at their tops :11 :l 45-dcgrce large projcCLsJ ohnso11/B11rgee did for llin e, c11me :rngl<.:,st ruck Lhc publi c and prof essiona l press :1,; in the door without comparison shoppi ng hy l lines fasdn:1cingly dynamic. ·ten feel :ipart, the project's amon g other high-profile designers.) dark sculpLUralc hunks of liron ;,.e glass :111da lumi-

46 Texas Architect 7/ 8 1993 Philip Johnson- from Hines to Eternity

num are like two magnets, drawn together and held employs the same Frank Stella-like rotating, angu­ apart by this slimmest of neutral fields. Th ey are lar planes of buff-toned concrete and descendin g remini scent of the minimali st sculptur e of 1ony levels of mmbling, falling, and qttiet water used for Smith , but rendered in :10 archfreccural language of the Water Ga rden but on a much reduced scale, curtainwall s ancl ,lt the scale of rhe Seagram Build­ liberally garnished with grass ;md large trees. ing (1959), Pennzoil's obvious precursor. The chapel, a crea my-w hit e mastaba spira l of ll incs recal ls: " I diJ not want ,rnoth cr box-y concrete, anchors and d()minatcs the composit ion, tow

TexasArchitect 7/8 1993 47 PhilipJohnson - FromHines to Eternity

"8 s. ..z ______,...!!:!

Abov e: The Tran sco followeJ hr Time m,1gazine's covt:r. which showed Tow er Is John son 's John son holding the mod el, anJ by t he loudest most monum e ntal critical furor of John so n's ca reer. John son had landmark , a 64-story brou ght rhe previously academic discussion uf gla ss-skinned shaft posnnodemi sm, wiLh its appropriation of histo rical w ith a '30 s-mod ern e imagcrr LO contemporary buildings , into popular quality . currency. Pr:tcticall) the entire fuss over AT&T was con­ Above right : Th e bank ­ cc.:rneJ with the "C hipp endale" top (which most ing lobby of Repub ­ likely derived from the sp lit-pe dim ent foc:ide or llcBank Hou ston (n ow Rubert Ventusi's house for his moth er); the rather Nation sBank , after a flnc pink-granire shaft of rhc buildin g, wid, its government ballout) hand,;omc detailing :ind orderly fcncs tr :uio n wns provide s a vi sta of re­ seen :1sa rcspcctru l quotation from J\lanh,Htan's ceding arche s. 1920s-crn high-rise vocahu lar}. rt has :iged well, compared to some of the gaudy, ill-considered cen­ Right : In the tow er for tr:1I-Nl:1nh:1u:111tower s that followed. Mercantile Bank (now "' ~ Bank One) In Dalla s, j RepublicBankto MBank the ma sonry shah is ~ SI IORTL\' \( i"J ER AT&T's co mpletion , John so n defined by punch ed ~ :111J Burgec began work on :1 building d1:11wo uld window s, flanking tall , ~~::~m:::;::=~~~---~ ~~iliiliiri .d§ -;ubstantiall) 1-;1i<;ethe nntc on historicist postmod­ shee r, ce ntral pan els =. ! crn design. 1\ gr:1nd c;cr:,ld 1 Lines project on n cor- of off-the-she lf gla ss ner di:1gon:1l from Pennzo il Place in I louswn, thl: curtaln w all . After Lhc.:Crysrn l C:nhcdr:il opcncd m ncar-uni­ Repuhl icB:ink Center ( I ')8+, no" Nation s Bank, af­ vc.:rsnl acclaim, Johnson turned one of the stylistic ter ,l $2-hilli on b:1ilou1). i~ stron gly m:1rked hy .1 flips that havc.:markc.:d and exte nded his cnrccr. ( ;othic renderin g of step ped-back . :tscen din g Thi s came.:in t<>7H,when he released his design of masses of steeply gabled roofs, prickin g-the air ,,rith the AT&T Building in New York. I lis cx-tcmpor:1- ranks orlead -cove red linial s. The sides of rhc gran­ ncou'i speech on receiving LhcA LA Go ld 1\lcd:11 in ite-faced <;c.,ir-stcppcd cower arc ribbed with :1lter­ D:111:,., ";ls -ane loquenL defense of the dc.,;ign: it was n:1ring pilaste rs and mullions, aligned with the

48 rcxosArchitect 7/8 1995 PhilipJohnson - FromHines to Eternity

left and below: The was criticized a s a dlos to open space, University of Houston Ledoux rlp·off, but Its In· proved popu lar with College of Archi tecture terlor atrium, joining stu- students and faculty .

• • • • • • • • • • • ... I I I I 0 !a. :; ,.:,: j; ~

finial-sruclt:hc111c fnr :1 "Tlousc of Edu cntio n" by One tlung seems certa in: 1 owhcrc i-;Johnc;on\ Claude- 1icholn:, Ledou,. h is ,Ill eclectic assembly range of evolving aesthetic and for111nlcurios it) of h:irrel nrchcs :ind ~qu,1re and recwnguJar open­ hctre r illustrnted th:111with these two oddly 1.:0111- ing:, in ,I four-sto ry hlock n1:1ss topp ed wiL11low

TexasArchitect 7/8 1993 49 Thwcr ( l tJH5) in J Iinc.<;'sGall eria district <;ervcs as th:u neighborho od\ glistening ca111p,rnilc, n li111J­ m:1rk for all of southwest Houston. Th e 'JOO-foo t mirr or-gb:,:, shaft rises st,ai ght up with intcmwdi ­ ote sctb,icks anJ outside corner rabbct s, dimini sh­ ing the mass as i1 rises :rncl giving the whole a '30s­ mo

