Prof. Gamini Fonseka
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Silence in Sri Lankan Cinema from 1990 to 2010
COPYRIGHT AND USE OF THIS THESIS This thesis must be used in accordance with the provisions of the Copyright Act 1968. Reproduction of material protected by copyright may be an infringement of copyright and copyright owners may be entitled to take legal action against persons who infringe their copyright. Section 51 (2) of the Copyright Act permits an authorized officer of a university library or archives to provide a copy (by communication or otherwise) of an unpublished thesis kept in the library or archives, to a person who satisfies the authorized officer that he or she requires the reproduction for the purposes of research or study. The Copyright Act grants the creator of a work a number of moral rights, specifically the right of attribution, the right against false attribution and the right of integrity. You may infringe the author’s moral rights if you: - fail to acknowledge the author of this thesis if you quote sections from the work - attribute this thesis to another author - subject this thesis to derogatory treatment which may prejudice the author’s reputation For further information contact the University’s Director of Copyright Services sydney.edu.au/copyright SILENCE IN SRI LANKAN CINEMA FROM 1990 TO 2010 S.L. Priyantha Fonseka FACULTY OF ARTS AND SOCIAL SCIENCES THE UNIVERSITY OF SYDNEY A thesis submitted in total fulfilment of requirements for the degree of Master of Philosophy at the University of Sydney 2014 DECLARATION I hereby declare that this submission is my own work and that, to the best of my knowledge and belief, it contains no material previously published or written by another person nor material previously published or written by another person nor material which to a substantial extent has been accepted for the award of any other degree or diploma of a university or other institute of higher learning, except where due acknowledgement has been made in the text. -
Caste in the Same Mold Again: Artisans and the Indignities of Inheritance in Sri Lanka
CASTE IN THE SAME MOLD AGAIN: ARTISANS AND THE INDIGNITIES OF INHERITANCE IN SRI LANKA A Dissertation Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Aimée Catherine Douglas December 2017 ©2017 Aimée Catherine Douglas CASTE IN THE SAME MOLD AGAIN: ARTISANS AND THE INDIGNITIES OF INHERITANCE IN SRI LANKA Aimée Catherine Douglas, Ph.D. Cornell University 2017 In a context of transforming expectations regarding the who, how, and what of heritage stewardship around the world, this dissertation examines caste’s revitalization through boundary work carried out by a variety of actors and across a range of practical and discursive moments. Through a wide selection of ethnographic vignettes, it analyzes such boundary work around caste from multiple vantage points to illustrate how this category of identification is reproduced in tension with and in the service of neoliberal processes that have shaped Sri Lanka’s “traditional craft industries” since the 1977 implementation of an “open economy policy.” Grounded in two years of ethnographic fieldwork in the country’s central province, the dissertation offers anthropological insight into what happens at the level of everyday experience when the logics of neoliberal economics and democratic egalitarianism become entangled with nationalist investments in heritage on the one hand, and the apparent specters of pre-modern preoccupations with hierarchy and honor on the other. In this majority Buddhist island country, caste among the Sinhalese has long been popularly rejected as an anachronistic and lamentable artifact of pre- colonial society, its public discussion generally avoided to an extreme (Silva and Hettihewage 2001:63). -
LAND of TRIUMPH 21-23 Siri Daru Heladiva Purathane Ananda Samarakoon 13.01.1916-05.04.1962
