DOCSLIB.ORG

Vera Pagava Booth Sp22

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Vera Pagava Booth Sp22 VERA PAGAVA BOOTH SP22 Vera Pagava (Born in 1907 in Tbilisi, Georgia) em igrated to Paris in 1923 fo llo w in g h e r fa m ilie s e x ile fro m S o v ie t o c c u p ie d G e o rg ia . P a ris h a d a great influence to the artist who becam e deeply involved with the artistic milieu and avant-garde of the time. Pagava explored an active freeing of the self from form al representations in both life and w ork, breaking dow n the meanings of both her identity as a fem ale artist and her background from her hom etow n. As she neither liked to be defined as a fem ale nor G eorgian artist exclusively. This categorisation, m anifesting as figuration within her work, was left behind with a turning point from the early 1960‘s tow ards abstraction as a m eans to find this escape.: Pagava was known for her experimentation within abstract motives, still lives, portrayals of nature, buildings and her ethereal representation of reality w h ich had a distinct softness in palette an d tou ch . W h ile the titles of her paintings evoked real places, their presence went beyond id e n tific a tio n , a c o n s ta n t o s c illa tio n b e tw e e n p u r e a b s tr a c tio n a n d represen tation . Th e artist gained intern ation al recogn ition follow ing a successful exhibition along side Dora M aar at the Jeanne Bucher Gallery in 1944 and later participation in the 33rd edition of the Venice B iennale in 1966 in w hich she represented France in a separate pavilion.: Considering Pagava's earlier works alongside her later works, one witnesses how her practice became increasingly mysterious, as the surfaces and contours of her form s began to float freely from any obvious narrative or m eaning encom passed instead in subjacent light and colour. Our presentation will m ainly focus on paintings from the 70s alongside several earlier works. Tw o rare works from her still life period from 1935 and 1940, a landscape w ork from 1962 and a w ork from 1963 presenting the transitional stages of her practice. GALERIEKORNFELD Fasanenstr. 26 D-10719 Berlin Tel +49(0)30 889 225 890 Fax +49(0)30 889 225 899 [email protected] Vera Pagava Coupe et form es sur table ca 1935 Öl auf Leinwand Oil on canvas 54 x 80,5 cm | 21 1/4 x 31 2/3 in F r a m e d Provenance: Galerie Jeanne Bucher Jaeger, Paris, France GALERIEKORNFELD Fasanenstr. 26 D-10719 Berlin Tel +49(0)30 889 225 890 Fax +49(0)30 889 225 899 [email protected] V e r a P a g a v a La Pastèque 1940 Öl auf Leinwand Oil on canvas 24 x 35 cm | 9 1/2 x 13 3/4 in F r a m e d Provenance: Galerie Jeanne Bucher Jaeger, Paris, France GALERIEKORNFELD Fasanenstr. 26 D-10719 Berlin Tel +49(0)30 889 225 890 Fax +49(0)30 889 225 899 [email protected] V e r a P a g a v a Autom ne (Autum n) 1970 Öl auf Leinwand Oil on canvas 81 x 100 cm | 32 x 39 1/3 in Original artist fram e included Provenance: Private Collection Exhibition History: 2001: Musée Pierre Noël, retrospective of Vera Pagava, Saint-Dié-des-Vosges,1 France 1 1974 : 19th Salon de Montrouge. Montrouge, France. May 2 – June 3, 1974. 1 1972 : Galerie Darial, « W orks by Vera Pagava », Paris 7th. May-June, 1972. 1 1971 : 20th Salon d'Art Sacré et d'Expression Spirituelle, Crypt of the Montmartre Basilica. May 10 – Septem bre 30, 1971.1 Reproduced in the monography « Vera Pagava, vers l’indicible », ed. Area, 2010,1p.191 GALERIEKORNFELD Fasanenstr. 26 D-10719 Berlin Tel +49(0)30 889 225 890 Fax +49(0)30 889 225 899 [email protected] V e r a P a g a v a City 1962 Öl auf Leinwand Oil on canvas 45 x 64 cm | 17 3/4 x 25 1/4 in Fram e included Provenance: Galerie Kornfeld, Berlin, Germany Chardin Gallery, Tbilisi, Georgia GALERIEKORNFELD Fasanenstr. 26 D-10719 Berlin Tel +49(0)30 889 225 890 Fax +49(0)30 889 225 899 [email protected] V e r a P a g a v a Untitled [Three forms] 1964 Öl auf Leinwand Oil on canvas 81 x 100 cm | 32 x 39 1/3 in Original artist fram e included Provenance: Private Collection Exhibition History: 2014: Galerie ArtisYou, Saint-Tropez, France. 