50 Tt•xusArchltoct 1 / 8 1993 Philip Johnson- from Hineslo Eternity

~ection intended for luxury marketing "a' not :h f.,r:mle pl:nfornts for the c,olution ofJohnson's hotly succc,;-;ful. The Crescent's p;1rody of P:1ri, markccl or \\ork. Despite the chnmclconlikc w:ir he ha,; the Im, point of John,011'-;espou,al and e111hrnccof emhraccJ :mclth en to 1986. The g-r:111ite- foccd to \\ er emplo ys :1 l:1rge­ their crusading idc;is than to the fo1111,the look, the ,c:1k h:1rrel :m:h ,It it!. entry nnd copper-covered in­ ":in-ohjcctness" of their arc:hiteclllrc. It is perhap!. tersecting v:lllhcd roof, at the top. Th e dc.,ign kit '} mptom:llit· 1hat he reg ularly di.,misscs Eisen­ recall, ancient Rome, a,,, ell :1-.parh of \T~T and man\ didactic posrurin!-ri..,s "impo..,.,ihle l,ullshit." even rhe \Vils,1111311ilcl i11g( 11)10) .,cross the street. E111l,radng dcconstructivism, hc makes clear the The m:tsonr) -,haft is defined h) punched,, incl1m.,_ thread th.it has run through his work: snaring high­ ,, uhout pl.111or floor c:-.pre'i'lion- ll:inking t:tll, sheer. tlo\\ n ideas to protlucc high-style objects. ce,ural pnncl-. of off- the-shelf gl:1M,rnnai11\\:1ll, a \\ 'etldcd to decon',; c1irre11t) on architecture\ d u,m,y melding employed before in the Crescent :ind cdgc,Jllhnsnn',; recent dc~igns include :1 high)}, ah­ in New York. 81y,L011,C hicago, :ind San Francisco str:1c1 collage of colorful 'itrucLUrc, for the niver- lmikling~ h) Johnson/ Burgee. Th e square m:N, nf Lhe tower dimini-.hcs near the top \I 11hhalr-\:11111 glass Left: Johnson's new ,edJacksto 1rs c.TUcifunn 10p: md roof pl:111.The l1ank- office has de signed an 111groom, enormou, and -.Lridendy cxpen-.i, e, ha, entry pavlllon, In the been toned dcm n hy the new o,, ner,. deconslruclivlsl style, for The Gla ss House, LateCareer the 30-acre estate Pl Ill.IP J<>11:-.:soi'I,th e :1nist-:1rchitect of tbe I 950s, donated by Johnson lo had" anted to be more-to lie, in face,/'11rdn11•r1 ,/11 the National Trust for rr,1. :md he hat.I urntle an almo,t Faustian pact ,, itl, the Prese rvation of his partn er John Burgec and America's corporate Historic Building s In world 10 achieve hi-; goal. A., the '80s co1htructinn 19B6. lioum ended, it ,, a, lllnc for e, Cl') one, includ ing Johnson, to face realit) .md rclllrn to the e ...~cnt i:1ls. I laving '>plit with Burget:, Johnson beg:rn ;1g:1in, with enLhusi,l'>m.h eading :1 snrnll office and look­ mg for \\Ork. i\loving to a srn;1llcr , pace ahme the -.leek suite once occupietl by rhe 80-mcmhcr office he ~hared with Burgee, John,011 ,., delighted to h:1ve" Philip John son \r chitect" on the door. (13ur­ l!ee also 111med to s111.1ller quaner-, after declaring h.mkrnplC) fullc)\\ing Johm,on \ dep:irturc .mtl fol­ lowing a 16- million judgment :11:-,r:iins1Burgee won Ii> ano th er partn t:r.) At 87, Johrn.on is exci ted .,hout sl:lrtin g again :1, propr ietor of a small 11rm dedicated 10 architecrure as an, "i1h empha'>i, on '>II} of I lou-,ton C:ollcµc ol I ..I\\,·" \\e ll .ti,a chapel his current SC) listic mode, decono;tructivi,;111. (or the L'n1vcr-.i1) of "it. ·1 h11111:1:. 11111 011..,ton. Dc­ John son ha'l long hecn cri l 1c:i1ed for being '>O siµ-ned to fin:111) .111,:h111nnd dow Lhe axis uf lbgrnndy flip and i11con<,i-;ten1 in hi'>tlc.,ign phi­ _l11hmn11\ 11>5(,JclTc..,11111.111 c:0111po,1tio n. Lhe lu,oph). \l1e,i:1n modernism. monumental mncl­ d1;1pcl i., to lie .1 Lir!!e ,, h11cc11h1. wppcd ,, 1th an crnism, e:-.prcssioni'>t mmlerni-.m, postmodcrni.,m, ufl-center dome, cleaved hy a d:1rk, hc:IV) 111:isonr} and no,, dcconstrucLhbm have :1II-;c rvcd 1h :i, :int - plunc cu11ing cli:1gon:lll)th rough cuhe :rnd dome.

TexosArchitect7 / 81993 51 Philip Johnson-From Hines10 Elernily

Entry will he throu gh :1 vertica l -,JiLin the cube, .Johns()n don:ncd Lhc 30-acrc cswtc co the N:nion:11 curling nu rward like .1 hlo" ing curt:1in. Trust ror I listorit: Prcsernllion, LO he opened to Besides projects in Gen nan) :111dJ .1p:1n, d,e puhlic follo,, ing his dc:nh. \t lhc Lime of the John son and the ynung associ:ncs in his new office !!ii\, following receipt of :i cash seu lemcnt from have cksigned ,trl observation stru ctur e for his col­ Burgcc, John son said he was prompted bmh b) ta.x lec tion of huildings in New Ca naan , ,, hich ,lrc considerations ,md his 80th birthday. " I :1lways known collectively as T he Glass Unu se. ln 1986, wnntcd to keep 1h:1tse nse of owners hip, hnt with che inrim:nions of morrnlit) ' chat one gets afte r 80, LhincJoesn'L seem as import:mt as before," he say,;. PrivateRealm FOR -+OYF -\RS his sponso rship of architectllrc :1s ide11s,a long with his p,nronage of totfay's most cel­ ebrated stylistic leaders. made J011-nson the most in­ flocnri:1I .\m cric:m architect of the er:1. !\.~h e enters this last phase of his career , John son's role in the eastern est:iblishment is, obvious difference~ not­ withstanding, not unl ike the one on e<.:hel~ spcci:11, private pbce in J ohnson's life. T he walls

arc lined with books on nrt and :irchitccrurc­ monographs, hisco,·ics, cssnys, criticism, and biog­ r.1phies collected "incc his earliest days :is 3 scholar and architect in the '+Os. A squ:tre white tnhlc 'iits beneath n tall con ical ,;kylight, with rolls orth in yellow pnper, scales, triangles, and pem:ils arrnnged neaci}' on top. Uohnson s:1ys of the i.etup: "l never

