Program Designer - Austin Cowan Haines Volunteer Coordinator - Garrett Magee Production Coordinator - Lena Rogy Production Assistant - Julian Roye
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Updated Spillers Records New Release List 7.2.20
NEW RELEASE CDs 7/2/20 GIL SCOTT-HERON I'm New Here (10th Anniversary Expanded Edition) [2CD on XL] £11.99 GIL SCOTT-HERON We’re New Again: A Re-Imagining By Makaya McCraven[XL] £9.99 GREEN DAY Father Of All… £10.99 ISOBEL CAMPBELL (ex-Belle & Sebastian) There Is No Other… [Cooking Vinyl] £9.99 J HUS Big Conspiracy £9.99 JOHN MORELAND LP5 £10.99 KHRUANGBIN & LEON BRIDGES Texas Sun EP [Dead Oceans] £6.99 LA ROUX Supervision £9.99 MARK KOZELEK With Ben BoyeAnd Jim White 2 [Caldo Verde] £11.99 SETH LAKEMAN A Pilgrim's Tale £10.99 SHOPPING All Or Nothing [Fat Cat] £9.99 THE CADILLAC THREE Country Fuzz [Big Machine] £10.99 THOSE DAMN CROWS Point Of No Return [Earache] £9.99 ALEX REX (Alex Neilson) Andromeda [Tin Angel]£11.99Plays With Bonnie “Prince” Billy, Trembling Bells & More! ARBORIST A Northern View£11.99 ÁSGEIR Bury The Moon[One Little Indian] £9.99 BLACK PUMASBlack Pumas: Deluxe Edition[2CD on ATO]£9.99 BROTHERS OF A FEATHER Live At The Roxy£10.99Featuring Chris & Rich Robinson BRYAN FERRY Live At The Royal Albert Hall 1974 [Hardback CD] £11.99 CHRISTIAN MCBRIDE The Movement Revisited: A Musical Portrait Of Four Icons £11.99 DELAINApocalypse & Chill [Napalm] £11.99 ELKHORNThe Storm Sessions [Beyond Beyond Is Beyond]£9.99 HMLTDWest Of Eden [Lucky Number]£9.99 JON HASSELL / FARAFINAFlash Of The Spirit [Tak: Til]£9.99Co- Produced By Brian Eno & Daniel Lanois PAUL HASLINGER (Tangerine Dream)Exit Ghost£11.99 PET SHOP BOYSMonkey Business [CD Single]£6.99 SEPULTURA Quadra [2CD-Digipack on Nuclear Blast]£14.99 STONE TEMPLE PILOTS Perdida (Acoustic Album)£10.99 THE INNOCENCE MISSION See You Tomorrow[Bella Union]£9.99 VARIOUS ARTISTS Apala: Apala Groups In Nigeria 1967-1970 [Soul Jazz] £12.99 WILLIAM PRINCE Reliever [Glassnote]£12.99 NEW RELEASE LPs 7/2/20 DAS KOOLIES (Super Furry Animals) It’s All About The Dolphins[Ltd. -
Thesis Submitted for the Degree Of
THE UNIVERSITY OF HULL School of Arts How do electronic musicians make their music? Creative practice through informal learning resources. being a Thesis submitted for the Degree of MA in Music by Research (25004) in the University of Hull by Wai Kuen Wan (BEng University of Leeds, BA Leeds Metropolitan University) June 2017 Contents Abstract iv Introduction 1 Context and literature review 7 1. Compositional approaches 16 1.1 Curation 17 1.1.1 Context of materials 17 1.1.2 Juxtaposition 19 1.1.3 Assemblage 20 1.1.4 Personal sound archive 22 1.2 Sound manipulation 24 1.2.1 Custom modular tools 25 1.2.2 Destruction and degradation 28 1.2.3 Manipulating recorded performance 30 1.3 Indeterminacy and serendipity 31 1.4 Specificity of objectives 34 2. Conditions for creativity 40 2.1 Motivation 41 2.1.1 Self-serving 42 2.1.2 Enthusiasm 44 2.1.3 Commercial success 46 2.1.4 Reactionary responses 50 2.2 Personal growth 53 2.2.1 Exploratory learning 53 2.2.2 Early experiences 56 2.3 Discography for reflection 59 ii 2.4 Duration and nature of composition 61 2.4.1 Intensive work practice 62 2.4.2 Promoting objectivity 65 2.4.3 Learning vs making 66 3. Technological mediation 70 3.1 Attitudes to technology 70 3.1.1 Homogenisation of technologies 71 3.1.2 New ideas do not require new technologies 74 3.1.3 Obsessing and collecting 76 3.2 Tools for realisation 80 3.2.1 Proficiency and fluency with instruments 83 3.2.2 Opacity and affordance - enslaved to the (quantised) rhythm 86 3.3 Redefining technology 89 3.3.1 Subversion – extending the lexicon 90 3.3.2 Active Limitation 94 3.4 Instruments and their influence 97 3.4.1 Resisting conformity 98 3.4.2. -