1 1982 : Galerie Darial, « W orks by Vera Pagava », Paris 7th. June-Novem ber, 19821 1976: Galerie Darial, Vera Pagava solo show , rue de Beaune, Paris 7th 1 1972 : Galerie Darial, « W orks by Vera Pagava », Paris 7th. May-June, 1972. 1 Reproduced in the monography « Vera Pagava, vers l’indicible », ed. Area, p. 112. GALERIEKORNFELD Fasanenstr. 26 D-10719 Berlin Tel +49(0)30 889 225 890 Fax +49(0)30 889 225 899 [email protected] V e r a P a g a v a Envol 1977 Öl auf Leinwand Oil on canvas 73 x 92 cm | 28 3/4 x 36 1/4 in Original artist fram e included Provenance: Private Collection Exhibition History: 2019 : Art Paris Art Fair /Galerie Chauvy, Vera Pagava and Marta Pan, Grand Palais,Paris. April. 1 2018 – 2019 : Galerie Chauvy, « Vera Pagava », Paris. 1 1984: 38th Salon des Réalités Nouvelles, Grand Palais, Paris. November 6-25, 1984. 1 Reproduced in the monography « Vera Pagava, vers l’indicible », ed. Area, 2010, p1134. GALERIEKORNFELD Fasanenstr. 26 D-10719 Berlin Tel +49(0)30 889 225 890 Fax +49(0)30 889 225 899 [email protected] V e r a P a g a v a Pyram ide 1975 Öl auf Leinwand Oil on canvas 73 x 100 cm | 28 3/4 x 39 1/3 in Original artist fram e included Provenance: Private Collection Exhibition History: 2001: Musée Pierre Noël, retrospective of Vera Pagava, Saint-Dié-des-Vosges,1 France 1 1976: Galerie Darial, Vera Pagava solo show , rue de Beaune, Paris 7th 1 Reproduced in the monography « Vera Pagava, vers l’indicible », ed. Area, 2010,1p.192 GALERIEKORNFELD Fasanenstr. 26 D-10719 Berlin Tel +49(0)30 889 225 890 Fax +49(0)30 889 225 899 [email protected] V e r a P a g a v a Ville ou Lum iere sur La Ville 1963 Öl auf Leinwand Oil on canvas 100 x 89 cm | 39 1/3 x 35 in NOT FOR SALE Provenance: AC/VP collection, Paris, France Exhibition History: 2016 – 2017 : Solo show « Celestial bodies », Galerie Le Minotaure, Galerie Jeanne Bucher Jaeger, Galerie Alain Le Gaillard. Curated by Matthieu Poirier 1 2001: Musée Pierre Noël, retrospective of Vera Pagava, Saint-Dié-des-Vosges,1 France 1 1982 : Galerie Darial, « W orks by Vera Pagava », Paris 7th. June-Novem ber, 1982 1 1976: Galerie Darial, Vera Pagava solo show , rue de Beaune, Paris 7th 1 1972 : Galerie Darial, « W orks by Vera Pagava », Paris 7th. May-June, 1972. 1 Reproduced in the monography « Vera Pagava, vers l’indicible », ed. Area, 2010,1p.90 GALERIEKORNFELD Fasanenstr. 26 D-10719 Berlin Tel +49(0)30 889 225 890 Fax +49(0)30 889 225 899 [email protected] V e r a P a g a v a Untitled 1982 Öl auf Leinwand Oil on canvas 60 x 73 cm | 23 2/3 x 28 3/4 in Original artist fram e included Provenance: AC/VP collection, Paris, France Exhibition History: 2016 – 2017 : Solo show « Celestial bodies », Galerie Le Minotaure, Galerie Jeanne Bucher Jaeger, Galerie Alain Le Gaillard. Curated by Matthieu Poirier1 1982 : Galerie Darial, « W orks by Vera Pagava », Paris 7th. June-Novem ber, 1982 1 Reproduced in the monography « Vera Pagava, vers l’indicible », ed. Area, 2010,1p.196 GALERIEKORNFELD Fasanenstr. 26 D-10719 Berlin Tel +49(0)30 889 225 890 Fax +49(0)30 889 225 899 [email protected] V e r a P a g a v a Untitled 1982 Öl auf Leinwand Oil on canvas 60 x 73 cm | 23 2/3 x 28 3/4 in Original artist fram e included Provenance: AC/VP collection, Paris, France Exhibition History: 2016 – 2017 : Solo show « Celestial bodies », Galerie Le Minotaure, Galerie Jeanne Bucher Jaeger, Galerie Alain Le Gaillard. Curated by Matthieu Poirier1 1982 : Galerie Darial, « W orks by Vera Pagava », Paris 7th. June-Novem ber, 1982 1 Reproduced in the monography « Vera Pagava, vers l’indicible », ed. Area, 2010,1p.196 GALERIEKORNFELD Fasanenstr. 26 D-10719 Berlin Tel +49(0)30 889 225 890 Fax +49(0)30 889 225 899 [email protected] V e r a P a g a v a Rencontre 1972 Lithographie Lithograph 74 x 55 cm | 29 1/4 x 21 2/3 in Ed.1/125 Unframed made on the occasion of first ever Pagava exhibtiion at Galerie Darial Provenance: AC/VP collection, Paris, France GALERIEKORNFELD Fasanenstr. 26 D-10719 Berlin Tel +49(0)30 889 225 890 Fax +49(0)30 889 225 899 [email protected] BIOGRAPHY Vera Pagava focused her life on her work, searching for the essential in her art, Through her contact with the Georgian artists community in Paris, Pagava began the way to be the closest to her inner vision throughout an inventive journey of to study painting, at first at the Andre Lhote Studio and then at the School of Art form, light and colour.