IJ2 loxo\ Archltoct 7/8 1993 PhilipJohnson - Fromliines to Eternity

could dr:I\\. It ''> heen a ternhlc h;mdi c.:ap. Bui to 111edia im:1gc ;1nd the rt:al thin!!: Shi'\ 11111d,1111/ ,.,. :,top \\nrking i'> lo die") F.,cing th e tahlc i, the 1h11nI 1bn11gh1;H t>'.r tb11111rr th1111 ht• look.,·in pb11tt11".) room 's on ly windcrn, framin g th e di-;u111ttr ees But as one :1ppronchc:-Lhe( ;1a.,i.I lou!,e, p:1,t an old clown the ,;lope like., paintin g. At the edge of the frcc-'il:mding stone wall nntl the brick hux th;H h, ,1uud,, on axis ,, it h the ,1imlc)\\, i-, :1<,mall. ,harp l) the ~'ltC'>thou, c.:,it, pre, cnc:cnrn gnilic s and the clc.:- g-ahlcd struct ure huilr 011 :1111 8t h ce11tur) <,Lnne;: 1;111.,become :1, import :rnt a, the par:illel rcOecli, e foundation with wnlls and roof of d1nin-link fcm:­ pbm :s i.ululy mirroring you and the setting. \\ 1hen ing.Jnhn.,on c:111, 11 hi-; (;ehf) ' Gho-,1 I louse. ) ou enter th e cry,1.1ll ine 111:1,,it c, :1por:1tc, i11- Re)nnd the \\()()(IS at the hmtom or the hill is 'it.1111lynnd) ou an: centered in John,cm\ uni, Cr'>e, the anillc.:i:11pond :ind P,1vilion built in 1962. Th e an encmnp ;tssing panoram:1 of natur :11 hcnut) . original gold-leaf ceiling of the tin) hypoc;L) le h:is Throu gh the years of enh:111cc111ent lo the property Facing page , top left: all but di,;appeared Inn it ,till arre,,., the ,en<,es 11ith structures of \:Hious u,e nncl e~prc!>sion, Interior of tho Sculp­ with it,; eye- fooling scale. Far up the hill behind John -;on h:l'>con-;t:111tly rede signed the nati,c land­ ture Gallery , ra ke d the pond is a cuhio;ttotem of concrete masonr) dc­ sc:ipe, hut the i\lic,ian templ e urg la .... :rnd black with chevron s of -,igned h) John-,on in I 1)8(1 ao;a tribute to I larv:1rd i.teel h:1s ne, er changed and remain,; the mooring shadow d:1~s111:1teLincoln Kirc;tein, the ballet impresario centerp iece fore, Cf)thing there, .,c;well a, po<;-;ihl) and his patron for the New York State Theater. 1hc rht>fd'allt"'C'rt'orhi, c:1reer. Facing page , below Anchoring 1he north end of the eclectic compo­ John son 11·clcomcs tht: pro,pel'I of i.t:1rting left : Johnson's studio ~ition of huilding, :md space, ic;the Sculpture c;nl­ ag;1in, ar a 'icale much likt: th:ll :1111 hi ch he hcg:in. align s with the cha in­ lef)' ( 1970), cm hedded in the ridge of the slope thn l The eye, the enchus1asm, nnd the mem:il cner!,') link "Gehry Gho st forms a later:il n:-.is through the north -south con­ :ire much the c;:11nc ns in the beginning. The differ­ House ." fincc;of the complex. Thi., \I hitc -hrid .. ham -like ence is ohvima'i: un111:11chedposition ac;,age. celeb­ polrgonnl I olume below a great lm1-pitched !;,thle rity, and pop-dcil) of modern high culture. \ \'hat i, Facing page , right : in­ or ghw; rind steel ,., unclouhtcclly the must origin:11 con!>t~,nt :rnd undiminii.hccl is hi-, love of :1rchitcc­ terior of the Painting concep t on the property. The hrillianr interior turc. archit ects, and hcing nn arc.:hitect. \p olog-i;,­ Gall e ry, with It s pivot­ ,n111s\\ ith the stri:1tion,;or ,hriJo,1 ca,t h) the roof ing last) car,, hen he,, :is late for an inten ic11,ht: Ing storag e/di splay :.tructurc. The closely sp:iced sh:1do,1·,:111gl c ac..-rms ,aid, "Been on rhc phone pl.inning :1 trip to lJt:rlin. I system die white walls that descend and heiglHen, turning l,;1vc:1 new diem :ind a new building. There':,,nothing down four lcvch, of dark m:1<,onr:,step,. The huilJ­ more exciting than that for an nrchitect, i, there?" TA Below : The Sculpture ing is n piece nf -;culptun : holding '>culpture pieces Gall ery, under a ridge , that, 1111 'iunny d:1ys, arc l11ced with :.low-lllol'ing Prnn/.:I I Hrh, f,:./ I. I. is 111111rdntt•r1in 011//11s. face s the Gla ss House. d1cvron'>of shadow th:11rake acn,,, them. The fourth stru cture th:n John son lrnilc on hi:. propert) (after the Glass I louse, the Gucs1 I louse, .ind the P:11i i ion) 11 ris .111und erground galler~ fur his paintings, completed in 1965. Like ;l hunker or a to111h, it lies he;:cwccnhis hou:.c and the Sculp1urc Gallery, buried in Ih e hill th:n slope, up to 1hc pub­ lic road. One emcr'i the l':>11h bet\\ ccn spl:l) eel rc­ t;1ining wall,; faced with red, h:ind-cut lirne-.tone and, after :1 ncutrali ;,.ing, rectangular foyer, one comes inw :1 high-ceilinged circul:tr -;p,1ce rhat in­ terlock-. ,1ith :1,m.1ller ,c111icircul:1r,olumc . Fach conc~1ve pare is ccmcred wtth pivoting p:mcl, th3t hold priintings like a vertical Rolmle,, an :1rr:mgc- 111cmrhat prm ide, both -,toragt: and ne~ihle \'iC\I- 111g.The furnirure i-;minim:11 :111d the track lighting adjust-. to dr:1m:1tic::1lly fncu,; on the ch:1nging :1rray u(Jo l11Nm's largl' collection of paintings, including piece., hr \ \'arhol, Stella, Rauschenberg, nnd s~ille. \ \'hen one ente r., the property :111dfir st secs his ~ :.tcd-fr:11ncJ dwelling from the gate, it look-; lerri­ g. 0a hl~ frngile. vulner;1hlcand -,111:111.(A, ,1ith :l hu111;111 " cclclirity, one i:. often ch:l!{fined, made unC,l',) h)' r! the disparity between the fo111llirirtwo -dimem,ional ---- .;.:.;___;;;:_~:....:i!!l&Jl-.:;..:.._~:,;...;.;..:.....i:.a~

Texos Architect 7/ 8 1993 53 Survey AdditionGeometry

Addition Geometry 54 A RCHITECTURE C:hamiz:il i'::ttion:il 1\ 1..:mori;d A RCHITE CTUR E w.o. Neuhaus i:. :1 55-:11.:rcpark i11E l Pa:.n com mcrnunni n1-1 Associates worked with the the tn .:ary thnt t:Stablishcd the.:l>onl cr licrwcc n Nati ona l Park Service to cre­ the United Srar cs and 1\lcxico . \\'h en the N:1- ate a compatible addition. iio113IPurk Service determin ed thnt :lll :1ddilion 10 the existing two-s tory building w:1:, needed, Cubi sm in Czech 54 \\ '.O. Nc 11hnu-. \ :.soci:ncs of 11011:.tnn co n­ BOO KS Gerald Moorhead, FAIA, ducted iln on-site ch:1rrene with p:1rk :,t:iff :md examines a little-known chap­ uthcr Jlllten ti:tl ll!>Crs ter in modernist design . rn e.xplore v:1rio11~ op­ tio11s; rhe park scn,jcc Looks like new 55 rcl1t1ircdaddition of :1 CRAFT Fiberglass reproduction 11111lri-purpnsc onJ ex­ of architectural details can hil>ition space, :1 con­ save time and money . ~crv:11ion.in d :trt ..10r ­ :1gcfocilil), ulnc:c:,.,mt! Profit in Preservation ? 56 a 1nainte11anecf:itility. SMALL PRACTICE ISSUES Barry The park scrv ice Moore , FAIA, outlines the rules w:1s corn:crncd :ihout for a successful preservation uhscuring the existing prac1ice. hcxngo n:11 huiluing (Carro ll, Oacuhle , Products and Information 57 l)u S:111g and Rand , I 1>72) :rnd wanted to Resource s 58 astonishing architecture. work that wns cre:1red Ind ex to Adverti ser s 58 Cubismin Czech during n spimed period m the lirst

54 lcxusArchitect 7/8 1993 \ rcrnin the cxisring Spani sh garden. T he solu- 1ion devised features :11hrcc-levcl addition Lh:11 KEY TO PLAN ~,cp s down :rnd enc lu-.cs the gard e n. The 1 ADM INISTRATIVE 2 CORRIDOR ~quarc angle ~ of the additi on con1r:1s1 with 1hc GALLERY 3 SlOII AG~ ANO hexagona l ge11111c1ry or1h e or ig in:11 hui ldin g-, CURATORIAL 4 MULTI-PURPOSE while ~tone. ,lllcco, and copper roofing marc­ AND EXHIBITION S LOBBY ri:ib cnn11ec1 du: ad.Iii inn 10 its predecessor. 6 WALKWAY 7 INTERPRETIVE Use of mult iple levels in the ndditio n re­ EXHIBIT 8 ENTRY LOBBY/ duced the bui ldin g's 111:iss, chc c1rchitects say, INFORMATION 9 GARDEN and preserved the vrsual imc1:,rri1y of the origi- 10 MAINTENANCE 11:11 entrance :is rc11ues1ed h) the park <;cr\'icc. i\t 1hc highe sl level i~ the 111uhi-purp osc exhi­ hi1i11nand :1s~e1nl1lyr<10111 ; dcre :,1011 windows take adv.1111Hge of the northern expo~urc. Ai thc middlo.:l c1cl i~ 1hc ~L11r;1gcand cur:1tori;il sp:1cc. and al th e lowes t le\'c l is the administr :ni, •c :1rc:1.The levt:ls an.: co nn ec rcd hy :1 sing lc­ lo:idcd corridor open LO the garden that can lie \ used as :1 second:iry exhibition space. The addition is <;cpnrn1cd from ihe origin:11 huilding h} a 10-lclOl·\1id e portal with ll !.liding gate . The gate pro vides a focu~ to the Sp:111i~h g:mlen and allow:. al-ccss LO 1hc garde n ti-om