The Top Dance Songs of 2019 1
th 45 Year THE TOP DANCE SONGS OF 2019 1. HIGHER LOVE – Kygo & Whitney Houston (RCA) 124/104 51. YOU LITTLE BEAUTY – Fisher (Astralwerks/Capitol) 124 2. PIECE OF YOUR HEART – Meduza ft. Goodboys (Capitol) 124 52. GO SLOW – Gorgon City & Kaskade ft. ROMEO (Capitol) 124 3. I DON’T CARE – Ed Sheeran & Justin Bieber (Atlantic) 122/102 53. SUMMER DAYS – Martin Garrix ft. Macklemore & Patrick Stump (RCA) 126/114 4. SUCKER – Jonas Brothers (Republic) 126/138 54. ON MY WAY – Alan Walker, Sabrina Carpenter & Farruko (RCA) 120/85 5. BAD GUY – Billie Eilish (Interscope) 126/135 55. HEY LOOK MA, I MADE IT – Panic! At The Disco (Atlantic) 124/108 6. CON CALMA – Daddy Yankee & Katy Perry ft. Snow (El Cartel/Capitol) 109/94 56. FIND U AGAIN – Mark Ronson & Camila Cabello (RCA) 124/104 7. SENORITA – Shawn Mendes & Camila Cabello (Republic) 124/117 57. BREAK UP WITH YOUR GIRLFRIEND, I’M BORED – Ariana Grande (Republic) 124/85 8. 7 RINGS/THANK U NEXT – Ariana Grande (Republic) 126/70, 124/107 58. SELFISH – Dimitri Vegas & Like Mike ft. Era Istrefi (Arista) 126/96 9. DANCING WITH A STRANGER – Sam Smith & Normani (Capitol) 123/103 59. 365 – Zedd & Katy Perry (Interscope) 124/98 10. DANCE MONKEY – Tones and I (Elektra) 122/98 60. BEAUTIFUL PEOPLE – Ed Sheeran ft. Khalid (Atlantic) 120/93 11. OLD TOWN ROAD – Lil Nas X ft. Billy Ray Cyrus (Columbia) 124/70 61. QUE CALOR – Major Lazer ft. J Balvin & El Alfa (Mad Decent) 126 12. SO CLOSE – NOTD & Felix Jaehn ft. Georgia Ku & Captain Cuts (Republic) 126 62. -
Gig” “This Won’T TICKETS Be Just MONKEYSARCTICTO SEE
Gruff Rhys Pete Doherty Wolf Alice SECRET ALBUM DETAILS! Tune-Yards “I’ve been told not to tell but…” 24 MAY 2014 MAY 24 The Streets IAN BROWN IAN “This won’t Arctic be just another gig” Monkeys “It’s not where you’re from, it’s where you’re at...” on their biggest weekend yet and what lies beyond ***R U going to be down the front?*** Interviews with the stellar Finsbury Park line-up Miles Kane Tame Impala Royal Blood The Amazing Snakeheads TICKETS TO SEE On the town with Arctics’ THE PAST, PRESENT favourite new band ARCTIC & FUTURE OF MUSIC WIN 24 MAY 2014 | £2.50 HEADLINE US$8.50 | ES€3.90 | CN$6.99 MONKEYS BLACK YELLOW MAGENTA CYAN 93NME14021105.pgs 16.05.2014 12:29 BLACK YELLOW MAGENTA CYAN 93NME14018164.pgs 25.04.2014 13:55 ESSENTIAL TRACKS NEW MUSICAL EXPRESS | 24 MAY 2014 4 SOUNDING OFF 8 THE WEEK THIS WEEK 16 IN THE STUDIO Pulled Apart By Horses 17 ANATOMY OF AN ALBUM The Streets – WE ASK… ‘A Grand Don’t Come For Free’ NEW 19 SOUNDTRACK OF MY LIFE Anton Newcombe, The Brian Jonestown Massacre BANDS TO DISCOVER 24 REVIEWS 40 NME GUIDE → THE BAND LIST 65 THIS WEEK IN… Alice Cooper 29 Lykke Li 6, 37 Anna Calvi 7 Lyves 21 66 THINK TANK The Amazing Mac Miller 6 Snakeheads 52 Manic Street Arctic Monkeys 44 Preachers 7 HOW’s PETE SPENDING Art Trip And The Michael Jackson 28 ▼FEATURES Static Sound 21 Miles Kane 50 Benjamin Booker 20 Mona & Maria 21 HIS TIME BEFORE THE Blaenavon 32 Morrissey 6 Bo Ningen 33 