Load more

Recommended publications
  • Media Kit Paris Gallery Weekend Summary 2
    Paris Gallery Weekend Galleries’ Programme 1 Media kit Paris Gallery Weekend Summary 2 Press Release 3 Paris Gallery Weekend 44 galleries and 107 artists 4 Numbers 7 Detailed Programme Exhibitions and Themed Visits 8 The Rendez-Vous 9 Galleries’ Programme 10 VIP Programme 54 Talking Galleries 55 New identity by Matter of Fact 56 Team 57 Partners 58 Visuals 61 Practical Information 62 Paris Gallery Weekend Press release 3 Press Release Presentation of Paris Gallery Weekend 2018 Since 2014, Paris Gallery Weekend has established itself as an With its 44 participating galleries in 2018, Paris Gallery Weekend annual landmark event for art lovers and collectors, whether based represents the diversity of type and of geography of Parisian galleries: in France or abroad. from the newest to the most established and the most imposing to the most intimate, whether situated in the Marais, in Saint-Germain- For its fifth edition – held the 25th, 26th, and 27th of May – the des-Prés, in the 8th or 18th arrondissements, in Belleville or in the 2018 Paris Gallery Weekend is proud to host a total of 44 galleries, Haut-Marais. representing a 40% increase in the number of participants since 2017. This significant growth testifies to the dynamism and rising The Weekend’s 2017 edition included more than 5,000 participants influence of the event and is a result of 8 new galleries and the return associated with 31 galleries representing the work of 99 artists. of 16 others. Paris Gallery Weekend is organized by Choices, an association In 2018, Paris Gallery Weekend dons a new visual identity founded and directed by gallery owner Marion Papillon.
    [Show full text]
  • The Marcel Duchamp Prize In
    Press release August 2 nd 2010 Of their times (3): 10 Years of creation in France: the Marcel Duchamp Prize November 6 ththth 2010 ––– February 13 ththth 2011 A collaboration Association for the International Diffusion of French Art The Museum of Modern and Contemporary Art of StrasbourgStrasbourg Fonds Régional d’Art Contemporain Alsace “Of their times (3), 10 years of creation in France : the Marcel Duchamp THE MUSEUMS OF STRASBOURG Prize” is the third chapter of a series of exhibitions (after the Museum of Joëlle PijaudierPijaudier----CabotCabot Tourcoing in 2004 and the Museum of Grenoble in 2007) initiated by Head curator of cultural heritage, the ADIAF (Associat(Associationion for the International DiffusionDiffusion of French Art). This Director of Strasbourg’s Museums association today includes nearly 300 collectors and art lovers who, MUSEUM OF MODERN AND according to their own unique tastes, are committed to promoting and CONTEMPORARY ART, backing “artists of their times”. Spurred on by Michel PoitevPoitevin,in, this third STRASBSTRASBOURGOURG ::: edition will be devoted to artists of the Marcel Duchamp Prize, Estelle Pietrzyk, Museum Curator established in 2000 by the ADIAF and celebrating its tenth anniversary this year. ADIAF Association pour la Diffusion The exhibition presented at MAMCS and at the Frac Alsace allows the Internationale de l’Art français public to see or have a second look at prize winners as well as the entire Gilles Fuchs, President group of artists nominated for the prize, totaling nearly 40 of today’s Michel Poitevin, Secretary-General creators. Philippe Dolfi, Administrator Fruit of the crossroads between private collectors (75 collections) and Frac Alsace public institutions, the exposition brings to the forefront 150 works from Olivier Grasser, Director private collections, on view at Strasbourg’s Museum of Modern and Contemporary Art and at the Frac Alsace, Sélestat.