NOR I It ELEVATION WITH ADDITION ihc cxtcrinr 111;111 ib needed for ~pecial events. The pmj ccl included reworki ng of porrion s Opposite page , creati ng an inte rior Oppo sit e page, den, connects t he of the existing huilding, including Lhc intcrprc ­ top : The thr ee- courtya rd betw ee n bottom : A ramped thre e leve ls and ri1·c-displt1y space 3nd sales counter, :ilong wi1h tiered additi on en· old a nd new sec- corridor, open on can be used as ga l· :1ddi1ionof :1 sm:1IIg. 1ll cr~ con necting 1he new closes the ga rden, tions of the cente r. the east to the gar - lery space . buildin g 10 the old. _7ob111111flRowe

face 111:l) he rcpreM;:11tcd , iududing c:1s1 1m:1:;1ls. Lookslike new aduhe , hrick, and p:1imed wood . Th e only re­ qui remcnt is rh:11the ohjen tu be replicated CRAFT Rcswr:ainn ;1n:hi10.:c1s often nco.:d adcli­ hnvc a surfoce that is srahle or that may be ,;t;i­ rion:il rn pic~ of :111 :irchitecuirn l dctail th:1t is cs­ hili zcd. FRP docs h~1vc ,;,>me dis:1dv:1nr:tgl's, scnti:11tO n.:crenting the look :111dfee l of chc Post :1dmi1~. Since i1 can l>c d:1111:1gcd hy i111- origina l str11c111rc. \ \lhc11r epro ducing 1h:1t cle- p:1ct, it~ use at 1hc h;1<;cof buildin gs should he 111cnt in the on g111al 111111erinl is Loo co~tl}' or limited. Ii is also ..uhje ct 10 1rl1r: n i11lc1d ctcrio­ time-con ~uming , or c\•en impo,;~ihle, \u stin­ rntion and mus1 lie c0;1Lcd, p:iin1cd. or h:we :1re;1:1rchi1c c1~ ofren wrn 10 J crry Pu~1,owner pig111cn1~ added in order to prnlc l'I ii. o( J\n} 1hing Fihcrglnss. \\ 'c,rkin~ with lli>cr-n:­ Pos1 h:1~ made fiherg l:iss rerl ie:1:,o f hard ­ inforced polymer (17RP), P1,s1 can rcplit11tc vir­ to-n .:ph1cc compon ents of such Austin l:1ncl- tually i1nything, though he spccinlizes in prmlm;­ 111arks :1srh c Dri~kill 11.mel, di e Bremond and ing n:1tural-looking-imitations ufsro nc and wornI. I l11ffi11:1n lluu scs, .md the l.11tldic ld Building. FRP is useful for restora cion work Cor a Du r111!:{th e rc<;tur:11111n11C 1h e 100-rc nr-o ld n1unh cr of reasons, Pos1 s:1ys. FRP, co111111only Dri-;kill I lo1cl, rcplaecmem,; l41r111 b,in g i;arved known as lil1eq; l:1~~. can lie cul, p,1rchccl, :mil wood ne\\'cl, , lt.111i\ter,, and t 11rnctl-:1nd-c:1rvcd sande d. and i~ vcr) lighiweig-ht :ind rclali\'cl) lmlu, 1er, \11:ri:11 n·1kd . T hi.' l·ontr:ictor found ,1 inexpensive. It i~ formed hy 1mu rinj.!p nl}e, 1cr 1111ndwnr kcr in C. 111:Hh1 who cou ld carve rhe or epo xy res in gc!-cn:JL into :1 mold. T hc,c it~·ni... llllt at a pri ce well over bud get. In rhc muld:, can l1c made from .:,i sling Hchitectuml int eres t ol 111onc~, and cime, th e contr:i ctnr r11111p0111.:nt:,. and c:m prcscr\'c e,·c11th e 1110..i 1urn ed 111steud tu Post an

TexasArch itect 7/8 1993 55 SMALL PRACTICE ISSUES

Profitin Preservation?