Mythhs 22 The Brian Jonestown Nick Cave 7 Massacre 19 Nihilismus 21 LIBS’ COMEBACK? Chance The Rapper 7 Oliver Wilde 37 Charli XCX 32 Owen Pallett 27 He’s putting together a solo Chelsea Wolfe 21 Palm Honey 22 8 Cheerleader 7 Peace 32 record in Hamburg Clap Your Hands Phoria 22 Say Yeah 7 Poliça 6 The Coral 15 Pulled Apart By 3 Courtly Love 22 Horses 16 IS THERE FINALLY Courtney Barnett 31 Ratking 33 Arctic Monkeys Courtney Love 36 Rhodes 6 Barry Nicolson gets the skinny Cymbals Eat Guitars 7 Royal Blood 51 A GOOD Darlia 40 Röyksopp & Robyn 27 on their upcoming Finsbury Echo & The San Mei 22 Park shows. -
A Description of Metaphors in Arctic Monkeys's Selected
A DESCRIPTION OF METAPHORS IN ARCTIC MONKEYS’S SELECTED SONGS THROUGH AM ALBUM A PAPER WRITTEN BY HAFNI ILYA GHAISANI REG. NO: 172202005 DIPLOMA 3 ENGLISH STUDY PROGRAM FACULTY OF CULTURAL STUDIES UNIVERSITY OF SUMATERA UTARA MEDAN 2020 Universitas Sumatera Utara i Universitas Sumatera Utara ii Universitas Sumatera Utara AUTHOR’S DECLARATION I am HAFNI ILYA GHAISANI, declare that I am the sole author of this Paper. Except where the references in made in the text of this Paper, this Paper contains no material published elsewhere or extracted in whole or in part from a Paper by which I have qualified for awarded another degree. No other person‟s work has been used without due acknowledgement in the main text of this Paper. This Paper has not been submitted for the award of another degree in any tertiary education. Signed : Date : August, 2020 ii Universitas Sumatera Utara COPYRIGHT DECLARATION Name : HAFNI ILYA GHAISANI Title of Paper : A DESCRIPTION OF METAPHORS IN ARCTIC MONKEYS‟S SELECTED SONGS THROUGH AM ALBUM Qualification : D-III / Ahli Madya Study Program : English I hope this Paper should be available for reproduction at the direction the Librarian of Diploma-III English Study Program of Cultural Studies USU on the understanding that users made aware to their obligation under law of the Republic of Indonesia. Signed : Date : August, 2020 ii Universitas Sumatera Utara ABSTRACT This Paper is entitled,“A Description of Metaphors in Arctic Monkeys‟s Selected Songs through AM Album”. This Paper is aimed to describe and review the use of Metaphor and Associative Meaning found in song lyrics of AM album which was chosen as the problem of study to be discussed in this Paper and also it consisting to 12 songs. -
“Firework” by Katy Perry
PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI REVEALING THE MESSAGES THROUGH FIGURATIVE LANGUAGE IN “FIREWORK” BY KATY PERRY AN UNDERGRADUATE THESIS Presented as Partial Fulfillment of the Requirements for the Degree of Sarjana Sastra in English Letters By GIOVANNI ERWIN INDRATNO Student Number: 124214084 DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS UNIVERSITAS SANATA DHARMA YOGYAKARTA 2020 PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI REVEALING THE MESSAGES THROUGH FIGURATIVE LANGUAGE IN “FIREWORK” BY KATY PERRY AN UNDERGRADUATE THESIS Presented as Partial Fulfillment of the Requirements for the Degree of Sarjana Sastra in English Letters By GIOVANNI ERWIN INDRATNO Student Number: 124214084 DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS UNIVERSITAS SANATA DHARMA YOGYAKARTA 2020 ii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI TABLE OF CONTENTS TITLE PAGE ii APPROVAL PAGE iii ACCEPTANCE PAGE iv STATEMENT OF ORIGINALITY