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ABSOLUTELY Press Kit Aug 25
1 ABSOLUTELY MODERN A NEW Film BY PHILIPPE MORA “Modern paintings are like women, you'll never enjoy them if you try to understand them.” Freddie Mercury PRESS KIT Inquiries: morafilms@ gmail.com https://www.facebook.com/pages/Absolutely- Modern/429822753746917 2 ABSOLUTELY MODERN is "Absolutely funny, fresh and thought- provoking. Philippe Mora at his best." Piotr Czerkawski, Film Critic Wroclaw “..there is a genuine heart and soul to the film that is something of a passion project for Mora.” Laurence Boyce Screen Daily “The creation here (of Lord Steinway) is definitely a masterpiece.” Anna Tatarska FRED Radio, The Festival Insider “Mora’s films break all conventions, combine different styles and are nearly always saturated with rebellious, surrealistic humor.” Adam Kruk Film Critic, New Horizons “Mora tells perhaps one of his most personal stories to date as he examines art and modernism. Mora, who casual fans would most likely know from such films as Communion and cult classic The Return of Captain Invincible, unsurprisingly does not tell the tale with any regard for the norms of convention..” Screen International “Philippe Mora…French Australian director legend.” Der Spiegel May 2013 3 SYNOPSIS OF THE FILM This story of Modernism, muses and the role of sexuality in art are told by famed art critic Lord Steinway. When a soccer player, confronts Steinway as his son, the story takes a modernist twist itself. This comedy hit at the 2013 New Horizons International Film Festival takes the form of a hybrid of fact and fiction about Lord Steinway, the “Method” art critic, making his television show THE EPIC OF CIVILIZATION. -
Academy Initial Study for Reuse, May 24, 2013
INITIAL STUDY ACADEMY MUSEUM OF MOTION PICTURES PROJECT CITY OF LOS ANGELES, CALIFORNIA MAY 2013 INITIAL STUDY ACADEMY MUSEUM OF MOTION PICTURES PROJECT CITY OF LOS ANGELES, CALIFORNIA Prepared for: City of Los Angeles Planning Department 200 N. Spring Street, Room 721 Los Angeles, CA 90012 Prepared by: PCR Services Corporation 201 Santa Monica Boulevard Suite 500 Santa Monica, CA 90401 MAY 2013 Table of Contents Page ENVIRONMENTAL CHECKLIST ATTACHMENT A ‐ PROJECT DESCRIPTION ................................................................................................................ A‐1 A. Introduction ........................................................................................................................................................................ A‐1 B. Project Location and Surrounding Uses .................................................................................................................. A‐2 C. Project Background and Existing Conditions ........................................................................................................ A‐5 D. Description of the Project .............................................................................................................................................. A‐7 E. Anticipated Project Approvals .................................................................................................................................. A‐19 ATTACHMENT B: EXPLANATION OF CHECKLIST DETERMINATIONS ............................................................ -
Why No Wonder Woman?
