Media Kit Paris Gallery Weekend Summary 2
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Media Kit Paris Gallery Weekend Summary 2
Paris Gallery Weekend Galleries’ Programme 1 Media kit Paris Gallery Weekend Summary 2 Press Release 3 Paris Gallery Weekend 44 galleries and 107 artists 4 Numbers 7 Detailed Programme Exhibitions and Themed Visits 8 The Rendez-Vous 9 Galleries’ Programme 10 VIP Programme 54 Talking Galleries 55 New identity by Matter of Fact 56 Team 57 Partners 58 Visuals 61 Practical Information 62 Paris Gallery Weekend Press release 3 Press Release Presentation of Paris Gallery Weekend 2018 Since 2014, Paris Gallery Weekend has established itself as an With its 44 participating galleries in 2018, Paris Gallery Weekend annual landmark event for art lovers and collectors, whether based represents the diversity of type and of geography of Parisian galleries: in France or abroad. from the newest to the most established and the most imposing to the most intimate, whether situated in the Marais, in Saint-Germain- For its fifth edition – held the 25th, 26th, and 27th of May – the des-Prés, in the 8th or 18th arrondissements, in Belleville or in the 2018 Paris Gallery Weekend is proud to host a total of 44 galleries, Haut-Marais. representing a 40% increase in the number of participants since 2017. This significant growth testifies to the dynamism and rising The Weekend’s 2017 edition included more than 5,000 participants influence of the event and is a result of 8 new galleries and the return associated with 31 galleries representing the work of 99 artists. of 16 others. Paris Gallery Weekend is organized by Choices, an association In 2018, Paris Gallery Weekend dons a new visual identity founded and directed by gallery owner Marion Papillon. -
SUSUMU SHINGU Beyond Time
PRESS PACK SUSUMU SHINGU Beyond Time Opening on Saturday September 15th from 4 to 7pm Exhibition from September 15th to December 1st 2012 “During my 40 years of work, I have always expressed through my sculptures, my exhibitions, my illus- trated books and my theatre plays how much Earth is a wonderful and precious planet. Since man made disasters caused on our planet are reaching a critical level, I feel there is even more emergency to send my simple message to all the inhabitants of this planet, which is, what wonderful Nature we have on our planet (…). I believe men are benevolent. And I also believe in Art. Since the visible future is one for our children, I would like to address them this message.”. Susumu Shingu Following the success of his two previous exhibitions at the gallery entitled Sculptures du respir in 2006 and Planet of Wind and Water in 2009, the gallery is pleased to announce a new exhibition by the Ja- panese artist Susumu Shingu entitled Beyond Time. This exhibition, opening on Saturday September 15th from 4 to 7pm, will run until the end of November and introduce a dozen of his new mobile indoor sculptures as well as two sculptures for outdoor; the last coloured collages of the artist as well as his wonderful sculpture study drawings will also be shown on the occasion of this exhibition. Sculptor, Philosopher of Nature and Humanist Born in 1937 in Osaka, Susumu Shingu concei- ves sculptures with movements generated by the forces and flows of nature – wind, wa- ter, sunlight and gravity. -
Historische Wetenschappen. Aanwinsten Van Anet — Periode 2009/12
Historische wetenschappen. Aanwinsten unn : # ∗1a2 ∗4 en$spr - # ∗1b1 A n : # ∗1b2 5X4 oor$den$hoo van Anet — Periode 2009/12 -# ∗2b1 A2 n$C : # ∗2b2 S3 h$ - # ∗1c1 a tf : # ∗1c2 g2 n$ - # ∗2c1 + ru : # ∗2c2 +4 2.