v LEMBAR PERNYATAAN PERSETUJUAN PUBLIKASI KARYA ILMIAH vi ACKNOWLEDGEMENTS vii TABLE OF CONTENTS viii ABSTRACT x ABSTRAK xi CHAPTER I: INTRODUCTION 1 A. Background of the Study 1 B. Problem Formulation 5 C. Objectives of the Study 5 D. Definition of Terms 6 CHAPTER II: REVIEW OF LITERATURE 7 A. Review of Related Studies 7 B. Review of Related Theories 11 1. Figurative Language 11 a. Metaphor 12 b. Simile 12 c. Personification 13 d. Metonymy 13 e. Symbol 13 f. Allegory 13 g. Paradox 14 h. Hyperbole 14 i. Understatement 15 j. Irony 15 2. Theory of Message 16 C. Theoretical Framework 17 CHAPTER III: METHODOLOGY 18 A. -
The Top Dance Songs of 2020 1
th 46 Year THE TOP DANCE SONGS OF 2020 1. DON’T START NOW – Dua Lipa (Warner) 124 51. BAILA CONMIGO – Jennifer Lopez (Sony Music Latin) 124 2. ROSES (IMANBEK REMIX) – SAINt JHN (HitCo) 122 52. ALONE PT. II – Alan Walker and Ava Max (RCA) 124/88 3. HEAD & HEART – Joel Corry ft. MNEK (Big Beat) 123 53. THIS IS REAL – Jax Jones and Ella Henderson (Island) 126/122 4. BREAKING ME – Topic and A7S (Astralwerks/Capitol) 125/122 54. WHY DO YOU LIE TO ME – Topic and A7S ft. Lil Baby (Astralwerks/Capitol) 125/120 5. ILY (I LOVE YOU BABY) – Surf Mesa ft. Emilee (Astralwerks/Capitol) 112/126 55. PURPLE HAT – Sofi Tukker (Ultra) 125/110/94 6. ON MY MIND – Diplo and SIDEPENCE (Mad Decent) 123 56. FIRE FOR YOU – Cannons (Columbia) 102 7. RIDE IT – Regard (Epic) 118 57. ANTHEM – Connor Bvrns and Bonn (Astralwerks/Capitol) 126/75 8. BREAK MY HEART – Dua Lipa (Warner) 120/113 58. LOVE IS KILLING ME – Bonnie and Clyde (Ultra) 126 9. BLINDING LIGHTS – The Weeknd (Republic) 126/175 59. BODY BACK – Gryffin ft. Maia Wright (Interscope) 123 10. RAIN ON ME – Lady Gaga and Ariana Grande (Republic/Interscope) 123 60. CONO – Jason Derulo and Puri ft. Jhorrmountain (Spinnin) 100 11. LOSE CONTROL – Meduza & Becky Hill ft. Goodboys (Astralwerks/Capitol) 124 61. GIRL – KC Lights (Armada) 124 12. KINGS AND QUEENS – Ava Max (Atlantic) 126/130 62. I REMEMBER – Chris Lake (Astralwerks/Capitol) 126 13. SECRETS – Regard and RAYE (Epic) 119 63. MAMACITA – Black Eyed Peas and Ozuna ft. Rey Soul (Epic) 105 14. -
A State of Dance Music 2019 Shines a Light on the Most Significant Insights from This Past Year Based on Our Aggregated Data
T H E M O M E N T S T H A T D E F I N E D E L E C T R O N I C D A N C E M U S I C I N 2 0 1 9 . C O V E R : F I S H E R PREFACE 2019 was another banner year for dance music – a year that saw the continued rise of artists like FISHER and CamelPhat, David Guetta flourish across both the mainstream and underground, and many more artists break through. On the performance side, there now are more major festivals and events than ever before, many of which are thriving in emerging markets – a promising sign for continued growth ahead! A State Of Dance Music 2019 shines a light on the most significant insights from this past year based on our aggregated data. This was a major year of growth for 1001Tracklists, and we showcase that with the inclusion of our Top Exclusive & Spotlight Mixes, Top Stories, and of course, the recently crowned Top 150 Producers. Some additional new insights for this year’s report include the Top Labels of 2019 (based on the Top 300 tracks) and a breakdown of the Top Tracks by genre. We hope you enjoy a deep dive into the numbers and trends that defined 2019. And lastly, we wanted to give a special note of thanks to each of our contributing users who are so passionate, diligent and responsive, and enable the community to thrive online and offline. See you on the dancefloor! Join us online at 1001tracklists.com or on social media @1001tracklists. -