    [Show full text]
  • The Marcel Duchamp Prize in Strasbourg
    OF THEIR TIMES (3) 10 YEARS OF CREATION IN FRANCE: THE MARCEL DUCHAMP PRIZE MUSEUM OF MODERN AND CONTEMPORARY ART OF STRASBOURG, FRAC ALSACE NOVEMBER 6 TH 2010 / FEBRUARY 13 TH 2011 Curated by: Philippe Dolfi, collector, ADIAF Olivier Grasser, director of the Frac Alsace Estelle Pietrzyk, director of MAMCS Joëlle Pijaudier-Cabot, director of Strasbourg’s Museums Michel Poitevin, collector, ADIAF Press Relations Musées de la Ville de Strasbourg : ADIAF: Julie Barth: Caroline Crabbe (+33) 03 88 52 50 15 (+33) 06 10 19 36 31 Fax: (+33) 03 88 52 50 42 [email protected] [email protected] Frac Alsace: Christelle Kreder (+33) 03 88 58 87 55 [email protected] PRESS KIT « OF THEIR TIMES (3), 10 YEARS OF CRÉATION IN FRANCE: THE MARCEL DUCHAMP PRIZE» ASSOCIATION FOR THE INTERNATIONAL DIFFUSION OF FRENCH ART, MUSEUM OF MODERN AND CONTEMPORARY ART OF STRASBOURG AND FRAC ALSACE NOVEMBER 6 th 2010 – FEBRUARY 13 th 2011 1. THE PROJECT PAGE 2 2. THE VISIT PAGE 3 3. THE CATALOG PAGE 6 4. ARTISTS PARTICIPATING IN THE EXHIBITION PAGE 7 5. THE ADIAF PAGE 8 6. THE MARCEL DUCHAMP PRIZE PAGE 9 7. PARTNERS OF MARCEL DUCHAMP PRIZE PAGE 10 8. MAMCS AND THE YOUNG ARTISTIC SCENE PAGE 11 9. THE FONDS RÉGIONAL D’ART CONTEMPORAIN (FRAC) ALSACE PAGE 12 10. LOANERS PAGE 14 11. AROUND THE EXHIBITION PAGE 16 12. INFORMATION PAGE 18 1 PRESS KIT « OF THEIR TIMES (3), 10 YEARS OF CRÉATION IN FRANCE: THE MARCEL DUCHAMP PRIZE» ASSOCIATION FOR THE INTERNATIONAL DIFFUSION OF FRENCH ART, MUSEUM OF MODERN AND CONTEMPORARY ART OF STRASBOURG AND FRAC ALSACE NOVEMBER 6 th 2010 – FEBRUARY 13 th 2011 111.1.
