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Results of Parliamentary General Election - 1947
RESULTS OF PARLIAMENTARY GENERAL ELECTION - 1947 No. and Name of Electoral District Name of the Elected Candidate Symbol allotted No of No of Total No. of Votes No of Votes Votes Polled including Registered Polled rejected rejected Electors 1 Colombo North George R. de Silva Umbrella 7,501 189 14,928 30,791 Lionel Cooray Elephant 6,130 E.C.H. Fernando Cup 501 A.P. de Zoysa House 429 H.C. Abeywardena Hand 178 2 Colombo Central A.E. Goonasinha Bicycle 23,470 3,489 102,772 55,994 T.B. Jayah Cart Wheel 18,439 Pieter Keuneman Umbrella 15,435 M.H.M. Munas House 8,600 Mrs. Ayisha Rauff Tree 8,486 V.J. Perera Elephant 5,950 V.A. Sugathadasa Lamp 4,898 G.W. Harry de Silva Pair of Scales 4,141 V.A. Kandiah Clock 3,391 S. Sarawanamuttu Chair 2,951 P. Givendrasingha Hand 1,569 K. Dahanayake Cup 997 K. Weeraiah Key 352 K.C.F. Deen Star 345 N.R. Perera Butterfly 259 3 Colombo South R. A. de Mel Key 6,452 149 18,218 31,864 P. Sarawanamuttu Flower 5,812 Bernard Zoysa Chair 3,774 M.G. Mendis Hand 1,936 V.J. Soysa Cup 95 Page 1 of 15 RESULTS OF PARLIAMENTARY GENERAL ELECTION - 1947 No. and Name of Electoral District Name of the Elected Candidate Symbol allotted No of No of Total No. of Votes No of Votes Votes Polled including Registered Polled rejected rejected Electors 4 Wellawatta-Galkissa Colvin R. de Silva Key 11,606 127 21,750 38,664 Gilbert Perera Cart Wheel 4,170 L.V. -
RESULTS of PARLIAMENTARY GENERAL ELECTION - May 27, 1970 No of No of Total No
RESULTS OF PARLIAMENTARY GENERAL ELECTION - May 27, 1970 No of No of Total No. of Votes No of No. and Name of Electoral District Name of the Elected Candidate Symbol allotted Votes Votes Polled including Registered Polled rejected rejected Electors 1 Colombo North V.A. Sugathadasa Elephant 20,930 97 44,511 Harris Wickremetunge Chair 13,783 W.I.A. Corsby Fernando Ship 164 A.S. Jayamaha Cockerel 97 2 Colombo Central R. Premadasa Elephant 69,310 5,491 240,597 99,265 Falil Caffoor Chair 63,624 Pieter Keuneman Star 58,557 M. Haleem Ishak Hand 41,716 C. Durairajah Umbrella 783 M. Haroun Careem Bell 413 Poopathy Saravanamuttu Ship 396 Panangadan Raman Krishnan Pair of Scales 307 3 Borella Kusala Abhayawardana (Mrs.) Key 16,421 50 32,810 42,849 M.H. Mohamed Elephant 15,829 M.A. Mansoor Pair of Scales 510 4 Colombo South J.R. Jayawardena Elephant 57,609 1,134 97,928 66,136 Bernard Soysa Key 36,783 Ratnasabapathy Wijaya Indra Eye 1,166 Ariyadasa Peiris Bell 561 A.S. Jayamaha Cockerel 241 Mudalige Justin Perera Flower 165 Joseph Beling Chair 164 Yathiendradasa Manampery Pair of Scales 105 5 Wattala A.D.J.L. Leo Hand 21,856 106 41,629 48,875 D. Shelton Jayasinghe Elephant 19,667 6 Negombo Denzil Fernando Elephant 20,457 132 36,509 44,284 Justin Fernando Hand 15,920 RESULTS OF PARLIAMENTARY GENERAL ELECTION - May 27, 1970 No of No of Total No. of Votes No of No. and Name of Electoral District Name of the Elected Candidate Symbol allotted Votes Votes Polled including Registered Polled rejected rejected Electors 7 Katana K.C. -
Baila and Sydney Sri Lankans
Public Postures, Private Positions: Baila and Sydney Sri Lankans Gina Ismene Shenaz Chitty A Thesis Submitted in Fulfilment of the Requirements for the Degree of Doctor of Philosophy Department of Contemporary Music Studies Division of Humanities Macquarie University Sydney, Australia November 2005 © Copyright TABLE OF CONTENTS LIST OF F IG U R E S.......................................................................................................................................................................... II SU M M A R Y ......................................................................................................................................................................................Ill CER TIFIC ATIO N ...........................................................................................................................................................................IV A CK NO W LED GEM EN TS............................................................................................................................................................V PERSON AL PR EFA C E................................................................................................................................................................ VI INTRODUCTION: SOCIAL HISTORY OF BAILA 8 Anglicisation of the Sri Lankan elite .................... ............. 21 The English Gaze ..................................................................... 24 Miscegenation and Baila............................................................ -
Silence in Sri Lankan Cinema from 1990 to 2010
