DOCSLIB.ORG

2021 Harry Potter and the Order of the Phoenix

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
2021 Harry Potter and the Order of the Phoenix How can fine-tuning your perspective help orchestrate growth? At EY we believe supporting the business of arts is instrumental in helping organisations grow, innovate and become more accessible to local communities. Learn more at ey.com/au/growth FRIDAY 26 MARCH, 7.30PM & SATURDAY 27 MARCH 2021, 1.00PM & 7.30PM RIVERSIDE THEATRE, PERTH CONVENTION AND EXHIBITION CENTRE WASO AT THE MOVIES PRESENTED BY © 2019 Ernst & Young, Australia. All Rights Reserved. Liability limited by a scheme approved under Professional Standards Legislation. SCORE no. AU00003646. PH1008715. ED None. SE21_HP5_ProgramCover v3.indd 1 8/1/21 11:38 am The West Australian Symphony Orchestra respectfully acknowledges the Traditional Owners, Custodians and Elders of the Indigenous Nations across Western Australia on whose Lands we work. WIZARDING WORLD and all related trademarks, characters, names, and indicia are © & ™ Warner Bros. Entertainment Inc. Publishing Rights © JKR. (s21) WASO AT THE MOVIES PRESENTED BY Harry Potter and the Order of the Phoenix™ Directed by David Yates Head of Publicity and Communications Produced by David Heyman and Andrew P. Alderete David Barron Senior Marketing Manager Brittany Fonseca Written by Michael Goldenberg Senior Social Media Manager Si Peng Based on “Harry Potter and the Order Project Manager Gabe Cheng of the Phoenix” by J.K. Rowling Worldwide Representation WME Entertainment Harry Potter and the Order of the Phoenix™ Music Preparation JoAnn Kane Music In Concert produced by CineConcerts Service Justin Freer President/Founder/Producer Sound Remixing Justin Moshkevich, Brady Beaubien Co-Founder/Producer Igloo Music Studios Managing Director Jeffery Sells Merchandise by Araca West Australian Symphony Orchestra West Australian Symphony Orchestra our creative state, and they are also (WASO) thrives on the enthusiasm, supported by hundreds of visiting passion and support of our entire artists, alongside the volunteers of the community. We harness this energy WASO Chorus to create exceptional to create events and programs across performances for hundreds of thousands the state to stimulate learning and of people each year. participation in a vibrant cultural life. West Australian Symphony Orchestra Our resident company of full-time Chairman Richard Goyder professional musicians are the beating Chief Executive OfficerPaul Shannon heart of our organisation. The Orchestra Principal Conductor & Artistic Advisor plays a central role in the vibrancy of Asher Fisch About The Composer Nicholas Hooper Composer Nicholas Hooper is one of Europe’s leading composers, having written and produced music for over 250 films, dramas and documentaries since 1990. He has developed a reputation for producing music that is original, inspiring and always colourful. His scores have received several major accolades. In 2004 he won the BAFTA for Best Original Score for The Young Visiters as well as being nominated for State of Play in the same year. Nicholas was nominated for a 2006 BAFTA for his score to The Girl In The Café, and prior to this was BAFTA nominated for The Way We Live Now. In 1998 he won the coveted Nicholas scored Philip Martin’s feature, Golden Panda Award for Land of the Tiger, Einstein and Eddington, starring David a major BBC documentary series on India. Tennant as Sir Arthur Eddington and Andy The following year he won again (having Serkis as Albert Einstein for Company been nominated for three separate scores), Pictures/HBO, and Belonging for BBC making him the first composer to win the Wales Drama. He also scored Enid Blyton award consecutively. He has received for Carnival/BBC, Mo Mowlam for C4, many other accolades for his feature films and Yes Virginia, a CBS animated film for including the period feature The Heart Christmas 2009. Of Me, starring Helena Bonham Carter and Olivia Williams, and The Tichbourne Nicholas has received great critical Claimant (a quote from Variety: “Nicholas acclaim for his stunning scores to both Hooper’s alert symphonic score rates a Harry Potter and the Order of the Phoenix major bow, adding shape and atmosphere for Warner Bros, (“Let there be no doubt to the labyrinthine tale”). - Hooper’s reputation is