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Diplomarbeit Patrick Zwerger FERTIG

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Diplomarbeit Patrick Zwerger FERTIG DIPLOMARBEIT Titel der Diplomarbeit „Eine europäische Odyssee der 1930er Jahre. Das Filmschaffen Hermann Kosterlitz‘ von 1933 bis 1936“ Verfasser Patrick Zwerger, BA angestrebter akademischer Grad Magister der Philosophie (Mag.phil.) Wien, 2015 Studienkennzahl lt. Studienblatt: A 317 Studienrichtung lt. Studienblatt: Theater-, Film- und Medienwissenschaft Betreuerin: Univ.-Prof. Dr. Elisabeth Büttner, M.A. Inhaltsverzeichnis 1 EINE FILMWISSENSCHFILMWISSENSCHAFTLICHEAFTLICHE ODYSSEE ....................................................................................................................................................................... ....... 555 1.1 Aufbrechen ...................................................................................................................................... 5 1.2 Identität und Alterität ...................................................................................................................... 9 1.3 Orte und Räume ............................................................................................................................. 10 1.4 Eine biographische Spurensuche .................................................................................................... 12 2 EINE EUROPÄISCHE OODYSSEEDYSSEE ................................................................................................................................................................................... ............................. 171717 2.1 Berlin ............................................................................................................................................. 17 2.1.1 Erste Schritte ................................................................................................................................. 17 2.1.2 Drehbuchautor Kosterlitz .............................................................................................................. 19 2.1.3 Regisseur Kosterlitz ....................................................................................................................... 23 2.1.4 Anmerkungen zu Quellenlage und Forschungsstand .................................................................... 24 2.2 Paris ............................................................................................................................................... 27 2.2.1 Neubeginn ..................................................................................................................................... 27 2.2.2 Anmerkungen zu Quellenlage und Forschungsstand .................................................................... 28 2.3 Budapest und Wien ........................................................................................................................ 32 2.3.1 Filmemachen an der Donau .......................................................................................................... 32 2.3.2 Anmerkungen zu Quellenlage und Forschungsstand .................................................................... 34 2.4 Amsterdam .................................................................................................................................... 38 2.5 Hollywood ...................................................................................................................................... 41 2.5.1 Aufbruch zu neuen Ufern .............................................................................................................. 41 2.5.2 The American Dream .................................................................................................................... 42 3 LEBENSRAUM FILMEXIFILMEXILLLL ................................................................................................................................................................................... ............................................. 444444 3.1 Der Tonfilm .................................................................................................................................... 44 3.2 Der unerwünschte Jude ................................................................................................................. 46 3.2.1 Goebbels Rede im Kaiserhof ......................................................................................................... 46 3.2.2 Veränderungen in der deutschen Filmindustrie ........................................................................... 48 3.2.3 Kosterlitz und die deutschsprachige Filmemigration .................................................................... 50 3.3 Der unerwünschte Deutsche .......................................................................................................... 57 3.3.1 Filmexil Frankreich ........................................................................................................................ 57 3.3.2 Transnationaler Wettstreit ........................................................................................................... 59 3.3.3 Französische Identitätssuche ........................................................................................................ 60 3.3.4 Paris als Warteraum ...................................................................................................................... 65 3.4 Das unerwünschte Kino ................................................................................................................. 67 3.4.1 Die österreichische Filmwirtschaft ................................................................................................ 67 3.4.2 Deutsch-österreichische Filmbeziehungen ................................................................................... 68 3.4.3 Die unabhängige Spielfilmproduktion in Österreich ..................................................................... 71 3.4.4 Joe Pasternak und die Universal ................................................................................................... 73 3.4.5 Der Niedergang der unabhängigen Spielfilmproduktion in Österreich......................................... 76 4 HERMANN KOSTERLITZKOSTERLITZ‘‘ FILMISCHE WELTEN ................................................................................................................................ 797979 4.1 Der Kosterlitz-Touch....................................................................................................................... 79 4.2 Die musikalische Depressionskomödie ........................................................................................... 82 4.2.1 Kosterlitz und die Musik ................................................................................................................ 82 4.2.2 Kosterlitz und die Depression ....................................................................................................... 84 4.2.3 Kosterlitz und die Komödie ........................................................................................................... 85 4.3 Figuren ........................................................................................................................................... 88 4.3.1 Der Tramp ..................................................................................................................................... 88 4.3.2 Die Screwballs ............................................................................................................................... 89 4.3.3 Der Mann ...................................................................................................................................... 90 4.3.4 Die Frau ......................................................................................................................................... 94 4.3.5 Das Paar ........................................................................................................................................ 96 4.4 Filmische Orte und Räume ........................................................................................................... 100 4.4.1 Die Orte ....................................................................................................................................... 100 4.4.2 Die Räume ................................................................................................................................... 103 4.5 Anpassen, Ausbrechen und Eindringen ........................................................................................ 109 4.5.1 Katharina - die Angepasste ......................................................................................................... 110 4.5.2 Rebellische Mutti ........................................................................................................................ 113 4.5.3 Das schöne Mädchen .................................................................................................................. 115 4.5.4 Eva und Peter .............................................................................................................................. 118 4.6 Schein und Sein ............................................................................................................................ 122 4.6.1 Peter - der Falschspieler .............................................................................................................. 122 4.6.2 Scheinwelt Savoy......................................................................................................................... 125
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