C ONTENTS Page 1. SRI LANKA - LAND OF TRIUMPH 21-23 Siri Daru Heladiva Purathane Ananda Samarakoon 13.01.1916-05.04.1962 2. A CHRISTMAS SONG 24 Seenu Handin Lowa Pibidenava Rev. Father Mercelene Jayakody 3. IN THIS WORLD 25 Ira Ilanda Payana Loke. Sri Chandraratnc Manawasinghe 19.06.1913-04.10.1964 4. LIFE IS A FLOWING RIVER 26 Galana Gangaki Jeevithe Sri Chandraratne Manawasinghe 5. HUSH BABY 27 Sudata Sude Walakulai Arisen Ahubudu 6. BEHOLD, SWEETHEART 28 Anna Sudo Ara Pata Wala Herbert M Senevirathne 24.04.1923-07.06.1987 7. A NIGHT SO MILD 29 Me Saumya Rathriya Herbert M Seneviratne 11 8. SPRING FLOWERS 30 Vasanthaye Mai Pokuru Mahagama Sekara 07.04.1924-14.01.1976 9. LONELY BLUE SKY 31 Palu Anduru Nil Ahasa Mamai Mahagama Sekara 10. THE JOURNEY IS NEVER ENDING 32 Gamana Nonimei Lokaye Mahagama Sekara 11. VILLAGE BLOSSOM 33 Hade Susuman Dalton Alwis 07.12.1926-01.08.1987 12. PEERING THROUGH THE WINDOW 34 Kaurudo Ara Kauluwen Dalton Alwis 13. BEAUTIFUL REAPERS 35 Daathata Walalu C.DeS.Kulathilake-14.12.1926-22.11.2005 14. JOY 36 Shantha Me Ra Yame W. D. Amaradeva 15. SERENADE OF THE HEART 37 Mindada Hee Sara Madawala S Rathnayake 05.12.1929-09.01.1997 12 16. I'M A FERRYMAN 38 Oruwaka Pawena Karunaratne Abeysekara 03.06.1930-20.04.1983 17. WORLD OF TRANSIENCE 39 Chanchala Anduru Lowe Karunaratne Abeysekara 18. THE GO BETWEEN 40 Enna Mandanale Karunarathne Abesekara 19. SINGLE GIRL 41 Awanhale. Karunaratne Abeysekara 20. INFINITY. 42 Anantha Vu Derana Sara Sugathapala Senerath Yapa 21. -
Banking & Finance
Thursday 08th May, 2008 Banking & Finance Page 3 Creating an New thinking on risk environmentally sensitive management in banks needed work force at HSBC by P. Samarasiri, Assistant Governor, regulations all over the world were quickly liabilities on deposits and debts and to meet Central Bank of Sri Lanka introduced in a possible attempt to prevent such their financial obligations relating to other In response to the Directions on Corporate scandals and failures in future, and to soothe the financial services such as lending and payments Governance issued to banks by the Central Bank nervous minds of investors, both local and inter- services without interruption. Any potential on December 26, 2007, various views have been national. risk which may damage this public confidence expressed on the nature of the corporate gover- Modern Corporate Governance Codes have will cause depositors’ run on banks as well as nance that should be in banks. Therefore, this extensively addressed several major governance customers’ default on their obligations to banks article is published to educate the general public issues. These include transactions with related- which will eventually lead to liquidity crisis, about the background of the corporate gover- parties of the institutions such as directors, insolvency and failures of even well-run banks. nance literature, the need for a specific corpo- their close relations and businesses, conflicts of The literature of bank failures in many coun- rate governance mechanism for banks and the interest, creative accounting methods to hide tries shows that failures of some banks may nature of corporate governance introduced by adverse financial outcomes, ownership/share- cause contagion on the banking system due to the Central Bank. -
University of the Visual and Performing Arts for the Year 2010
UNIVERSITY OF THE VISUAL AND PERFORMING ARTS ANNUAL REPORT 2010 Annual Report 2010 University of the Visual & Performing Arts Page 1 TABLE OF CONTENTS Page No ADMINISTRATION REPORT FOR 2010 01 - 58 FINAL ACCOUNTS REPORT FOR 2010 01 - 39 AUDITOR GENERALS REPORT ON ACCOUNTS FOR THE YEAR 01 - 13 ENDING 3IST DECEMBER, 2010 REPLY TO AUDITOR GENERALS REPORT ON ACCOUNTS FOR THE 01 - 27 YEAR ENDING 3IST DECEMBER, 2010 Annual Report 2010 University of the Visual & Performing Arts Page 2 MESSAGE OF THE VICE CHANCELLOR Introduction I take this opportunity to make a note about the activities of the University of the Visual and Performing Arts during the year ending 31st December, 2010. I am quite pleased to have been able to achieve a substantial development of human and physical resources in this university during the year under review. Even though the necessity of a building complex severely affected the University, in the background of the then administrators failing to pay any attention in this regard, I recollect the manner in which necessary action was taken by me in this behalf whilst holding preliminary discussions with Mr,.Ariyaratne Kaluarachchi, the then Senior Lecturer, even though I did not hold any appointment at that time. It should be necessarily stressed here that the foundation for the “Albert