Development, and Well-Being of Children That Has Only Grown Over the Decades Since
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Reaktionen Mot Det Af Qvinnofrågan Framkallade Äktenskapsidealet” (1887)
4 4 Sophie Adlersparre ”Reaktionen mot det af qvinnofrågan framkallade äktenskapsidealet” (1887) Af Esselde. Innehåll: Det nya äktenskapsidealet, antydt af framstående engelska författare, tecknadt, negativt af nordens skalder, positivt af dessas kommentatorer. Upp häfvan- det af de gamla hustru- och äktamans-idealen. Makarnes behof af inbördes kom- plettering. Kyskhet. Mod. Mannens likställighet med hustrun och tvärtom. Upp- fostran. Hemlif, m. m. Reaktionen. Venstern: Strindberg, Bebel, Nordau, Brandes. Högern: Ellen Key, Jarl Hagelstam, Pastor Færden, m. fl. Sammanfattning. Ordet reaktion har, som så många andra, blifvit ett slagord, hvilket tager färg och betydelse af den åsigt, i hvars tjenst det användes. Det får sålunda gälla som ut- tryck för ganska olika, stundom hvarandra motsatta begrepp. Hvad som från en sida betraktas som framsteg, blir ur en annan synpunkt tillbakaskridande, hvad som för den ene ter sig som revolution, blir för den andre reaktion. Detta är icke minst fal- let på qvinnofrågans område, särskildt i närvarande tid. En liten öfversigt af denna verkliga eller förmenta reaktion, så vidt som den är riktad mot det af qvinnofrågans förkämpar uppstälda äktenskapsidealet, och ett försök att karakterisera de olika hufvudriktningarna af densamma torde derför här vara på sin plats. Först likväl en inledande blick på detta äktenskapsideal, hvilket flertalet af qvin- nofrågans vänner i norden, och vi bland dem, hylla. Det var några af Englands förnämsta författare, en Stuart Mill och hans hustru, en George Eliot, en Eliza- beth Barret Browning, som först antydde i hvad riktning qvinnans frigörelse skulle komma att inverka på äktenskapet och i lifvet förverkligade sina åsigter härom. Sophie Adlersparre (1887), ”Reaktionen mot det af qvinnofrågan framkallade äktenskaps- idealet”, Dagny, årg. -
Critical Values: the Career of Charles Rennie Mackintosh 1900-2015 Professor Pamela Robertson It Is a Great Pleasure to Be Back
Keynote Speech Strand 4 Critical Values: The Career of Charles Rennie Mackintosh 1900-2015 Professor Pamela Robertson It is a great pleasure to be back in Barcelona for this exciting Congress. I am grateful to the organisers, in particular Lluis Bosch and Mireia Freixa, for the invitation to speak to you today on Mackintosh, and to all those whose hard work has delivered such a successful and stimulating event. The strand this afternoon is research, specifically research in progress. This session invites us to reflect, for a moment, on critical values and critical fortunes. How are reputations and understandings formed? What value systems are they based on? How do they shift, and why? What are the future directions for us as curators, scholars, teachers? What I aim to present briefly today is threefold: an overview of the critical literature and research surrounding the career of Charles Rennie Mackintosh from around 1900 to 2015 (Fig. 1) – in the hope that this case study will provide some parallels with your individual experiences as researchers, whether working with male and/or female subjects; some reflections on the recently launched Mackintosh Architecture research website; and finally some general remarks on future directions for research. What emerges is the significance of context and individuals; the catalyst of curators and exhibitions; the gradual transference of Mackintosh's artistic legacy into the public domain; and, for Mackintosh at least, the central role of one institution, the University of Glasgow. In 1996, Alan Crawford divided Mackintosh's 'life after death' into three phases which comprised Mackintosh and the Architects, the Enthusiasts, and the Market.1 The trajectory of the scholarly presentation of Mackintosh’s work can, I believe, be divided into five broad phases, though of course at times these overlap: 1. -
SUSUMU SHINGU Beyond Time