11I STDRl C PRFSFR\',\T I0 1' has l,een :i pan of hccrnue:..cl ear. In uur my archit cc111r:1Ipr :1ctice since I e111ercd the firm 's rcs11>r:1tinn of profession in I l/67. Th t: challenge of :1chicving th e O ran ge Shuw, a prnfimhiliry h;1s been :1 constant sinct.:that rime. folk-nrt e11viro11111enr Fear of unprufiwhilit y, I suspecr, keeps many in 1l ouston , phuw g­ :1rchiteccs uway from his1o ric preserv:nion . Bur raphy rcprcscmed h:111' preservation pr:1crice c:111li e prolltahl e. In my of the documents; the lirin, our l:fforts to :1chievc tighter control ovl:r pr o jec t m:1nu :1I in­ projec1 liudgets have lwlpecl us undcrs1:111tlh el­ cludcd four sleeve!, 111' ler ways 111g u:ir :111Lec :i prnfit 011our 0,1 n hot­ sliclcs, primaril y for to m line . Prnc1i cing pn ::..cr\'ati o n r.::111b i: jus1 color 111~1tching; subsidizing them would h:1ve The Orang e Show, ton , was restored like "11or111;1lly" profitabl e desif,'11s pecialties if been a costly 111isr:1kc. the late Jeff McK ls­ by Barry Moo re for the prncriti oner adh eres tu eight pri11ci11les, • Take 11 peel.·em·ly. lf you L~111,sc;hcdule se­ sack 's folk-a rt env l· the Orange Show which :ire uniqu e ro rhe liclt.l. leni ve demolition in ;111 c:1rl) phase-: 1f1er de­ ronment In Hous- Foundation In 1981 . • Br/Jilk the ro11t1·llctto pit-as. In prc.:serv:1- sign devclopm cnt , l11u before crn11r:1c1 docu- tion . ph:1i.ing is good for you. Lct'.'i1 ;1cc ir: I li~­ 111c11L~.1 ,,·o thin ~!>will h,1ppcn: You will dis­ quir e more field tim e th:11111th cr kind:,. Stuff tnric preservation i.; co111plic:ned because of of­ l"l>Ver any unknown condi tions, thereh y :1d­ come:. up, nppc,m,, i:, uncovered, or new solu­ ten-hidd en comlition,;. Th at means it's hard lCI dressi11g 1he111in thc documents ins1c:1d of with tions l,;1ppcn. ;ind you need to be there. prcfcr­ es1im:1te your task time. B) phasing :1 contr :1c1, ch:111ge ord ers in the fidd ; ;111d, n r histu ric lhcir c:1pit:1Ic:1111p :1ign will he phased :1lso. You • Deji 11e ) 'Our 1/n,11111e111111io11 le vel. b ii huildin1,.~ar c :1~ ext·ited :1hout the proj..:ct ,1s you c:111mal ch their cfforr~ wid, profirnhl y plrnscd I !istori c 1\m eric:111Buildin g Sun e} for111:1t. or :ire. :111d th m, m:1)' n ot c11u;11c rhcir time with ~ervict:~. ( )ne of our projecl!>,th e Sl:llfon l Op­ someth ing less? T hc :111swcr c:111d ctt.:rm inc :1 111uncy, as yuu must. Decide togeth er 11pfrnnr era 11011st: l~t:e ·1-:.1,A ug I 99 I I. h:1J :1 fi11;1Ihud ­ lot ;1bn u1 proli tnhility. I !.\B S drawings (:111dthe how many review sessions arc necessary, and ge1 of $85 0.000, so-etched out over eight ye:1r s, ficlcl 11otcs thar procl11t:e 1h em) ~tre die most rig­ includ e the time in your fee. \\ ith four sepnr:ite contract s for :irchirccrural rn·ous 111s t:111dt1rd usag-c, Inn th:1l format ts nor services- ;ill prnlimh le. well-suited to avcmge clil:111$ or their hud gcts. 111\\ 'INC: carefully :111:ilyz.cd in this article hm1 • Rt•sellrrh-dr111 't give it t1wt1y. /\ nyo ne Yo u :md ) 1111rclien1 need io undcrsrontl ht!fore­ to make money :11 prcsen ':ltion (or, at lc:tsl, how who enjoy-. prC'icrv:11i o11w ork is :1 hi-.wry mil, hnncl 1hc /r,w/ of mcasureJ drawin g~ neeessary nm w lose it), I must :idmit th:11 it.. ~ u f'tcn hard and 1h:11~-a n he dangerous to your profit potcn- LO do the joh, Th en you c:111h e prnfitahl y corn­ to get it nll riglu on ,1si ngle project. 1\nd it took 1i :11.\ Ve pr:ictilion er .. :1rc so cnLhusi:1~lic, we pen!,:ll t:d fur it. us a lnng rime: to lc:1rn different techni11ucs on tend to jump in ;111ddo 1hc rcst::ll'ch l'nr th.: fun • Pfau the mellmred dm -wi11gsfor 11111/tiplc different projecrs. Th e key is putt ing it all to ­ ol' it. 8111if you think of this as part of your pro­ duty . Think of your 111c:1surcd drawin gs as gether, with compen sario n :idequate rn :11low li:s~ional services :ind nre able to g ive ir :1cl cfin- hac kgrnund s for :1 hi swrit: - pre scr v:11.ion you 10 do :1 Lho rough job for ynur di cn1 and 111g scope, ynu can sell ir legicimatcly for com­ pro ject- draw once, use 1win: or more for ar­ still do rhe work :is :1 prnrir:ihle projccLfur your pc11s:11ion, of g-reat value IO the O\\'llCr. cl1itcl' t L1ral, clce1ric,1I, demoli tion. rc llccrcd iinn . Bllny Moore, FAJA • Pb11t11&rrapby-do11'1.ru/,sidize it. Mn$1 ar­ ceilings, and so on. You could rcalii'.l:: 1 prnfit ­ d 1i1e,·1, e,p ecl rei111hursemen1 for photogrnph y nhle s:1\'ings in prndu l·1io11tim e. ,\ le:1:-ur ed llfll'I)• ,\ form•. l·:·11.{ i.r ti prindprtl in 77;c .\/nth fs rcl:ned 10 projec1 co1Hli1io ns, :111tlth e pn.:scrv.1- dr:1wi11gs 11f1hc St;1ffnrd Op l:r.-1 I lou~c scn •t:d :l!, G 11111p, 11111n/1idiscipli11myfi r111b11m l in Ntw Orlwns li 1111 :1rd1i1ec1 ,h oultl he no tliffcren1. You ;md k1ckgrm111ds throu gh four plu ses of .irchitec­ rmdI lo11sru11.I le h11s pmrrift't! in I /1111st1111jiw ?.-I ycffrs. , 011r die 111, lwu ld realize th;II pho todocum cn­ tura I services. orz!finril~>' ,cilh hisji 11bi:1; 1/a rvi11,\ lu1in•, /'/II . I, tbt• tnt 1,,n 1, nn impnn ant pan o f n:se:1rch. o ften • Jtlleight _yourfee for co11str11ctio11observa­ Jin·, pnw id11g pr,•s,·1-u111i11ni;1 i11/ lr,11s11111,. /11. /.fsod-

1111egrcnl ,, Hh 1he co111rncr documents. If you tion. In spite of your hcst-pl:innetl docum ents, 111,· Prnj cssorq( . /,..hit<'l111rc 111 tb,· U11ro,·n·itJ1 1!( I lun.,·- 1111cltr,·, 11m.11e 1hc ('11SL11! photo graph), the cli- the c.xpcril:ncc of your con tractor, or 1hc ..o­ 1011Co llcgt·o {. /,r/Ji1t•rt111·,·. he iJ dirrc111ro ftb ,• m/!rg,· ~ 11111 11111111111 ,111111t u p.1y "h en the actual cost phi ..t ic::1li11nof the clicn1. histori l' huildin gs re- Cl'lltcrj iJrI lis111ric Prl'St'/1.'flti

56 ferns Archilocl 7/8 1993 SURVEY

PRODUCTSAND INFORMATION Doors,Windows, and Skyl ights

SwcerS011rcc, from The Cry stal View S wee t's Elec tr o nic Se rle s from SIMP· Publis hing. i~ nn in- SON DOOR COMPANY 1cr:1c 1i1 c C D- R0 1\I featur es poli shed th:11co ntnin:. produce rad ius-cu t groove s informati on from to creat e a di · mo re I h:11150() m.mufactun:r s. Users can select vlded-light effect ond compar e prnduct informariou iucludin g without the intru · phutu g rnphs, ill11srr:irioos, and spccilie11ion s sion of trad itional :ind can then cut :ind paste infomrntiun into pan es.