Why No Wonder Woman? A REPORT ON THE HISTORY OF WONDER WOMAN AND A CALL TO ACTION!! Created for Wonder Woman Fans Everywhere Introduction by Jacki Zehner with Report Written by Laura Moore April 15th, 2013 Wonder Woman - p. 2 April 15th, 2013 AN INTRODUCTION AND FRAMING “The destiny of the world is determined less by battles that are lost and won than by the stories it loves and believes in” – Harold Goddard. I believe in the story of Wonder Woman. I always have. Not the literal baby being made from clay story, but the metaphorical one. I believe in a story where a woman is the hero and not the victim. I believe in a story where a woman is strong and not weak. Where a woman can fall in love with a man, but she doesnʼt need a man. Where a woman can stand on her own two feet. And above all else, I believe in a story where a woman has superpowers that she uses to help others, and yes, I believe that a woman can help save the world. “Wonder Woman was created as a distinctly feminist role model whose mission was to bring the Amazon ideals of love, peace, and sexual equality to ʻa world torn by the hatred of men.ʼ”1 While the story of Wonder Woman began back in 1941, I did not discover her until much later, and my introduction didnʼt come at the hands of comic books. Instead, when I was a little girl I used to watch the television show starring Lynda Carter, and the animated television series, Super Friends. -
"/Title/Tt3702160/": {"Director": [["Kimberly Jessy"]], "Plot": ["\Nbeautiful D Anger Is an Animated 3D Made for TV/Short Film
{"/title/tt3702160/": {"director": [["Kimberly Jessy"]], "plot": ["\nBeautiful D anger is an Animated 3D Made for TV/Short Film. It's a Thriller that combines, M TV's Teen Wolf, Pretty Little Liars, Gossip Girl, Sorcery, Twilight, in one film , Epic fight scenes, No-one is who you think they are, Alternate Universes, Teen Young Adult Action Good Verses Evil, flick with tons of Cliff Hangers! It takes place In Dark Oak, CA were the typical mean girl with magical powers tries to t ake over the school with her mean girl clique. Brooke Charles Takes on Kimberly Jesika and her good girl team. Death Becomes Brook cause she keeps coming back, Think Katherine Vampire Diaries. Kimberly has magical powers and so does her cla n. It's a match to the death. No one is who they seem or who they appear to be! Excitement and sitting on the edge of your seat. Written by\nKimb erly Jessy "], "imdb_rating": [], "mpaa_rating": [], "poster_link": [], "stars": [["Kimberly Jessy"], ["Helena Evans"], ["Chloe Benoit"]], "title": "Beautiful D anger 3D Animated Teen Thriller", "genre": [[" Animation"]], "release_date": [], "writer": [["Kimberly Jesika"], ["Doll Face Animated Films"]]}, "/title/tt25692 02/": {"director": [["Emily Gossett"]], "plot": ["\nThe last year of high school has been barely tolerable for Maggie Masters. After being dumped by her three y ear relationship with Chad, to be traded in for a football dream at UF, she has to succumb to her mother leaving for a better life. Maggie is left to pick up th e remains of her fragmented life. When fate intervenes by the touch from the mys terious and handsome Caleb Jacobson, whom she saves, leaves Maggie breathless, s tartled and captivated. -
2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS
2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS BEST FIRST SCREENPLAY 2012 NOMINEES (Winners in bold) *Will Reiser 50/50 BEST FEATURE (Award given to the producer(s)) Mike Cahill & Brit Marling Another Earth *The Artist Thomas Langmann J.C. Chandor Margin Call 50/50 Evan Goldberg, Ben Karlin, Seth Rogen Patrick DeWitt Terri Beginners Miranda de Pencier, Lars Knudsen, Phil Johnston Cedar Rapids Leslie Urdang, Dean Vanech, Jay Van Hoy Drive Michel Litvak, John Palermo, BEST FEMALE LEAD Marc Platt, Gigi Pritzker, Adam Siegel *Michelle Williams My Week with Marilyn Take Shelter Tyler Davidson, Sophia Lin Lauren Ambrose Think of Me The Descendants Jim Burke, Alexander Payne, Jim Taylor Rachael Harris Natural Selection Adepero Oduye Pariah BEST FIRST FEATURE (Award given to the director and producer) Elizabeth Olsen Martha Marcy May Marlene *Margin Call Director: J.C. Chandor Producers: Robert Ogden Barnum, BEST MALE LEAD Michael Benaroya, Neal Dodson, Joe Jenckes, Corey Moosa, Zachary Quinto *Jean Dujardin The Artist Another Earth Director: Mike Cahill Demián Bichir A Better Life Producers: Mike Cahill, Hunter Gray, Brit Marling, Ryan Gosling Drive Nicholas Shumaker Woody Harrelson Rampart In The Family Director: Patrick Wang Michael Shannon Take Shelter Producers: Robert Tonino, Andrew van den Houten, Patrick Wang BEST SUPPORTING FEMALE Martha Marcy May Marlene Director: Sean Durkin Producers: Antonio Campos, Patrick Cunningham, *Shailene Woodley The Descendants Chris Maybach, Josh Mond Jessica Chastain Take Shelter -