cemented with this work, and his career just shifted gears.” Daniel Champion, Music from the Movies, July 2007), and Harry Potter and the Half Blood Prince, nominated for a 2010 Grammy for Best Film Score. He most recently completed recording two wonderful scores to the Walt Disney Pictures feature releases, African Cats and Chimpanzee. About The Conductor Nicholas Buc Conductor Nicholas Buc is a composer, conductor and arranger. As the recipient of the Brian May Scholarship, he completed a Master’s degree in Scoring for Film and Multimedia at New York University, receiving the Elmer Bernstein Award for Film Scoring. He has composed music for film and television, with some of his work being screened at festivals and theatres around Australia, Asia and the US. His commissioned works have been premiered by the Royal Melbourne Philharmonic Orchestra and Choir, The Australian Voices, and the Melbourne Chamber Orchestra. Nicholas has worked with Wynton Connect With WASO Marsalis and the Jazz at Lincoln Center Orchestra, Nick Cave and Warren Ellis, facebook.com/ WestAustralianSymphonyOrchestra Chris Botti, Amanda Palmer, Ben Folds and was conductor/arranger for Tina Arena on six Australian tours. He has twitter.com/_WASO_ written arrangements for Birds of Tokyo, Missy Higgins, Eskimo Joe and Vera Blue as well as working on Junior MasterChef instagram.com/_waso_ (2020) and five seasons ofThe Voice Australia. wasorchestra He is also a highly sought after conductor for live film concerts, having conducted youtube.com/ the world premieres of John Williams’ WestAustSymOrchestra Star Wars: The Last Jedi and Close Encounters of the Third Kind, Hans Stay up to date and sign-up to our Zimmer’s The Lion King (2019), Alan SymphonE-news at waso.com.au Menken’s Beauty and the Beast (2017) and Alexandre Desplat’s Harry Potter and the Deathly Hallows Part 2. WASO On Stage VIOLIN CELLO HORN ★ Section partnered by Riley Skevington Rod McGrath Margaret & Rod Marston Assoc Concertmaster • Tokyo Gas Semra Lee-Smith Shigeru Komatsu David Evans Assistant Concertmaster Oliver McAslan Robert Gladstones Zak Rowntree* Nicholas Metcalfe Principal 3rd Horn Principal 2nd Violin Fotis Skordas Dorée Dixon^ Akiko Miyazawa Tim South Julian Leslie^ A/Assoc Principal 2nd Violin Emma Vanderwal^ Francesco Lo Surdo Sarah Blackman Sacha McCulloch^ Fleur Challen TRUMPET Stephanie Dean DOUBLE BASS Brent Grapes Amy Furfaro^ Andrew Sinclair* • Anonymous Rebecca Glorie John Keene Jenna Smith Jane Johnston^ Louise Elaerts Peter Miller Sunmi Jung Christine Reitzenstein TROMBONE Christina Katsimbardis Andrew Tait Joshua Davis Ellie Lawrence Mark Tooby • Dr Ken Evans and Sera Lee^ Dr Glenda Campbell-Evans Thomas Gilmore^ Andrea Mendham^ FLUTE Andrew Nicholson Jasmine Middleton^ • Anonymous BASS TROMBONE Lucas O’Brien Mary-Anne Blades Philip Holdsworth Melanie Pearn • Anonymous Ken Peeler TUBA PICCOLO Jolanta Schenk Cameron Brook Michael Waye • Peter & Jean Stokes Bao Di Tang • Pamela & Josh Pitt Cerys Tooby TIMPANI David Yeh OBOE Alex Timcke Teresa Vinci^ Annabelle Farid° PERCUSSION Susannah Williams^ COR ANGLAIS Brian Maloney VIOLA Leanne Glover Francois Combemorel • Sam & Leanne Walsh Daniel Schmitt Assoc Principal Percussion & Timpani Alex Brogan CLARINET Robyn Gray^ Kierstan Arkleysmith Allan Meyer Paul Tanner^ Nik Babic Lorna Cook Benjamin Caddy HARP Alison Hall BASS CLARINET William Nichols^ Rachael Kirk Alexander Millier Allan McLean KEYBOARD BASSOON Graeme Gilling^ Elliot O’Brien Jane Kircher-Lindner Adam Pinto^ Helen Tuckey Adam Mikulicz ★ Section partnered by Principal • Chair partnered by * Instruments used by these Associate Principal musicians are on loan from Assistant Principal Janet Holmes à Court AC. Contract Player˚ Guest Musician^ _____ ORCHESTRA PARTNER _____ SE22_HP6_ProgramAd.indd 1 23/3/21 3:35 pm COVIDsafe A5 Ad.indd 1 11/2/21 2:58 pm How can fine-tuning your perspective help orchestrate growth? At EY we believe supporting the business of arts is instrumental in helping organisations grow, innovate and become more accessible to local communities. Learn more at ey.com/au/growth _____ ORCHESTRA PARTNER _____ © 2019 Ernst & Young, Australia. All Rights Reserved. Liability limited by a scheme approved under Professional Standards Legislation. SCORE no. AU00003646. PH1008715. ED None. SE22_HP6_ProgramAd.indd 1 23/3/21 3:35 pm.
