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KUCI Diaoyu Senkaku Ad.Indd
The Diaoyu-Senkaku Alternative 中日另类音乐on KUCI (88.9FM, www.kuci.org ) Winter 2012 (Jan.-Mar.), Noon-2pm Sundays w/ DJ Poseur Chinese and Japanese alternative music for peace in the Pacific. PROGRAM SCHEDULE (DISPUTED MUSICAL ISLANDS): 1-15: SURVEY (Gala; 33島; Omnipotent Youth Society; 旅行团; Yellow Submarine; 二手玫瑰; A-Z组合; LMF; 沼泽; Silver Ash; 重塑 雕像的权利; Buffalo Daughter; 4 Bonjour’s Parties; 椎名林檎 × 斎藤ネコ; Cartonbox; ウリチパン郡; Electronico; 54-71; Ma- mastudio; Plamo; 東京事変; ウイリアム) 1-22: ROCK (崔健; PK 14; 达达乐队; 木mυmα马; 麦田守望者; 果味VC; Fancy World; 刺猬乐队; Lonely China Day; 后 海大鲨鱼; 星期三旅行; 瘦人; 鐵風箏; 沙子; 废墟; 谷僳; Brahman; Cascade; Clingon; センチメンタルバス; Gellers; Maboroshi; 19; Sherbets; Wino) (UCI basketball game at 2 may shorten this show.) 1-29: FOLK/BLUES/REGGAE & DUB/LATIN (山人; 胡吗个; 腰; 李志; 周云蓬; 洪启; Hanggai; 杭天; 布衣; 龙神道; Little Tempo; ナーキ; Copa Salvo; Saigenji; A.S.P.; Determinations; 小松亮太) 2-5: LOUD (PUNK, METAL, EXPERIMENTAL) (冷血動物; 新裤子; 反光镜乐队; 吹波糖; 壞女兒; 哎吆; Haranga; 天堂乐队; 唐朝; Yaksa; 痛苦的信仰; 张 震 岳; Dragon Ash; Eastern Youth; Laputa; Demi Semi Quaver) 2-12: ELECTRONIC & SYNTH-POP (B6; 超级市场; Dead J; Gemini Trip; 周先生; Igo; Nobukazu Takemura; DJ Krush; 氷 室京介; IQU; 嶺川貴子; Pre-school) 2-19: HIP-HOP (LMF; 關威; FAMA; 功夫; A. Jordan Chan; 大陆断层; Machi; 周杰倫; MC Hotdog; 葡桃; タサツ; Lunch Time Speax; DABO; Fu-Ten; Rhymester; Rino Latina; Zeebra) 2-26: HIP-HOP (UCI baseball game at 1 will greatly abbreviate this show.) 3-4: NOVELTIES (苍蝇乐队; 小河; 雪村; Sick Pupa; 王勇; 光磊; 忐忑; Shugo Tokumaru; Great Chicken Powers; 岡平健 治; New Electron; OOIOO) 3-11: QUIET FOR FINALS (Me:Mo; 惘闻; ASA-CHANG & 巡礼; Aoki Takamasa + Tujiko Noriko; 細野晴臣; Yuka Honda; Yuki Kaneko; カヒミカリィ; Kozo) 3-18: QUIET FOR FINALS (UCI baseball game at 1 will greatly abbreviate this show.) 3-25 FREEFORM REVIEW (SURVEY) Highlighting music on the following labels: Modern Sky, Badhead, Jingwen, Scream, Rock Records, So Rock!, Toy’s Factory, Pony Canyon, and many other small, independents. -
Dragon Ash Viva La Revolution Full Album Zip
Dragon Ash, Viva La Revolution Full Album Zip 1 / 4 Dragon Ash, Viva La Revolution Full Album Zip 2 / 4 3 / 4 (31.51 MB ) . google chrome new version 2013 free download for.... For administrators who ... Dragon Ash, Viva La Revolution full album zip. Viva la Revolution is the third full-length album by Dragon Ash; released in 1999. It is the first full-length album after Dragon Ash member DJ BOTS formally .... Dragon Ash单曲和专辑全集. MOONDRIVE ... Viva La Revolution (3rd Full Album) ... The Best Of Dragon Ash With Changes Vol.1 ... (kkk) 2010-12-07 19:38:45. http://u.1 1 5.com/file/f4209855de#Complete_Singles.zip. 回应 赞.. Check out this video on Streamable using your phone, tablet or desktop.. Viva La Revolution full album zip. Dragon Ash Viva La Revolution Full Album Zip. โดย: เจ้าของร้าน เมื่อ:11 เดือนที่ผ่านมา. Dragon Ash, Viva La .... Prayashchit Video Songs Hd 1080p Blu-ray Tamil Video Songs Torrent. 1 / 3 ... Hd . Full Movie . Tamil Video ... Dragon Ash, Viva La Revolution full album zip.. 001 from mediafire. com 95 MB, Jhon Dee Viva la REVOLUTION (ORIGINAL ... Dragon Ash, Viva La Revolution Full Album Zip DOWNLOAD .... Like the full-time All- Wheel Driving System for maximum traction and performance. ..... "We" includes Oldham's main collaborators, Cydne Perhats and Daniel Ash of the .... State: Zip: AD YOUR ORDER WILL BE SHIPPED THE SAME DAY www. ... election, and this fall he will tour for the new El Vez album, Boxing With God.. Скачать Dragon Ash - Viva La Revolution mp3 альбом все песни бесплатно и без регистрации. -
