The Mystical Hymns of Orpheus
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“Wow," Thalia Muttered. "Apollo Is Hot." "He's the Sun God," I Said
“Wow," Thalia muttered. "Apollo is hot." "He's the sun god," I said. "That's not what I meant.” ― Rick Riordan, The Titan's Curse tags: apollo, gods, hot, olympians, percy-jackson, sun, thalia 3546 likes like “Grover was sniffing the wind, looking nervous. He fished out his acorns and threw them into the sand, then played his pipes. They rearranged themselves in a pattern that made no sense to me, but Grover looked concerned. "That's us," he said. "Those five nuts right there." "Which one is me?" I asked. "The little deformed one," Zoe suggested. "Oh, shut up.” ― Rick Riordan, The Titan's Curse tags: acorns, percy-jackson, zoe-nightshade 3072 likes like “The real story of the Fleece: there were these two children of Zeus, Cadmus and Europa, okay? They were about to get offered up as human sacrifices, when they prayed to Zeus to save them. So Zeus sent this magical flying ram with golden wool, which picked them up in Greece and carried them all the way to Colchis in Asia Minor. Well, actually it carried Cadmus. Europa fell off and died along the way, but that's not important." "It was probably important to her.” ― Rick Riordan, The Sea of Monsters tags: annabeth-chase, gold, humor, percy-jackson 2673 likes like “What if it lines up like it did in the Trojan War ... Athena versus Poseidon?" "I don't know. But I just know that I'll be fighting next to you." "Why?" "Because you're my friend, Seaweed Brain. Any more stupid questions?” ― Rick Riordan, The Lightning Thief tags: annabeth-chase, athena, percy-jackson, poseidon 2519 likes like “Dreams like a podcast, Downloading truth in my ears. -
Two Muses Slumming It 4/1/2021
Two Muses Slumming It by Yussef El Guindi Samara Harris Samara Harris Literary Agency samaraharris.com [email protected] (773)852-2262 Yussef El Guindi, 325 Summit Avenue, East, Apt. 15, Seattle, WA 98102 C:206-841-0101 [email protected] Cast THALIA: Muse of Comedy, any age, race, or gender (though might be male). MELPOMENE: Muse of Tragedy, any age, race or gender (though might be a woman). SAM: Hopeful actor, male (could also be a woman), any race, early 20s, struggling to emotionally stay afloat. TERPSICHORE: Muse of Dance, any age, race or gender (though might be a woman). (Two Muses in someone’s home. One is MELPOMENE, Muse of Tragedy, the other is THALIA, Muse of Comedy. Thalia looks upset, Melpomene is consoling him.) MELPOMENE There, there. It’s not so bad. It could be worse. THALIA How? Worse how? MELPOMENE Well... THALIA We’ve been downloaded - please note the terminology, “You are to be downloaded”, not “Assigned”, or “Encouraged to inspire”, but “downloaded” into this wreckage of someone’s... (Looking around the living room.) pizza-strewn - is this even a living room? Please note the sea of empty beer cans by the pizza vomit. MELPOMENE It’s two beer cans. THALIA “Downloadable”. That’s how we’re conceived now by the powers that be. We’re part of the gig economy. We’re like something delivered by “Doordash”, or “Uber Eats”. Want to be inspired? We’ll send you a bunch of Muses and you too might become a genius artist. The great Muses in their infinite abilities to be anywhere will come to your place and make your pieces shine, whatever crap you’re working on. -
The Tyrannies in the Greek Cities of Sicily: 505-466 Bc