Load more

Recommended publications
  • Why No Wonder Woman?
    Why No Wonder Woman? A REPORT ON THE HISTORY OF WONDER WOMAN AND A CALL TO ACTION!! Created for Wonder Woman Fans Everywhere Introduction by Jacki Zehner with Report Written by Laura Moore April 15th, 2013 Wonder Woman - p. 2 April 15th, 2013 AN INTRODUCTION AND FRAMING “The destiny of the world is determined less by battles that are lost and won than by the stories it loves and believes in” – Harold Goddard. I believe in the story of Wonder Woman. I always have. Not the literal baby being made from clay story, but the metaphorical one. I believe in a story where a woman is the hero and not the victim. I believe in a story where a woman is strong and not weak. Where a woman can fall in love with a man, but she doesnʼt need a man. Where a woman can stand on her own two feet. And above all else, I believe in a story where a woman has superpowers that she uses to help others, and yes, I believe that a woman can help save the world. “Wonder Woman was created as a distinctly feminist role model whose mission was to bring the Amazon ideals of love, peace, and sexual equality to ʻa world torn by the hatred of men.ʼ”1 While the story of Wonder Woman began back in 1941, I did not discover her until much later, and my introduction didnʼt come at the hands of comic books. Instead, when I was a little girl I used to watch the television show starring Lynda Carter, and the animated television series, Super Friends.
    [Show full text]
  • SWR2 RADIOPHON, 4. Juli 2019, 21:03 Uhr Musikcollagen Zum Unabhängigkeitstag Von Gaby Beinhorn
    1 SWR2 RADIOPHON, 4. Juli 2019, 21:03 Uhr Musikcollagen zum Unabhängigkeitstag Von Gaby Beinhorn Portal öffnen und schließen Claude Debussy: Nr. 11: La danse de Puck Michael Kiedaischs Debussy Projekt ZeytmusikEdition (57545) ZME017-1; 04 00.06.38 Großes Feuerwerk Claude Debussy: Feux d'artifice. Prélude Nr. 12 Christoph Delz (Klavier) Eigenproduktion Fontes Rocha: Das Feuerwerk Mísia Ensemble CD-Titel: Drama box TROPICAL MUSIC; 68.850 Rufus Wainwright: Les feux d'artifice t'appellent CD-Titel: All days are nights: Songs for Lulu Emarcy Records 00699 George Antheil: Ausschnitt aus Fireworks and the Profane Waltzes, für Klavier Jorge Zulueta (Klavier) eigenproduktion Bonustrack: Feuerwerk Igor Strawinsky: Feu d'artifice, op. 4 SWR Sinfonieorchester Baden-Baden und Freiburg; Leitung: Sylvain Cambreling Eigenproduktion N. N.: Babbachichuija Tom Waits CD: Orbitones, spoon harps & bellowphones – Experimental musical instruments ELLIPSIS ARTS, 3610 Barbara Bucholz: Ay ne ne (Russian Gypsy Song) Barbara Buchholz; Victoria Perskaya (voc) CD: Theremin: Russia with love 2 Intuition Records; 3382-2 Ann Lennox; David A. Stewart: Sweet dreams (are made of this) Marilyn Manson CD: Lest we forget - The best of (Marilyn Manson) Interscope 9863978 John Adams: Tromba lontana Glenn Fschthal, Laurie McGaw (Trompete) San Francisco Symphony, Edo de Waart The chairman dances, 2 Fanfares u.a. Nonseuch, 979144-2 Nr. 8: Liberté Francis Poulenc: Figure humaine, Kantate EuropaChorAkademie, Sylvain Cambreling CD: Chormusik des 20. Jahrhunderts, Vol.2 Glor, GCO9211 Michael Kiedaisch (1962-) 00.02.02 Mike Svoboda, Matthias Stich, Doesika Van der Linden: Mon coeur resigné Michael Kiedaischs Debussy Projekt ZeytmusikEdition ZME017-1 Großes Feuerwerk Agostino Steffani: La libertà contenta – Die zufriedengestellte Freiheit.