PRESS PACK SUSUMU SHINGU Beyond Time Opening on Saturday September 15th from 4 to 7pm Exhibition from September 15th to December 1st 2012 “During my 40 years of work, I have always expressed through my sculptures, my exhibitions, my illus- trated books and my theatre plays how much Earth is a wonderful and precious planet. Since man made disasters caused on our planet are reaching a critical level, I feel there is even more emergency to send my simple message to all the inhabitants of this planet, which is, what wonderful Nature we have on our planet (…). I believe men are benevolent. And I also believe in Art. Since the visible future is one for our children, I would like to address them this message.”. Susumu Shingu Following the success of his two previous exhibitions at the gallery entitled Sculptures du respir in 2006 and Planet of Wind and Water in 2009, the gallery is pleased to announce a new exhibition by the Ja- panese artist Susumu Shingu entitled Beyond Time. This exhibition, opening on Saturday September 15th from 4 to 7pm, will run until the end of November and introduce a dozen of his new mobile indoor sculptures as well as two sculptures for outdoor; the last coloured collages of the artist as well as his wonderful sculpture study drawings will also be shown on the occasion of this exhibition. Sculptor, Philosopher of Nature and Humanist Born in 1937 in Osaka, Susumu Shingu concei- ves sculptures with movements generated by the forces and flows of nature – wind, wa- ter, sunlight and gravity. -
Remembering Sofia Kovalevskaya
Remembering Sofia Kovalevskaya Michèle Audin Remembering Sofia Kovalevskaya Michèle Audin Institut de recherche mathématique avancée Université de Strasbourg et CNRS 7 rue René-Descartes 67084 Strasbourg Cedex France [email protected] Whilst we have made considerable efforts to contact all holders of copyright material contained in this book. We have failed to locate some of them. Should holders wish to contact the Publisher, we will make every effort to come to some arrangement with them ISBN 978-0-85729-928-4 e-ISBN 978-0-85729-929-1 DOI 10.1007/978-0-85729-929-1 Springer London Dordrecht Heidelberg New York British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Library of Congress Control Number: 2011935730 Mathematics Subject Classification: 01-00, 01455, 14H70, 70Hxx, 70Exx, 35A10 Translation from the French language edition: ‘Souvenirs sur Sofia Kovalevskaya’ by Michèle Audin Copyright © 2008 Calvage et Mounet, France http://www.calvage-et-mounet.fr/ All Rights Reserved Springer-Verlag London Limited 2011 Apart from any fair dealing for the purposes of research or private study, or criticism or review, as permitted under the Copy- right, Designs and Patents Act 1988, this publication may only be reproduced, stored or transmitted, in any form or by any means, with the prior permission in writing of the publishers, or in the case of reprographic reproduction in accordance with the terms of licenses issued by the Copyright Licensing Agency. Enquiries concerning reproduction outside those terms should be sent to the publishers. The use of registered names, trademarks, etc., in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant laws and regulations and therefore free for general use. -
Illustrated Books
ILLUSTRATED GIFT BOOKS JONKERS RARE BOOKS 1 CATALOGUE 73 Rare Books as Gifts Contents Books make perfect gifts. Whether or not the recipient is a keen reader or collector, a History p.1 well chosen book can rarely fail to please. In an age of continuous upgrades and con- trolled obsolescence, a book has a reassuring durability and permanence and yet can be Natural History p.2 as diverse as human imagination allows. There are few gifts which are as original or convey as much thought as a rare book. Who would not be thrilled by opening a first Food & Drink p.3 edition of their favourite novel, a beautifully illustrated classic or an enthralling tale of travel or exploration, which one can return to over and over again? Angling p.3 This catalogue offers a selection of books suitable as gifts, be it as a Christmas or birth- Cricket p.5 day present for a loved one, a Christening present, a thank you present for a friend or colleague, or simply that most self indulgent of purchases, a gift for yourself. All the Rowing p.8 books have been carefully chosen and meticulously checked and researched so we can be sure that we are only offering the best copies available and priced so that they rep- River Thames p.10 resent good value. Travel p.14 The catalogue contains only a small section of our stock. Our complete stock is avail- able to be browsed in the comfortable surroundings of our new shop which is open Literature p.17 from Monday to Saturday, 10am-5.30pm, or at any time of the day or night on our website, www.jonkers.co.uk. -
