Rare Books As Gifts
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Critical Values: the Career of Charles Rennie Mackintosh 1900-2015 Professor Pamela Robertson It Is a Great Pleasure to Be Back
Keynote Speech Strand 4 Critical Values: The Career of Charles Rennie Mackintosh 1900-2015 Professor Pamela Robertson It is a great pleasure to be back in Barcelona for this exciting Congress. I am grateful to the organisers, in particular Lluis Bosch and Mireia Freixa, for the invitation to speak to you today on Mackintosh, and to all those whose hard work has delivered such a successful and stimulating event. The strand this afternoon is research, specifically research in progress. This session invites us to reflect, for a moment, on critical values and critical fortunes. How are reputations and understandings formed? What value systems are they based on? How do they shift, and why? What are the future directions for us as curators, scholars, teachers? What I aim to present briefly today is threefold: an overview of the critical literature and research surrounding the career of Charles Rennie Mackintosh from around 1900 to 2015 (Fig. 1) – in the hope that this case study will provide some parallels with your individual experiences as researchers, whether working with male and/or female subjects; some reflections on the recently launched Mackintosh Architecture research website; and finally some general remarks on future directions for research. What emerges is the significance of context and individuals; the catalyst of curators and exhibitions; the gradual transference of Mackintosh's artistic legacy into the public domain; and, for Mackintosh at least, the central role of one institution, the University of Glasgow. In 1996, Alan Crawford divided Mackintosh's 'life after death' into three phases which comprised Mackintosh and the Architects, the Enthusiasts, and the Market.1 The trajectory of the scholarly presentation of Mackintosh’s work can, I believe, be divided into five broad phases, though of course at times these overlap: 1. -
The True Story of the World’S Most Famous Bear
Finding Winnie Social Studies and Literacy Connection Listen to Mrs. Fowler read the story Finding Winnie: The True Story of the World’s Most Famous Bear https://youtu.be/HasNvfbSZkI Our story today talked about the real Winnie the Pooh! Below you will read some about the author of the Winnie the Pooh stories, A.A. Milne. Just for fun, here are some of my favorite A.A. Milne quotes, as told by Winnie the Pooh. A.A. Milne Alan Alexander Milne was born in 1882 and died in 1956. Milne was an English writer and was best known for his books about the teddy bear – Winnie the Pooh. Milne also served in both World Wars, having joined the British Army in World War I. A.A. Milne was born in London and went to a small school called Henley House. He then attended Westminster School and Trinity College, in Cambridge. After, Milne joined the British Army and fought in World War I. After the war Milne began writing. When his son, Christopher Robin Milne, was born in 1920 he started writing children’s stories. He came up with the idea of Winnie the Pooh in 1925. Milne named one of the main characters of the famous books after his son, Christopher Robin. Other characters in the books were named after his son’s toy animals, including the bear named Winnie the Pooh. After fighting in World War II, Milne became ill and died in January 1956, aged 74. However his stories live on! Creative Primary Literacy www.teacherspayteachers.com/Store/Creative-Primary-Literacy © A.A. -
Háskóli Íslands
Introduction .................................................................................... 2 Background and Criticism ............................................................ 