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The Navy League Journal
SUCCESS THE AUSTRALIAN BANK OF COMMERCE lies In what you do with what you have. Waiting LIMI TED. for something to turn up rarely pays, and when It Authorised Capital - $5.000.000 does, time at least has already been lost. What Capital Paid up and Reserves • 12.685.303 Aggregate Assets at 30th June. 1926 $16,789,590 you have now Is your only capital, however meagre Director*: SIR MAKK SHKl.DON. K.B.K., Chairman ; FKANK X. YAKWOOD: H. It. LYHAOHT. O.H.K : It may seem, and the sooner you get It working UKOKGK J. HI.V. LL.I>.: LIKUT.COI. T. L. F RUTI.KIMJK the sooner will ultimate success come. JAMKM KKLL. General Manager: C. M. C. SHANNON. Chief Inspector for New South Wales: W. G. Hul.L. Thrill Is just a good exhlbiiion of Common Sense, and no amount is too small to save. Head Office, Sydney (Corner George and King Streets) BRANCHES AN'I) KKCKIVING OFFICES AT 158 PLACES IX XKW SOUTH WALKS. Let the Savings Account do it (or you —there BRISBANE :-2lil Queen *t. Chief Inspector for Queensland—L. AVKYAKD. Manager— G. H. HOWKI.I.. your money will not only be accumulating, but BRANCHKS AND RECEIVING OFFICES AT 27 working for you—earning Interest. PLACES IN QUEENSLAND. MELBOURNE:-325 Colllnn-st. Manager-M. B. FINNEY. ADELAIDE:—.15 Kundle-nt. Manager-K. T. MOODIK. A Savings Account costs nothing lo open and PERTH:—73 St Georges Terrace. Manager—A. C. DIHDIN The JSavy League Journal every post office is an agency of the LONDON:—87 Thread needle nt. -
A Survey of Recent New Zealand Writing TREVOR REEVES
A Survey of Recent New Zealand Writing TREVOR REEVES O achieve any depth or spread in an article attempt• ing to cover the whole gamut of New Zealand writing * must be deemed to be a New Zealand madman's dream, but I wonder if it would be so difficult for people overseas, particularly in other parts of the Commonwealth. It would appear to them, perhaps, that two or three rather good poets have emerged from these islands. So good, in fact, that their appearance in any anthology of Common• wealth poetry would make for a matter of rather pleasurable comment and would certainly not lower the general stand• ard of the book. I'll come back to these two or three poets presently, but let us first consider the question of New Zealand's prose writers. Ah yes, we have, or had, Kath• erine Mansfield, who died exactly fifty years ago. Her work is legendary — her Collected Stories (Constable) goes from reprint to reprint, and indeed, pirate printings are being shovelled off to the priting mills now that her fifty year copyright protection has run out. But Katherine Mansfield never was a "New Zealand writer" as such. She left early in the piece. But how did later writers fare, internationally speaking? It was Janet Frame who first wrote the long awaited "New Zealand Novel." Owls Do Cry was published in 1957. A rather cruel but incisive novel, about herself (everyone has one good novel in them), it centred on her own childhood experiences in Oamaru, a small town eighty miles north of Dunedin -— a town in which rough farmers drove sheep-shit-smelling American V-8 jalopies inexpertly down the main drag — where the local "bikies" as they are now called, grouped in vociferous RECENT NEW ZEALAND WRITING 17 bunches outside the corner milk bar. -
Renato Amato's Literary Antipodes1
FULL CIRCLE? RENATO AMATO’S LITERARY ANTIPODES 1 SARAH PATRICIA HILL (Victoria University of Wellington) Sommario Il titolo stesso dell'opera di Amato The Full Circle of the Travelling Cuckoo (1967) rivela il senso di dislocazione dello scrittore migrante ma, al contempo, ne indica la capacità di riconciliarsi con il proprio difficile passato e di adattarsi alla sua patria adottiva, la Nuova Zelanda. Amato (1928-1964) ha dato un contribuito significativo alla scena letteraria della Nuova Zelanda dei primi anni '60, pubblicando numerosi racconti in inglese e completando due romanzi ancora inediti. Attraverso l'analisi critica di questi manoscritti in particolare, questo articolo si propone di capire come essi riflettano