    [Show full text]
  • Historische Wetenschappen. Aanwinsten Van Anet — Periode 2009/12
    Historische wetenschappen. Aanwinsten unn : # ∗1a2 ∗4 en$spr - # ∗1b1 A n : # ∗1b2 5X4 oor$den$hoo van Anet — Periode 2009/12 -# ∗2b1 A2 n$C : # ∗2b2 S3 h$ - # ∗1c1 a tf : # ∗1c2 g2 n$ - # ∗2c1 + ru : # ∗2c2 +4 2.$a /docman/[email protected] Kerkgeschiedenis SA: 105#635 II 2000 jaar theologie: leven en werk van de grote christelijke EHC: K 80442 [C2–524 a] denkers / [edit.] Friederich Wilhelm Graf. — Amsterdam : Boom, 2008-2009. — 2 v. — ISBN-13 978–90–8506–475–6 ; Chartæ of the carthusian general chapter, 1631–1638: ISBN-13 978–90–8506–766–5 provincia alemaniae inferioris (ex manuscripto in domo Vallis BSA: LZ–L 101/123 Sanctae asservato), 1889, Vhartreuse du Reposoir, janvier / 1–2 Palemon´ Bastin ; [edit.] Pierre-Aelred Henel ; [edit.] James EHC: 723002 Hogg. — Salzburg : Universitat¨ Salzburg, Institut fur¨ Anglistik 1 und Amerikanistik, 2009. — 104 p. — (Analecta Cartusiana ; 100: 45). — ISBN-13 978–3–902649–43–0 Die Lehre von der Kindertaufe bei Calvin gesehen im Rahmen UA–CST: RG–S 116:100: 45 seiner Sakraments- und Tauftheologie; mit einem Anhang uber¨ die kindertaufe auf dem Tridentinischen Konzil / L.G.M. Alting von geusau. — Bilthoven : Nelissen, 1963. — 335 p. Reliquiæ Chartarum Capituli Generalis, 1621–1730: Ms. BSA: MAG 262/XVI/245 Grande Chartreuse 1 Cart. 16 / Palemon´ Bastin ; [edit.] James Hogg. — Salzburg : Universitat¨ Salzburg, Institut fur¨ Anglistik und Amerikanistik, 2009. — 2 v. — (Analecta Cartusiana ; 100: Antwerp & the world: Richard Verstegan and the international 48) culture of catholic reformation / Paul Arblaster. — Leuven : Leuven University Press, 2004. — 303 p.
    [Show full text]
  • Grenoble Press
    14, rue de la République—38000 Grenoble Tél. : +33 (0)4 76 42 96 04 [email protected] Grenoble Press Kit Welcome to Grenoble… …mountains of Culture! Grenoble is located in the southeast of France, in a strategic location at the crossroads between Northern and Southern Europe, and is one of the main cities of the Rhone-Alps region. Nestled at the heart of three Alpine ranges (Belledonne, Chartreuse and Vercors), Grenoble is France's flattest city, which culminates at only 212 meters in altitude! With a particularly dense and diverse architectural heritage, Grenoble, which exists for more than 2000 years, offers visitors a charming stroll through winding streets and lively squares where ancient Gallo-roman sites stand neighbour to innovative sustainable development constructions. Take a seat on one of the terraces of the pedestrian streets or on a paved square of the old city, and watch the city come to life: the students cycle, coming from all over the world and speaking all languages, families strolling through the streets, markets, concerts, festivals...Energy radiates through the city of Grenoble! In Grenoble, it’s easy to let your curiosity get the best of you. You’ll be tempted to discover exceptional cultural sites like the Grenoble Art Museum, the National Contemporary Art Centre (Le Magasin-CNAC)…or one of the twenty museums of the city! And if you want to enjoy local food, Grenoble has also an exceptional culinary heritage, coming from the grounds and people that fashioned the city and its surrounding region through centuries: potato gratin, crozet pasta, bugnes beignets, ravioles, and caillettes have stood the test of time and remain favorites even today.
    [Show full text]
  • Kolokytha, Chara (2016) Formalism and Ideology in 20Th Century Art: Cahiers D’Art, Magazine, Gallery, and Publishing House (1926-1960)
    Citation: Kolokytha, Chara (2016) Formalism and Ideology in 20th century Art: Cahiers d’Art, magazine, gallery, and publishing house (1926-1960). Doctoral thesis, Northumbria University. This version was downloaded from Northumbria Research Link: http://nrl.northumbria.ac.uk/32310/ Northumbria University has developed Northumbria Research Link (NRL) to enable users to access the University’s research output. Copyright © and moral rights for items on NRL are retained by the individual author(s) and/or other copyright owners. Single copies of full items can be reproduced, displayed or performed, and given to third parties in any format or medium for personal research or study, educational, or not-for-profit purposes without prior permission or charge, provided the authors, title and full bibliographic details are given, as well as a hyperlink and/or URL to the original metadata page. The content must not be changed in any way. Full items must not be sold commercially in any format or medium without formal permission of the copyright holder. The full policy is available online: http://nrl.northumbria.ac.uk/policies.html Formalism and Ideology in 20 th century Art: Cahiers d’Art, magazine, gallery, and publishing house (1926-1960) Chara Kolokytha Ph.D School of Arts and Social Sciences Northumbria University 2016 Declaration I declare that the work contained in this thesis has not been submitted for any other award and that it is all my own work. I also confirm that this work fully acknowledges opinions, ideas and contributions from the work of others. Ethical clearance for the research presented in this thesis is not required.
