LEONE SINIGAGLIA Complete Works for String Quartet · 1 String Quartet Variations on a Theme of Brahms • Hora Mystica ARCHOS QUARTET
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A Tribute to Hans-Karl Piltz Marina Thibeault Viola with David Gillham Violin Eric Wilson Cello Jasper Wood Violin
Wednesday Noon Hours UBC SCHOOL OF MUSIC A Tribute to Hans-Karl Piltz Marina Thibeault viola with David Gillham violin Eric Wilson cello Jasper Wood violin Duo in B-flat major for violin and viola, K. 424 W.A. Mozart i. Adagio-Allegro (1756-1791) ii. Andante cantabile iii. Tema con variazioni David Gillham violin Marina Thibeault viola Lullaby and Grotesque for viola and cello Rebecca Clarke i. Lullaby (1886-1979) ii. Grotesque Marina Thibeault viola Eric Wilson cello Three Madrigals Bohuslav Martinů i. Poco allegro - Poco vivo (1890-1959) ii. Poco andante - Andante moderato iii. Allegro - Moderato Jasper Wood violin Marina Thibeault viola Composed: Mozart (1783); Clarke (1916); Martinů (1947) # We acknowledge that the University of British Columbia is situated on the traditional, ancestral, and unceded territory of the Musqueam people. Hans-Karl Piltz (1923–2020) Professor Hans-Karl Piltz was a talented violist and teacher who helped shape the School of Music as it evolved from a small Bachelor of Arts program in the late 1950s to the large and thriving School it is today. He was 96 years old when he passed away this April. Prof. Piltz loved teaching, and in 1959 joined the UBC Department of Music — as the School of Music was then known. As Professor of Viola, he mentored several generations of strings musicians who have gone on to long and successful careers in orchestras and as soloists in North America, Europe, and all over the world. He founded and directed the UBC Symphony Orchestra from 1959–1970 and also helped found the Vancouver Society for Early Music — now known as Early Music Vancouver — in 1969. -
CHAMBER Contents
CHAMBER Contents Page a1 3 a2 31 a3 53 a4 60 a5 80 a6+ 89 Supplementary Performances On Period Instruments 103 Classic & Historic Performances 114 a1 The symbol denotes a signpost navigating the user to related content elsewhere in the Edition. Keys are indicated thus: Symphony in C = C major · Sonata in c = C minor 2 CD 1 73.52 Nannerl Notenbuch (excerpts) 16 Minuet in C K15f 1.02 1 Andante in C (No.53) K1a 0.17 17 Fantasia (Prelude) in G K15g 0.59 2 Allegro in C (No.54) K1b 0.14 18 Contredanse in F K15h 1.00 3 Allegro in F (No.55) K1c 0.48 19 Minuet/Minore in A/a K15i/k 2.04 4 Minuet in F (No.56) K1d 1.14 20 Contredanse in A K15l 1.06 5 Minuet in G (No.62) K1e 21 Minuet in F K15m 1.11 Minuet in C (No.63) K1f 1.57 22 Andante in C K15n 2.34 6 Minuet in F (No.58) K2 0.54 23 Andante in D K15o 2.05 7 Allegro in B (No.59) K3 0.57 24 Movement for a Sonata in g K15p (Movement 1?) 3.05 8 Minuet in F b(No.49) K4 1.16 25 Andante in B K15q (Movement 2?) 3.18 9 Minuet in F (No.61) K5 1.06 26 Andante in g bK15r (Movement 3?) 1.31 10 Allegro in C (No.20) K9a 3.10 27 Rondo in C K15s 0.37 Erik Smith harpsichord 28 Movement for a Sonata in F K15t 2.18 CD 10: alternative versions from Nannerl Notenbuch 29 Sicilianos in c K15u 1.45 CD 174: K9b fragment · CD 177: K9b completion 30 Movement for a Sonata in F K15v 2.30 31 Allemande in B K15w 2.18 London Sketchbook b Chamber a1 32 Movement for a Sonata in F K15x 0.54 11 Allegretto in F K15a 1.38 33 Minuet in G K15y 0.54 12 Andantino in C K15b 1.03 34 Gigue in c K15z 2.08 CD 194: K15b first version 35 Movement -
Rethinking the Dynamics of Music and Nationalism