    [Show full text]
  • "/Title/Tt3702160/": {"Director": [["Kimberly Jessy"]], "Plot": ["\Nbeautiful D Anger Is an Animated 3D Made for TV/Short Film
    {"/title/tt3702160/": {"director": [["Kimberly Jessy"]], "plot": ["\nBeautiful D anger is an Animated 3D Made for TV/Short Film. It's a Thriller that combines, M TV's Teen Wolf, Pretty Little Liars, Gossip Girl, Sorcery, Twilight, in one film , Epic fight scenes, No-one is who you think they are, Alternate Universes, Teen Young Adult Action Good Verses Evil, flick with tons of Cliff Hangers! It takes place In Dark Oak, CA were the typical mean girl with magical powers tries to t ake over the school with her mean girl clique. Brooke Charles Takes on Kimberly Jesika and her good girl team. Death Becomes Brook cause she keeps coming back, Think Katherine Vampire Diaries. Kimberly has magical powers and so does her cla n. It's a match to the death. No one is who they seem or who they appear to be! Excitement and sitting on the edge of your seat. Written by\nKimb erly Jessy "], "imdb_rating": [], "mpaa_rating": [], "poster_link": [], "stars": [["Kimberly Jessy"], ["Helena Evans"], ["Chloe Benoit"]], "title": "Beautiful D anger 3D Animated Teen Thriller", "genre": [[" Animation"]], "release_date": [], "writer": [["Kimberly Jesika"], ["Doll Face Animated Films"]]}, "/title/tt25692 02/": {"director": [["Emily Gossett"]], "plot": ["\nThe last year of high school has been barely tolerable for Maggie Masters. After being dumped by her three y ear relationship with Chad, to be traded in for a football dream at UF, she has to succumb to her mother leaving for a better life. Maggie is left to pick up th e remains of her fragmented life. When fate intervenes by the touch from the mys terious and handsome Caleb Jacobson, whom she saves, leaves Maggie breathless, s tartled and captivated.
    [Show full text]
  • Dumbledores Army Harry Potter and the Order of the Phoenix for String Quartet Nicholas Hooper Score and Parts Sheet Music
    Dumbledores Army Harry Potter And The Order Of The Phoenix For String Quartet Nicholas Hooper Score And Parts Sheet Music Download dumbledores army harry potter and the order of the phoenix for string quartet nicholas hooper score and parts sheet music pdf now available in our library. We give you 6 pages partial preview of dumbledores army harry potter and the order of the phoenix for string quartet nicholas hooper score and parts sheet music that you can try for free. This music notes has been read 5105 times and last read at 2021-09-24 11:11:40. In order to continue read the entire sheet music of dumbledores army harry potter and the order of the phoenix for string quartet nicholas hooper score and parts you need to signup, download music sheet notes in pdf format also available for offline reading. Instrument: Cello, Viola, Violin Ensemble: String Quartet Level: Intermediate [ READ SHEET MUSIC ] Other Sheet Music Fireworks Harry Potter And The Order Of The Phoenix For String Quartet Nicholas Hooper Score And Parts Fireworks Harry Potter And The Order Of The Phoenix For String Quartet Nicholas Hooper Score And Parts sheet music has been read 4357 times. Fireworks harry potter and the order of the phoenix for string quartet nicholas hooper score and parts arrangement is for Intermediate level. The music notes has 6 preview and last read at 2021-09-23 16:44:52. [ Read More ] Fireworks Harry Potter And The Order Of The Phoenix Nicholas Hooper For String Quartet Full Score And Parts Fireworks Harry Potter And The Order Of The Phoenix Nicholas Hooper For String Quartet Full Score And Parts sheet music has been read 15280 times.