le plurime identità di Amato come migrante e autore, facendo luce sulle sue esperienze come unico scrittore italiano in un ambiente letterario predominantemente anglo-celtico. “Possibile che a quarant’anni, e con tutto il mondo che ho visto, non sappia ancora che cos’è il mio paese?” Cesare Pavese, La luna e i falò The only published book by Italian New Zealand writer Renato ‘Michael’ Amato (1928-1964) is The Full Circle of the Travelling Cuckoo , a collection of short stories that appeared posthumously in 1967. Amato’s friend and literary executor Maurice Shadbolt – a key figure in the New Zealand literary landscape of the day – probably intended the title to suggest both Amato’s sense of displacement as a migrant writer and the 1 I would like to express my heartfelt thanks to Timothy Amato for generously making his collection of his father’s personal papers available to me, and to Dora Celeste Amato and Michele Amato for sharing their memories of their brother Renato. -
THE UNIVERSITY Heritage Trail
THE UNIVERSITY Heritage Trail Established by The University of Auckland Business School www.business.auckland.ac.nz ARCHITECTURAL AND HISTORIC ATTRACTIONS The University of Auckland Business School is proud to establish the University Heritage Trail through the Business History Project as our gift to the City of Auckland in 2005, our Centenary year. In line with our mission to be recognised as one of Asia-Pacific’s foremost research-led business schools, known for excellence and innovation in research, we support the aims of the Business History Project to identify, capture and celebrate the stories of key contributors to New Zealand and Auckland’s economy. The Business History Project aims to discover the history of Auckland’s entrepreneurs, traders, merchants, visionaries and industrialists who have left a legacy of inspiring stories and memorable landmarks. Their ideas, enthusiasm and determination have helped to build our nation’s economy and encourage talent for enterprise. The University of Auckland Business School believes it is time to comprehensively present the remarkable journey that has seen our city grow from a collection of small villages to the country’s commercial powerhouse. Capturing the history of the people and buildings of our own University through The University Heritage Trail will enable us to begin to understand the rich history at the doorstep of The University of Auckland. Special thanks to our Business History project sponsors: The David Levene Charitable Trust DB Breweries Limited Barfoot and Thompson And -
REFERENCE LIST: 10 (4) Legat, Nicola
REFERENCE LIST: 10 (4) Legat, Nicola. "South - the Endurance of the Old, the Shock of the New." Auckland Metro 5, no. 52 (1985): 60-75. Roger, W. "Six Months in Another Town." Auckland Metro 40 (1984): 155-70. ———. "West - in Struggle Country, Battlers Still Triumph." Auckland Metro 5, no. 52 (1985): 88-99. Young, C. "Newmarket." Auckland Metro 38 (1984): 118-27. 1 General works (21) "Auckland in the 80s." Metro 100 (1989): 106-211. "City of the Commonwealth: Auckland." New Commonwealth 46 (1968): 117-19. "In Suburbia: Objectively Speaking - and Subjectively - the Best Suburbs in Auckland - the Verdict." Metro 81 (1988): 60-75. "Joshua Thorp's Impressions of the Town of Auckland in 1857." Journal of the Auckland Historical Society 35 (1979): 1-8. "Photogeography: The Growth of a City: Auckland 1840-1950." New Zealand Geographer 6, no. 2 (1950): 190-97. "What’s Really Going On." Metro 79 (1988): 61-95. Armstrong, Richard Warwick. "Auckland in 1896: An Urban Geography." M.A. thesis (Geography), Auckland University College, 1958. Elphick, J. "Culture in a Colonial Setting: Auckland in the Early 1870s." New Zealand Journal of Educational Studies 10 (1974): 1-14. Elphick, Judith Mary. "Auckland, 1870-74: A Social Portrait." M.A. thesis (History), University of Auckland, 1974. Fowlds, George M. "Historical Oddments." Journal of the Auckland Historical Society 4 (1964): 35. Halstead, E.H. "Greater Auckland." M.A. thesis (Geography), Auckland University College, 1934. Le Roy, A.E. "A Little Boy's Memory of Auckland, 1895 to Early 1900." Auckland-Waikato Historical Journal 51 (1987): 1-6. Morton, Harry. -