5 The Books ......................................................................................12 The Movie ......................................................................................15 Winnie-the-Pooh and Friends .....................................................20 Conclusion .....................................................................................28 Works Cited ..................................................................................32 Gylfadóttir, 2 Introduction In the 1920s an English author by the name of A. A. Milne wrote two books about a bear named Winnie-the-Pooh and his friends. The former was called simply Winnie- the-Pooh (WP) and was published in 1926, and the second, The House at Pooh Corner (HPC), was published in 1928. The books contain a collection of stories that the author used to tell to his son before he went to bed in the evening and they came to be counted among the most widely known children‟s stories in literary history. Many consider the books about Winnie-the-Pooh some of the greatest literary works ever written for children. They have been lined up and compared with such classic masterpieces as Alice in Wonderland (1865) by Lewis Carroll and The Wind in the Willows (1908) by Kenneth Graham. How Milne uses poetry and prose together in his stories has earned him a place next to some of the great poets, such as E. Nesbit, Walter de la Mare and Robert Louis Stevenson (Greene). In my view, the author‟s basic purpose with writing the books was to make children, his son in particular, happy, and to give them a chance to enter an “enchanted place” (HPC 508). The books were not written to be a means of education or to be the source of constant in-depth analysis of over-zealous critics. -
Illustrated Books
ILLUSTRATED GIFT BOOKS JONKERS RARE BOOKS 1 CATALOGUE 73 Rare Books as Gifts Contents Books make perfect gifts. Whether or not the recipient is a keen reader or collector, a History p.1 well chosen book can rarely fail to please. In an age of continuous upgrades and con- trolled obsolescence, a book has a reassuring durability and permanence and yet can be Natural History p.2 as diverse as human imagination allows. There are few gifts which are as original or convey as much thought as a rare book. Who would not be thrilled by opening a first Food & Drink p.3 edition of their favourite novel, a beautifully illustrated classic or an enthralling tale of travel or exploration, which one can return to over and over again? Angling p.3 This catalogue offers a selection of books suitable as gifts, be it as a Christmas or birth- Cricket p.5 day present for a loved one, a Christening present, a thank you present for a friend or colleague, or simply that most self indulgent of purchases, a gift for yourself. All the Rowing p.8 books have been carefully chosen and meticulously checked and researched so we can be sure that we are only offering the best copies available and priced so that they rep- River Thames p.10 resent good value. Travel p.14 The catalogue contains only a small section of our stock. Our complete stock is avail- able to be browsed in the comfortable surroundings of our new shop which is open Literature p.17 from Monday to Saturday, 10am-5.30pm, or at any time of the day or night on our website, www.jonkers.co.uk. -
THE ART NOUVEAU BOOK DESIGNS of TALWIN MORRIS Lyle Ford
THE ART NOUVEAU BOOK DESIGNS OF TALWIN MORRIS Lyle Ford ALWIN MORRIS worked as a book designer from 1893 to 1911, the year of his death. Immersed in the Glasgow Style, he created T a body of graphic design uniquely situated between the decline of blind-stamped Victorian publishers' bindings and the appearance of the now ubiquitous dust jacket. Born in 1865 in Winchester, England, Morris moved to Glasgow in 1893 to become the art director for the publisher Blackie & Son. As of 1898, he also designed books for Blackie & Son's subsidiary, Gresham Publishing. In both publishing houses, Morris designed "publishers' bindings," identical book covers manufac tured in mass quantities rather than one-of-a-kind books. During his tenure as Art Director he befriended Charles Rennie Mack intosh and other proponents of the Glasgow Style, a particularly Scot tish expression of Art Nouveau. One of Mackintosh's better known buildings, Hill House, designed for Walter Blackie, came about due to Morris' influence (MacLeod 90). He introduced Mackintosh to Walter Blackie and championed his work. Morris also commissioned book designs from Mackintosh and from a number of other artists in the Glasgow Style circle. His designs also re flected many of the stylistic forms and symbols found in the others' works. Those forms draw on natural shapes such as roses, plants and feathers, but Morris also used linear and architectural motifs in his designs. This combination of natural and linear elements typifies late Art Nouveau in general and the Glasgow Style in particular. Blackie & Son sold popular books, including children's books, school texts, theological and philosophical works, popular novels, and poetry. -