Rare Books As Gifts
R A R E B O O K S A S G I F T S Rare Books As Gifts JONKERS RARE BOOKS 1 CATALOGUE 81 Rare Books As Gifts Orders can be taken at, Jonkers Rare Books 27 Hart Street Henley on Thames RG9 2AR 01491 576427 (within the UK) +44 1491 576427 (from overseas) [email protected] www.jonkers.co.uk Payment is accepted by cheque or bank transfer in either sterling or US dollars and all major credit cards. Shipping is charged at cost and will be quoted for with order. UK shipping is free for all orders over £200. We can send books by courier for next day delivery in the UK, and for delivery within two working days internationally. All items are unconditionally guaranteed to be authentic and as described. Any unsatisfactory item may be returned within seven days of receipt. All items in this catalogue may be ordered via our secure website. The website also lists some 3000 books, manuscripts and pieces of artwork from our stock, as well as a host of other information. Cover Illustration: Item 73, an inlaid vellucent binding by Cedric Chivers for Peter Pan In Kensington Gardens. Vignette Above: From Item 29, The Chimes illustrated by Hugh Thomson. Pictorial Title Page: From the cover design by A. C. Michael for A Christmas Carol, item 28. Rear Cover Illustration: An original ink and watercolour painting of Cinderella by Ronald Balfour, item 6. Rare Books As Gifts Illustrated Gift Books Literary Classics Modern First Editions Children’s Books Travel & Exploration History, Art & Sport JONKERS RARE BOOKS MMXX J O N K E R S R A R E B O O K S Illustrated Gift Books & Original Artwork 2 R A R E B O O K S A S G I F T S 1. -
Reception of Foreign Women Writers in the Slovenian Literary System of the Long 19Th Century
Edited by Reception of Foreign Katja Mihurko Poniž Women Writers in the Slovenian Literary System of the Long 19th Century HERA 07 A4.indd 1 15.5.2017 12:09:30 HERA 07 A4.indd 2 15.5.2017 12:09:30 Reception of Foreign Women Writers in the Slovenian Literary System of the Long 19th Century Edited by Katja Mihurko Poniž HERA 07 A4.indd 3 15.5.2017 12:09:30 Reception of Foreign Women Writers in the Slovenian Literary System of the Long 19th Century Edited by: Katja Mihurko Poniž Expert Reviewers: Barbara Simoniti, Peter Scherber English Translation: Melita Silič: Introduction, From Passing References to Inspiring Writers the Presence of Foreign Women Writers in the Press, Libraries, Theatre Performances and in the Works of Slovenian Authors; Leonora Flis: Ambiguous Views on Femininity in the Writings of Two “New Women” in the Fin de sieclè Zofka Kveder’s Inspirational Encounters with Laura Marholm’s Modern women. English Language Editing: Leonora Flis: Visualization of the WomenWriters Database: Interdisciplinary Collaboration Experiments 2012—2015). Designed by: Kontrastika Published by: University of Nova Gorica Press, P.O. Box 301, Vipavska 13, SI-5001 Nova Gorica Acrobat Reader, ePUB http://www.ung.si/sl/zalozba/ http://www.ung.si/en/publisher/ 27.3.2017 Publication year: 2017 University of Nova Gorica Press The book was financially supported by the HERA Joint Research Programme (www.heranet.info), co-funded by AHRC, AKA, BMBF via PT-DLR, DASTI, ETAG, FCT, FNR, FNRS, FWF, FWO, HAZU, IRC, LMT, MHEST, NWO, NCN, RANNÍS, RCN, VR and The European Community FP7 2007. -
THE ART NOUVEAU BOOK DESIGNS of TALWIN MORRIS Lyle Ford