Centralizing the Mobile: the Los Angeles County Museum of Art's
Centralizing the Mobile: The Los Angeles County Museum of Art’s Outdoor Installations BY KATIE ANTONSSON The Los Angeles County Museum of Art has been struggling with its role in Los Angeles life since its creation in 1961. Originally part of the Los Angeles Museum of Science, History and Art (est. 1910), LACMA branched off and established itself as a separate art museum in 1961, opening its doors to the public in 1965. During the late 80s and early 90s, the museum devoted itself to opening up new buildings and galleries for new acquisitions, which both expanded and fragmented the museum. For its most recent crusade, LACMA strives to become the cultural center of Los Angeles under the tutelage of director Michael Govan. In a county of nine million citizens spread over 4700 square miles, centralization is a near impossible proposition, but Govan’s innovative thinking has helped propel LACMA to its highest status within Los Angeles life yet, commissioning massive outdoor installations to engage an audience and symbolize a city. From its inception, LACMA’s founders determined to make their museum the west coast answer to the Metropolitan Museum of Art in New York City. John Walker, a board member during the museum’s early years, explained, “Of course, the Met has a 100-year advantage, but I believe Los Angeles to have the financial resources and the civic enthusiasm to build a great general collection [from] AD 1200 to our own time.”1 With the founding 1 Christopher Knight, "LACMA's Overhaul Is a Work in Progress." Los Angeles Times, 02 Mar. -
B22-0840, the “LGBTQ Health Data Collection Amendment Act of 2018” James Lecesne
October 16, 2018 Founders To: Committee on Education, Council of District of Columbia Peggy Rajski Randy Stone (1958-2007) Re: B22-0840, the “LGBTQ Health Data Collection Amendment Act of 2018” James Lecesne To Whom It May Concern, Board of Directors I write to you today on behalf of The Trevor Project to express our strong support for Michael Norton Chair the “LGBTQ Health Data Collection Amendment Act of 2018.” Directly asking questions related to sexual orientation, gender identity, and gender expression as part of the Gina Munoz District’s participation in the Behavioral Risk Factor Surveillance System ("BRFSS") and Co-Vice Chair the Youth Risk Behavior Surveillance System (“YRBSS”), and publishing a detailed annual report on the results, will allow teachers, parents, advocates, and policymakers to do Michaela Mendelsohn Co-Vice Chair more to save lives of lesbian, gay, bisexual, transgender, queer and questioning (LGBTQ) youth. Phil Armstrong Treasurer The Trevor Project is the world’s largest suicide prevention and crisis intervention organization for LGBTQ young people. We work to save young lives through our phone, Brian Winterfeldt Secretary text, and instant message crisis intervention services. As a leader and innovator in suicide prevention, The Trevor Project also offers the world’s largest safe social Mike Dillon networking community for LGBTQ youth, best practice suicide prevention educational Member At Large trainings, resources for youth and adults, and a myriad of advocacy initiatives. Meredith Kadlec Chair Emeritus The data collected under the YRBSS on sexual orientation has already proven valuable, and demonstrated that gay, lesbian, and bisexual youth are at greater risk of violent Caroline Bird victimization, bullying, and experiencing mental health issues including suicidal ideation. -
Art Los Angeles Reader ACID INTERIORS | Nº 3 | JANUARY 2017