THE TYRANNIES IN THE GREEK CITIES OF SICILY: 505-466 BC MICHAEL JOHN GRIFFIN Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of Classics September 2005 The candidate confirms that the work submitted is his own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. 2 ACKNOWLEDGEMENTS Firstly, I would like to thank the Thomas and Elizabeth Williams Scholarship Fund (Loughor Schools District) for their financial assistance over the course of my studies. Their support has been crucial to my being able to complete this degree course. As for academic support, grateful thanks must go above all to my supervisor at the School of Classics, Dr. Roger Brock, whose vast knowledge has made a massive contribution not only to this thesis, but also towards my own development as an academic. I would also like to thank all other staff, both academic and clerical, during my time in the School of Classics for their help and support. Other individuals I would like to thank are Dr. Liam Dalton, Mr. Adrian Furse and Dr. Eleanor OKell, for all their input and assistance with my thesis throughout my four years in Leeds. Thanks also go to all the other various friends and acquaintances, both in Leeds and elsewhere, in particular the many postgraduate students who have given their support on a personal level as well as academically. -
Hesiod Theogony.Pdf
Hesiod (8th or 7th c. BC, composed in Greek) The Homeric epics, the Iliad and the Odyssey, are probably slightly earlier than Hesiod’s two surviving poems, the Works and Days and the Theogony. Yet in many ways Hesiod is the more important author for the study of Greek mythology. While Homer treats cer- tain aspects of the saga of the Trojan War, he makes no attempt at treating myth more generally. He often includes short digressions and tantalizes us with hints of a broader tra- dition, but much of this remains obscure. Hesiod, by contrast, sought in his Theogony to give a connected account of the creation of the universe. For the study of myth he is im- portant precisely because his is the oldest surviving attempt to treat systematically the mythical tradition from the first gods down to the great heroes. Also unlike the legendary Homer, Hesiod is for us an historical figure and a real per- sonality. His Works and Days contains a great deal of autobiographical information, in- cluding his birthplace (Ascra in Boiotia), where his father had come from (Cyme in Asia Minor), and the name of his brother (Perses), with whom he had a dispute that was the inspiration for composing the Works and Days. His exact date cannot be determined with precision, but there is general agreement that he lived in the 8th century or perhaps the early 7th century BC. His life, therefore, was approximately contemporaneous with the beginning of alphabetic writing in the Greek world. Although we do not know whether Hesiod himself employed this new invention in composing his poems, we can be certain that it was soon used to record and pass them on. -
Japan's ERATO and PRESTO Basic Research Programs
Japanese Technology Evaluation Center JTEC JTEC Panel Report on Japan’s ERATO and PRESTO Basic Research Programs George Gamota (Panel Chair) William E. Bentley Rita R. Colwell Paul J. Herer David Kahaner Tamami Kusuda Jay Lee John M. Rowell Leo Young September 1996 International Technology Research Institute R.D. Shelton, Director Geoffrey M. Holdridge, WTEC Director Loyola College in Maryland 4501 North Charles Street Baltimore, Maryland 21210-2699 JTEC PANEL ON JAPAN’S ERATO AND PRESTO PROGRAMS Sponsored by the National Science Foundation and the Department of Commerce of the United States Government George Gamota (Panel Chair) David K. Kahaner Science & Technology Management Associates Asian Technology Information Program 17 Solomon Pierce Road 6 15 21 Roppongi, Harks Roppongi Bldg. 1F Lexington, MA 02173 Minato ku, Tokyo 106 Japan William E. Bentley Tamami Kusuda University of Maryland 5000 Battery Ln., Apt. #506 Dept. of Chemical Engineering Bethesda, MD 20814 College Park, MD 20742 Jay Lee Rita R. Colwell National Science Foundation University of Maryland 4201 Wilson Blvd., Rm. 585 Biotechnology Institute Arlington, VA 22230 College Park, MD 20740 John Rowell Paul J. Herer 102 Exeter Dr. National Science Foundation Berkeley Heights, NJ 07922 4201 Wilson Blvd., Rm. 505 Arlington, VA 22230 Leo Young 6407 Maiden Lane Bethesda, MD 20817 INTERNATIONAL TECHNOLOGY RESEARCH INSTITUTE WTEC PROGRAM The World Technology Evaluation Center (WTEC) at Loyola College (previously known as the Japanese Technology Evaluation Center, JTEC) provides assessments of foreign research and development in selected technologies under a cooperative agreement with the National Science Foundation (NSF). Loyola's International Technology Research Institute (ITRI), R.D. -