THE ART NOUVEAU BOOK DESIGNS OF TALWIN MORRIS Lyle Ford ALWIN MORRIS worked as a book designer from 1893 to 1911, the year of his death. Immersed in the Glasgow Style, he created T a body of graphic design uniquely situated between the decline of blind-stamped Victorian publishers' bindings and the appearance of the now ubiquitous dust jacket. Born in 1865 in Winchester, England, Morris moved to Glasgow in 1893 to become the art director for the publisher Blackie & Son. As of 1898, he also designed books for Blackie & Son's subsidiary, Gresham Publishing. In both publishing houses, Morris designed "publishers' bindings," identical book covers manufac tured in mass quantities rather than one-of-a-kind books. During his tenure as Art Director he befriended Charles Rennie Mack intosh and other proponents of the Glasgow Style, a particularly Scot tish expression of Art Nouveau. One of Mackintosh's better known buildings, Hill House, designed for Walter Blackie, came about due to Morris' influence (MacLeod 90). He introduced Mackintosh to Walter Blackie and championed his work. Morris also commissioned book designs from Mackintosh and from a number of other artists in the Glasgow Style circle. His designs also re flected many of the stylistic forms and symbols found in the others' works. Those forms draw on natural shapes such as roses, plants and feathers, but Morris also used linear and architectural motifs in his designs. This combination of natural and linear elements typifies late Art Nouveau in general and the Glasgow Style in particular. Blackie & Son sold popular books, including children's books, school texts, theological and philosophical works, popular novels, and poetry. -
1 Ossified Collections Embody the Manifold Reasons Motivating Private Collectors
Ossified Collections: The Past Encapsulated in British Institutions Today Karen Attar Chapter published in: Collecting the Past: British Collectors and their Collections from the 18th to the 20th Centuries, ed. by Toby Burrows and Cynthia Johnston (London: Routledge, 2019), pp. 113-38 ‘Floreat bibliomania’, entitled that great collector A.N.L. Munby an article published in the New Statesman on 21 June 1952.1 Munby’s main interest was in sale catalogues as records of books assembled and then dispersed.2 This essay provides an overview of a more philanthropic and stable end to collecting: collections of primarily printed books in the British Isles that have stayed together and now enrich institutions, causing broader swathes of scholars and librarians to echo Munby’s prayer. Whilst some outstanding collectors and bibliophiles are highlighted in the standard literature of collecting and other more modest ones are noted in magisterial histories of institutions, feature in dedicated articles, or are commemorated in published catalogues of their collections, these remain the minority.3 This overview is based more widely on some of what has been described as ‘the rest of the iceberg’, through a survey of 873 repositories in the British Isles: national, academic, school, public, subscription and professional libraries, or in trusts, cathedrals, churches, monasteries, London clubs, archives, museums, schools, companies, and stately homes.4 Discussing popular collecting subjects and trends in collecting, it concentrates on ‘collections’ as groups of books with some unifying element, most of which originated with an individual before entering corporate ownership, whilst retaining at least some semblance of their former identity. -
A C C Jj P T Iiid
ACCjJPTiiiD FACULTY OF GRAHUATF qTnn,r?HE "NEW WOMAN" IN FIN-DE-SIECLE ART: tS FRANCES AND MARGARET MACDONALD by 1ATF _______________' i2 Janice Valerie Helland ~ --- ------ B.A., University of Lethbridge, 1973 M.A., University of Victoria, 1984 A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY : in the Department of History in Art We accept this thesis as conforming to the required standard _________________ Dr. Ej^Tumasonis, Supervisor (Department of History in Art) Dr. J. Osborne, Departmental Member (Department of History in Art) Dr. A. Wel<gj)^*DepartmentaI Member (Department of Histor^in Art) Dr. A. McLa^fen, Outside Member (Department of History) _________________________________________ Dr. A. Fontaine, Outgj.de Member (Department of Biology) ________________________________________ Dr. B./Elliott, External Examiner (University of Alberta) ® JANICE VALERIE HELLAND, 1991 University of Victoria All rights reserved. Thesis may not be reproduced in whole or in part, by mimeograph or other means, without the permission of the author. 11 Supervisor: Dr. E, Turoasonis ABSTRACT Scottish artists Margaret and Frances Macdonald produced their most innovative art during the last decade of the nineteenth century. They received their training at the Glasgow School of Art and became known for their contribution to "the Glasgow Style," Scotland's answer to Continental Art nouveau and Symbolism. Although they inherited their visual vocabulary from the male-dominated language of the fin-de-siècle. they produced representations of women that differed from those made by their male colleagues. I suggest that these representations were informed by the female exper,i*nce and that they must be understood as such if we, as historians, are to discuss their art. -