Rethinking the Dynamics of Music and Nationalism University of Amsterdam, 26-29 September 2017 Conference Booklet Organizational committee: Prof. dr. Joep Leerssen, Professor of Modern European Literature, University of Amsterdam dr. Kasper van Kooten, Postdoctoral Research Fellow, University of Amsterdam 1 Table of Contents: Schedule p. 3 Abstracts p. 10 Practical Information p. 44 2 Schedule: Tuesday 26 September Opening of Conference Location: Vlaams Cultuurhuis De Brakke Grond, Nes 45, 1012 KD Amsterdam (close to Dam Square) 18.30 Registration, coffee and tea 19.00 Kasper van Kooten, Postdoctoral research fellow, Modern European Literature, University of Amsterdam – Welcome and introduction 19.05 Katharine Ellis, Professor of Music, University of Cambridge – Nationalism, Ethnic Nationalism, and the Third Republic’s Folk Music Problem 19.50 Joep Leerssen, Professor of Modern European Literature, University of Amsterdam – The Persistence of Voice: Instrumental Music and Romantic Orality of the Late John Neubauer (1933-2015) 20.10 Krisztina Lajosi-Moore, Assistant Professor in Modern European Literature and Culture, University of Amsterdam, and Kasper van Kooten – Opera and National Identity-Articulation in Germany and Hungary 20.30 – 21.15 Audience questions and panel discussion – The Outer Edges of National-Classical Music: Territory, Society, Tradition 21.15 - 22.00 Drinks 3 Wednesday 27 September Location: De Rode Hoed, Cultureel Centrum, Keizersgracht 102, 1015 CV Amsterdam Room: Vrijburgzaal Banningzaal 09.00-10.00 Keynote: Graeme -
Violinistsjourn00khunrich.Pdf
University of California Berkeley Regional Oral History Office University of California The Bancroft Library Berkeley, California Felix Khuner A VIOLINIST'S JOURNEY FROM VIENNA'S KOLISCH QUARTET TO THE SAN FRANCISCO SYMPHONY AND OPERA ORCHESTRAS With an Introduction by Tom Heimberg Interviews Conducted by Caroline Crawford in 1989-1990 Copyright 1996 by The Regents of the University of California Since 1954 the Regional Oral History Office has been interviewing leading participants in or well-placed witnesses to major events in the development of Northern California, the West, and the Nation. Oral history is a method of collecting historical information through tape-recorded interviews between a narrator with firsthand knowledge of historically significant events and a well- informed interviewer, with the goal of preserving substantive additions to the historical record. The tape recording is transcribed, lightly edited for continuity and clarity, and reviewed by the interviewee. The corrected manuscript is indexed, bound with photographs and illustrative materials, and placed in The Bancroft Library at the University of California, Berkeley, and in other research collections for scholarly use. Because it is primary material, oral history is not intended to present the final, verified, or complete narrative of events. It is a spoken account, offered by the interviewee in response to questioning, and as such it is reflective, partisan, deeply involved, and irreplaceable. ************************************ All uses of this manuscript are covered by a legal agreement between The Regents of the University of California and Felix Khuner dated December 7, 1989. The manuscript is thereby made available for research purposes. All literary rights in the manuscript, including the right to publish, are reserved to The Bancroft Library of the University of California, Berkeley. -
Saturday Playlist