Aeneid 7 Page 1 the BIRTH of WAR -- a Reading of Aeneid 7 Sara Mack
Birth of War – Aeneid 7 page 1 THE BIRTH OF WAR -- A Reading of Aeneid 7 Sara Mack In this essay I will touch on aspects of Book 7 that readers are likely either to have trouble with (the Muse Erato, for one) or not to notice at all (the founding of Ardea is a prime example), rather than on major elements of plot. I will also look at some of the intertexts suggested by Virgil's allusions to other poets and to his own poetry. We know that Virgil wrote with immense care, finishing fewer than three verses a day over a ten-year period, and we know that he is one of the most allusive (and elusive) of Roman poets, all of whom wrote with an eye and an ear on their Greek and Roman predecessors. We twentieth-century readers do not have in our heads what Virgil seems to have expected his Augustan readers to have in theirs (Homer, Aeschylus, Euripides, Apollonius, Lucretius, and Catullus, to name just a few); reading the Aeneid with an eye to what Virgil has "stolen" from others can enhance our enjoyment of the poem. Book 7 is a new beginning. So the Erato invocation, parallel to the invocation of the Muse in Book 1, seems to indicate. I shall begin my discussion of the book with an extended look at some of the implications of the Erato passage. These difficult lines make a good introduction to the themes of the book as a whole (to the themes of the whole second half of the poem, in fact). -
Virgil, Aeneid 11 (Pallas & Camilla) 1–224, 498–521, 532–96, 648–89, 725–835 G
Virgil, Aeneid 11 (Pallas & Camilla) 1–224, 498–521, 532–96, 648–89, 725–835 G Latin text, study aids with vocabulary, and commentary ILDENHARD INGO GILDENHARD AND JOHN HENDERSON A dead boy (Pallas) and the death of a girl (Camilla) loom over the opening and the closing part of the eleventh book of the Aeneid. Following the savage slaughter in Aeneid 10, the AND book opens in a mournful mood as the warring parti es revisit yesterday’s killing fi elds to att end to their dead. One casualty in parti cular commands att enti on: Aeneas’ protégé H Pallas, killed and despoiled by Turnus in the previous book. His death plunges his father ENDERSON Evander and his surrogate father Aeneas into heart-rending despair – and helps set up the foundati onal act of sacrifi cial brutality that caps the poem, when Aeneas seeks to avenge Pallas by slaying Turnus in wrathful fury. Turnus’ departure from the living is prefi gured by that of his ally Camilla, a maiden schooled in the marti al arts, who sets the mold for warrior princesses such as Xena and Wonder Woman. In the fi nal third of Aeneid 11, she wreaks havoc not just on the batt lefi eld but on gender stereotypes and the conventi ons of the epic genre, before she too succumbs to a premature death. In the porti ons of the book selected for discussion here, Virgil off ers some of his most emoti ve (and disturbing) meditati ons on the tragic nature of human existence – but also knows how to lighten the mood with a bit of drag. -
Greek Mythology and Genesis
Greek Mythology and Genesis Agenda • Overview of Early Genesis • World Cultures and Early Genesis • Greek Art/Greek Mythology – Noah/Nereus in Greek Art – Herakles/Nimrod – Zeus/Adam – Athena/Naamah • East Pediment of Parthenon – Understanding – Characters 2 Genesis (1-10) • Days of Creation (resting on the 7th) • The Creation of Adam and Eve • The Fall of Man • Cain and Abel – Cain’s descendants • Descendants of Adam • The Corruption of Mankind • The Flood • The Flood Subsides • Covenant of the Rainbow • Descendants of Noah – Shem – Japheth – Ham -Cush -Nimrod 3 Genesis in Cultures from Around the World Sagaiye Ottawa Lake of Llion Shang Ti Choctaw Gilgamesh Santal Tanzania Inca (Peru) Bunjil 4 ADAM AND EVE (ZEUS AND HERA) KAIN SETH (ARES) (HEPHAISTOS) Noah (Nereus) 5 ZEUS HERA Noah to Nimrod Shem Japheth 6 7 Did the Greeks Know Who Noah Was? 8 9 10 11 Noah’s Flood 12 13 HERAKLES’ REBELLION AGAINST NOAH 14 On this vase-painting, Herakles threatens Noah with his club. 15 Here, Herakles pushes Noah aside. And here, the vase-artist depicts Herakles bringing Noah and his rule to a halt. 16 17 18 Herakles’ first 11 labors and his other battles all had one objective—embodied in his 12th and final labor—getting back to the serpent-entwined tree in the ancient garden for another bite of 19 the serpent’s apple. Athena Nereus Kentaur Herakles 20 And Athena rewarded the great hero after he had pushed Noah and his God out of the picture and reestablished the way of Kain. 21 12 Labors of Herakles Temple of Zeus 22 Herakles Herakles Athena Geryon Atlas 23 Zeus/Adam at Olympia 24 Parthenon 26 27 • Displays the Greek ―story‖ of Genesis • Man’s ―triumph‖ over God • Reflection of Eden • Triumph of the Serpent • Deifies real people of history 28 29 30 31 Chrysothemis Lipara Hygeia Asterope The Greek poets and playwrights traced Zeus and Hera back to an ancient paradise they called the Garden of the Hesperides. -
Apollo's Gallic Muses?
Apollo’s Gallic Muses? In book three of the Chorographia (3.48), Pomponius Mela describes an oracular cult overseen by nine maritime priestesses (the Gallizenae: the Gauls of Sena). The nine women serve a Gallic divinity off the Ossismican coasts at the island of Sena (Sein, Pointe du Raz, Finistère, off the coast of Brittany), a known hazard for mariners owing to the currents for which the area is notorious (raz is Brettanic for “sea-current”) together with reefs that extend thirty or so miles westward from the island into the Chaussée de Sein. Remarkable for their virginity and purity, the priestesses are able to rouse the seas and winds with their chants, and they can transmogrify into “whatever animals they wish.” In addition, they allegedly can heal “whatever is incurable among other peoples.” Furthermore, the unnamed Gallic deity, to whom the Gallizenae are devoted, oversees a pilgrim cult to which sailors and others come in order to consult the priestesses. The Gallizenae subsequently share their proprietary knowledge only with pilgrims who make the dangerous journey by sea to their abode. Mela’s maritime priestesses are otherwise unattested (Silberman 1988: ad loc.). Attempts to link the Gallizenae with Druidism, however, have been posited but uniformly lack documentation and are unconvincing (e.g. MacKillop 2004: s.v. Gallizenae). Their number and chastity, nonetheless, evoke the tradition of Apollo, the poetic god closely associated with the nine muses, minor deities of poetic inspiration, who accompany him at Mt. Helicon. Like the god of Sena, Apollo was an oracular deity who spoke through undefiled women (e.g., the Pythia at Delphi, the Cumaean Sibyl, and Cassandra). -
Xanadu - Character Descriptions
XANADU - CHARACTER DESCRIPTIONS Sonny Malone - is the young male lead from the beaches of California. He is wide-eyed, full of dreams and can be a bit sensitive; after all, he is an artist! While Sonny may not be the brightest, he is very sincere and earnest. Actor with excellent comedic timing and singing voice. Kira - Kira is the Greek heroine and loveable, young ingénue. She begins the play as Clio, the youngest and the most idealistic of the Muses. With the addition of leg warmers and an Australian accent, she quickly becomes Kira to help Sonny realize his dreams. She is ambitious, smart and like Sonny, pure of heart. Must be a strong actor, singer, dancer. Danny Maguire - Danny Maguire is a real estate magnate and owner of the Xanadu theater. He should be a malleable actor who can evolve from being guarded about protecting the theater to becoming partners with Sonny and then betraying him. Danny should be an experienced singer. The Andrews Sisters - The Andrews Sisters (Maxene, Patty and Laverne) are an exact duplicate of the Andrews Sisters that were famous in the 1940s. Great singers - might double with other ensemble roles. The Tubes - The Tubes is an iconic, hard-rockin' new-wave band of the 80s. Band members can be ANY GENDER. Must have a lot of energy and sing with character. Melpomene - Muse of Tragedy, is the eldest of the Muses and is most responsible for plotting against Kira. Strong acting and singing required. Calliope - Calliope, Muse of Epics, is Melpomene's "Wing-Muse." She is equally devious and listens closely to her sister's direction. -
