How can fine-tuning your perspective help orchestrate growth?

At EY we believe supporting the business of arts is instrumental in helping organisations grow, innovate and become more accessible to local communities.

Learn more at ey.com/au/growth

FRIDAY 26 MARCH, 7.30PM & SATURDAY 27 MARCH 2021, 1.00PM & 7.30PM riverside theatre, perth convention and exhibition centre

WASO AT THE MOVIES PRESENTED BY

© 2019 Ernst & Young, Australia. All Rights Reserved. Liability limited by a scheme approved under Professional Standards Legislation. SCORE no. AU00003646. PH1008715. ED None.

SE21_HP5_ProgramCover v3.indd 1 8/1/21 11:38 am The West Australian Symphony Orchestra respectfully acknowledges the Traditional Owners, Custodians and Elders of the Indigenous Nations across Western Australia on whose Lands we work.

WIZARDING WORLD and all related trademarks, characters, names, and indicia are © & ™ Warner Bros. Entertainment Inc. Publishing Rights © JKR. (s21)

WASO AT THE MOVIES PRESENTED BY

Harry Potter and the Order of the Phoenix™

Directed by David Yates Head of Publicity and Communications Produced by David Heyman and Andrew P. Alderete David Barron Senior Marketing Manager Brittany Fonseca Written by Michael Goldenberg Senior Social Media Manager Si Peng Based on “Harry Potter and the Order Project Manager Gabe Cheng of the Phoenix” by J.K. Rowling Worldwide Representation WME Entertainment Harry Potter and the Order of the Phoenix™ Music Preparation JoAnn Kane Music In Concert produced by CineConcerts Service Justin Freer President/Founder/Producer Sound Remixing Justin Moshkevich, Brady Beaubien Co-Founder/Producer Igloo Music Studios Managing Director Jeffery Sells Merchandise by Araca

West Australian Symphony Orchestra

West Australian Symphony Orchestra our creative state, and they are also (WASO) thrives on the enthusiasm, supported by hundreds of visiting passion and support of our entire artists, alongside the volunteers of the community. We harness this energy WASO Chorus to create exceptional to create events and programs across performances for hundreds of thousands the state to stimulate learning and of people each year. participation in a vibrant cultural life. West Australian Symphony Orchestra Our resident company of full-time Chairman Richard Goyder professional musicians are the beating Chief Executive OfficerPaul Shannon heart of our organisation. The Orchestra Principal Conductor & Artistic Advisor plays a central role in the vibrancy of Asher Fisch About The Composer

Nicholas Hooper Composer

Nicholas Hooper is one of Europe’s leading composers, having written and produced music for over 250 films, dramas and documentaries since 1990. He has developed a reputation for producing music that is original, inspiring and always colourful.

His scores have received several major accolades. In 2004 he won the BAFTA for Best Original Score for The Young Visiters as well as being nominated for State of Play in the same year. Nicholas was nominated for a 2006 BAFTA for his score to The Girl In The Café, and prior to this was BAFTA nominated for The Way We Live Now. In 1998 he won the coveted Nicholas scored Philip Martin’s feature, Golden Panda Award for Land of the Tiger, Einstein and Eddington, starring David a major BBC documentary series on India. Tennant as Sir Arthur Eddington and Andy The following year he won again (having Serkis as Albert Einstein for Company been nominated for three separate scores), Pictures/HBO, and Belonging for BBC making him the first composer to win the Wales Drama. He also scored Enid Blyton award consecutively. He has received for Carnival/BBC, Mo Mowlam for C4, many other accolades for his feature films and Yes Virginia, a CBS animated film for including the period feature The Heart Christmas 2009. Of Me, starring Helena Bonham Carter and Olivia Williams, and The Tichbourne Nicholas has received great critical Claimant (a quote from Variety: “Nicholas acclaim for his stunning scores to both Hooper’s alert symphonic score rates a Harry Potter and the Order of the Phoenix major bow, adding shape and atmosphere for Warner Bros, (“Let there be no doubt to the labyrinthine tale”). - Hooper’s reputation is cemented with this work, and his career just shifted gears.” Daniel Champion, Music from the Movies, July 2007), and Harry Potter and the Half Blood Prince, nominated for a 2010 Grammy for Best Film Score. He most recently completed recording two wonderful scores to the Walt Disney Pictures feature releases, African Cats and Chimpanzee. About The Conductor

Nicholas Buc Conductor

Nicholas Buc is a composer, conductor and arranger. As the recipient of the Brian May Scholarship, he completed a Master’s degree in Scoring for Film and Multimedia at New York University, receiving the Elmer Bernstein Award for Film Scoring.