February 16, 2019: (Full-page version) Close Window “To achieve great things, two things are needed; a plan, and not quite enough time.” — Leonard Bernstein Start Buy CD Program Composer Title Performers Record Label Stock Number Barcode Time online Sleepers, Awake! 00:01 Buy Now! Kreisler Beautiful Rosemary Bell/Coker Decca 000278302 028947561750 00:03 Buy Now! Kreisler Liebesfreud (Love's Joy) Bell/Coker Decca 000278302 028947561750 00:08 Buy Now! Beethoven String Trio in C minor, Op. 9 No. 3 Mutter/Giuranna/Rostropovich DG 427 687 028942768727 Love Music from Acts 2 & 3 ~ Tristan and 00:33 Buy Now! Wagner Philadelphia Orchestra/Stokowski EMI 75480 724357548021 Isolde 01:00 Buy Now! Tchaikovsky Six French Songs, Op. 65 Radulovich/Bryant Navona 6171 n/a 01:16 Buy Now! Chopin Piano Concerto No. 2 in F minor, Op. 21 Arrau/London Philharmonic/Inbal Decca 478 0108 028947801085 01:51 Buy Now! Barber Adagio for Strings, Op. 11 Scottish Chamber Orchestra/Saraste Virgin Classics 730756 5099973075622 12 Variations in G on a French Song, K. 02:00 Buy Now! Mozart Perlman/Barenboim DG 419 215 028941921529 359 We observe Black History Month 02:16 Buy Now! Still Miniatures for Oboe, Flute and Piano Sierra Winds Cambria 1083 021475108329 at TheClassicalStation 02:29 Buy Now! Saint-Saëns Violin Concerto No. 2 in C, Op. 58 Wan/Montreal Symphony/Nagano Analekta 8770 n/a 03:01 Buy Now! Mendelssohn String Quartet in D, Op. 44 No. 1 Melos Quartet DG 415 883 028941588326 03:27 Buy Now! Corigliano The Red Violin Caprices for solo violin Caroline Goulding Telarc 80744 n/a Schwabe/Royal Northern 03:38 Buy Now! Schumann Cello Concerto in A minor, Op. -
Sur Le Nom Du Compositeur)
FR - Répertoire des œuvres jouées depuis le début du festival en 1958 (Clic sur le nom du compositeur) NL - Repertoire van de uitgevoerde werken sinds de oprichting van het festival in 1958 (klik op de naam van de componist) EN - Repertoire of the works performed since the foundation of the festival in 1958 (click on the composer’s name) DE - Repertoire der Werke, die beim Festival seit seiner Gründung im Jahr 1958 aufgeführt wurden (Klicken Sie auf den Namen des Komponisten) A B ABEL, Karl Friedrich ALBRECHTSBERGER, Johann ARENSKY, Anton BACARISSE, Salvador BACH, Johann Sebastian Georg ABLONIZ, Miguel ALKAN, Charles Valentin ARRIAGA, Juan Criostomo de BACH, Carl Philipp Emmanuel BACH, Wilhelm Friedemann ABSIL, Jean ALLEGRI, Gregorio ASSAD, Sergio BACH, Johann BAERMANN, Carl ADLER DE OLIVEIRA, Judith AMELLER, André BACH, Johann Bernhard BALAKIREV, Mily AGER, Klaus. ANONYME BACH, Johann Christoph BARBER, Samuel ALBENIZ, Isaac. ANDRIESSEN, Hendrik BACH, Johann Christoph BARBIER, René Friedrich ALBENIZ, Mateo ARAUJO, Juan de BACH, Johann Ludwig BARTHOLOMÉE, Pierre ALBICASTRO, Henrico ARNE, Thomas Augustine BACH, Johann Michael BARTOK, Bela ALBINONI, Tomaso ARBAN, Jean-Baptiste BACH, Johann Christian BARTSCH, Charles C BAX, Arnold BODIN DE BOISMORTIER, BOVICELLI, Giovanni Battista BUSONI, Ferruccio CABANILLES, Juan de Joseph BEETHOVEN, Ludwig van BOEHM, Georg BOYCE, William BUXTEHUDE, Dieterich CACCINI, Francesca BENNET, John BOESMANS, Philippe BOYD, Anne BYRD William CAIX D’HERVELOIS, Louis BERG, Alban BOGAR, Istvan BOZZA, Eugène CALDARA, Antonio BERIO, Luciano BOIELDIEU, François-Adrien BRADE, William CAMPRA, André BERLIOZ, Hector BOLOGNINI, Ennio BRAHMS, Johannes CAPLET André BERNIER, René BORODINE, Alexandre BRIDGE, Frank CARISSIMI, Giacomo BERTALI, Antonio BOULANGER, Lili BRITTEN, Benjamin CASTEDERE, Jacques BIBER, Heinrich Ignaz Franz BOULANGER, Nadia BROTONS, Salvador CASTELLO, Dario von BIZET, Georges BOULEZ, Pierre BRUCH, Max CASTIL-BLAZE, François H. -
Digital Concert Hall