$a /docman/[email protected] Kerkgeschiedenis SA: 105#635 II 2000 jaar theologie: leven en werk van de grote christelijke EHC: K 80442 [C2–524 a] denkers / [edit.] Friederich Wilhelm Graf. — Amsterdam : Boom, 2008-2009. — 2 v. — ISBN-13 978–90–8506–475–6 ; Chartæ of the carthusian general chapter, 1631–1638: ISBN-13 978–90–8506–766–5 provincia alemaniae inferioris (ex manuscripto in domo Vallis BSA: LZ–L 101/123 Sanctae asservato), 1889, Vhartreuse du Reposoir, janvier / 1–2 Palemon´ Bastin ; [edit.] Pierre-Aelred Henel ; [edit.] James EHC: 723002 Hogg. — Salzburg : Universitat¨ Salzburg, Institut fur¨ Anglistik 1 und Amerikanistik, 2009. — 104 p. — (Analecta Cartusiana ; 100: 45). — ISBN-13 978–3–902649–43–0 Die Lehre von der Kindertaufe bei Calvin gesehen im Rahmen UA–CST: RG–S 116:100: 45 seiner Sakraments- und Tauftheologie; mit einem Anhang uber¨ die kindertaufe auf dem Tridentinischen Konzil / L.G.M. Alting von geusau. — Bilthoven : Nelissen, 1963. — 335 p. Reliquiæ Chartarum Capituli Generalis, 1621–1730: Ms. BSA: MAG 262/XVI/245 Grande Chartreuse 1 Cart. 16 / Palemon´ Bastin ; [edit.] James Hogg. — Salzburg : Universitat¨ Salzburg, Institut fur¨ Anglistik und Amerikanistik, 2009. — 2 v. — (Analecta Cartusiana ; 100: Antwerp & the world: Richard Verstegan and the international 48) culture of catholic reformation / Paul Arblaster. — Leuven : Leuven University Press, 2004. — 303 p. -
(Incl. Kunst En Varia). Aanwinsten Van Anet — Periode 2009/12
Algemeen (incl. Kunst en varia). Mythologies / Roland Barthes. — Paris : Seuil, 1957. — 247 Aanwinsten van Anet — Periode 2009/12 p. — (Collection Points: serie´ civilisation ; 10) UA–CST: MAG–A 8276 UA–CST: T&L 82 H 0 BART 57 Algemeen en varia EHC: 530557 [S4–141 e] Gesellschaftstheorie und Kulturkritik / Theodor W. Adorno. — KMSKA: ICC 1170 Frankfurt am Main : Suhrkamp, 1975. — 178 p. — (Edition Suhrkamp ; 772). — ISBN-10 3–518–00772–6 Basis / Culturele Centrale [Brussel]. — Brussel UA–CST: FILO 19.8 P–ADOR 75 EHC: 732067 C2–472 h] KMSKA: ICC 7219 18:5(1999); 19:3,5(2000); 20:1–21:1(2000–2002) Al feestend het jaar door! / [edit.] Aime´ Stroobants. — Letterlijk: omtrent het schrift en de typografie / Fernand Dendermonde : Stadsbestuur Dendermonde, 2009. — 3 v., Baudin ; [vert.] Herman Lampaert. — Brussel : Erasmushuis, ill. — Tentoonstelling: Museum voor Volkskunde 2009. — 15 p. [Dendermonde]. 2009/08/22 - 2009/10/25 EHC: 732818 EHC: 732260 1–3 L'echange´ symbolique et la mort / Jean Baudrillard. — Paris : Gallimard, 1976. — 347 p. — (Bibliotheque` des sciences Antwerp & the world: Richard Verstegan and the international humaines ; 1976: 1) culture of catholic reformation / Paul Arblaster. — Leuven : UA–CST: MAG–Coll 517 A 14 Leuven University Press, 2004. — 303 p. — (Avisos de UA–CST: T&L 003 G–BAUD 76 Flandes ; 9). — ISBN-10 90–5867–347–2 BSA: LZ 305/56 UA–CST: RG 2136 A 25 KMSKA: ICC 5420 UA–CST: MAG–OW–B 56311 SA: BIB 10015 La societ´ e´ de consommation: ses mythes, ses structures / Jean MPM: BM 34750 Baudrillard. — Paris : Gallimard, 1979. — 318 p. -
Charity Art Auction in Favor of the CS Hospiz Rennweg in Cooperation with the Rotary Clubs Wien-West, Vienna-International, Köln-Ville and München-Hofgarten
Rotary Club Wien-West, Vienna-International, Our Auction Charity art Köln-Ville and München-Hofgarten in cooperation with That‘s how it‘s done: Due to auction 1. Register: the current, Corona- related situation, BenefizAuktion in favor of the CS Hospiz Rennweg restrictions and changes 22. February 2021 Go to www.cs.at/ charityauction and register there; may occur at any time. please register up to 24 hours before the start of the auction. Tell us the All new Information at numbers of the works for which you want to bid. www.cs.at/kunstauktion Alternatively, send us the buying order on page 128. 2. Bidding: Bidding live by phone: We will call you shortly before your lots are called up in the auction. You can bid live and directly as if you were there. Live via WhatsApp: When registering, mark with a cross that you want to use this option and enter your mobile number. You‘re in. We‘ll get in touch with you just before the auction. Written bid: Simply enter your maximum bid in the form for the works of art that you want to increase. This means that you can already bid up to this amount, but of course you can also get the bid for a lower value. Just fill out the form. L ive stream: at www.cs.at/kunstauktion you will find the link for the auction, which will broadcast it directly to your home. 3. Payment: You were able to purchase your work of art, we congratulate you very much and wish you a lot of pleasure with it. -
Science in Culture
