New Design Ideas Vol.3, No.1, 2019, pp.60-78 INCOHERENT RENOVATION IN BERLIN: IS THERE A WAY FORWARD? Malcolm Millais Independent researcher, Porto, Portugal Abstract. This paper briefly describes the fates of four of Berlin‟s most iconic cultural buildings. These are the Berlin Palace, the Neues Museum, the Berlin Dom (Cathedral) and the Kaiser Wilhelm Memorial Church. Using a variety of historical styles, all these buildings were built, or finished, in the nineteenth century, and all suffered serious damage due to aerial bombing in the Second World War. As all were repairable, the obvious choice might seem to reinstate them to their original condition: but this did not happen to any of them. This paper examines the incoherence of the various renovations, and briefly addresses the problem of formulating a coherent approach to renovation, particularly with reference to the 1964 Venice Charter. Keywords: Berlin, renovation, Venice Charter, iconic buildings, war damage, monstrous carbuncle, wartime bombing, cultural destruction. Corresponding Author: Malcolm Millais, Porto, Portugal, e-mail:
[email protected] Received: 4 December 2018; Accepted: 24 January 2019; Published: 28 June 2019. 1. Introduction What can be said about all four of the buildings examined here is that: All, except in some aspects the Neues Museum, were extremely solidly built, so, given routine maintenance, could have be expected to have lasted for probably hundreds of years. All were severely damaged by aerial bombing during the Second World War. All were repairable. All suffered further destruction due to various political ideologies such as Communism, Modernism and Nationalism. All have been reinstated in a variety of ways, none of which are universally accepted.