Digital Concert Hall Streaming Partner of the Digital Concert Hall 21/22 season Where we play just for you Welcome to the Digital Concert Hall The Berliner Philharmoniker and chief The coming season also promises reward- conductor Kirill Petrenko welcome you to ing discoveries, including music by unjustly the 2021/22 season! Full of anticipation at forgotten composers from the first third the prospect of intensive musical encoun- of the 20th century. Rued Langgaard and ters with esteemed guests and fascinat- Leone Sinigaglia belong to the “Lost ing discoveries – but especially with you. Generation” that forms a connecting link Austro-German music from the Classi- between late Romanticism and the music cal period to late Romanticism is one facet that followed the Second World War. of Kirill Petrenko’s artistic collaboration In addition to rediscoveries, the with the orchestra. He continues this pro- season offers encounters with the latest grammatic course with works by Mozart, contemporary music. World premieres by Beethoven, Schubert, Mendelssohn, Olga Neuwirth and Erkki-Sven Tüür reflect Brahms and Strauss. Long-time compan- our diverse musical environment. Artist ions like Herbert Blomstedt, Sir John Eliot in Residence Patricia Kopatchinskaja is Gardiner, Janine Jansen and Sir András also one of the most exciting artists of our Schiff also devote themselves to this core time. The violinist has the ability to capti- repertoire. Semyon Bychkov, Zubin Mehta vate her audiences, even in challenging and Gustavo Dudamel will each conduct works, with enthusiastic playing, technical a Mahler symphony, and Philippe Jordan brilliance and insatiable curiosity. returns to the Berliner Philharmoniker Numerous debuts will arouse your after a long absence. -
Czech Philharmonic Czech Philharmonic
CZECH PHILHARMONIC 2021 | 2020 | SEASON Czech Philharmonic 125th 125th SEASON 2020 | 2021 SEASON GUIDE Czech Philharmonic 01 CZECH PHILHARMONIC CZECH PHILHARMONIC SEASON GUIDE 125th SEASON 2020 | 2021 Semyon Bychkov Chief Conductor and Music Director We are delighted to bring you joy in another, this time anniversary season. Czech Philharmonic Ministry of Culture of the Czech Republic – Establisher Česká spořitelna, a.s. – General Partner 02 CZECH PHILHARMONIC CZECH PHILHARMONIC TABLE OF CONTENTS 5 Introduction 133 Czech Chamber Music Society 7 Czech Philharmonic 134 Introduction 12 Semyon Bychkov Concerts 17 Jakub Hrůša 137 I Cycle 20 Tomáš Netopil 147 II Cycle 23 Orchestra 157 HP Early Evening Concerts 25 Orchestral Academy of the Czech Philharmonic 167 DK Morning Concert Concerts 181 R Recitals 27 A Subscription Series 188 Tickets Information 45 B Subscription Series 193 Student Programme 61 C Subscription Series 194 How to get to the Rudolfinum 73 M Special Non-Subscription Concerts 198 Dynamic Club of the Czech Philharmonic 86 Other Concerts in Prague 200 Partners of the Czech Philharmonic 90 Tours 203 Contacts 102 Broadcasts and Recordings 204 Calendar 107 Programmes for children with parents, youth, and adult listeners 109 Romano Drom 2020 2 3 CZECH PHILHARMONIC INTRODUCTION Dear Friends of the Czech Philharmonic, Following the four years that it has taken us to realise ‘The Tchaikovsky Project’, we will be On behalf of both the Orchestra and myself, performing and recording the symphonies of I would like to take this opportunity to wish Gustav Mahler, whose music will form one of you a very warm welcome to our 125th Anni- the main pillars of future seasons. -
Program Trio in C Major, No