    [Show full text]
  • Download a PDF of the Concert Program
    AUSTIN SYMPHONIC BAND community in concert Let’s Go to the Movies! Sunday, February 10 • 4 PM Luis “Chico” Portillo Performing Arts Center Richard Floyd, Music Director ASB Board of Directors and Officers Richard Floyd, Music Director Music Director: Richard Floyd Richard Floyd is in his 57th year of active involvement as Assistant Music Director: Bill Haehnel a conductor, music educator, and administrator. He has enjoyed Executive Director: Amanda Pierce a distinguished and highly successful career at virtually every level of wind band performance from beginning band programs President: Bryan Chin-Foon through high school and university wind ensembles as well as Past-President: Marty Legé adult community bands. Floyd recently retired as State Director of President-Elect: Kristin Morris Music at UT/Austin. He now holds the title Texas State Director of Music Emeritus. He has served as Music Director and Conductor Board of Directors: of the Austin Symphonic Band since 1985. Betsy Appleton Floyd is a recognized authority on conducting, the art of wind band rehearsing, con- John Bodnar cert band repertoire, and music advocacy. As such, he has toured extensively through- Tim DeFries out the United States, Canada, Australia, and Europe as a clinician, adjudicator, and Clif Jones conductor including appearances in 42 American states and in nine other countries. In 2002 he was the single recipient of the prestigious A.A. Harding Award pre- Treasurer: Sharon Kojzarek sented by the American School Band Directors Association. The Texas Bandmasters Secretary: Kyndra Cullen Association named him Texas Bandmaster of the Year in 2006 and also recognized Bookkeeper: Mark Knight him with the TBA Lifetime Administrative Achievement Award in 2008 and the TBA Librarian: Karen VanHooser Lifetime Achievement Award in 2015.
    [Show full text]
  • Harry Potter and the Half-Blood Prince™ (B
    LIVE AT POWELL HALL Friday, October 25, 2019, at 7:00PM Saturday, October 26, 2019, at 7:00PM Norman Huynh, conductor Sunday, October 27, 2019, at 2:00PM NICHOLAS HOOPER Harry Potter and the Half-Blood Prince™ (b. 1957) In Concert There will be one 25-minute intermission. Harry Potter and the Half-Blood Prince™ Synopsis As Lord Voldemort™ tightens his grip on both the Muggle and Wizarding Worlds™, Dumbledore is more intent upon preparing Harry for the battle fast approaching. Even as the showdown looms, romance blossoms for Harry, Ron, and Hermione and their classmates. Love is in the air, but danger lies ahead and Hogwarts may never be the same again. NORMAN HUYNH Norman Huynh has established himself as a conductor with an ability to captivate an audience through a multitude of musical genres. This season, Huynh continues to showcase his versatility in concerts featuring Itzhak Perlman, Hip-Hop artists Nas and Wyclef Jean, and vocal superstar Storm Large. Born in 1988, Huynh is a first generation Asian American and the first in his family to pursue classical music as a career. He is currently the Harold and Arlene Schnitzer Associate Conductor of the Oregon Symphony and maintains an international guest conducting schedule. Upcoming and recent engagements include the Detroit Symphony, Rochester Philharmonic, Orchestra Sinfònica del Vallès, Eugene Symphony, Grant Park Music Festival, and the Princess Galyani Vadhana Youth Orchestra of Bangkok. He has served as a cover conductor for the New York Philharmonic and Los Angeles Philharmonic with John Williams. Huynh has been at the forefront of moving orchestral music out of the traditional concert hall into venues where an orchestra is not conventionally found.