T he lr-u11111011ge r1 ln c., h:1s 111Lr0Juccd the oth e r dcs kwp ~of't11:1re package~, includin g CIRCLE182 ON THE Fir sr harth, arc dc~igns from French designer CAD and word-pro cessing applicution!,. READER INQUIRY Phillipe St:in·k. l'lu· door h:111dlcs, door k1111h~, <:,rd,• / ";N Ill/ thr rt'lld1•rill'fllil )' mrd CARD :111dc upl)l)nrd knoh~ :ire :1v:1il:1l1lc in either alu­ minum or in .1lu1nin11111en c:11,cd in Lr-111!,luccnt C.i:,tGl:i:.srn fron1 The Hidd en Pla ces rnlor cd pl.mic. D ur:i Art Sto ne is a gu id e from VELUX Cirrh· I 7-111111hl' n'llrl,•r i11q11i11• om / prcc:1s1 con crete grid prov ide s ex ampl es sy ll!m th:11hold s solid of the use of roof Th e Gui ld 8, a suun :clmok published :umu:ill y gl:is,; p:wcr uniL,; from window s In re mod · hr Kr:ius Sikes, Loe. , include ~ th e work t>f Piu shurgh Corning ; ellng unu sed attic nc:1rly 100 :m ist,; :ind :11·ti~ans 11ho ~pccializc in the \1 ~tcm allows glass lilock to he used 10 cre:111: and garag e space . :1rchite c1ur:1lin s1:1ll:11ions, includin g :1rchi1ec- walkways, s1:1irtr c:uh, :md landingi,, noor p:111eb, The guide an swer s 111r:1Igl .1ss. mel:ll, ccr11111ic.,, 1110,:iic!,, :111d!,C ulp- and other tr.1ffic-he,1rin!! components. que stion s about 111re. Th e hook includ e~ phot og-r:tph~, pricing Cirri, 17!1QI/ rlJ,, rcwdrr i11q11it)' um/ such topic s a s infon11:1tion, :111dclient references. placement of roof Cirdl' I:-,11 11 rbr 1w11lrr "''l"""Ymn l windo ws and ra ising th e pitch of a roof . CIRCLE 183 ON THE READER INQUIRYC ARD ·1 his year·~ American P ly" oo d Associa­ EGGERS INDUSTRIES tion /) 1.·.r~1J;11/Cn11s1rur- off e rs rat ed wo od 1i,111G1111!t- : Rr.rid1•111i11/ jamb s, sid e light s, & C111111111·1·ri11/ con - and borrow e d lllSIUlHlllll 1:1im,r e, be d 111,n eri:11 light s with up to fil: IIMMllll:1111 on E,'l·ade dcsignntiu11 1,296 square of APA perfor111ancc- in ches of glazing per pan e. The Jamb s rar cd pon cls, :1nd Uio-1.itc rrom Biovati1>n Produ crs climin:nes and light s ar e availabl e In any wood spe· builtltng-rcquin:mcnt!> the s11l11lc ·' flicker" of 'itancfortl int:·:1ndcscc111 cl es and can be suppli ed with a wid e va ­ for iire :111dw ind rcsi,t:111cc, .1111oni: oth er.,. ln­ and l111oresccnl hulh:,, pr01·idi11gn:itur :1I light rie ty of ca si ng pr ofil es.

0 form:nion on glued l:1111in:1ted lie:rnh :111<1·\P \ \ 1 hut i, 1-..1ice a:, hright :1, unlin:ir} ligl11in g. Bin­ CIRCLE18 4 ON THE READER INQUIRY CARD C:mk- Plu~ progr11111ha :. 11lso l1ccn .11ldcd. Litc, 11hich 1" c~ an 11rdi1111ry 60-,rnn bulb. 1:, Cin-!t• I -;-r, 1111th e 1w1il1'r i111111i111 mrd dc:,ii:,.rncd tn d11pl1ca1e the effects of 1111111r11I KALWALL CORPORA· 1nurn111g s1111lig h1; 1his soil lig h1 rcJut ·c, cvt• TION's skylight s Eastc1·n Exte rio r "w,, --:-.-...... s 1m111 nnd cnnhlc, color, ln .1ppc.11· 1r11c 10-lllc. and skyr oofs fea · Wall Syste ms pro ­ Lirdt I NII 011t hl' ,-,•11111'1111111111:ir ,-,ml tur e a highly In su­ duces lighrwc1ghL, du­ l at ed , t ran slu ce nt ralilc , prc fol1r1c:11ed ~~~~ c; RAFF I I'll , \ l!>than oth er clndcli11g :111d 111:iy Ill' nppl1cd dir ect!) tu 1111111) , urf11rcs tru ded stru ctural I-be am s. The pan el s can ,3stems. Claddings av:1ib1Jle include sronc, 1hin nn,I 1wc r olll g rnfl111. C:R,UF IT I(, \RI) i, be flat or curv ed a nd assembl e d Into a brick, cermnic rile, El FS, :Tluminu1n, :11uJod1 er'>. :wa!bbk in clc:1r :1ml 111 11111~1 colo r, . va rie ty of shap es. Grclc 1 :--; 011 1/;1• r,·11d1•1· lllff11iry (111'1/ Cird11 IS I 011tb r r,•111/1•r 111111111y mnl CIRCLE 185 ON THE READER INQUIRY CARD

TexasArch itect 7/ 8 1993 57 SURVEY Resources:Manufacturers and Suppliers Indexto Advertisers