1 Ossified Collections Embody the Manifold Reasons Motivating Private Collectors
Ossified Collections: The Past Encapsulated in British Institutions Today Karen Attar Chapter published in: Collecting the Past: British Collectors and their Collections from the 18th to the 20th Centuries, ed. by Toby Burrows and Cynthia Johnston (London: Routledge, 2019), pp. 113-38 ‘Floreat bibliomania’, entitled that great collector A.N.L. Munby an article published in the New Statesman on 21 June 1952.1 Munby’s main interest was in sale catalogues as records of books assembled and then dispersed.2 This essay provides an overview of a more philanthropic and stable end to collecting: collections of primarily printed books in the British Isles that have stayed together and now enrich institutions, causing broader swathes of scholars and librarians to echo Munby’s prayer. Whilst some outstanding collectors and bibliophiles are highlighted in the standard literature of collecting and other more modest ones are noted in magisterial histories of institutions, feature in dedicated articles, or are commemorated in published catalogues of their collections, these remain the minority.3 This overview is based more widely on some of what has been described as ‘the rest of the iceberg’, through a survey of 873 repositories in the British Isles: national, academic, school, public, subscription and professional libraries, or in trusts, cathedrals, churches, monasteries, London clubs, archives, museums, schools, companies, and stately homes.4 Discussing popular collecting subjects and trends in collecting, it concentrates on ‘collections’ as groups of books with some unifying element, most of which originated with an individual before entering corporate ownership, whilst retaining at least some semblance of their former identity. -
Rare Golf Books & Memorabilia
Sale 513 August 22, 2013 11:00 AM Pacific Time Rare Golf Books & Memorabilia: The Collection of Dr. Robert Weisgerber, GCS# 128, with Additions. Auction Preview Tuesday, August 20, 9:00 am to 5:00 pm Wednesday, August 21, 9:00 am to 5:00 pm Thursday, August 22, 9:00 am to 11:00 am Other showings by appointment 133 Kearny Street 4th Floor : San Francisco, CA 94108 phone : 415.989.2665 toll free : 1.866.999.7224 fax : 415.989.1664 [email protected] : www.pbagalleries.com Administration Sharon Gee, President Shannon Kennedy, Vice President, Client Services Angela Jarosz, Administrative Assistant, Catalogue Layout William M. Taylor, Jr., Inventory Manager Consignments, Appraisals & Cataloguing Bruce E. MacMakin, Senior Vice President George K. Fox, Vice President, Market Development & Senior Auctioneer Gregory Jung, Senior Specialist Erin Escobar, Specialist Photography & Design Justin Benttinen, Photographer System Administrator Thomas J. Rosqui Summer - Fall Auctions, 2013 August 29, 2013 - Treasures from our Warehouse, Part II with Books by the Shelf September 12, 2013 - California & The American West September 26, 2013 - Fine & Rare Books October 10, 2013 - Beats & The Counterculture with other Fine Literature October 24, 2013 - Fine Americana - Travel - Maps & Views Schedule is subject to change. Please contact PBA or pbagalleries.com for further information. Consignments are being accepted for the 2013 Auction season. Please contact Bruce MacMakin at [email protected]. Front Cover: Lot 303 Back Cover: Clockwise from upper left: Lots 136, 7, 9, 396 Bond #08BSBGK1794 Dr. Robert Weisgerber The Weisgerber collection that we are offering in this sale is onlypart of Bob’s collection, the balance of which will be offered in our next February 2014 golf auction,that will include clubs, balls and additional books and memo- rabilia. -
A C C Jj P T Iiid