COPYRIGHT AND USE OF THIS THESIS This thesis must be used in accordance with the provisions of the Copyright Act 1968. Reproduction of material protected by copyright may be an infringement of copyright and copyright owners may be entitled to take legal action against persons who infringe their copyright. Section 51 (2) of the Copyright Act permits an authorized officer of a university library or archives to provide a copy (by communication or otherwise) of an unpublished thesis kept in the library or archives, to a person who satisfies the authorized officer that he or she requires the reproduction for the purposes of research or study. The Copyright Act grants the creator of a work a number of moral rights, specifically the right of attribution, the right against false attribution and the right of integrity. You may infringe the author’s moral rights if you: - fail to acknowledge the author of this thesis if you quote sections from the work - attribute this thesis to another author - subject this thesis to derogatory treatment which may prejudice the author’s reputation For further information contact the University’s Director of Copyright Services sydney.edu.au/copyright SILENCE IN SRI LANKAN CINEMA FROM 1990 TO 2010 S.L. Priyantha Fonseka FACULTY OF ARTS AND SOCIAL SCIENCES THE UNIVERSITY OF SYDNEY A thesis submitted in total fulfilment of requirements for the degree of Master of Philosophy at the University of Sydney 2014 DECLARATION I hereby declare that this submission is my own work and that, to the best of my knowledge and belief, it contains no material previously published or written by another person nor material previously published or written by another person nor material which to a substantial extent has been accepted for the award of any other degree or diploma of a university or other institute of higher learning, except where due acknowledgement has been made in the text. -
The Interface Between Buddhism and International Humanitarian Law (Ihl)
REDUCING SUFFERING DURING CONFLICT: THE INTERFACE BETWEEN BUDDHISM AND INTERNATIONAL HUMANITARIAN LAW (IHL) Exploratory position paper as background for 4th to 6th September 2019 conference in Dambulla, Sri Lanka Peter Harvey (University of Sunderland, Emeritus), with: Kate Crosby (King’s College, London), Mahinda Deegalle (Bath Spa University), Elizabeth Harris (University of Birmingham), Sunil Kariyakarawana (Buddhist Chaplain to Her Majesty’s Armed Forces), Pyi Kyaw (King’s College, London), P.D. Premasiri (University of Peradeniya, Emeritus), Asanga Tilakaratne (University of Colombo, Emeritus), Stefania Travagnin (University of Groningen). Andrew Bartles-Smith (International Committee of the Red Cross). Though he should conquer a thousand men in the battlefield, yet he, indeed, is the nobler victor who should conquer himself. Dhammapada v.103 AIMS AND RATIONALE OF THE CONFERENCE This conference, organized by the International Committee of the Red Cross (ICRC) in collaboration with a number of universities and organizations, will explore correspondences between Buddhism and IHL and encourage a constructive dialogue and exchange between the two domains. The conference will act as a springboard to understanding how Buddhism can contribute to regulating armed conflict, and what it offers in terms of guidance on the conduct of, and behavior during, war for Buddhist monks and lay persons – the latter including government and military personnel, non-State armed groups and civilians. The conference is concerned with the conduct of armed conflict, and not with the reasons and justifications for it, which fall outside the remit of IHL. In addition to exploring correspondences between IHL and Buddhist ethics, the conference will also explore how Buddhist combatants and communities understand IHL, and where it might align with Buddhist doctrines and practices: similarly, how their experience of armed conflict might be drawn upon to better promote IHL and Buddhist principles, thereby improving conduct of hostilities on the ground. -
Buddha to Krishna
BUDDHA TO KRISHNA This book traces the emergence of modernism in art in South Asia by exploring the work of the iconic artist George Keyt. Closely interwoven with his life, Keyt’s art reflects the struggle and triumph of an artist with very little support or infrastructure. He painted as he lived: full of colour, turmoil and intensity. In this compelling account, the author examines the eventful course of Keyt’s journey, bringing to light unknown and star- tling facts: the personal ferment that Keyt went through because of his tumultuous relationships with women; his close involvement with social events in India and Sri Lanka on the threshold of Independence; and his somewhat angular engagement with artists of the ’43 Group. A collector’s delight, including colour plates and black and white pho- tographs, reminiscences and intimate correspondences, this book reveals the portrait of an artist among the most charismatic figures of our time. This book will be of interest to scholars and researchers of art and art history, modern South Asian studies, sociology, cultural studies as well as art aficionados. Yashodhara Dalmia is an art historian and independent curator based in New Delhi, India. She has written several books including Amrita Sher- Gil: A Life (2006) that have received widespread international acclaim. She is also the author of The Making of Modern Indian Art: The Progressives (2001) and Journeys: Four Generations of Indian Artists (2011). She has curated many art shows, with the most recent being the centenary show ‘Amrita Sher-Gil: The Passionate Quest’ at the National Gallery of Mod- ern Art in New Delhi, Mumbai and Bengaluru in 2014. -