Crescent Building Complex Development” was laid based on our personal requests made to Mr. S.B.Dissanayake, Minister of Youth Affairs, Sports, Rural Development and Samurdhi in the then United Front government, during discussions held with him and through his intervention. As the incumbent Vice Chancellor of this University, I was provided with the opportunity to expand its preliminary stage which started with 300 million rupees to be developed up to 870 million rupees later as the Faculty of Music building, administrative wing and the common student center, with the appointment of Mr.S.B.Dissanayake as minister in charge of my ministry itself. -
Historicizing Virāgaya As a Novel on Postcolonial Subjectivity
The Sri Lanka Journal of the Humanities (2018) 42: 1-2, 54-85 DOI: http://doi.org/10.4038/sljh.v42i1-2.7255 Published online: 28 November 2019 University of Peradeniya Location of Cultural Value: Historicizing Virāgaya as a Novel on Postcolonial Subjectivity LIYANAGE AMARAKEERTHI 1 1 Department of Sinhala, University of Peradeniya 1 [email protected] 1 https://orcid.org/0000-0002-5744-4484 ABSTRACT Martin Wickramasinghe’s Virāgaya (1956), a novel considered a modern classic is often understood be a text that exclusively focuses on the inner psyche of the central character. Thus, it was criticized for the lack of socio-political meaning. Amarasekara, a renowned writer and critic, maintained that the novel represents a certain weakening of socio-political dialogue in the country after achieving independence from the British. Compared to Wickramasinghe’s famous trilogy, which is explicitly ‘social’ since it deals with an evolution of a certain capitalist class, Virāgaya is understood to be a work that deals more with the psychological than with the social. This paper argues that when read as a postcolonial novel, contextualizing it in its specific postcolonial condition, Viragya appears to be much more ‘social’ and ‘political’ than any other novel 54 SLJH 42 (1&2) The Sri Lanka Journal of the Humanities (2018) 42: 1-2, 54-85 that appears to be so. Aravinda (the literal meaning of the name being ‘the lotus’), the central character of the novel, is a man who embodies detachment, which is an important Buddhist value. His detachment is shown by the way he maintains a certain aloofness vis-à-vis the accepted social norms, which is often interpreted as a legacy of his Buddhist upbringing. -
Rukmani Devi and Her Talents Groups Within the Agricultural Sector Should Be Introduced
The Island Opinion Saturday 29th October, 2011 9 Potgul Statue Water scarcity - reply in Seeduwa eply to Siri Gunasinghe’s ’m writing this to report to you of a ‘Interpreting problem that has risen due to an R the Past: A look Iincreased number of illicit water back at the Potgul pumping plants in Seeduwa and sur- Statue’, The Island rounding areas. As a result of this exer- 26 and 27 October. cise the ground water availability has The only way of reduced to dangerous levels leaving the Don’t ruin identifying an area residents in a very bad predica- ancient religious ment. statue is by a con- Our hometown is Seeduwa, which is a sideration of its highly residential area very close to the he audio visual media in the Parakrama ings of thousands of school chil- iconographic attrib- Katunayake Airport and the Export utes, which are Processing Zone. Over the past few recent past highlighted some dren and spectators. How disap- detailed in texts to years a large number of illegal busi- Tdistressing and depressing pointing it would have been for the enable devotees to recognize them. nesses that extract water for industrial happennings over the thoughtless spectators to see the game being I have (Digging into the Past, 2005), washing plants and other various pur- actions of some individuals abusing Samudra disrupted for several hours and given reasons why Siri Gunasinghe’s poses through high-powered pumps have authority. One TV channel showed then being abandoned. (1958) rejection of the statue having sprung up like mushroom. They dig people who are earning their liveli- In the wake of such unexpected alienate farmers and fishermen. -
2016 | Volume - Iv Issn 2357-2884