ACCjJPTiiiD FACULTY OF GRAHUATF qTnn,r?HE "NEW WOMAN" IN FIN-DE-SIECLE ART: tS FRANCES AND MARGARET MACDONALD by 1ATF _______________' i2 Janice Valerie Helland ~ --- ------ B.A., University of Lethbridge, 1973 M.A., University of Victoria, 1984 A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY : in the Department of History in Art We accept this thesis as conforming to the required standard _________________ Dr. Ej^Tumasonis, Supervisor (Department of History in Art) Dr. J. Osborne, Departmental Member (Department of History in Art) Dr. A. Wel<gj)^*DepartmentaI Member (Department of Histor^in Art) Dr. A. McLa^fen, Outside Member (Department of History) _________________________________________ Dr. A. Fontaine, Outgj.de Member (Department of Biology) ________________________________________ Dr. B./Elliott, External Examiner (University of Alberta) ® JANICE VALERIE HELLAND, 1991 University of Victoria All rights reserved. Thesis may not be reproduced in whole or in part, by mimeograph or other means, without the permission of the author. 11 Supervisor: Dr. E, Turoasonis ABSTRACT Scottish artists Margaret and Frances Macdonald produced their most innovative art during the last decade of the nineteenth century. They received their training at the Glasgow School of Art and became known for their contribution to "the Glasgow Style," Scotland's answer to Continental Art nouveau and Symbolism. Although they inherited their visual vocabulary from the male-dominated language of the fin-de-siècle. they produced representations of women that differed from those made by their male colleagues. I suggest that these representations were informed by the female exper,i*nce and that they must be understood as such if we, as historians, are to discuss their art. -
The House at Pooh Corner
The House at Pooh Corner A Study Guide Production Personnel Cast ANDREW G. COOPER: Tasker / Piglet / Tigger RANDI EDMUNDSON: Alice / Tasker / Eeyore / Rabbit / Kanga / Roo / Owl STEFANO GIULIANETTI: Alexander / Tasker / Winnie the Pooh DEIDRICH ORTON: Christopher Robin Production Team HEATHER CANT: Director RANDI EDMUNDSON: Music Director TRAVIS HATT: Set & Lighting Designer MARIAN TRUSCOTT: Costume Designer SHAWN KETTNER: Puppet Designer & Builder CATHY NOSATY: Original Composition MADISON HENRY: Stage Manager ERIK HAGAR: Design Apprentice The House at Pooh Corner is a play based on a book written by A.A. Milne. The original play was written by Bettye Knapp. Western Canada Theatre’s production of The House at Pooh Corner has been adapted by Kim Selody. 1 A.A. Milne and Winnie the Pooh Alan Alexander Milne (1882 – 1956) began his writing career after graduating from Cambridge University. After serving in World War I, he worked for many years as the assistant editor of the British humour magazine Punch. A successful playwright, his plays were produced in London and New York. In 1920, his wife Daphne gave birth to a son, Christopher Robin Milne. A.A. Milne’s career as a children’s author began with the publication of a collection of verses entitled When We Were Very Young, illustrated by Ernest H. Shepard. Christopher Robin’s favourite toy was an 18 inch-high stuffed bear purchased at Harrod’s Department store for his first birthday. Named “Edward Bear” at first, the bear was renamed “Winnie” after a black bear in the London Zoo. As a young child, Christopher Robin had quite a friendship with the bear, and visited regularly to play games and give Winnie a special treat: condensed milk. -
The Wonder of Winnie-The-Pooh
The wonder of Winnie-the-Pooh A National Literacy Trust membership resource A Key Stage 1 resource celebrating the enduring wonder of our nation’s favourite bear and the joy of storytelling. Celebrate the enduring appeal of Pooh and his adventures in the Hundred Acre Wood with our creative ideas and activities to help immerse your pupils in the magical world of Christopher Robin and his menagerie of animal friends. © Trustees of the Pooh Properties Use the annual Winnie-the-Pooh Day on 18 January to focus your © The Shepard Trust celebrations and say happy birthday to Pooh. Alternatively, any day could be a Pooh day, as we seek to celebrate and explore the creative storytelling process and encourage the imaginative A.A. Milne inside each one of our pupils. The resource The resource is designed as a whole-day celebration with a morning immersing pupils in the world of Pooh and his friends, in preparation for an afternoon of story invention. Pupils are