From Independent Record Shops to the Internet: Recorded Music Communities in the Digital Age
AUCKLAND UNIVERSITY OF TECHNOLOGY SCHOOL OF COMMUNICATION STUDIES From independent record shops to the Internet: Recorded music communities in the Digital Age A thesis submitted to Auckland University of Technology in fulfilment of the requirements for the degree of Doctor of Philosophy. Lewis Tennant 1 March 2016 Abstract The Internet has altered notions of space and place. This study examines these changes against the backdrop of the independent brick-and-mortar record shop, a location where the transforming power of music has traditionally brought people together. Ideas, opinions, and histories are shared. Musical projects and friendships are formed; the art form of music critiqued. Globally these stores have decreased in numbers significantly since the turn of the 21st Century, particularly affected by the ‘post-Napster’ growth in the online acquisition of music and other media forms. In considering the substantial decline in numbers of brick-and- mortar independent record shops, and in turn what these spaces offer the people who frequent them, this thesis questions how recent technological changes have affected the social interactions of communities that are based on recorded music, also exploring the changing ways in which people engage with recorded music in their everyday lives. In doing so, this study investigates how communities manifest themselves on the Internet, examining in turn what aspects of physical spaces and face-to-face interaction may not be replicated in the online environment. In a series of focus groups and semi-structured interviews, notions of ‘space(s)’ and ‘place(s)’ for modern music communities and subcultures are examined in the context of decreasing numbers of physical spaces to congregate. -
Theme Seen Through the Use of Metaphors and Similes in Katy Perry’S Selected Songs in the Album Entitled Teenage Dream
PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI THEME SEEN THROUGH THE USE OF METAPHORS AND SIMILES IN KATY PERRY’S SELECTED SONGS IN THE ALBUM ENTITLED TEENAGE DREAM AN UNDERGRADUATE THESIS Presented as Partial Fulfillment of the Requirements for the Degree of Sarjana Sastra in English Letters By REGINA RIENTINA Student Number: 144214066 DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS UNIVERSITAS SANATA DHARMA YOGYAKARTA 2018 PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI THEME SEEN THROUGH THE USE OF METAPHORS AND SIMILES IN KATY PERRY’S SELECTED SONGS IN THE ALBUM ENTITLED TEENAGE DREAM AN UNDERGRADUATE THESIS Presented as Partial Fulfillment of the Requirements for Degree of Sarjana Sastra in English Letters By REGINA RIENTINA Student Number : 144214066 ENGLISH LETTERS STUDY PROGRAM DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS SANATA DHARMA UNIVERSITY YOGYAKARTA 2018 ii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI God helps those who help themselves vii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI For my beloved parents and my beloved friends, who are always there for me viii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI TABLE OF CONTENTS TITLE PAGE .....................................................................................................ii APPROVAL PAGE ...........................................................................................iii -