(Open Agenda) 06.05.19 Council Room – Level 2 Clocktower, Princes Street 22, Auckland 4:00Pm Page
COUNCIL PART A OPEN AGENDA 06.05.19 - COUNCIL, 06.05.19 AGENDA PART A Council Agenda Part A (Open Agenda) 06.05.19 Council Room – Level 2 ClockTower, Princes Street 22, Auckland 4:00pm Page # The Chancellor moves that the apologies, if any, be noted. 1. APOLOGIES The Chancellor welcomes Ms Rachael Newsome to 2. WELCOME her first meeting as member of Council. The Chancellor moves that the disclosures, if any, be noted 3. DISCLOSURES OF The attention of Members is drawn to the Conflicts of and the action taken be endorsed. INTEREST BY Interest Policy and the need to disclose any interest MEMBERS in an item on the Agenda of the meeting as set out in s175 of the Education Act 1989. 8 4. COUNCIL MEETINGS 4.1 Council, Draft Minutes (Part A), 11.03.19 The Chancellor moves that the Minutes (Part A), 11.03.19 be taken as read and confirmed. 4.2 Matters arising from the Minutes (Part A), 11.03.19 not elsewhere on the Agenda 5. VICE-CHANCELLOR’S 15 The Chancellor moves that the Vice-Chancellor’s Report be REPORT noted. 6. REPORTS OF COUNCIL 6.1 CAPITAL EXPENDITURE COMMITTEE The Chancellor moves that the Capital Expenditure COMMITTEES Committee Minutes (Part A), 04.04.19 be received. 93 6.1.1 Minutes (Part A), 04.04.19 Council Agenda 06.05.19 Page 1 of 8 2 COUNCIL PART A OPEN AGENDA 06.05.19 - COUNCIL, 06.05.19 AGENDA PART A The Chancellor moves that the recommendations in Part A 95 7. -
Christchurch Writers' Trail
The Christch~rch Writers' Trail I The Christchurch c 3 mitersy&ai1 Page 1 Introduction 2 Writers Biographies Lady Barker e Canterbury Settlement, right from 1850, was notable for its exalted ideals. The @settlement's early colonists lugged ashore libraries, musical instruments, paints, Samuel Butler William Pember Reeves easels and plans for a grammar school and university. Within the first decade they Edith Grossmann started a newspaper, founded choral and orchestral societies, staged plays and Jessie Mackay started a public library. A surprising number of these pioneers were competent Arnold Wall writers. The published memoirs, letters, journals and poetry left by Charlotte Godley, Blanche Bau han Edward and Crosbie Ward, James FitzGerald, Henry Sewell, Sarah Courage, Laurence Johannes An 8ersen Kennaway, Lady Barker, Samuel Butler and other "pilgrims" established a robust Mary Ursula Bethell literary tradition in Canterbury, particularly in non-fiction and poetry. From the Alan Mulgan 1930s to the early 1950s, during Denis Glover's association with The Caxton Press, Esther Glen Oliver Duff Christchurch was indisputably the focal point of New Zealand's artistic life. The N~aioMarsh town's cultural and literary importance - about 280 writers are listed in this booklet D Arcy Cresswell in a record which is by no means definitive - continues to this day. Monte Holcroft James Courage The Canterbury Branch of the New Zealand Society of Authors has, with generous Allen Curnow assistance from The Community Trust, now laid 32 writers' plaques in various parts Essie Summers of Christchurch. It is hoped that the process begun in 1997 of thus honouring the Denis Glover literary talent of our town and province, will long continue. -
PNZ 47 Digital Version
Poetry NZNEW ZEALAND 47 featuring the poetry of 1 Harry Ricketts comment by Jack Ross & Bill Sutton Poetry NZ Number 47, 2013 Two issues per year Editor: Alistair Paterson ONZM Submissions: Submit at any time with a stamped, self-addressed envelope (and an email address if available) to: Poetry NZ, 34B Methuen Road, Avondale, Auckland 0600, New Zealand or 1040 E. Paseo El Mirador, Palm Springs, CA 92262-4837, USA Please note that overseas submissions cannot be returned, and should include an email address for reply. Postal subscriptions: Poetry NZ, 37 Margot Street, Epsom, Auckland 1051, New Zealand or 1040 E. Paseo el Mirador, Palm Springs, CA 92262-4837, USA Postal subscription