The Linguascape of Urban Youth Culture in Mongolia
THE LINGUASCAPE OF URBAN YOUTH CULTURE IN MONGOLIA SENDER DOVCHIN A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Faculty of Arts and Social Sciences University of Technology, Sydney MARCH 2014 Certificate of Authorship/Originality I certify that the work in this thesis has not previously been submitted for a degree nor has it been submitted as part of requirements for a degree except as fully acknowledged within the text. I also certify that the thesis has been written by me. Any help that I have received in my research work and the preparation of the thesis itself has been acknowledged. In addition, I certify that all information sources and literature used are indicated in the thesis. Signature of Candidate ______________________________ SENDER DOVCHIN MARCH 31 2014 ACKNOWLEDGEMENTS First and foremost, I would like to thank the Endeavour Postgraduate Scholarship, Australian Education International, for funding this research project. My sincere thanks go to my supervisor, Alastair Pennycook. Without his intellectual guidance, encouragement and support, this thesis may never have been completed. Not only did he give generously of his time and expertise while I was in Sydney, but he also remained actively involved when I returned to Perth and offered his continuing support particularly when I started juggling my PhD with motherhood. My warm gratitude also goes to Liam Morgan for always standing by me and providing valuable advice on the thesis; to Shaila Sultana, for her grounded and needle-sharp opinions, and is someone that I look forward to co-authoring many more future articles with; to Emi Otsuji, for her constructive and critical conversations. -
World Music Or Japanese - the Gagaku of Tôgi Hideki Author(S): Terence Lancashire Reviewed Work(S): Source: Popular Music, Vol
World Music or Japanese - The Gagaku of Tôgi Hideki Author(s): Terence Lancashire Reviewed work(s): Source: Popular Music, Vol. 22, No. 1 (Jan., 2003), pp. 21-39 Published by: Cambridge University Press Stable URL: http://www.jstor.org/stable/853554 . Accessed: 29/05/2012 21:52 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Cambridge University Press is collaborating with JSTOR to digitize, preserve and extend access to Popular Music. http://www.jstor.org Popular Music (2003)Volume 22/1. CopyrightC) 2003 CambridgeUniversity Press, pp. 21-39. DOI:10.1017/S0261143003003027Printed in the United Kingdom World music or Japanese - the gagaku of T8gi Hideki TERENCE LANCASHIRE Abstract The term 'world music' usually conjures up images of musics from 'remote' corners of the world. However, that remoteness is not always geographicaland can, for example, be chronological.Togi Hideki, a former musician from the Imperial court in Japan, has sought to introduce court music - gagaku - to a wider audience through the reworkingof traditionalgagaku pieces and new compo- sitions for gagaku instruments. Gagaku boasts a history of over 1,200 years and its esoteric nature inhibits popular interest. Togi Hideki's popularised gagaku, on the other hand, has found a new audiencefor gagaku, and his music serves as a bridge introducing Japaneseback to a remotepart of Japanesemusical culture. -