    [Show full text]
  • (Incl. Kunst En Varia). Aanwinsten Van Anet — Periode 2009/12
    Algemeen (incl. Kunst en varia). Mythologies / Roland Barthes. — Paris : Seuil, 1957. — 247 Aanwinsten van Anet — Periode 2009/12 p. — (Collection Points: serie´ civilisation ; 10) UA–CST: MAG–A 8276 UA–CST: T&L 82 H 0 BART 57 Algemeen en varia EHC: 530557 [S4–141 e] Gesellschaftstheorie und Kulturkritik / Theodor W. Adorno. — KMSKA: ICC 1170 Frankfurt am Main : Suhrkamp, 1975. — 178 p. — (Edition Suhrkamp ; 772). — ISBN-10 3–518–00772–6 Basis / Culturele Centrale [Brussel]. — Brussel UA–CST: FILO 19.8 P–ADOR 75 EHC: 732067 C2–472 h] KMSKA: ICC 7219 18:5(1999); 19:3,5(2000); 20:1–21:1(2000–2002) Al feestend het jaar door! / [edit.] Aime´ Stroobants. — Letterlijk: omtrent het schrift en de typografie / Fernand Dendermonde : Stadsbestuur Dendermonde, 2009. — 3 v., Baudin ; [vert.] Herman Lampaert. — Brussel : Erasmushuis, ill. — Tentoonstelling: Museum voor Volkskunde 2009. — 15 p. [Dendermonde]. 2009/08/22 - 2009/10/25 EHC: 732818 EHC: 732260 1–3 L'echange´ symbolique et la mort / Jean Baudrillard. — Paris : Gallimard, 1976. — 347 p. — (Bibliotheque` des sciences Antwerp & the world: Richard Verstegan and the international humaines ; 1976: 1) culture of catholic reformation / Paul Arblaster. — Leuven : UA–CST: MAG–Coll 517 A 14 Leuven University Press, 2004. — 303 p. — (Avisos de UA–CST: T&L 003 G–BAUD 76 Flandes ; 9). — ISBN-10 90–5867–347–2 BSA: LZ 305/56 UA–CST: RG 2136 A 25 KMSKA: ICC 5420 UA–CST: MAG–OW–B 56311 SA: BIB 10015 La societ´ e´ de consommation: ses mythes, ses structures / Jean MPM: BM 34750 Baudrillard. — Paris : Gallimard, 1979. — 318 p.
    [Show full text]
  • VERA PAGAVA 1907- 1988 Born in Tiflis, Georgia Education 1932 Académie Ranson, Paris, France 1940 Qualifies with a Nursing Dipl
    VERA PAGAVA 1907- 1988 Born in Tiflis, Georgia Education 1932 Académie Ranson, Paris, France 19 0 !"alifies #i$% a n"rsing diploma and $reats $%e #ar #o"nded Selected solo exhibitions 201'-2017 (era Pagava, celes$ial bodies, Galerie +eanne B"cher +aeger, Galerie Le -ino$a"re and Galerie Alain Le Gaillard, Paris, France 2012 .ational Galler/ Dimi$ri 1%e)ardnadze of Georgia, Tbilisi, Georgia 2003 (era Pagava, 1907-1988, Galerie Bernard Bo"che, Paris, France 199' (iera da 4il)a and Arpad 42enes' %o"se, 6/7)re-le-C%atel, France 1987 (era Pagava née en 1907, pein$"res, -"sée de Pon$oise, Pon$oise, France 198' Galerie G"mmersons, 4$ockholm, 4#eden 1982 9 1983 (era Pagava, parco"rs d’un pein$re, 32 9 82, -"sée des Beau;-Ar$s de Di<on, -"sée Dépar$emen$al de l5=ise, Beau)ais, -"sée 4ain$-Denis, Reims, -"sée des Beau;- Ar$s de Tro/es, 4alon de -on$ro"ge, France 1972 9 199' Galerie Darial, Paris, France 1972 (era Pagava, dessins, &ein$"res, Galerie 4cribe, -on$auban, France 1970 (era Pagava, dessins, Galerie +acob, Paris, France 19'8 1%>$eau de Ratill/, ?onne, France 19'' 33rd Biennale of (enise, A room is dedicated $o (era Pagava's #atercolors, French, Pavilion, (enise 19'3 Paris@ 4o"s les $oi$s de Paris, 1%e2 Gran)ille, France 19'3 A;%ibi$ion of a selection of #a$ercolors, 1%e2 Gran)ille, Paris@ 4o"s les $oi$s de Paris, France GA,ERIAKORNFELD Fasanens$r.