JANUARY 2017 Art Los Angeles Reader ACID INTERIORS | Nº 3 | JANUARY 2017 Pool The new fragrance by Sean Raspet Available for a limited time at reader.la/pool ART LOS ANGELES READER Art Los Angeles Reader ACID INTERIORS | Nº 3 | JANUARY 2017 Lost Enchantment From the Editor Interior designer Tony Duquette was known for bedazzling style. A short-lived Malibu ranch would have been his crown jewel. Kate Wolf Every single scene in Rainer Werner 1970s black artists’ interventions into public Fassbinder’s newly rediscovered World on a space, to see what rituals and reorientations Wire features two central colors: burnt or- were required for making the city a place ange and emerald blue. Made in 1973, that they could inhabit. And Travis Diehl digs into Infrastructure Sketches era’s cybernetic systems thinking (everything the history of the New York Times’ coverage In the late 1970s, Barbara McCullough and Senga Nengudi exited Ed Ruscha's is related) found an exquisite analogue in the of LA art, diagnosing a host of antipathic, freeway and claimed land under the off-ramps. conspiracy theory of simulation, which mo- boostered biases. Aria Dean tivates the film’s science fiction plot (we’re The theme acid interiors is inspired by stuck in a virtual reality, we just have no idea). William Leavitt’s theatrical obsession with The colors of the interiors seem to prove the mid-century design, his installations of ge- protagonist’s suspicion: in his apartment, his neric sets that deal with the drama of stuff. Pool office, the restaurant, his secretary’s jacket, I am thrilled to present a work Leavitt made A new fragrance made with synthetic compounds. -
Summmer 2012
Community Connections Meetings A MESSAGE FROM Meetings are in City Hall Elected THE CITY TREASURER and the Community Center OffMiacyoir als The City of Carson has established a Fraud unless otherwise noted, and are open to the public. Jim Dear Hotline to fight fraud and protect Mayor Pro Tem taxpayer’s dollars. The Hotline is an Police & Fire Jobs City Council/Redevelopment option for anyone wishing to anonymously Emergencies 911 Job Clearinghouse Agency 6 p.m., Julie Ruiz-Raber (310) 233-4888 1st and 3rd Tuesdays report illegal or unethical activity on the Animal Control Councilmember part of the City, its officials, employees, Carson Animal Shelter Libraries Citywide Advisory Commission Elito M. Santarina (310) 523-9566 Carson Regional 7 p.m., 2nd Thursday contractors or vendors. The Hotline is (Only when necessary) Birth, Death, (310) 830-0901 Councilmember open 24 hours a day, 7 days a week and Marriage Records Dr. Martin Luther King, Jr. Economic Development Commission Mike A. Gipson interpreters are available in 20 different County Registrar-Recorder (310) 327-4830 8 a.m., 1st Thursday, (562) 462-2137 Community Center Councilmember languages. Parking Lula Davis-Holmes Building Permits Enforcement Environmental Commission Calls placed to the Hotline are confidential (800) 654-7275 Building & Safety, 6:30 p.m., 1st Wednesday City Clerk and handled by a third party vendor. You (310) 952-1766 Parks & Recreation Cultural Arts Commission Donesia Gause do not have to give your name and your (310) 847-3570 6 p.m., 1st Monday Public Transit and City Treasurer call is not recorded through the use of Dial-A-Ride (only when necessary) Post Office Karen Avilla recording devices, caller identification (310) 952-1779 Main No., (800) 275-8777 Human Relations Commission Hearing Impaired 6:00 p.m., 3rd Wednesday City Manager equipment or any other means. -
The Changing Institutional Role of the Art Museum in the United States
Skidmore College Creative Matter MALS Final Projects, 1995-2019 MALS 5-17-2014 The Changing Institutional Role of the Art Museum in the United States Evelyn Ramirez-Schultz Skidmore College Follow this and additional works at: https://creativematter.skidmore.edu/mals_stu_schol Part of the Arts Management Commons, Communication Commons, and the Nonprofit Administration and Management Commons Recommended Citation Ramirez-Schultz, Evelyn, "The Changing Institutional Role of the Art Museum in the United States" (2014). MALS Final Projects, 1995-2019. 