Long Theater * Stockton, California * March 31, 1979 * 8:00 p.m. FRIENDS OF CHAMBER MUSIC in cooperation with UNIVERSITY OF THE PACIFIC, and SAN JOAQUIN DELTA COLLEGE present Bruno Canino, piano Cesare Ferraresi, violin Rocco Filippini, cello PROGRAM TRIO IN C MAJOR, NO. 43 (HOBOKEN XV NO. 27) • (Franz) Joseph Haydn (1732 - 1809) Allegro Andante Finale (Presto) TRIO IN A MINOR (1915) . ... Maurice Ravel Modere (1875 - 1937) Pantoum (Assez vif) Passacaille (Tres large) Final (Anime) INTERMISSION TRIO IN B FLAT MAJOR, OPe 97 •• ..... Ludwig ("The Archduke") van Beethoven Allegro moderado (1770 - 1827) Scherzo (Allegro) Andante cantabile, rna pero con moto (Variations) Allegro moderato - Presto Trio di Milano is represented by Mariedi Anders Artists Manage ment, Inc., 535 El Camino Del Mar, San Francisco, California. The TRIO DI MILANO, composed of three noted and talented musicians, was formed in the spring of 1968. Engaged by the most important Italian musical societies to play at Milan, Torino, Venice, Rome, Florence, Pisa, Genoa, and Padua, the Trio has also performed in Germany, Switzerland, Spain, Portugal and the United States and has been acclaimed with enthu siasm and exceptional success everywhere. CESARE FERRARESI was born at Ferrara in 1918, took his degree for violin at the Verdi Conservatorio of Milan, where he is now Principle Professor. Winner of the Paganini Prize and of the International Compe tition at Geneva, he has now for many years enjoyed an intensely full and busy career as a concert artist. Leader of the Radio Symphony Orchestra (RAI) at Milan and soloist of the "Virtuosi di Roma", he has played at the most important music festivals at Edinburgh, Venice, Vienna, and Salz burg and in the major musical centers of Europe, Japan, and the United States. -
Network Notebook
Network Notebook Summer Quarter 2019 (July - September) A World of Services for Our Affiliates We make great radio as affordable as possible: • Our production costs are primarily covered by our arts partners and outside funding, not from our affiliates, marketing or sales. • Affiliation fees only apply when a station takes three or more programs. The actual affiliation fee is based on a station’s market share. Affiliates are not charged fees for the selection of WFMT Radio Network programs on the Public Radio Exchange (PRX). • The cost of our Beethoven and Jazz Network overnight services is based on a sliding scale, depending on the number of hours you use (the more hours you use, the lower the hourly rate). We also offer reduced Beethoven and Jazz Network rates for HD broadcast. Through PRX, you can schedule any hour of the Beethoven or Jazz Network throughout the day and the files are delivered a week in advance for maximum flexibility. We provide highly skilled technical support: • Programs are available through the Public Radio Exchange (PRX). PRX delivers files to you days in advance so you can schedule them for broadcast at your convenience. We provide technical support in conjunction with PRX to answer all your distribution questions. In cases of emergency or for use as an alternate distribution platform, we also offer an FTP (File Transfer Protocol), which is kept up to date with all of our series and specials. We keep you informed about our shows and help you promote them to your listeners: • Affiliates receive our quarterly Network Notebook with all our program offerings, and our regular online WFMT Radio Network Newsletter, with news updates, previews of upcoming shows and more. -
The Fifteenth-Anniversary Season: the Glorious Violin July 14–August 5, 2017 David Finckel and Wu Han, Artistic Directors Experience the Soothing Melody STAY with US