A Multi-Dimensional Study of the Emotion in Current Japanese Popular Music
Acoust. Sci. & Tech. 34, 3 (2013) #2013 The Acoustical Society of Japan PAPER A multi-dimensional study of the emotion in current Japanese popular music Ryo Yonedaà and Masashi Yamada Graduate School of Engineering, Kanazawa Institute of Technology, 7–1 Ohgigaoka, Nonoich, 921–8501 Japan ( Received 22 March 2012, Accepted for publication 5 September 2012 ) Abstract: Musical psychologists illustrated musical emotion with various numbers of dimensions ranging from two to eight. Most of them concentrated on classical music. Only a few researchers studied emotion in popular music, but the number of pieces they used was very small. In the present study, perceptual experiments were conducted using large sets of popular pieces. In Experiment 1, ten listeners rated musical emotion for 50 J-POP pieces using 17 SD scales. The results of factor analysis showed that the emotional space was constructed by three factors, ‘‘evaluation,’’ ‘‘potency’’ and ‘‘activity.’’ In Experiment 2, three musicians and eight non-musicians rated musical emotion for 169 popular pieces. The set of pieces included not only J-POP tunes but also Enka and western popular tunes. The listeners also rated the suitability for several listening situations. The results of factor analysis showed that the emotional space for the 169 pieces was spanned by the three factors, ‘‘evaluation,’’ ‘‘potency’’ and ‘‘activity,’’ again. The results of multiple-regression analyses suggested that the listeners like to listen to a ‘‘beautiful’’ tune with their lovers and a ‘‘powerful’’ and ‘‘active’’ tune in a situation where people were around them. Keywords: Musical emotion, Popular music, J-POP, Semantic differential method, Factor analysis PACS number: 43.75.Cd [doi:10.1250/ast.34.166] ‘‘activity’’ [3]. -
Science and Art in Shigetaka Shiga's the Japanese Landscape (1894)
JTLA(Jounal of the Faculty of Letters, The University of Tokyo, Aesthetics), Vol. 34(2009) 65 Unmediated Nationalism: Science and Art in Shigetaka Shiga's The Japanese Landscape (1894) Shin-ichi ANZai `Discovery of the Landscape' in Modern Japan According to the orthodox view of cultural history it was not until the modern era, specifi- cally the Renaissance, that Western people ceased to regard natural scenery merely from the viewpoint of utility or religion, and came to see nature as `landscape', as an aesthetic object'. This `discovery of the landscape' is often said to be related to the establishment of the modern autonomous self': just as the modern self gained its independence from conventional systems of value, accordingly the nature confronting the self gained its own objective independence (enabling, as a result, the self to exploit nature if necessary); then, in order to fill the gap between these two separate entities of the self and nature, landscape was discovered as a compensatory bridge between them, a bridge which, though confined to the pure realm of the aesthetic, promised a harmonious unity of man and nature. Whether this story is true or not 3, what should be noted is that it is often used as an explanatory principle in the context of Japanese modernisation. For instance an influential literary critic, Kojin Karatani asserts: All the translations from Japanese in this paper are the author's. For one of the earliest examples, see: Jacob Bruckhardt, Die Cultur der Renaissance in Italien (1860), IV, iii. Bruckhardt cites Alexander von Humbort's Kosmos (1845) as his precursor, but this type of assertion can be detected already in the aesthetics of the Picturesque of late-eighteenth-century England. -