He has composed music for film and television, with some of his work being screened at festivals and theatres around Australia, Asia and the US. His commissioned works have been premiered by the Royal Melbourne Philharmonic Orchestra and Choir, The Australian Voices, and the Melbourne Chamber Orchestra. Nicholas has worked with Wynton Connect With WASO Marsalis and the Jazz at Lincoln Center Orchestra, Nick Cave and Warren Ellis, facebook.com/ WestAustralianSymphonyOrchestra Chris Botti, Amanda Palmer, Ben Folds and was conductor/arranger for Tina Arena on six Australian tours. He has twitter.com/_WASO_ written arrangements for Birds of Tokyo, Missy Higgins, Eskimo Joe and Vera Blue as well as working on Junior MasterChef instagram.com/_waso_ (2020) and five seasons ofThe Voice Australia. wasorchestra

He is also a highly sought after conductor for live film concerts, having conducted youtube.com/ the world premieres of John Williams’ WestAustSymOrchestra Star Wars: The Last Jedi and Close Encounters of the Third Kind, Hans Stay up to date and sign-up to our Zimmer’s The Lion King (2019), Alan SymphonE-news at waso.com.au Menken’s Beauty and the Beast (2017) and Alexandre Desplat’s Harry Potter and the Deathly Hallows Part 2. WASO On Stage

VIOLIN CELLO HORN ★ Section partnered by Riley Skevington Rod McGrath Margaret & Rod Marston Assoc Concertmaster • Tokyo Gas Semra Lee-Smith Shigeru Komatsu David Evans Assistant Concertmaster Oliver McAslan Robert Gladstones Zak Rowntree* Nicholas Metcalfe Principal 3rd Horn Principal 2nd Violin Fotis Skordas Dorée Dixon^ Akiko Miyazawa Tim South Julian Leslie^ A/Assoc Principal 2nd Violin Emma Vanderwal^ Francesco Lo Surdo Sarah Blackman Sacha McCulloch^ Fleur Challen TRUMPET Stephanie Dean DOUBLE BASS Brent Grapes Amy Furfaro^ Andrew Sinclair* • Anonymous Rebecca Glorie John Keene Jenna Smith Jane Johnston^ Louise Elaerts Peter Miller Sunmi Jung Christine Reitzenstein TROMBONE Christina Katsimbardis Andrew Tait Joshua Davis Ellie Lawrence Mark Tooby • Dr Ken Evans and Sera Lee^ Dr Glenda Campbell-Evans Thomas Gilmore^ Andrea Mendham^ FLUTE Andrew Nicholson Jasmine Middleton^ • Anonymous BASS TROMBONE Lucas O’Brien Mary-Anne Blades Philip Holdsworth Melanie Pearn • Anonymous Ken Peeler TUBA PICCOLO Jolanta Schenk Cameron Brook Michael Waye • Peter & Jean Stokes Bao Di Tang • Pamela & Josh Pitt Cerys Tooby TIMPANI David Yeh OBOE Alex Timcke Teresa Vinci^ Annabelle Farid° PERCUSSION Susannah Williams^ COR ANGLAIS Brian Maloney VIOLA Leanne Glover Francois Combemorel • Sam & Leanne Walsh Daniel Schmitt Assoc Principal Percussion & Timpani Alex Brogan CLARINET Robyn Gray^ Kierstan Arkleysmith Allan Meyer Paul Tanner^ Nik Babic Lorna Cook Benjamin Caddy HARP Alison Hall BASS CLARINET William Nichols^ Rachael Kirk Alexander Millier Allan McLean KEYBOARD BASSOON Graeme Gilling^ Elliot O’Brien Jane Kircher-Lindner Adam Pinto^ Helen Tuckey Adam Mikulicz

★ Section partnered by Principal • Chair partnered by * Instruments used by these Associate Principal musicians are on loan from Assistant Principal Janet Holmes à Court AC. Contract Player˚ Guest Musician^ _____ ORCHESTRA PARTNER _____

SE22_HP6_ProgramAd.indd 1 23/3/21 3:35 pm COVIDsafe A5 Ad.indd 1 11/2/21 2:58 pm How can fine-tuning your perspective help orchestrate growth?

At EY we believe supporting the business of arts is instrumental in helping organisations grow, innovate and become more accessible to local communities.

Learn more at ey.com/au/growth

_____ ORCHESTRA PARTNER _____

© 2019 Ernst & Young, Australia. All Rights Reserved. Liability limited by a scheme approved under Professional Standards Legislation. SCORE no. AU00003646. PH1008715. ED None.

SE22_HP6_ProgramAd.indd 1 23/3/21 3:35 pm