Rates: US Subscribers (by air) One year (2 issues) $30.00 $US24.00 Two years (4 issues) $55.00 $US45.00 Libraries: 1 year $32.00 $US25.00 Libraries: 2 years $60.00 $US46.00 Other countries One year (2 issues) $NZ36.00 Two years (4 issues) $NZ67.00 Online subscriptions: To take out a subscription go to www.poetrynz.net and click on ‘subscribe’. The online rates are listed on this site. When your subscription application is received it will be confi rmed by email, and your fi rst copy of the magazine will then be promptly posted out to you. 2 Poetry NZ 47 Alistair Paterson Editor Puriri Press & Brick Row Auckland, New Zealand Palm Springs, California, USA September 2013 3 ISSN 0114-5770 Copyright © 2013 Poetry NZ 37 Margot Street, Epsom, Auckland 1051, New Zealand All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photo copying, recording or otherwise without the written permission of the publisher. -
Our Finest Illustrated Non-Fiction Award
Our Finest Illustrated Non-Fiction Award Crafting Aotearoa: Protest Tautohetohe: A Cultural History of Making Objects of Resistance, The New Zealand Book Awards Trust has immense in New Zealand and the Persistence and Defiance pleasure in presenting the 16 finalists in the 2020 Wider Moana Oceania Stephanie Gibson, Matariki Williams, Ockham New Zealand Book Awards, the country’s Puawai Cairns Karl Chitham, Kolokesa U Māhina-Tuai, Published by Te Papa Press most prestigious awards for literature. Damian Skinner Published by Te Papa Press Bringing together a variety of protest matter of national significance, both celebrated and Challenging the traditional categorisations The Trust is so grateful to the organisations that continue to share our previously disregarded, this ambitious book of art and craft, this significant book traverses builds a substantial history of protest and belief in the importance of literature to the cultural fabric of our society. the history of making in Aotearoa New Zealand activism within Aotearoa New Zealand. from an inclusive vantage. Māori, Pākehā and Creative New Zealand remains our stalwart cornerstone funder, and The design itself is rebellious in nature Moana Oceania knowledge and practices are and masterfully brings objects, song lyrics we salute the vision and passion of our naming rights sponsor, Ockham presented together, and artworks to Residential. This year we are delighted to reveal the donor behind the acknowledging the the centre of our influences, similarities enormously generous fiction prize as Jann Medlicott, and we treasure attention. Well and divergences of written, and with our ongoing relationships with the Acorn Foundation, Mary and Peter each. -
City of Literature Vision
1 United Nations Designated Educational, Scientific and UNESCO Creative City Cultural Organization in 2014 This publication was written as part of Dunedin City’s bid for UNESCO City of Literature status in March 2014. Some information has been updated since its publication mid-2015. Thank you to all of the people who contributed to developing Dunedin’s bid and in particular the Steering Team members Bernie Hawke, Noel Waite, Annie Villiers and Liz Knowles. A special thank you also to Eleanor Parker, Michael Moeahu, Lisa McCauley; and Elizabeth Rose and Susan Isaacs from the New Zealand National Commission of UNESCO. ISBN: 978-0-473-32950-1 | PUBLISHED BY: Dunedin Public Libraries 2015 | DESIGNER: Casey Thomas COVER IMAGE: Macandrew Bay, Dunedin by Paul le Comte Olveston Historic Home by Guy Frederick ONE OF THE WORLD’S GREAT SMALL CITIES Otago Harbour by David Steer CONTENTS New Zealand: It's People and Place in the World 7 Multi-cultural Heritage 17 • Books for Children 33 City's Contribution to the Creative City Network 49 • Bookshops 33 • Policy 49 Dunedin's Literary Cultural Assets 19 About Us: Dunedin 11 • Musical Lyricists 35 • International Cooperation and Partnerships 50 • City's Layout and Geographical Area 14 • Te Pukapuka M¯aori – M¯aori Literature 21 • Literature-focused Festivals 35 • A Great City for Writers 23 City of Literature Vision 55 • Population and Economy 14 • Residencies and Awards 25 Dunedin's Creative City Assets 37 • Infrastructure 15 • Impressive Publishing Heritage 28 • Arts and Culture 37 • Municipal/Government Structure 15 • Centre for the Book 29 • Events 41 • Urban Planning, Policy and Strategy 15 • Libraries 31 • Educational Institutes 45 Panoramic of the Steamer Basin, Dunedin by Paul le Comte NEW ZEALAND ITS PEOPLE AND PLACE IN THE WORLD Aotearoa New Zealand. -