A Study of Hong Kong Popular Music Ho Wai Chung Hong Kong B
Paper Number: 7 January 2003 Between Globalisation and Localisation: A Study of Hong Kong Popular Music Ho Wai Chung Hong Kong Baptist University The author welcome comments from readers. Contact details: Ho Wai Chung, Department of Music & Fine Arts, Hong kong Baptist University Email: [email protected] David C. Lam Institute for East-West Studies (LEWI) Hong Kong Baptist University (HKBU) LEWI Working Paper Series is an endeavour of David C. Lam Institute for East-West Studies (LEWI), a consortium with 28 member universities, to foster dialogue among scholars in the field of East-West studies. Globalisation has multiplied and accelerated inter-cultural, inter-ethnic, and inter-religious encounters, intentionally or not. In a world where time and place are increasingly compressed and interaction between East and West grows in density, numbers, and spread, East-West studies has gained a renewed mandate. LEWI’s Working Paper Series provides a forum for the speedy and informal exchange of ideas, as scholars and academic institutions attempt to grapple with issues of an inter-cultural and global nature. Circulation of this series is free of charge. Comments should be addressed directly to authors. Abstracts of papers can be downloaded from the LEWI web page at http://www.hkbu.edu.hk/~lewi/publications.html. Manuscript Submission: Scholars in East-West studies at member universities who are interested in submitting a paper for publication should send an article manuscript, preferably in a Word file via e-mail, as well as a submission form (available online) to the Series Secretary at the address below. The preferred type is Times New Roman, not less than 11 point. -
By Kunikida Doppo
HON NO MUSHI – Estudos Multidisciplinares Japoneses, volume 5, número 9, 2020 PESSOAS INESQUECÍVEIS (WASUREENU HITOBITO), DE KUNIKIDA DOPPO UNFORGETTABLE PEOPLE (WASUREENU HITOBITO), BY KUNIKIDA DOPPO Karen Kazue Kawana1 ORCID Id: https://orcid.org/0000-0003-1030-5070 Recebido em: 16/11/2020 Aceito em: 20/01/2021 RESUMO ABSTRACT Doppo Kunikida (1871-1908) nasceu em Doppo Kunikida (1871-1908) was born in Chōshi, Chōshi, na província de Chiba, como Tet- Chiba, as Tetsuo Kunikida. He was the illegiti- suo Kunikida. Filho ilegítimo de um samu- mate son of a samurai and a servant girl who rai e da empregada de uma pousada, ele foi worked at an inn. He was raised by his mother criado pela mãe e pelo marido desta. Sua and her lawful husband. Despite receiving an ir- educação foi irregular, mas ele entrou na regular education, he entered the Tōkyō Senmon Tōkyō Senmon Gakkō, atual Universidade Gakkō, now Waseda University, to study En- de Waseda, para estudar literatura inglesa, glish Literature, but didn’t get his degree. Doppo curso que não concluiu. Doppo atuou como worked as a journalist, editor and writer. He is jornalista, editor e escritor. Ele é conside- rado um dos precursores do naturalismo considered one of the precursors of naturalism no Japão, mas o estilo lírico de sua prosa, in Japan, but the lyrical style of his prose, his o apreço pelos poemas de Wordsworth e love of Wordsworth’s poems and wonder befo- seu encanto pela natureza o classificariam re nature would classify him as a romantic. In como um romântico. Em “Pessoas Inesque- “Unforgettable People” (“Wasureenu hitobito”, cíveis” (“Wasureenu hitobito”, 1898), Ōtsu, 1898), Ōtsu, an unknown writer, describes pe- 1 Doutoranda em Teoria e História Literária (IEL/Unicamp). -