Caste in the Same Mold Again: Artisans and the Indignities of Inheritance in Sri Lanka
CASTE IN THE SAME MOLD AGAIN: ARTISANS AND THE INDIGNITIES OF INHERITANCE IN SRI LANKA A Dissertation Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Aimée Catherine Douglas December 2017 ©2017 Aimée Catherine Douglas CASTE IN THE SAME MOLD AGAIN: ARTISANS AND THE INDIGNITIES OF INHERITANCE IN SRI LANKA Aimée Catherine Douglas, Ph.D. Cornell University 2017 In a context of transforming expectations regarding the who, how, and what of heritage stewardship around the world, this dissertation examines caste’s revitalization through boundary work carried out by a variety of actors and across a range of practical and discursive moments. Through a wide selection of ethnographic vignettes, it analyzes such boundary work around caste from multiple vantage points to illustrate how this category of identification is reproduced in tension with and in the service of neoliberal processes that have shaped Sri Lanka’s “traditional craft industries” since the 1977 implementation of an “open economy policy.” Grounded in two years of ethnographic fieldwork in the country’s central province, the dissertation offers anthropological insight into what happens at the level of everyday experience when the logics of neoliberal economics and democratic egalitarianism become entangled with nationalist investments in heritage on the one hand, and the apparent specters of pre-modern preoccupations with hierarchy and honor on the other. In this majority Buddhist island country, caste among the Sinhalese has long been popularly rejected as an anachronistic and lamentable artifact of pre- colonial society, its public discussion generally avoided to an extreme (Silva and Hettihewage 2001:63). -
Alteration of Class Structure in Folk Drama: a Critical Analysis of Staging
International Research Journal of Social Sciences______________________________________ ISSN 2319–3565 Vol. 4(6), 44-51, June (2015) Int. Res. J. Social Sci. Alteration of Class structure in Folk drama: a Critical Analysis of staging the Kolam by the Sinhalese Middle Class in Sri Lanka Profesor Jayantha Amarasinghe and Saman M Kariyakarawana Dep. of Sinhala, Ruhuna University, Mathara, SRI LANKA Available online at: www.isca.in Received 4th April 2015, revised 28 th May 2015, accepted 10 th June 2015 Abstract The Sinhalese Comprador class that assumed power following the National Independence in 1948 had no interest in a modern Sinhalese culture and on the other hand, they accepted as their own the culture what the British had. The Sinhalese educated native class felt very much this lack of cultural identity. They undertook the task of creating a modern culture by means of indigenous cultural characteristics. In this respect a substantial role was played by Ediriweera Sarachchandra. He was able to compose a modern dramaturgy by adopting form and Buddhist content of the folk drama that had hither to been treated as mean cultural features and Japanese, Chinese and Indian cultural components. As a result, the value of folk dramas underwent a transformation. Instead of treating them as mean cultural characteristics, they were accepted as cultural features of national value. Teaching drama and dramaturgy as a subject at educational institutes was commenced and more time was allotted for folk drama in the curriculum. It was purely owing to this reason that the studies of the folk drama multiplied. Folk dramas were performed at national cultural festivals. -
Sinhala Attitude to Knowledge G.Usvatte-Aratchi Some of You May
Sinhala attitude to knowledge G.Usvatte-aratchi Some of you may have noticed that I have been a frequent though not a regular part of this audience. I have learnt much and found these lectures full of wit and wisdom. I have often felt guilty that I drank from this seemingly horn of plenty and did not care to refill it. One evening, about two years ago, as my wife and I waited for the lift to go down, someone tapped me on the shoulder and asked me whether I would talk at one of the monthly meetings. I promised Mr.Wickremaratne that I would try to find a theme on which to talk. And there was the nub. I had no theme on which to speak on. I avoided him in those little clever ways we have learnt to dodge people to whom we have promised to deliver but failed. These talks, indeed all good public lectures, have two common features. The speaker must have something new even completely outlandish to say. More important, a talk must interest the audience in variegated ways and at different levels. In subjects that seemed to interest this audience, I had no competence at all and in those in which I had some competence, as we are ‘all ignorant but in different subjects’, this audience would not care a bit. The fundamental conditions for a successful public lecture went missing and I kept playing that game of dodge ball with Mr.Wickremaratne. All that while, I rummaged my mind for something that, I hoped, might hold your attention. -