book reviews of Sciences. The author of the essay on Vino- also worked in mathematics and ecology, there are no name or subject indexes and no gradsky, G. A. Zavarzin, claims that he “con- the mathematician Dmitry P. Ryabushinsky bibliography. Only some of the authors indi- tinued to take an interest in scientific life in and Chichibabin, who all emigrated to cate the sources from which they obtained Soviet Russia”, which meant maintaining France. Also profiled here are geneticist and their materials. These materials would be friendly relations with the bosses of Soviet evolutionist Theodosius G. Dobzhansky, useful not only to researchers of Russian science, in contrast to other Russian émigrés. mathematician Yakov (Jacob) Tamarkin, history, but also to show more fully how the But this singling out of Vinogradsky is per- engineer Stepan P. Timoshenko and Ipatiev. history of Russia was viewed in the West. haps unjustified. As the other essays in this The final section is devoted to biographies Nevertheless, this book is the first work in book show, most émigré scientists remained of eminent specialists in the fields of econ- which the lives and activities of representa- Russian patriots and helped many of their omics and the humanities: the Nobel laureate tives of those who achieved significant friends who remained in the USSR. They Vasily Leontiev, the historians Rostovtsev, success during their lives outside Russia are simply could not reconcile themselves with Georgiy Vernadsky and Pavel Milyukov, and discussed without any political subtext. the morals and behaviour of the communists. the philologist Roman Yakobson, a Harvard Although it is primarily addressed to a They condemned the repressions and terror University professor who had great influence Russian audience, it would be good to see it in their motherland, and tried to avoid the in many fields of the humanities. -
Curriculum Vitae Carolina Castro Jorquera
CURRICULUM VITAE CAROLINA CASTRO JORQUERA Masters in Contemporary Art History and Cultural Studies Phd in Art History of the XXI Century (ongoing research) Carolina Castro Jorquera (Chile, 1982) Lives and works in Spain. She writes regularly in his blog.caroinc.net, and collaborates with the digital contemporary art magazines Adesk and Artishock. Occasionally contributes to the website of the CPPC (Colección Patricia Phelps de Cisneros). She is currently researching for his PhD in the department of Art Theory at the Universidad Autónoma of Madrid. Her interests are framed by the relationship that is able to establish art with other disciplines such as science and philosophy, as well as with the different dimensions of human consciousness and its role in the construction of history and present. She has a degree in art, has completed a Masters in Contemporary Art and Visual Culture in the Museo Nacional Centro de Arte Reina Sofia in Spain (2010) and participated in the 4th International Curatorial Course of the Gwangju Bienale (GBICC), South Korea (2012). PERSONAL INFORMATION Date of birth: March 23rd, 1982 Current residence: Madrid, Spain [email protected] / skype: caroinc Phone: +34 664541845 www.blog.caroinc.net English spoken and writen STUDIES AND EDUCATIONAL TRAINING 2011-2015 Phd in Art History at Universidad Autónoma, Madrid Spain. (Ongoing Research) 2012 Participated in the 4th International Curatorial Course of the Gwangju Biennale (GBICC), South Korea. Guest Teachers: Jens Hofman and Carol Yinhua Lu. 2009-2010 Masters in Art History and Cultural Studies, Museums and Collections Management. Museo Nacional Centro de Arte Reina Sofía. Spain 2001-2004 Bachelors in Fine Arts, Universidad del Desarrollo Santiago, Chile. -
Note: See the Tour Map Numbers That Correspond with the Following Text