THE JUDICIAL SERVICE ASSOCIATION OF SRI LANKA JSA LAW JOURNAL 2016 | VOLUME - IV ISSN 2357-2884 PUBLISHED BY JUDICIAL SERVICE ASSOCIATION OF SRI LANKA i JSA LAW JOURNAL - VOL IV JSA LAW JOURNAL 2016 Volume iv Editorial Committee Asanga Bodaragama (Editor) Uddala Suwandurugoda (Assistant Editor) Rajindra Jayasuriya Jayaruwan Dissanayake Rakitha Abesinghe web: www.jsasl.org | mail: [email protected] ii THE JUDICIAL SERVICE ASSOCIATION OF SRI LANKA All rights Reserved. © JSA Law Journal 2016 volume IV Published by the Judicial Service Association of Sri Lanka ISSN 2357-2884 Disclaimer: Any views expressed in the JSA Law Journal are those of the individual author and are not to be attributed to the JSA Law Journal, the Editorial Committee, Unless expressly stated the views expressed are the author’s own and not of any institution the represents. Printers: Sanghinda Printers & Publishers No. 06, Wijerama Road, Gangodawila, Nubegoda. e-mail: [email protected] Tel: 011-2802679 / 4542725 Cover desingner MoLa Senevirathne Page Layout Amila Sandamali Kannangara iii JSA LAW JOURNAL - VOL IV JSA LAW JOURNAL 2016 CONTENTS Page Non-Consummation of Marriage; Ground for Nullity 1-6 A.K.M. Patabendige Medico Legal Management of Torture Victims and Role of the Judicial 7-11 Medical Officer Dr. Ajith Tennakoon Rights of the Transgenders; Protection under the Existing Law 12-22 Buddhika C. Ragala The Dock; To Have or Not to Have ? 23-42 Chanima Wijebandara Sacred Duty Of The Judge In A Partition Suit 43-53 Chinthaka Srinath Gunasekara Law Relating To Protection Of Elephants 54-64 Geethani Wijesinghe To Be Hanged By Neck Till Death 65-86 Girish Kathpalia Covering The Cover; Copyright Law And Covering In Sri Lankan Music 87-98 Dr. -
Acknowledgments
acknowledgments I wish to acknowledge the support of the individuals and institutions that helped me to complete this project. At Wesleyan University my adviser Mark Slobin at- tentively guided this project from its inception, constructively criticized my writ- ing, and helped me clarify my thoughts. B. Balasubrahmaniyan and David Nelson mentored me from my first day as a graduate student. Andrew Colwell, Sarah-Jane Ripa, Amanda Scherbenske, Pete Steele, and Shoko Yamamuro put smiles on my face. Aaron Paige, my brother in a previous life, supported me in a myriad of ways for which I can never repay. Krishna Winston painstakingly edited my fellowship proposals. When I was bringing this project to a close, she again offered dynamic emendations and suggestions. I thank the U.S. Department of Education for granting me a Fulbright-Hays award. The award enabled me to complete two unforgettable years of research in Sri Lanka. In Sri Lanka Sandagomi Coperahewa engaged me in lively discus- sion, shared hard-to-locate resources, and provided opportunities to present my research at the University of Colombo at a Sinhala Studies Seminar and a seminar for the Centre for Contemporary Indian Studies. At the American Institute for Sri Lankan Studies, Ira Unamboowe, Deepthi Guneratne, M. de. S. Weerasooriya, and Lorette Weeraratna assisted me in my research and shared in much amusement. The Ranasinghes were sources of great hospitality, warmth, and friendship. Also in Sri Lanka, Praneeth Abeysundara, Ranjana Amaradeva, W. D. Amaradeva, Sunil Ariyaratne, Dhammika Dissanayake, Mudiyanse Dissanayake, Ranjit Pranandu, Nishoka Sanduruwan, and Ratnasri Wijesinghe patiently an- swered my questions. -
Siribo Ayya Sinhala Movie 18
Siribo Ayya Sinhala Movie 18 Siribo Ayya Sinhala Movie 18 1 / 3 2 / 3 Films produced in Sri Lanka in the 1980s. Contents. 1 1980; 2 1981; 3 1982; 4 1983; 5 1984 . Siribo Aiya ( ), Sunil Ariyaratne Joe Abeywickrema, Geetha Kumarasinghe, Vasanthi Chathurani, Released on 16 May 1980 . Sudu Ayya . Niliyakata Pem Kalemi, Siri Kularathne, Released on 18 March 1983.. 2018222 . Siribo Ayya Sinhala Movie 18 ->->->-> Geetha Kumarasinghe - National Film Corporation Geetha Kumarasinghe.. Vasanthi Chathurani (Sinhala: ) is an award-winning Sri Lankan film and . 1980, 449, Siribo Ayya, Biso. 1980, 452, Parithyaga, Rohini. 1980, 455, Ganga Addara, Nirmala Atapattu, Sarasaviya Best Actress Award. 1980, 463, Para Dige.. Apr 26, 2018 . Siribo Ayya Sinhala Movie 18 More information on Victor Rathnayake Official Website Biography . song at its birth.. Feb 15, 2017 - 25 min - Uploaded by Victor RathnayakeSiribo Aiya ( ) . 11:28 Bodima Tele Drama byTorana Video Movies - Duration: 24:59 .. Siribo Ayya - - films.lk - Sri Lanka Cinema.. May 16, 2018 . Siribo Ayya Sinhala Movie 18.. Oct 28, 2009 - 10 min - Uploaded by Dr196903Veteran film director Dr Tissa Abeysekara was known for his story telling powers in many .. The Letter (Sinhala film) The Letter (Sinhalese: ) is an upcoming Sri . Victor Rathnayake (Sinhala: ; born 18 February 1942) is a . Rathnayake also has composed music for films like Siribo Aiya, Podi Malli, . T. K. D. Muzhappilangad T. K. Kala T. K. Kapali T. K. M. Chinnayya T. K. Raja T. K... Oct 3, 2011 - 8 min - Uploaded by Lawrence ShanththikumarJoseph -