The Fifteenth-Anniversary Season: The Glorious Violin July 14–August 5, 2017 David Finckel and Wu Han, Artistic Directors Experience the soothing melody STAY WITH US Spacious modern comfortable rooms, complimentary Wi-Fi, 24-hour room service, itness room and a large pool. Just two miles from Stanford. BOOK EVENT MEETING SPACE FOR 10 TO 700 GUESTS. CALL TO BOOK YOUR STAY TODAY: 650-857-0787 CABANAPALOALTO.COM DINE IN STYLE 4290 Bistro features creative dishes from our Executive Chef and Culinary Team. Our food is a fusion of Asian Flavors using French techniques while sourcing local ingredients. TRY OUR CHAMPAGNE SUNDAY BRUNCH RESERVATIONS: 650-628-0145 4290 EL CAMINO REAL PALO ALTO CALIFORNIA 94306 Music@Menlo The Glorious Violin the fifteenth-anniversary season July 14–August 5, 2017 DAVID FINCKEL AND WU HAN, ARTISTIC DIRECTORS Contents 2 Season Dedication 3 A Message from the Artistic Directors 4 Welcome from the Executive Director 4 Board, Administration, and Mission Statement 5 The Glorious Violin Program Overview 6 Essay: “Violinists: Old Time vs. Modern” by Henry Roth 10 Encounters I–V 13 Concert Programs I–VII Léon-Ernest Drivier (1878–1951). La joie de vivre, 1937. Trocadero, Paris, France. Photo credit: Archive 41 Carte Blanche Concerts I–V Timothy McCarthy/Art Resource, NY 60 Chamber Music Institute 62 Prelude Performances 69 Koret Young Performers Concerts 72 Master Classes 73 Café Conversations 74 The Visual Arts at Music@Menlo 75 Music@Menlo LIVE 76 2017–2018 Winter Series 78 Artist and Faculty Biographies 90 Internship Program 92 Glossary 96 Join Music@Menlo 98 Acknowledgments 103 Ticket and Performance Information 105 Map and Directions 106 Calendar www.musicatmenlo.org 1 2017 Season Dedication Music@Menlo’s ifteenth season is dedicated to the following individuals and organizations that share the festival’s vision and whose tremendous support continues to make the realization of Music@Menlo’s mission possible. -
Dame Ethel Smyth: Pioneer of English Opera Eugene Gates
Volume 11, Issue 1 The Kapralova Society Journal Spring 2013 A Journal of Women in Music Dame Ethel Smyth: Pioneer of English Opera Eugene Gates “I feel I must fight for [my music], because I lieved that her musical instincts were inher- want women to turn their minds to big and ited from her mother, whom she once de- difficult jobs; not just to go on hugging the scribed as “one of the most naturally musical shore, afraid to put out to sea.” 1 When Ethel people I have ever known.” 7 Smyth wrote these words in the early years of Ethel’s general education was typical of her career, she had little idea of the protracted that of a middle-class Victorian young lady. battle against prejudice that lay ahead of her. After private tutoring at home under the guid- Smyth was certainly not England’s first ance of a succession of governesses, she woman composer. But while most of her spent a few years in boarding school at Put- predecessors, because of social circumstances ney, where the prescribed curriculum in- and limited training, had been forced to con- cluded French, German, astronomy, chemis- fine their creative endeavours to the production try, mathematics, literature, history, drawing, of parlor music, she set her sights on the con- music, and home economics. 8 Very little is Special points of interest: quest of the opera house and concert stage. Her known about Smyth’s early musical training. published works include six operas, a concert In her memoirs, however, she mentions a mass, a double concerto, a choral symphony, governess who introduced her to classical • Ethel Smyth and English opera songs with piano and orchestral accompa- music, and inspired her to set her sights on a niment, organ pieces and chamber music.