Note: see the tour map numbers that correspond with the following text. 1. Cambridge Common The Cambridge Common is the City’s oldest public open space. In its present form, the Common consists of 8-1/2 acres of land, which is all that remains of the thousands of acres of common land that were granted to the original proprietors of Cambridge in 1630. During Colonial times, the Common was a place for military drill. The Common was originally landscaped as a park in 1830 and contains many commemorative monuments. 2. Brattle Street Cambridge’s most famous street, Brattle Street is known for its history and architecture. Most of the City’s remaining pre-Revolutionary era houses are located on Brattle Street, which is often called Tory Row because of the loyalist owners who built these old homes. The street boasts examples of the work of some of America’s best architects. Note the H. H. Richardson-designed Stoughton House (1883) at #90, the Vassal-Craigie-Longfellow House (1759) at #105, and the Hooper-Lee-Nichols House (1685) at #159. 3. Reservoir Street In 1856, the Cambridge Water Works constructed a steam pump on the shore of Fresh Pond from which the water was driven uphill through iron pipes to a reservoir on the Fayerweather estate. From Reservoir Hill, the water flowed by gravity to Old Cambridge. 4. Fresh Pond This natural landscape feature is a spring-fed lake, formed by a melting glacier. In the mid-eighteenth century, the shores were used as a wealthy resort destination. By the nineteenth century, the capability of Fresh Pond as a major ice harvesting supply was realized. -
Breathing Earth SUSUMU SHINGU’S DREAM a Film by Thomas Riedelsheimer Breathing Earth SUSUMU SHINGU’S DREAM
Breathing Earth SUSUMU SHINGU’S DREAM a film by Thomas Riedelsheimer Breathing Earth SUSUMU SHINGU’S DREAM Synopsis World famous 75 year-old Japanese artist, Susumu Shingu, sculpts the winds and follows them in search of a resting place, a wind-powered home, for his long, lifetime dream of Breathing Earth. He talks with nature through his sculptures. His lifelong dialogue with the wind and with water has given the world uniquely beautiful works of fluid, unpredictable and ever-changing movement. Susumu renders visible the veiled and the unseen and opens to us new perspectives. Thomas Riedelsheimer accompanies this quiet man in pursuit of a dream, a quest to create an awareness of our planet, our breathing earth, and our human values. Breathing Earth is a film about the wind, the philosophy of a wise person, about art and love and dreams. Director: Thomas Riedelsheimer He was born in September 1963 and studied at the Academy for Film and Television in Munich (1984 -1991). Since 1986, he has been a free-lance author, director and cameraman in Germany and abroad (Somalia, Tanzania, South Africa, New Zealand, Latvia, Russia, Tibet, Nepal, Japan, Canada, Scotland, India, Georgia, etc.) In 2008, Thomas Riedelsheimer and Stefan Tolz founded the production company Filmpunkt GmbH. This film is his fourth collaboration with Leslie Hills and Skyline Productions. He has received several major national and international film and television awards for directing, editing and camerawork, as well as numerous selections in international festivals. His previous films include Rivers and Tides: Andy Goldsworthy Working With Time, Touch the Sound: A Sound Journey with Evelyn Glennie, and Soul Birds. -
Renzo Piano Building Workshop Piece by Piece Exhibition Guide
Renzo Piano Building Workshop Piece by Piece Padova, Palazzo della Ragione exhibition guide 15 marzo - 15 luglio, 2014 a a a a a RenzoRenzoRenzoRenzoRenzo Piano Piano Piano Piano PianoBuilding Building Building Building Building Workshop Workshop Workshop Workshop Workshop PezzoPezzoPezzoPezzo Pezzoper per per Pezzo perPezzo per Pezzo Pezzo Pezzo Padova,Padova, Padova,Palazzo PalazzoPadova,Padova, dellaPalazzo della Palazzo Ragione PalazzodellaRagione della Ragione della Ragione Ragione Showing Architecture, piece by piece 15 marzo15 marzo15 - 15marzo 15- luglio,15 marzo15 luglio, - marzo15 2014 -luglio, 152014 -luglio, 15 2014 luglio, 2014 2014 It is very difficult to successfully exhibit architecture. Nothing can really substitute actually being in the building itself, the feeling of the hybrid tex- ture of a city, the continuous stream of voices that make up the sounds of life. An architectural exhibition can, however, clearly transmit something of the complex and shared process through which the buildings we design are conceived, constructed and then inhabited. The exhibition is therefore a partial