Alamodome , pp . 13 - 15 I lo:1sto11;Til e and terrn z7.o: /\ meric:,n ,\ l:1rhlc & i\fn. Pg. Ad vertise r ...... Circle No . Concrete: Sdir1cnfidd; Rtinford ng stee l; SMl; Steel saic, Tluu swn; Pain ting: Owt ns nnclllu rncn, I lousmn; forms: EFCO; CECO; Stru crn rnl steel : Crnwn Steel; Pr e- enginee red buildin g: fM Cnn~rnictint1 Scrvit·cs. 9 AIA Trust ...... 14 Steel joists : Vulcrnft; Precasr co ncrete : M:111w; J oi nt Snn Antonio; Elcv:no rs: Dover Elev:1ror, I lousmn: Fi re seolnnt: Snnnehorn (Chem Rex); Paint for steel: Beri­ protec tion: Norrhsrnr Fire l'rmecrion, Dalbs: Plumb ­ 24 Alcoa Building Products ...... 90 jnmin Muurc; Sherwin Willio111~;M isce lJ:1ne ous steel ing and HVAC: \ Vay Engineering. I lonston; Eleclri ­ 32 Allied Slgna l ...... 9 1 Reck Steel; P recas 1· mason ry: lhrr ct1 ln1l11s1ries; Wall enl: KenNlur Elec1rie Cu.. Hc,usw n: Tr ee prunin g: 22 Aluminum Roofing Specialtie s ...... 88 in sulat ion: Dow Styrofoa m; St:rndin g-sea m mcra l D:i"cy Co111pt111y; fu rthw or'-' AYG Construct ion Com­ 10 American Marble Mo saic ...... 137 roo f: Stecli1c; Metal wall pane ls: Steclitc; Singte- ply pany: Fencing: Asrrn Fence: Reill-mix co ncre te: Pio­ 25 Am erican Roofing & Metal roofi ng: Stc\'ens Ro,1fi11g S}'S11!111S (I PS l•:lnswmerics); neer Co ncre te: Conc rete pl :1ce111en t irnd pnvin g: Glass: Tempg lnss; Currnin wnll pane l syste m : Baker Co ncre te; Rein forcing st eel : Texas Co ld Fin­ Co., Inc ...... 32 Alucohond ; Overb end doo rs: Ovcrhcot.lDoor Corp . uf ished Steel; Str uctur al steel : Unite d S1rut·tur es o f 59 Appl e Computer , Inc ••...... 27 S:m Anioni o: Meta l drywall st uds: Di,mich Industries; Att1eric:1; Acousti c:il ce iling: ,\u stl!XCe iling; Hollow 17 Association Admini strators & Gyps um wall bo ard : USC; lnr crior pnin t: Sherwin metal: Pear land Industries: Fini sh hard ware: Ccnwry Consultant s .•.....•...... •...... 11 Wi lliams; Interior wall cove ring: Koroscul; 11.F. I lardwarc; Ca rynkid pafotin g: Glen i\lirodc; Audito­ Goodrich; Doc k leve ler: Rite Hite; Car pet: Prince 1 rium se:11ing: lnover Brothers; Ove rh ead an d fire 2 Barrett Indu stries ...... • ... 78 Street Tcchnolngfos; Patcroft: Wood doo rs: Fcncsrr:i: doors: Overhead Dour Co. of I lousmn; E.neri or pnv­ Toilet n.ccessori cs: Bourick; Foldin g part irions/ope r­ ers: Nnrcisn Til e; Senhmts: \BCO Entcrp ri~es; Pcd i­ 28 Berridge Manufacturing ...... 102 ablc walls: Advnnced fa1uipmcnt; Lockers : 1.i~t lnd11s­ mem shee t meral: Seline Roofing; Foldin g p:arritions: trie s; Mill work : Kuchler Co .; Hollow metal do ors T R\V Modc rnfold Co.: Insulation. carpet , noor -cov­ 59 Capitol Rubber Stamp ...... NA on d fram es : Tex-Steel; Har dwar e: Sorgcnnr ; Soss; erin g. redi-c:1rpe 1: Ryder Co mpany: Gr ce nJwn se : 59 Circle Supply ...... •..... 103 Stnnlcy; Trimcn ; Rixst,n- Fivcm:trl-; Rcmkn : Nntiu nal Russell Building Services; Toilet Access ori es: Cl)'clc 32 Cllfford TIie & Slate ...... ••...... • 84 G unr.i' Prod ucts; I I.B. h•cs; Plumbin g fu:rnr es: Crnnc C:ricscnbeck & Son: Toilet p:trtiriuns: Klinger a,111i\.s ­ ( olnml Distributor s); Drin king fount oins : Elkay; socintc.< 1:ire -sprin klcr sys lem: Gr innell ; k c-r in k system : 14 Corev Amerlca ...... 86 Rmhmnr : Air- handl i.ng uni t.~: Tr nnc: Switc hge ar : Ame rican Alrpower Heritage Museum , Con· 59 Crawford Friend Consultant s ...... 96 Westinghouse: HVAC and lightin g-co ntrol system: federate Air Force World Headquart ers, p. 43 John~on Contr ols; Light fixtu res: Redwine Krueger ; Exte rior insul:ition and finish system: Dryvir (Circle 7 Fisher Home Design Center ...... 4 St ru ctural frame: pr ecast concre te; field- levd s1.ab: Supply): Pr c- en gfoc ercd buildin g compon eors and mosonry; hollo w- met al doo.-s. fram es, and hard ­ low slope roo fing: Bmlc.r; Stee l windows and doo rs: ware; and Che rry Street impr ove men t: Lyrb, Inc.; Hnpt!S;Cnst stone: Pyrnmiu Scone C:n.; Han ger win­ 59 The Glass Block Shop ...... 104 Aluminum glazi ng systems: Arrow Glass Company, dows : Knlwnll; Gl:lss block: PP<:; Point : TC I; Stee l Inc.; Gr aphics (sigoage) : ANDCO Industries. Corp.: fen cing: Amcric :111Fence ; Light fixtu res : t\·letnlux, 31 J.P. Stevens Roofing Systems ...... 58 Conveying systems, escalato rs. and elevoto rs: Mont­ Halo, Appleton. Renjnmin; Carpet : Lees: Vinyl-co m­ 23 James Hard ie Building Produc1 s ..... 47 gome ry Elevator Co .: Soun d syste ms: Proshow: Up­ position til e: Armstrong; Ruhb er base: Rttppc; Sky­ 15 Jewell Concrete Products ...... 7 per- deck seati ng: lnt erkal, ln c.;J. F. Clark Co. light : View Thru : Coun re rto ps: Curinn; Ce rnm.ic mosa ic tile : D:1I-Tile; Plumbin g fi;(ture s: Crnne. Dalla s Mu se um of Art , Nan cy and lake Kohler: MiJlwork; l lunt er Mill work; Rolling Ladd er: 62 Kroln , Inc ...... 100 Hamon Wing , pp. 36- 39 Cotter man; Hard ware: Snrg1:nnt Re:1dy mix co ncrete: TX I; Co ncre te m:isonry uni ts: 7 Lone Star Plywood & Door Corp ...... 4 TX I; lndi :ma limestone : I fording & Cogs well; Roof­ C.R. Smith Mu seum, p. 43 ing: Stevens Rooling Company OPS Elastnmcries); Ce­ Terr azzo noo rs: A111i.-ricn11Tcrr: 11:7.11Co.; Stru c1urnl 7 Marvin Window s Planning Center ...• 4 ramic tile: Dal T ile; Ca rp et: Prince Street 'fochno lo­ a.nd miscclhrn eou s st ee l: Vulcr:ift: Elevato r: Dnvcr gics: Rubb er noo rin g and base: Roppe; Ceiling d ie: Ele"otor; Ceili ng til e: Armstron g; Si lhouett e gri d: 4 Ma sonry & Gla ss Systems, Inc ...... •. 10 G rin; Pai nt : Sher win vVilliams; Wa cc,·pro o fin g: Arm,rro ng; Sprn.yed acou stiL":11 insul ation : Interna­ 61 Ma sonry In stitute ...... 3 Vokby. 'vV.R. C';n,ce; Skylight: Naturnlir"; Srninless­ tional Ce llulose C:r,rp .: Fabri c- wrapp ed :icou sti cal 4 McCoy , Inc ...... •. 51 sceel doo rs: 11.offmon; HVAC: Trnnc: Ic e-s tora ge po.nets : Amer ican Fnl1ric l'nncl hy Strctchw :ill Inc. ; 10 MIiier Blueprint ...... 13 ta nks : Cnlmnc; Wi nd ow sys tems and gloss : PPG ; C:ipcore fabrie-wn ,pp ed cci ling tile: C:ap:wl; Open­ 26 Monier Roof TIie ln c ...... 85 Fire pro ofing: 'v\~R. Grace. Mownkote; Light fixtur es : cell ceiling system: 1\IL1m Mngnngrid: Electric al: Kim Edison f>ncc; Lighmlier; Toilet :1ccesso rics: Amcricw Lig·htin g for pla1.a :uttl nirer:ift; E;(h ib it li ghLs: Srnn

58 Texas Architect 7/ 8 1993 Crawford · Friend Arenos PITTSBURGH CORNING 3003 Bledsoe S1reet Churches Fort Worth , Texas Auditoriums PCIB[lill@@UII · 76 107 · 2905 Commercia l PRODUCTS 817 · 336 · 8886 Residential

Non-pro prietary consultation, design, and specifications for Wholesale and Contractor Sales Lighting · Dimming · Sow.id · Acoustics · Rigging · Draperie.,; of PC GlassSlock and Accessories Sightline Studles · Audio/Visual · Theat re Safety Assessments la Theutre Plmmfog · Projection Systems · Feasibility Studies The Glass Block Shop Dallas (214 ) 243 -7343 (800 ) 777 -2107 Fax (214) 243- 3666 Cons11lra111s Speciali:ing /11Peiforming Arts Tec/1110/ogyAnd Planning San Antonio (800 ) 78 6-4 884 (210 ) 590 -480 7 - Clrclo '6 on the reader Inquiry card Clrcle 104 on tho reader Inquiry card

DavidJ. Kriel Mlrket DevelopmemExecutive

AppeCompulfl;lnc. 12770Merit Drive . SuJte l000 Dallas,Tex:is 75 251 . ·•·1J 214no.ss 14 Your Exclusive Dryvit Distributor d_!Y._V_ll__ _ Fax:214 no 5878 210/491-0956 • 800/441-8761 AppleUnk: KRIEL Fax: 210/49 1-0948