Trailing Clouds of Glory Did They Come
TRAILING CLOUDS OF GLORY DID THEY COME... Bert Penwill, Griff Hunt and Rugby in Victoria Ron Grainger 2015 TRAILING CLOUDS OF GLORY DID THEY COME... 'There is a history in all men's lives' William Shakespeare Although a generation apart, two men who were to make a major contribution to Victorian Rugby shared much in common, not least that both came anointed with the mystical oil of Welsh Rugby, specifically of the Newport variety, though not of a 1st XV vintage. Nevertheless, both made their mark early in the city of that name, not only in rugby but in other sports, notably aquatic. Both were born in England, but were living in Newport by the age of ten, both commenced employment before joining the Territorials and then seeing active service in the British Army before coming to Australia where they later became deeply involved in the organisation and management of Rugby Union in Victoria. The big difference between them lay in their ages, Griffyth George (Griff) Hunt being born in 1911, the same year in which Herbert Garfield (Bert) Penwill, then aged thirty-one, left England for Australia. But as a closer look soon reveals, there were other differences, not least those associated with the social, economic and technological developments of the times. Their service to the State Union covered the beginning and end of its first fifty years and the following accounts inevitably include comment on those times and on the development of the Victorian Rugby Union (VRU) over that period. Before then, successive Unions in the Colony of Victoria had arranged rugby matches against British, New Zealand and New South Wales teams, but organised club competition had been spasmodic. -
New Zealand and Pacific Literatures in Spanish Translation
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Open Journal Systems at the Victoria University of Wellington Library Reading (in) the Antipodes: New Zealand and Pacific Literatures in Spanish Translation PALOMA FRESNO-CALLEJA Abstract This article considers the Spanish translations of New Zealand and Pacific authors and explores the circumstances that have determined their arrival into the Spanish market as well as the different editorial and marketing choices employed to present these works to a Spanish readership. It considers the scarcity of canonical authors, the branding of Maori and other “ethnic” voices, the influence of film adaptations and literary prizes in the translation market, and the construction of the “New Zealand exotic” in works written by non-New Zealand authors which, in the absence of more translations from Spain’s literary Antipodes, have dominated the Spanish market in recent years. Introduction In October 2012, New Zealand was chosen as guest of honour at the Frankfurt Book Fair, the world’s largest and most prominent event of this type. The motto of the New Zealand delegation was: “He moemoea he ohorere / While you were sleeping,” an ingenious allusion to the geographical distance between Europe and its Antipodes, but also a reminder of the country’s literary potential, which Europeans were invited to wake up to. The choice of New Zealand as a guest of honour reflected the enormous interest of German readers for its literature and culture, summarized in Norman Franke’s remark that “Germans are crazy about all things Kiwi.”1 As Franke points out, more New Zealand books have been translated into German than into any other European language, and the impact of the fair resulted in an immediate increase of sales and a thirst for new titles.2 Spanish newspapers reported the event with curiosity but on a slightly skeptical note.