    [Show full text]
  • Henri-Matisse Retrospective Exhibition : November 3-December 6, 1931
    Henri-Matisse retrospective exhibition : November 3-December 6, 1931 Author Matisse, Henri, 1869-1954 Date 1931 Publisher The Museum of Modern Art Exhibition URL www.moma.org/calendar/exhibitions/1903 The Museum of Modern Art's exhibition history— from our founding in 1929 to the present—is available online. It includes exhibition catalogues, primary documents, installation views, and an index of participating artists. MoMA © 2017 The Museum of Modern Art Archive MOMA 13 c .2 LIBRARY Museumof ModernArt ARCHIVE I* L f+4*m — }/ M"W ^ ?l/V $Y (j»Y' / )jAdyYv^» (/} (fUi ^McJPK T^^ru>M /J* tl £41 Juf iM.gu *j ^Jh^. 14VV ,Wo * go "- ' * " 5UV 11^ dltu +^ ^ i ^11- l-s- 1,_ ' PLEASERETURN TO OFFICEOF ONROE WHEELER AY tfr MUSEUM OF MODERN ART LIBRARY Museumof ModernArt ARCHIVE HENRI - MATISSE RETROSPECTIVE EXHIBITION NOVEMBER 3 1931 DECEMBER 6 730 FIFTH AVENUE NEW YORK COPYRIGHT, NOVEMBER I93I THE MUSEUM OF MODERN ART NEW YORK, N. Y. CONTENTS LIST OF LENDERS; ACKNOWLEDGMENTS 5 INTRODUCTION 9 NOTES OF A PAINTER (1908) 29 CHRONOLOGIES 37 PAINTINGS BY HENRI-MAT ISSE IN OTHER MUSEUMS 39 BIBLIOGRAPHY 40 CATALOG 45 PAINTINGS DRAWINGS ETCHINGS LITHOGRAPHS MONOTYPES WOODCUTS SCULPTURE ILLUSTRATIONS THE EXHIBITION HAS BEEN SELECTED FROM THE FOLLOWING COLLECTIONS: DR. AND MRS. HARRY BAKWIN, NEW YORK LORD BERNERS, LONDON M. GASTON BERNHEIM DE VILLERS, PARIS M. HENRI BERNHEIM'JEUNE, PARIS M. JOSSE BERNHEIMJEUNE, PARIS MESSRS. BERNHEIMJEUNE ET CIE, PARIS M. JEAN BIETTE, LE HAVRE M. ETIENNE BIGNOU, PARIS THE CHESTER DALE COLLECTION, NEW YORK LORD IVOR SPENCER CHURCHILL, LONDON MR. STEPHEN C. CLARK, NEW YORK THE CONE COLLECTION, BALTIMORE MR.
    [Show full text]
  • Ronato Nacional Del Turismo El Arte En Espana
    [ PATRONATO NACIONAL DEL TURISMO EL ARTE EN ESPANA EDICION THOMAS r N." 27 I ·1 ·t r PATRONATO NACIONAL DEL TURISMO EL ARTE EN ESPANA_ EDICION THOMAS MVSEO DE BELLAS , ARTES DE CADIZ Cuarenta y ocho ilustraci mes con texto de Pelayo Quintero y de Atanrl Di. ector de, M«seo de Bellas Artes [, � 1 I r ' I I ! DJ!. H. J. TH�MAS, s. I.. c. MALLORCA, "9' � BARCELONA \ ! RESERVADOS LOS DERECHOS DR PROPIEDAD ARTisTICA T LITERARIA ." MUSEO DE BELLAS ARTES DE CADIZ la Academia de Bellas Artes de Cadiz, siendo go­ bernador militar el Conde de en el (I CREADA O'Relly 1785, parecia quehabla de ser complemento de las ensefianzas que en ella se estableclan, el organizar una coleccion mas 0 menos numerosa de obras de arte, que a la par que sirvieran de ejemplo a los alumnos, permitierales estudiar las diversas epocas del arte es­ pafiol; pero las vicisitudes porque paso Cadiz y el ambiente revolucionario que caracteriza los principios del siglo XIX, im­ pidieron que este Museo se formara tan pronto como hubieran deseado los entusiastas acadernicos que honraron a Cadiz y tanto se esforzaron por la prosperidad de las Bellas Artes. Al incautarse el Estado de los cuadros procedentes de la supresi6n de los conventos en 1835, surge la necesidad de organizar estas colecciones, cuyos fondos ricos, amenazaban desaparecer en manos de las juntas administrativas, encarga­ das de inventariarlos y clasificarlos y en Octubre de 1849 se publica un Real Decreto redactado por D. Manuel Seijas Lozano, disponiendo que los Museos Provinciales a cargo de dichas Provinciales.