vision, consisting of the designs, materials and tools that made up this painstaking process, those that you would find on an architect’s work- bench. An exhibition can also talk about the range of elements that make up our trade as architects: the tests conducted and progress made, but also our changes of direction and disappointments. The way in which an exhibition is presented can, by implication, also communicate a style, or language, an expressive intent. For us this expression is something we call ‘the poetry of lightness’, of lighting and of movement. We have put together this exhibition at the Palazzo della Ragione in Padua to enable the visitor to explore various different worlds: the social aspect of the ever-changing polis; the poetic idea of an absence of gravity; the construc- tion itself; and the ideal, the concept of art as a powerful tool of collective consciousness. -
VERA PAGAVA 1907- 1988 Born in Tiflis, Georgia Education 1932 Académie Ranson, Paris, France 1940 Qualifies with a Nursing Dipl
VERA PAGAVA 1907- 1988 Born in Tiflis, Georgia Education 1932 Académie Ranson, Paris, France 19 0 !"alifies #i$% a n"rsing diploma and $reats $%e #ar #o"nded Selected solo exhibitions 201'-2017 (era Pagava, celes$ial bodies, Galerie +eanne B"cher +aeger, Galerie Le -ino$a"re and Galerie Alain Le Gaillard, Paris, France 2012 .ational Galler/ Dimi$ri 1%e)ardnadze of Georgia, Tbilisi, Georgia 2003 (era Pagava, 1907-1988, Galerie Bernard Bo"che, Paris, France 199' (iera da 4il)a and Arpad 42enes' %o"se, 6/7)re-le-C%atel, France 1987 (era Pagava née en 1907, pein$"res, -"sée de Pon$oise, Pon$oise, France 198' Galerie G"mmersons, 4$ockholm, 4#eden 1982 9 1983 (era Pagava, parco"rs d’un pein$re, 32 9 82, -"sée des Beau;-Ar$s de Di<on, -"sée Dépar$emen$al de l5=ise, Beau)ais, -"sée 4ain$-Denis, Reims, -"sée des Beau;- Ar$s de Tro/es, 4alon de -on$ro"ge, France 1972 9 199' Galerie Darial, Paris, France 1972 (era Pagava, dessins, &ein$"res, Galerie 4cribe, -on$auban, France 1970 (era Pagava, dessins, Galerie +acob, Paris, France 19'8 1%>$eau de Ratill/, ?onne, France 19'' 33rd Biennale of (enise, A room is dedicated $o (era Pagava's #atercolors, French, Pavilion, (enise 19'3 Paris@ 4o"s les $oi$s de Paris, 1%e2 Gran)ille, France 19'3 A;%ibi$ion of a selection of #a$ercolors, 1%e2 Gran)ille, Paris@ 4o"s les $oi$s de Paris, France GA,ERIAKORNFELD Fasanens$r. -
Jeune Artiste Portrait De Hamza Halloubi, Jeune Artiste Arts Libre
ENFLAMMERLA TOILE Copie destinée à [email protected] CARL JONCKHEERE, SANS TITRE, HUILE SUR TOILE, 54 CM X 58 CM, 2011, DÉTAIL / COURTESY GALERIE ALBERT DUMONT, BRUXELLES Supplément à La Libre Belgique - N°135 - Semaine du 2 au 8 mars 2012 Jeune artiste Portrait de Hamza Halloubi, jeune artiste Arts Libre. PP.2-3 © S.A. IPM 2012. Toute représentation ou reproduction, même partielle, de la présente publication, sous quelque forme que ce soit, est interdite sans autorisation préalable et écrite de l'éditeur ou de ses ayants droit. 2 L'actu SEMAINE DU 2 AU 8 MARS 2012 ARTS LIBRE SEMAINE DU 2 AU 8 MARS 2012 ARTS LIBRE L'actu 3 Commentaire l Portrait Collectionneur, h Portrait de Hamza Halloubi, ditesvous ! jeune artiste Arts Libre. IL A ENLEVÉ LE DEUXIÈME PRIX DE LA SEPTIÈME édition d’Art Contest avec deux travaux qui nous avaient séduit : une vidéo, “Il est trop tard pour moi”, et “Rose sans Nom – Nom sans Rose”, un banc scolaire gravé par la lumière, venue d’en dessous allumer de lé Par Roger Pierre Turine gères incisions dans le bois. Les deux travaux s’accor daient, minimalistes et poétiques, autour de ce temps de l’école qui peut éveiller en nous regrets, rêves, con L’art, comme tout le reste, du tirebou traintes et absurdité quand on y songe plus tard. Nous chon au panier de crabes, se collectionne. avions écrit que Prévert aurait apprécié, quand il suffi Petits, on nous mit le pied à l’étrier avec sait d’invoquer son bel “Oiseau lyre” pour qu’en sur les bons points pour une bonne réponse gissent rêves d’évasion et de liberté ! à une bonne question, avec les timbres Né à Tanger, au Nord du Maroc, en 1982, Hamza Hal poste pour découvrir intelligemment la loubi vit en Belgique depuis 2004.