Songs by Artist
Songs by Artist Title Title Title Title Title (Hed) Planet Earth 112 & Super Cat 2 Live Crew 3 Degrees, The 311 Bartender Na Na Na Me So Horny (EXPLICIT Woman In Love All Mixed Up .38 Special 12 Gauge LYRICS) 3 Doors Down Amber Back Where You Belong Dunkie Butt We Want Some Pu$$Y Away From The Sun Beyond The Gray Sky Caught Up With You 12 Stones 2 Pac Be Like That Beyond The Grey Sky Fantasy Girl Arms Of A Stranger Hit Em Up Behind Those Eyes Creatures (For A While) Hold On Loosely Crash 2 Pistols & Ray J Better Life Don't Tread On Me If I'd Been The One Far Away You Know Me Citizen Soldier Down Rockin' Into The Night Shadows 2 Pistols & T-Pain & Tay Dangerous Game First Straw Second Chance Way I Feel, The Dizm Duck And Run Hey You Wild-Eyed Southern Boys We Are One She Got It Every Time You Go I'll Be Here Awhile +44 1910 Fruitgum Co. 2 Play Going Down In Flames Love Song When Your Heart Stops 123 Redlight So Confused Here By Me You Wouldn't Believe Beating Simon Says 2 Unlimited Here Without You 36 Crazyfists 10 Years 1940s Standards Faces It's Not My Time Bloodwork Actions & Motives Crawdad Song No Limit Kryptonite City Ignites (Arranged), The Drug Of Choice Old Lamplighter No Limits Landing In London Destroy The Map Fix Me 1975 Twilight Zone Let Me Be Myself Great Descent, The Fix Me (Acoustic) Let Me Go Midnight Swim Sincerity Is Scary 2.4 Family Shoot It Out Let Me Go (Rock Version) On Any Given Night Sound, The Lean On Me Through The Iris Life Of My Own Slit Wrist Theory TooTimeTooTimeTooTime 20 Fingers Wasteland Live For Today -
Copyright 2016 Cowboy Ventures, Inc. All Rights Reserved
Copyright 2016 Cowboy Ventures, Inc. All Rights Reserved NewArtistModel.com Hack the Music Business 1 For even more great strategies visit NewArtistModel.com Chapter 1 The music industry is not the same as it was 20, or even 5 years ago. Today, artists can run their own careers, much like an entrepreneur runs a startup company, with little or no help from big companies and major record labels. The new music industry revolves around you. You can write your own music, record it yourself, distribute it to your fans, plan a tour, manage and connect with your fan base, and create your own marketing strategies. This opens up a vast array of opportunities for you! Anyone can become successful if they have the artistic skill and dedication and perseverance required. That being said, you are now entirely responsible for your career. There are a ton of things you need to get your head around and find time for from social media and digital distribution to touring and budgeting your own income and expenses. There is no magic bullet. But the potential is there if you know what you are doing and can identify multiple revenue streams and team members to support your career. You need to be dedicated to succeed in this new music industry. You need to be passionate about your music. When someone asks you why you want to be a musician in such a tough environment, your answer needs to be, “You mean I have an option? I can’t not do music!” NewArtistModel.com Hack the Music Business 2 Sound like you? Then keep reading.