Annual Report of the University of the Visual
MESSAGE OF THE VICE CHANCELLOR Introduction Having studied as a student of the University of the Visual and Performing Arts, and later having served it as a Lecturer, and thereafter holding various appointments such as Head of a Department and Dean of a Faculty and after being appointed Vice Chancellor, I make a note with great pleasure about the activities of the University of the Visual and Performing Arts during the year ending 31st December, 2011. As the incumbent Vice Chancellor of this University, I was provided with the opportunity to expand its preliminary stage which started with 300 million rupees to be developed up to 870 million rupees later as the Faculty of Music building, administrative wing and the common student center, with the appointment of Mr. S. B. Dissanayake as minister in charge of my ministry. The problem faced by the University in regard to hostels would be mitigated to a considerable extent due to the possibility by now of commencing the construction activities of female and male hostels bestowed to us through the Mahinda Chinthana of His Excellency the President of the Democratic Socialist Republic of Sri Lanka. Through this, it would be possible to provide residential facilities to around 800 students, and there would be a substantial saving in the rents paid to private houses. Whilst no action had been ever taken previously to legally vest in the University the Horton Place premises used by this institute since the year 1949, the Albert Crescent premises used since the year 1952, and other premises at Kohuwela, Dehiwela and Rajagiriya, I paid serious attention to this matter and took action to get all these premises vested. -
The Politics and Poetics of Authenticity: a Cultural Genealogy of Sinhala Nationalism
The Politics and Poetics of Authenticity of and Poetics The Politics ‘This is a refreshing contribution to the growing body of scholarly literature on Sri Lanka’s Sinhalese nationalism, its politics and intellectual strands. Its value is enhanced by the marshalling of sources available in the Sinhalese language that are usually ignored in scholarly work on contemporary Sri Lanka.’ Harshana Rambukwella – Professor Jayadeva Uyangoda, formerly University of Colombo ‘This is an impressive work that guides the reader with compassion through the cultural and political whirlwind of colonial and postcolonial Sri Lanka. Rambukwella breathes fresh air into old debates, probing the ironies of authenticity and inauthenticity through the lives and works of three leading nationalist thinkers. Timely and inspiring.’ – Professor Nira Wickramasinghe, Leiden University What is the role of cultural authenticity in the making of nations? Much scholarly and popular commentary on nationalism dismisses authenticity as a romantic fantasy or, worse, a deliberately constructed mythology used for political manipulation. The Politics and Poetics of Authenticity places authenticity at the heart of Sinhala nationalism in late nineteenth and twentieth-century Sri Lanka. It argues that the passion for the ‘real’ or the ‘authentic’ has played a signifi cant role in shaping nationalist thinking and argues for an empathetic yet critical engagement with the idea of authenticity. The Politics Through a series of fi ne-grained and historically grounded analyses of the writings of individual fi gures central to the making of Sinhala nationalist ideology the book demonstrates authenticity’s rich and varied presence in Sri Lankan public life and its key role in understanding post-colonial nationalism in Sri Lanka and elsewhere in South Asia and and Poetics the world.