Japan, the Rise of a Modern Power
Ci.T ' ^ '* - \' \ i-:*<^.r •It i\' -"r -.1, -. I'; ft . V ^ , , >^i >. .k ,, \t CORNELL UNIVERSITY LIBRARY THE CHARLES WILLIAM WASON COLLECTION ON CHINA AND THE CHINESE DS SSsAX"""'"'"""'*'"''""^ Japan, the rise of a modern power, 3 1924 012 910 893 Cornell University Library The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31 92401 291 0893 OUFFIN JAPAN The Rise of a Modern Power Oxford University Press London Edinburgh Glasgow New York Toronto Melbourne Cape Town Bonibay Humphrey Milford Publisher to the University JAPAN The Rise of a Modern Power By ROBERT P. PORTER AUTHOR OF ' THE FULL RECOGNITION OF JAPAN ', ETC OXFORD AT THE CLARENDON PRESS 1918 w/o?7/o PREFACE My father died while this book was in an incomplete state, although the greater part of it was in type ; and it is owing to the kindness of several of his friends who have consented to put the work into final form that it has become possible to publish it. In writing it his object was to describe, for English- speaking people, the main facts of Japanese history. Despite the efforts of numerous Orientalists to popularize knowledge of Japanese history and of Japanese political, economic, and social conditions, he felt that a great deal has yet to be done before the average British youth and adult will be as familiar with Japan as the average Japanese youth and adult are with Great Britain. -
1993(平成5年) 1 Dream Lover Mariah Carey 2
1993(平成5年) 1 DREAM LOVER MARIAH CAREY 2 THAT'S THE WAY LOVE GOSE JANET JACKSON 3 ARE YOU GONNA GO MY WAY LENNY KRAVITZ 4 (I CAN'T HELP)FALLING IN LOVE WITH TOU UB40 5 KISS OF LIFE SADE 6 I WILL ALWAYS LOVE YOU WHITNEY HOUSTON 7 INFORMER SNOW 8 STILL A FRIEND OF MINE INCOGNITO 9 BE MY BABY VANESSA PARADIS 10 ORDINARY WORLD DURAN DURAN 11 このまま君だけを奪い去りたい DEEN 12 島唄 THE BOOM 13 YAH YAH YAH CHAGE&ASKA 14 真夏の夜の夢 松任谷由実 15 エロティカ・セブン サザンオールスターズ 16 KISS ME 氷室京介 17 裸足の女神 B'z 18 go for it! Dreams Come True 19 恋人 鈴木雅之 20 さらば青春の光 布袋寅泰 21 DO YOU LOVE ME LIKE YOU SAY? TERENCE TRENT D'ARBY 22 優しい雨 小泉今日子 23 THE SUN IS MY ENEMY「太陽は僕の敵」 CORNELIUS 24 僕の見たビートルズはTVの中 斉藤和義 25 GO WEST PET SHOP BOYS 1994(平成6年) 1 BABY I LOVE YOUR WAY BIG MOUNTAIN 2 GOODY GOODY LISETTE MELENDEZ 3 LA LA (MEANS I LOVE YOU) SWING OUT SISTER 4 THE SIGN ACE OF BASE 5 NOW AND FOREVER RICHARD MARX 6 ROCKS PRIMAL SCREAM 7 SWEETS FOR MY SWEET C.J.LEWIS 8 ALL I WANNA DO SHERYL CROW 9 SPACE COWBOY JAMIROQUAI 10 LOSER BECK 11 innocent world Mr.Children 12 BOY MEETS GIRL trf 13 ロマンスの神様 広瀬香美 14 空と君のあいだに 中島みゆき 15 Hello, my friend 松任谷由実 16 SPY 槇原敬之 17 人魚 NOKKO 18 ア・ブラ・カダ・ブラ 米米CLUB 19 愛のために 奥田民生 20 逢いたいから 古内東子 21 風の吹き抜ける場所 FRYING KIDS 22 風に抱かれて SING LIKE TALKING 23 I'LL MAKE LOVE TO YOU BOYⅡ MEN 24 DREAM ON DREAMER THE BRAND NEW HEAVIES 25 TRUE BLUE LUNA SEA 1995(平成7年) 1 SHY GUY DIANA KING 2 CARNIVAL THE CARDIGANS 3 I KNOW DIONNE FARRIS 4 DANCING IN THE MOONLIGHT BAHA MEN 5 SCATMAN SCATMAN JOHN 6 SEXY GIRL SNOW 7 THE SWEETEST DAYS VANESSA WILLIAMS 8 WATERFALLS TLC 9 CAN'T STOP LOVIN' YOU VAN HALEN -