    [Show full text]
  • Towards an Indigenization of Modernity
    TOWARDS AN INDIGENIZATION OF MODERNITY Thierry Dufrêne1 PARA UMA INDIGENIZAÇÃO DA ABSTRACT MODERNIDADE Two recent initiatives in museums’ world in RESUMO France can been seen as a way to revisit the “new museology” of the 1970s. In 2013, Ca- Duas iniciativas recentes nos museus da Fran- therine Grenier organized the new display of ça podem ser vistas como modos de revisitar the collections of the Musée national d’art a “nova museologia” dos anos 1970. Em 2013, moderne (Centre Pompidou) under the title Catherine Grenier curou a nova mostra per- Modernités plurielles, where she attempted manente das coleções do Musée national d’art to articulate the so-called high arts and po- moderne (Centre Pompidou), intitulada Mo- pular arts and culture. The second initiative dernités plurielles, na qual ela buscou articular concerned the Musée des Civilisations de as chamadas artes com A maiúsculo como as l’Europe et de la Mediterranée (MuCEM), in artes e a cultura populares. A segunda inicia- Marseilles, which has just launched a program tiva é a do Musée des Civilisations de l’Europe of exhibitions confronting contemporary art et de la Mediterranée (MuCEM), em Marsel- and popular arts: the first one, last year, was ha, que acaba de lançar um programa de ex- dedicated to Picasso, the second (upcoming) posições confrontando a arte contemporânea to Jean Dubuffet. My paper addresses the his- com as artes ditas populares : a primeira, no tory of what could be called “indigenization of ano passado, foi dedicada a Picasso ; a segunda, modernity” in the museums in France. será dedicada a Jean Dubuffet.
    [Show full text]
  • THE MUSEUM of MODERN ART 14 WEST 49TH STREET, NEW YORK for RELEASE WEDNESDAY, Telephone: CIRCLE 7-7470 April G^ -^G
    38423 - 18 THE MUSEUM OF MODERN ART 14 WEST 49TH STREET, NEW YORK FOR RELEASE WEDNESDAY, tELEPHONE: CIRCLE 7-7470 ApRIL g^ -^g The Museum of Modern Art, 14 West 49 Street, opens to the public today Masters of Populaj^Paintljig, an Exhibition of Modern primitives of Europe and America, which will remain on view through June 27. The exhibition will fill all tho Museum's galleries and will include about one hundred and seventy paintings by European and American artists. The European section of the exhibition has been organized under the direction of M. Andry-Farcy, Director of the Museum of Grenoble, France. Many of these paintings were shown in the very successful exhibition, Maitres Populaires de la Realite, which the Grenoble Museum held in Paris during the World's Fair last summer. The American section has been assembled by Dorothy C. Miller, Assistant Curator of Painting and Sculpture of the Museum of Modern Art, with Holger Cahlll, Director of the Federal Art Project of the Works Progress Administration, and Alfred H. Barr, Jr. , Director of the Museum, acting in an advisory capacity. The exhibition is not composed of paintings by anonymous early folk artists. It is, except in two cases, the work of contemporary painters of marked talent, whose freshness and originality have been uninfluenced by schools or teachers. A comprehensive catalog of 172 pages will be published simultaneously with the opening of the ex­ hibition and will contain two reproductions in color and 80 in black and white. M. Jean Cassou, Associate Curator of the Luxembourg Museum, has written the preface to the section of the catalog relating to the self-taught French painters.
    [Show full text]