Circle 27 on lho reader Inquiry card Circle 103 on tho reader Inquiry card

POSI T IO N S V A C A N T Go Native , Texan! Native Texas Woo ds Marketing Di.rector . Young, mccllum-siudAu s1in \I, 1111111,\ '11 /11.,. /' 1<1111,'/ 11/ri,v,lt'I I/rd ( Mm~,./11111 /J \1,, /.1,., ()11k, M111111/1111r.f11111/n, :ud1Ju,cturc/"u11criord csii,rnfim, seekssd f-s1arri11g \t mmtlu- 1/Jvl ( 11/t,r, l>n, v- I oh/;-./I) l'wr, Q11mf,r,m;111 (Jnlu. J,',,/,llr/,nrk ,,)rnmor, ·. mrtl morkcun g 11lrrct0r , Rc( fJ<>lll,lbilicies- Dire ct di•m ' '"'"' ll fll1t1I/l •l,,111111:I 11111h,·1 \l, ,lrll11g C: 11,1, ,m ',.l\,ing .\: \!Illin i: l>I"\ l,;il11, m~.rkcti11g,dcvclo 1nnc111o f str.n•gi e pl:111,ni;mJge­ Call L>:avidMiller 1odny: 1-800-82!>9151!.Texas Kiln Products lllCllt aml or1,,;i11r,.ioo11o f 111.ukcclngn, sourccs. AIJ1l- 1ry IQ ·c1,m,. IIIUSI Mllllllllllll 5 )'e•~ orexperience Clrclo 106 on tho roadar Inquiry card ancl •rcl11u:1.,ural rcgu1r.111on. Send resume 10 P.O. a ..~ 161181, ;\u ~un. 'l•.ta~787 16- 1)83.

WHAT IT S WORTH PO BOX 162135 • AUSTIN, TX 78716 SI 2·328·8837 LongloofHeart Pine Aooring , Milled fromAntique TUOJ Sou1hom Yelow Pine Also1.ouiiiana Virgin SinkerCyp reu 1W HUtr PINIIIOOIING Clrclo 54 on tho reade r Inquiry cord

TexosArchitect7/8 1993 59 T e x a s I n d e x July/August 1 9 9 3

LEADING INDICATORS :

March March Percent 1993 1992 Change AFTERRISING for seven months In a row, the State Comptroller 's Texos Index of Leading "Index of leading Texas Economic Indicators" (see left), fell Economic lnJicarors slightly In March, while still managing a 2.8-percent Increase (l3n IQlll wl!IO) 119.·+0 116.20 2.8 over Its March 1992 level . The Texas Stock Index, which mea­ sures Investor confidence In 75 Texas-based companies, saw COMPONENTS the most Improvement, ri sing 30 .7 porcent from one year Initial Cb ims for ago . Hou sing permits also registered a strong gain with a Unemployment 72,181.00 8 1,63 1.00 . l t.5 19.6 -percent Improveme nt. The regiona l Consumer Conti · Average Manufoct11ring da nce Index, which has been extreme ly volatlle In recent H ours/\,Vcc k 42.-¼3 42.50 -0. 1 mon t hs, still recorded the third large st annual Improvement , I ldp \Vanred Index 15.7 percent . The only negative Inde x compon ent was aver­ (lll71l~IO0) 109.80 99.5() I 0.4- age manufac turing hours per week , which fell by one tenth Remil Sales of one percent . With nine of ten Index components Improving (Millwn $) 11,565.00 1 l,(l37.00 -1-.8 from their March 1992 figures, the slight monthly decline poses Oil Price little ca use for conc ern . (Slllurrcl) 18. 18 16.66 ().l In 1992 , the number of hou se s sold In major Texas metro­ Stock lndex politan areas reached 102,432 (see below), surpa ss ing (IVlllls!Otl) 155. 10 118.70 30.7 100,000 for the first time since 1979 , when 107,816 houses I lousing Permirs were sold . The 1992 sale s, valued at nearly $9.7 billion, rep· (J•momh muving. u,·g.) 5,780.00 4,832.00 I Y.6 resent a 7 .5-percen t Increase over 1991 's total of 95,324 New Business lnco rp ornt ions units sold. Houston led the state with more than 30,000 sales, (.l-mon 1h mwing ~vg.) 3,228.00 2,882.00 11.0 whlle Dalla s wa s second with 19,700 . Austin saw 8,500 sale s, Cons umer Confidence Index San Antonio recorded 7,000, and El Paso had 5,100 . Based on (1985 - 1()0) 6-1-.-¼0 55.70 15.7 the pace of house sale s In the fir st two months of this year, U. S. Leading Economic real estate experts are predicting that 1993 will better Jn clicato r lnclex ( l 982s 10tl) 152.00 l-¼7.90 2.R 1992 's total by approximately 2,000 houses.

RESIDENTIAL HOUSE SALES IN TEXAS (sold through Multiple li sting Services):

Period Sales Period Sale s

1973 34,060 198+ 90,657 1974 50,754 1')~5 88,099 1975 59, 103 IY86 8 1, 155 1976 72,798 1987 85,-Ml 1977 97,790 1988 90.803 1978 113,365 1989 87,993 1979 107,8 16 1990 95,997 1980 88,087 l 99 I "5,324 198 1 79,798 1992 102,4H 1982 68,563 19tJJ• I lH,-¼95 1983 85,236

• 1993 llgur o proj octod ba sed on actual sale s through February .

Comp ll od by Mork Den to n

S o u r c: o I o r L o o d I n g I n d I c a t o r s: J o h n S h a r p , C o m p I r a I I e r o I P u b I I c A c: c o u n t 1 Sour co f or H om o Sa l o s: Roa l E s t o l o C o n lor a t T e x as A & M U nivers i ty

60 ToxusArchltcct 7/8 1993 FollowYour Instincts.

When you were little, what kinds of materials did you choose to build with? You probably started off with toy brick and rocks-masonry ... well, sort of. Later, you moved on to the real stuff.

Have you ever asked yourself "why?" Why masonry? Perhaps it was instinctive. Because masonry is resilient. Sturd y. Tough. You just knew, right from the beginning, that you could create anything with masonry. Any shape. Any size. A fort. Tull buildings. The most elaborate castles.

Guess what. You still can! Masonry's natural beauty, its building qualities, its natural insulating properties make it the perfect choice for your nex't building project. It's your chance to be a kid, all over again.

Build it with masonr y and it will be beautiful, functional, and lasting.

And you will be proud ...

and want to build another one.

Ma."°nry Institute of Texas P.0 . Box 34583 Houston, 1bas 77234

Circle 3 on the reoder Inquiry cord Kroin lncor1ionlll'i-d11ILa,·ntn ry F1.mccts umFnwcc, L l:itt·cot lJcsil!'llC'dby Prof. Arn(' JucobsC'n,.MAA Cumhridl{e,~lussuchuiwtt;; 02Ja8 St•h·t11Ifur llw Ot·~ign C'ollt't·lion,~lnMA

Tt'lcr1hom• lil7 Hl2-'IOOIJ For 111Ji1rm11/1011r11-rl1• f(JIJ. Tulefuxtil7 rn2-~11111

Tunl' inLuth e Kruin Commcrci11IProdu cls Divisitmfor u (Amcricun ~Liunul Sutndurds lnsLILuwlum1 solt>cl fuucNs CommercialInterruption 11ru1,,r11m11ft·om 1wtllh•cl.vpr ict'yenn. 11fcunlinuom, i;en•k't'. l'lllllll'Ol{l't l

These faucets incorporut e varying functions within the So whclher your next proJl'Cl ii; u hchanlsmsancl pre-set that 11erfnrm,iwithout inl

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