Fairy Inc. Sheet Music Products List Last Updated [2013/03/018] Price (Japanese Yen) a \525 B \788 C \683
Fairy inc. Sheet Music Products list Last updated [2013/03/018] Price (Japanese Yen) A \525 B \788 C \683 ST : Standard Version , OD : On Demand Version , OD-PS : Piano solo , OD-PV : Piano & Vocal , OD-GS : Guitar solo , OD-GV : Guitar & Vocal A Band Score Piano Guitar Title Artist Tie-up ST OD ST OD-PS OD-PV ST OD-GS OD-GV A I SHI TE RU no Sign~Watashitachi no Shochiku Distributed film "Mirai Yosouzu ~A I DREAMS COME TRUE A A A Mirai Yosouzu~ SHI TE RU no Sign~" Theme song OLIVIA a little pain - B A A A A inspi'REIRA(TRAPNEST) A Song For James ELLEGARDEN From the album "BRING YOUR BOARD!!" B a walk in the park Amuro Namie - A a Wish to the Moon Joe Hisaishi - A A~Yokatta Hana*Hana - A A Aa Superfly 13th Single A A A Aa Hatsu Koi 3B LAB.☆ - B Aa, Seishun no Hibi Yuzu - B Abakareta Sekai thee michelle gun elephant - B Abayo Courreges tact, BABY... Kishidan - B abnormalize Rin Toshite Shigure Anime"PSYCHO-PASS" Opening theme B B Acro no Oka Dir en grey - B Acropolis ELLEGARDEN From the album "ELEVEN FIRE CRACKERS" B Addicted ELLEGARDEN From the album "Pepperoni Quattro" B ASIAN KUNG-FU After Dark - B GENERATION again YUI Anime "Fullmetal Alchemist" Opening theme A B A A A A A A Again 2 Yuzu - B again×again miwa From 2nd album "guitarium" B B Ageha Cho PornoGraffitti - B Ai desita. Kan Jani Eight TBS Thursday drama 9 "Papadoru!" Theme song B B A A A Ai ga Yobu Hou e PornoGraffitti - B A A Ai Nanda V6 - A Ai no Ai no Hoshi the brilliant green - B Ai no Bakudan B'z - B Ai no Kisetsu Angela Aki NHK TV novel series "Tsubasa" Theme song A A -
Entropy and Redundancy of Japanese Lexical and Syntactic Compound Verbs
Entropy and Redundancy of Japanese Lexical and Syntactic Compound Verbs Tamaoka, Katsuo (Hiroshima University, Japan; [email protected]) Lim, Hyunjung (Hiroshima University, Japan; [email protected]) Hiromu, Sakai (Hiroshima University, Japan; [email protected]) Running title: Entropy and Redundancy of Japanese Compound Verbs Correspondence: Katsuo Tamaoka, Ph.D. International Student Center, Hiroshima University 1-1, 1-chome, Kagamiyama, Higashi-Hiroshima, 739-8524 JAPAN Tel & Fax: 0824-24-6288 E-mail: [email protected] Abstract : The present study investigated Japanese lexical and syntactic compound verbs (V 1 + V 2) using Shannon’s concept of entropy and redundancy calculated using corpora from the Mainichi Newspaper and a collection of 100 selected novels. Comparing combinations of a V 2 verb with various V1 verbs, syntactic compounds were higher in entropy than lexical ones while neither differed in redundancy. This result suggests that V 2 verbs of syntactic compounds are likely to combine with a wider range of V 1 verbs than those of lexical compounds. Two exceptional V 2 verbs, komu and ageru , both of which create lexical compounds, showed a wide variety of combinations with V 1 and therefore act like prefixes in English. Comparing V 2 verbs in the two corpora, the V2 eru , which adds the meaning of ‘possibility’ to a V1, functions like the auxiliary verb ‘can’ in English and seems to be a favored expression in newspapers. In contrast, the V2 komu , adds the meaning of ‘internal movement’ similar to the preposition ‘into’ in English and appears to be preferred in the novels to enrich the expression of lexical compounds.