An Unholy Union? Eugenic Feminism in the Nordic Countries, Ca. 1890-1940
An Unholy Union? Eugenic Feminism in the Nordic Countries, ca. 1890-1940 Merle Weßel An Unholy Union? Eugenic Feminism in the Nordic Countries, ca.1890-1940 Merle Weßel Academic dissertation to be publicly discussed, by due permission of the Faculty of Arts at the University of Helsinki, in lecture hall 13 on 28 March 2018 at 12 o’clock noon. ISBN 978-951-51-4103-3 (paperback) ISBN 978-951-51-4104-0 (PDF) http://ethesis.helsinki.fi Unigrafia 2018 Abstract The interest of first-wave feminists into eugenics was widespread internationally but the Nordic countries showed an especially keen engagement with these ideals. This link between eugenics and feminism is a controversial one, since eugenics is often thought to restrict women's reproductive choices, whereas feminism empowers women's reproductive choices. This dissertation examines the engagement of Nordic feminists with eugenic ideals between 1890 and 1940. It investigates prominent feminists and feminist organizations from Denmark, Sweden, Norway, Finland and Iceland. I analyse if, and to what extent, Nordic feminists believed eugenics to be an appealing ideology to support their goal of female empowerment This study draws upon theories of the body, intersectionality and biopower to illustrate how eugenic feminists defined, middle class women as valuable, who contributed positively society with their reproductive function as opposed to questionable women from the working class and under class who were unable to contribute to the nation. Using content analysis, this dissertation examines the public writings of eugenic feminists and feminist organizations, such as medical and sexual health advice books, articles, pamphlets, lectures, and magazines. -
Science in Culture
book reviews of Sciences. The author of the essay on Vino- also worked in mathematics and ecology, there are no name or subject indexes and no gradsky, G. A. Zavarzin, claims that he “con- the mathematician Dmitry P. Ryabushinsky bibliography. Only some of the authors indi- tinued to take an interest in scientific life in and Chichibabin, who all emigrated to cate the sources from which they obtained Soviet Russia”, which meant maintaining France. Also profiled here are geneticist and their materials. These materials would be friendly relations with the bosses of Soviet evolutionist Theodosius G. Dobzhansky, useful not only to researchers of Russian science, in contrast to other Russian émigrés. mathematician Yakov (Jacob) Tamarkin, history, but also to show more fully how the But this singling out of Vinogradsky is per- engineer Stepan P. Timoshenko and Ipatiev. history of Russia was viewed in the West. haps unjustified. As the other essays in this The final section is devoted to biographies Nevertheless, this book is the first work in book show, most émigré scientists remained of eminent specialists in the fields of econ- which the lives and activities of representa- Russian patriots and helped many of their omics and the humanities: the Nobel laureate tives of those who achieved significant friends who remained in the USSR. They Vasily Leontiev, the historians Rostovtsev, success during their lives outside Russia are simply could not reconcile themselves with Georgiy Vernadsky and Pavel Milyukov, and discussed without any political subtext. the morals and behaviour of the communists. the philologist Roman Yakobson, a Harvard Although it is primarily addressed to a They condemned the repressions and terror University professor who had great influence Russian audience, it would be good to see it in their motherland, and tried to avoid the in many fields of the humanities.