    [Show full text]
  • Between the Panels
    Between the Panels How the interactions between commerce and art shape superhero comic book film adaptations (2000-13) Tim Stafford Between The Panels: How the interactions between commerce and art shape superhero comic book film adaptations (2000-13) Tim Stafford Submitted to the University of Hertfordshire in partial fulfilment of the requirements of the degree of PhD January 2018 Acknowledgments I would like to thank my Principal Supervisor, Professor Keith Randle and my Second Supervisors, Visiting Professor Richard Miller and Dr Mariana Dodourova for their support and guidance during this project. I would also like to thank Greg Pan at Marvel for granting permission to reproduce the three selected comic book panels and Roni Lubliner at Universal for granting permission to use the still from Hulk. This thesis is dedicated in its entirety to my parents, Terry and Sheila Stafford, to Derek Watson, my best friend and guide in the world of comic books and to Hugh Jackman, who started the whole thing off. Between the Panels Contents List of figures 1 Abstract 3 Introduction 5 Research questions 8 Introduction to the conceptual framework and methodology 9 Thesis structure 12 Chapter One: Up, up and away: superheroes and their adaptations 14 Origin story: A brief history of superhero adaptations 14 The superhero film renaissance: 2000 to the present 20 Why are superhero films so popular? 26 i) The studio perspective 26 ii) The audience perspective 29 iii) The role of comic book readers 31 The theory of adaptation 34 The role of the director
    [Show full text]
  • Adaptation: Is the Book Really Better Than The...Television Series? Jane F
    Claremont Colleges Scholarship @ Claremont Scripps Senior Theses Scripps Student Scholarship 2012 Adaptation: Is the Book Really Better Than the...Television Series? Jane F. Eberts Scripps College Recommended Citation Eberts, Jane F., "Adaptation: Is the Book Really Better Than the...Television Series?" (2012). Scripps Senior Theses. Paper 105. http://scholarship.claremont.edu/scripps_theses/105 This Open Access Senior Thesis is brought to you for free and open access by the Scripps Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Scripps Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. ADAPTATION: IS THE BOOK REALLY BETER THAN THE…TELEVISION SERIES? by JANE F. EBERTS SUBMITTED TO SCRIPPS COLLEGE IN PARTIAL FULFILLMENT OF THE DEGREE OF BACHELOR OF ARTS PROFESSOR JOHN PEAVOY PROFESSOR JAMES MORRISON April 20, 2012 TABLE OF CONTENTS Preface: Why look at adaptation? …………………………………………………………... 3 Introduction: Defining Adaptation ………………………………………………………………..... 6 Chapter 1: History and Adaptation ………………………………………………………….. 12 The influence of history: looking back to understand the present Bias towards classic literature: What constitutes high vs. mass culture? Chapter 2: Fidelity in Adaptation …………………………………………………………….. 18 Attitudes towards adaptation and the relationship of the adaptation to its source text: Are they a couple or do they stand-alone? Case Study: Adaptation, The Film Chapter 3: Contextualizing Adaptation ……………………………………………………. 26 Battle of the medium: Anything film can do, television can do differently Case Study: Harry Potter and the franchise that took over the world Case study: True Blood: Taking a bite our of a book series…and then some So now we have a wizard and a telepath to read about and watch…Now What? Battle of the medium, round two: Same fight, same source texts, different contexts Case Study: Shakespeare, past and present: the outlier of adaptations Conclusion: Final Thoughts …………………………………………………………………….....
    [Show full text]
  • Byers 1 Karolyn Byers Professor Fülöp History Of
    Byers 1 Karolyn Byers Professor Fülöp History of Film Music 21 December 2012 John Williams v. Alexandre Desplat: Approaches to Film Scoring for the Harry Potter Series I. Introduction The eight­film series based on the Harry Potter novels by J.K. Rowling includes compositions by four different composers. Beginning with John Williams in 2001, the Harry Potter films over the years have also been scored by composers Patrick Doyle, Nicholas Hooper and Alexandre Desplat.1 The composers use different approaches to the film score and seek different levels of interaction between the music and film. In order to understand how Desplat and Williams each contribute something unique for their respective films, this paper will primarily focus on the music from Harry Potter and the Sorcerer’s Stone, and Harry Potter and the Deathly Hallows, and the differing approaches and styles undertaken by composers Williams and Desplat. The techniques of the two composers vary immensely. John Williams is widely recognized as one of the greatest film composers in the last forty years; his music has gained him international fame and he greatly increased the popularity of film music with his strikingly memorable themes.2 His compositional style primarily reinforces ideas that are seen on screen, while Alexandre Desplat is a bit more subtle with his scoring. Rather than doubling the action on screen, Desplat displays emotions or actions that are not necessarily portrayed by anything visually. However, since Williams composed music for the first three films, he established certain motives and themes that 1 John Williams composed the music for the first three films.