101. https://creativematter.skidmore.edu/mals_stu_schol/101 This Thesis is brought to you for free and open access by the MALS at Creative Matter. It has been accepted for inclusion in MALS Final Projects, 1995-2019 by an authorized administrator of Creative Matter. For more information, please contact [email protected]. The Changing Institutional Role of the Art Museum in the United States By Evelyn Ramirez-Schultz Submitted in Partial Fulfillment of the Requirements for the Master of Arts in Liberal Studies Degree The Masters Program Skidmore College Saratoga Springs, NY April 2014 Abstract This final project examines the changing role of the art museum in the United States in the last half century. The goal is to show how external and internal forces have influenced a sea change in museums resulting in more engaging and accessible institutions. Through an examination of the forces that motivated these changes, the project explores and compares the two major institutions--the Los Angeles County Museum of Art and the Art Institute of Chicago--in the areas of audience development and outreach; programming, collections and exhibits and education and outreach. -
Combined Financial Statements
A LET T E R FRO M THE PRESIDENT Dear Academy Member, I never cease to feel pride when I see yet another excellent program at the Academy, whether its focus is retrospective, or educational, or both. What a wonderful and fulfilling year of programs, be it a reunion of the cast of DAMN YAN KE ES, say, or a talk by Oscar-winning writer Robert Towne or an exhibition of animation art from the former Soviet Union. I'm also proud to be an Academy member every time I get a peek into the boxes and file drawers at our Center for Motion Picture Study, and I'm reminded of the millions of photographs, papers, films and other minutiae of movie history preserved there. By now we should all be aware that the Academy works continuously at saving and preserving the history of the art form, and at honoring and remembering that history with programs in our theaters and exhibitions in our galleries. Why do we do it? The answer is found in the people I see attending that Bob Towne lecture, or sitting in the Library doing research, or oohing at the stunning black-and-white George Hurrell photos on display in the Academy Gallery. Many of them are Academy members. Even more aren't. But whether it's a student researching biographical material for a term paper, or a young director of photography learning lessons of light from Hurrell's images, or a veteran member of our Directors Branch basking in the inspired lunacy of a Chuck Jones cartoon short, what they take away from these activities is precisely the point of all our preservation efforts. -
Moving Forward
Moving Forward FY2012 ANNUAL REPORT The Trevor Project is the leading national organization providing crisis intervention and suicide prevention services to lesbian, gay, bisexual, transgender and questioning young people under 24. Every day, The Trevor Project saves young lives through its free and confidential lifeline and instant messaging services, in-school workshops, educational materials, online resources and advocacy. TABLE OF CONTENTS 3 Executive and Board Message 4 Trevor Timeline: Fiscal Year 2012 5 Spotlights 9 Program Introduction Message 10 Trevor’s Programs 14 Donor Report 18 Trevor Board of Directors and Staff 19 Financial Report EXECUTIVE AND 2/3 | Annual Report FY2012 | MOVING FORWARD BOARD MESSAGE Dea r Friends, Thanks to your unwavering support over this past year, The Trevor Project has moved forward and served more lesbian, gay, bisexual, transgender and questioning (LGBTQ) youth than ever before while adding valuable staff members, embracing new executive and Board leadership, and extending Trevor’s reach to new cities nationwide. This year has been full of change, growth, and progress. Our call reports, chat logs, and digital services make it very clear that The Trevor Project is still urgently needed. We saw one of the largest membership increases on TrevorSpace since the program’s inception in 2008 and we watched the number of calls to the Trevor Lifeline surpass 35,000 – nearly 4,000 more than last year. We also expanded the first nationally available chat service specifically for LGBTQ youth in need of support. While we sincerely wish that the need for Trevor’s services would diminish, we are truly grateful to be present to fulfill the needs of young LGBTQ people in crisis.