supported in developing their own Hundred Acre Wood tale orally to rehearse and share with peers and parents as they introduce a new character of their own to join the band of loveable friends. You will need the following resources provided as part of this resource pack: this teacher resource – full of activities and ideas to support the storytelling process across the day a map of the Hundred Acre Wood resources to create your own Pooh Corner: Pooh bunting for colouring and display Pooh and friends cut out images to decorate your ‘corner’ parent invitation letter template The resource is designed for Key Stage 1 pupils and can be delivered either as a whole-day celebration or more flexibly across several days with an additional writing outcome. -
A Production of A. A. Milne's Winnie-The-Pooh
MC GEE, CAROLE ANN. A Production of A. A. Milne's Winnie-the- Pooh. (1975) Directed by: Mr. Tom Behm. Pp. 159, The purpose of this study was to research, analyze, plan and direct a production of Kristin Sergei's adaptation of A. A. Milne's Winnie- the-Pooh. In addition to information pertaining to the life and writing style of A. A. Milne, much material was gathered from the study of the Milne originals, Winnie -the - Pooh and The House at Pooh Corner, study of the Sergei children's theatre adaptation and perusal cf various sources on the subject of children's theatre production. The presentation was carefully planned by its director in creative collaboration with scenery, lighting, costume and make-up designers. Ensuing casting of the play was a four-week rehearsal period and the opening production in W. Raymond Taylor Drama and Speech Building, Greensboro, North Carolina on October 20, 1974. During its week-long run, the play was presented to over five thousand young people. A PRODUCTION OF A. A. MILNE'S WINNIE-THE-POOH by Carole Ann McGee A Thesis Submitted to the Faculty of the Graduate School at The University of North Carolina at Greensboro in Partial Fulfillment of the Requirements for the Degree Master of Fine Arts Greensboro 1975 Approved by Thesis Adviser QJU This thesis has been approved by the following committee of the Faculty of the Graduate School at the University of North Carolina at Greensboro. Thesis Adviser ^g/^Cg-yKXLo (QtV^vy Committee Membe Date of Acceptance by Committee 11 TABLE OF CONTENTS Page APPROVAL PAGE y LIST OF FIGURES v LIST OF PLATES vi INTRODUCTION 1 CHAPTER . -
Children Illustrated Winter 2018.Pdf
Prices in this catalogue are net and do not include postage or insurance which will be added to the invoice. Payment may be made by personal cheque drawn on a UK bank, banker’s draft in sterling, international money order, or credit card, noting full name of cardholder, card type and number, expiry date and the security number on reverse (last three digits). Direct bank transfers to: C. Hoare and Co., 37 Fleet St, London EC4P 7DQ sort code: 15-99-00 a/c no: 33440450 All books are published in London unless otherwise stated. OPENING TIMES Monday – Friday: 9:30am – 6.00pm Saturday: 10:00am – 4.00pm Cataloguer: Rosie Hodge [email protected] HENRY SOTHERAN LIMITED 2 Sackville Street Piccadilly London W1S 3DP tel: 020 7439 6151 fax: 020 7434 2019 email: [email protected] website: www.sotherans.co.uk Front cover image item 8 CHILDREN’S & ILLUSTRATED BOOKS WINTER 2018 HENRY SOTHERAN LIMITED 2 Sackville Street, Piccadilly London W1S 3DP tel: 020 7439 6151 fax: 020 7434 2019 email: [email protected] website: www.sotherans.co.uk You can also find us in theDIGITAL WORLD! Follow us on: Instagram www.instagram.com/sotherans_piccadilly Pinterest www.pinterest.com/sotherans Twitter twitter.com/Sotherans Facebook www.facebook.com/sotherans 1. ADAMS, Frank (illustrator). Jessie POPE (verses by). Three Jolly Anglers. London; Blackie & Son Limited. [1917]. £138 4to. Original beige cloth-backed buff pictorial boards blocked in blue and black, double-page pictorial endpapers; pp. [26], on French-folded leaves, uncut as issued; jauntily and strikingly illustrated with 12 coloured plates and other vignettes in line; an attractive copy with a neat contemporary ink inscription, dated Xmas ’17, to front free endpaper, some dust-soiling to spine, bruising to ends, small wear to forecorners, and marking to lower board.