Free Script Sample
DANCING WITH THE OLYMPIANS By Lavinia Roberts Copyright © 2011 by Lavinia Roberts, All rights reserved. ISBN: 1-60003-590-6 CAUTION: Professionals and amateurs are hereby warned that this Work is subject to a royalty. This Work is fully protected under the copyright laws of the United States of America and all countries with which the United States has reciprocal copyright relations, whether through bilateral or multilateral treaties or otherwise, and including, but not limited to, all countries covered by the Pan-American Copyright Convention, the Universal Copyright Convention and the Berne Convention. RIGHTS RESERVED: All rights to this Work are strictly reserved, including professional and amateur stage performance rights. Also reserved are: motion picture, recitation, lecturing, public reading, radio broadcasting, television, video or sound recording, all forms of mechanical or electronic reproduction, such as CD-ROM, CD-I, DVD, information and storage retrieval systems and photocopying, and the rights of translation into non-English languages. PERFORMANCE RIGHTS AND ROYALTY PAYMENTS: All amateur and stock performance rights to this Work are controlled exclusively by Brooklyn Publishers, LLC. No amateur or stock production groups or individuals may perform this play without securing license and royalty arrangements in advance from Brooklyn Publishers, LLC. Questions concerning other rights should be addressed to Brooklyn Publishers, LLC. Royalty fees are subject to change without notice. Professional and stock fees will be set upon application in accordance with your producing circumstances. Any licensing requests and inquiries relating to amateur and stock (professional) performance rights should be addressed to Brooklyn Publishers, LLC. Royalty of the required amount must be paid, whether the play is presented for charity or profit and whether or not admission is charged. -
Views on the Nature of Human Relations And, Ultimately, the Historical Process
INFORMATION TO USERS While the most advanced technology has been used to photograph and reproduce this manuscript, the quality of the reproduction is heavily dependent upon the quality of the material submitted. For example: • Manuscript pages may have indistinct print. In such cases, the best available copy has been filmed. • Manuscripts may not always be complete. In such cases, a note will indicate that it is not possible to obtain missing pages. • Copyrighted material may have been removed from the manuscript. In such cases, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, and charts) are photographed by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each oversize page is also filmed as one exposure and is available, for an additional charge, as a standard 35mm slide or as a 17”x 23” black and white photographic print. Most photographs reproduce acceptably on positive microfilm or microfiche but lack the clarity on xerographic copies made from the microfilm. For an additional charge, 35mm slides of 6”x 9” black and white photographic prints are available for any photographs or illustrations that cannot be reproduced satisfactorily by xerography. Order Number 8726642 Fathers and sons in the Histories of Herodotus Greenberger, Jeff Steven, Ph.D. The Ohio State University, 1987 UMI 300 N. Zeeb Rd. Ann Arbor, MI 48106 PLEASE NOTE: In all cases this material has been filmed in the best possible way from the available copy. Problems encountered with this document have been identified here with a check mark .