William De Silva... from Page 9
The Island Features Wednesday 22nd July, 2009 11 gene pool of 55%. The Sri Lankan Tamils are mostly Hindus with a sig- nificant Christian population. Sri Lankan Tamil literature on topics including religion and the sciences flourished during the Medieval Period in the Court of the Jaffna Kingdom. Sri Lankan Tamil dialects are noted for their archaism and retention of words not in everyday use in the Tamil Nadu state in India. Veddahs: The aboriginal Vanniyala-Aetto, or “forest people”, more commonly known as Veddas or Veddahs, are an indigenous people of Sri Lanka. They were never numerous and are now few in num- ber. Sinhala-speaking Veddahs are found primarily in the southeastern part of the country, especially in the vicinity of Bintenne in Uva Province. There are also Sinhala- Like some other speaking Veddas who live in Anuradhapura District in the North peoples of Sri Central Province. Another, largely distinct group, Lanka, the often termed East Coast Veddas, is Sinhalese“ have a found in coastal areas of the “ Eastern Province, mostly between caste-based socie- Batticaloa and Trincomalee. These Veddas speak Tamil as their pri- ty borrowed from mary language. India and with a Their language, usually referred A plantation worker to as ‘Veddah,’ is closely related to complex structure Sinhala, although much of its vocab- ulary (especially terms associated based largely on with the forest and their lifestyle) can not be traced to Sinhala and occupation. may be from an archaic language Marriage partners spoken before the adoption of the Sinhala language. are usually taken Examples include the Wanniyala- One Nation: Aetto word ruhang for friend, while from persons of the Sinhala word is yaluva There are also communities of Wanniyala- the same caste, Aetto who speak Tamil in the East diversity and preferably from Coast. -
Martin Wickramasinghe's Contribution to Comparative Literature
University of Massachusetts Amherst ScholarWorks@UMass Amherst Masters Theses Dissertations and Theses November 2016 Re-envisioning a Discipline: Martin Wickramasinghe’s Contribution to Comparative Literature Chamila Somirathna University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/masters_theses_2 Part of the Comparative Literature Commons Recommended Citation Somirathna, Chamila, "Re-envisioning a Discipline: Martin Wickramasinghe’s Contribution to Comparative Literature" (2016). Masters Theses. 447. https://doi.org/10.7275/8764604 https://scholarworks.umass.edu/masters_theses_2/447 This Open Access Thesis is brought to you for free and open access by the Dissertations and Theses at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Masters Theses by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. Re-envisioning a Discipline: Martin Wickramasinghe’s Contribution to Comparative Literature A Thesis Presented By CHAMILA SOMIRATHNA Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of MASTER OF ARTS September 2016 Comparative Literature © Copyright by Chamila Somirathna 2016 All Rights Reserved Re-envisioning a Discipline: Martin Wickramasinghe’s Contribution to Comparative Literature A Thesis Presented By CHAMILA SOMIRATHNA Approved as to style and content by: ___________________________________________ Moira Inghilleri, -
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View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Sussex Research Online Excerpt from WRITING SRI LANKA LITERATURE, RESISTANCE AND THE POLITICS OF PLACE MINOLI SALGADO (ROUTLEDGE 2007) PART I pp. 9-38 1 Literature and Territoriality: Boundary Marking as a Critical Paradigm Etymologically unsettled, ‘territory’ derives from both terra (earth) and terrēre (to frighten) whence territorium, ‘a place from which people are frightened off’. Homi K. Bhabha, The Location of Culturei Sri Lankan literature in English constitutes an emergent canon of writing that has yet to find settlement in the field of postcolonial studies. ii It occupies an uncertain territory, which, in recent years, has itself been marked by the competing ethnic nationalisms of civil war and of contestatory constructions of home and belonging. The upsurge of literary production in English in the last thirty years has corresponded with the dynamic growth of postcolonial studies from the metropolitan centre, the international acclaim granted to writers such as Michael Ondaatje and Romesh Gunesekera, and, as significantly, with a period of heightened political unrest in Sri Lanka - a context of production and reception that is shaped by a politics of affiliation and competing claims to cultural authority. It is worth reminding ourselves that unlike most postcolonial nations, Sri Lanka’s national consciousness developed significantly after Independence and did so along communal lines.iii The 1950s witnessed the dramatic decline of Ceylonese or multi-ethnic Sri Lankan nationalism in favour of Sinhala linguistic nationalism along with the sharpening of Sri Lankan Tamil nationalismiv – a combination that culminated in the communal violence of 1983 and the start of the military conflict.