    [Show full text]
  • Music from African Cats
    Music from african cats The music is outstanding you released one for Crimson Wing so why not African Cats?:(Thnx for posting. Music from Disney Nature movie African Cats composed by Nicholas Hooper. Soundtrack ripped from DVD. music from movie African Cats: Kingdom of Courage by Nicholas Hooper, sung by Jeni Bern. Track: Layla's Theme Movie: African Cats (DisneyNature) African Cats Soundtrack - Layla's Theme. Track: Main Theme Movie: African Cats (DisneyNature) Composer: African Cats - Main Title Theme. "The World I Knew" is a song performed by American recording artist Jordin Sparks, and serves as the theme song of African ed​: ​April 12, African Cats () SoundTracks on IMDb: Memorable quotes and exchanges from movies, TV series and more. Register | Login · Home · Release Dates · Movies & TV · Soundtracks · Composers · News & Reviews · Trailer Music · Listing by Title | Logo Music. Watch trailers, read customer and critic reviews, and buy Disneynature: African Cats directed by Keith Scholey & Alastair Fothergill for $ "The World I Knew (From Disneynature African Cats)". Buy the album for $ Songs start at $ Free with Apple Music subscription. Watch Jordin Sparks perform The World I Knew in this music video. Visit the African Cats website to watch videos, browse photos, download Blu-ray™: "The World I Knew" by Jordin Sparks Music Video. This item:African Cats [Blu-ray] [Region Free] by Alaistair Fothergill Blu-ray £ Disney & Nature; Save The Savannah; Music Video: Jordin Sparks - The. In this beautifully photographed companion book to the upcoming Disneynature film, naturalists Barrett and Scholey share their experience of studying a. : Disneynature: African Cats (Two-Disc Blu-ray/DVD Combo in Blu-ray Packaging): Samuel L.
    [Show full text]
  • New Directions in the Rhizome of Children's Literature and Children's Culture
    NEW DIRECTIONS IN THE RHIZOME OF CHILDREN’S LITERATURE AND CHILDREN’S CULTURE: A CASE STUDY IN TRANSMEDIA STORYTELLING By KaTosha O’Daniel Approved: Abbie E. Ventura Joseph M. Wilferth Assistant Professor of English Professor of English (Chair) (Committee Member) Matthew W. Guy Andrew D. McCarthy Associate Professor of English Assistant Professor of English (Committee Member) (Committee Member) J. Scott Elwell A. Jerald Ainsworth Dean of the College of Arts and Dean of the Graduate School Sciences NEW DIRECTIONS IN THE RHIZOME OF CHILDREN’S LITERATURE AND CHILDREN’S CULTURE: A CASE STUDY IN TRANSMEDIA STORYTELLING By KaTosha O’Daniel A Thesis Submitted to the Faculty of the University of Tennessee at Chattanooga in Partial Fulfillment of the Requirements of the Degree of Master’s of English The University of Tennessee at Chattanooga Chattanooga, TN May 2013 ii ABSTRACT This thesis examines the changing idea of what constitutes a “text” in twenty-first century children’s literature and children’s culture. Beginning with John Newbery’s A Little Pretty Pocket-Book (1744), through the Golden Age of Children’s Literature—that of the 1860s to 1900—and as a result of the shift to a children’s culture in the 1950s onward, my project interrogates the historical rhizome of children’s literature and children’s culture. The historical rhizome, which serves as the framework for this thesis, indicates the emergence of a fourth branch in the rhizome in our current epistemic mutation to the digitized text. Using J.K. Rowling’s Harry Potter series as a case study, this thesis illuminates the ways Rowling’s texts can be used as a model to follow in the historical rhizome due to her twenty-first century awareness of audience and text.
    [Show full text]
  • Issn 2454-8596
    ISSN 2454-8596 www.vidhyayanaejournal.org An International Multidisciplinary Research e-Journal ----------------------------------------------------------------------------------------------------------------------------------------------------------- Pages vs. Screen: The Adaptation Process of Harry Potter and Deathly Hallows Amit Keraliya Research Scholar Dept of English C U Shah University Wadhwan Dr R N Joshi Assistant Professor & Dean Faculty of Arts C U Shah University Wadhwan Dr Vikas Raval Assistant Professor Gujarat Power Engineering and Research Institute Mehsana Volume IV Issue 1 August - 2018 Page 1 ISSN 2454-8596 www.vidhyayanaejournal.org An International Multidisciplinary Research e-Journal ----------------------------------------------------------------------------------------------------------------------------------------------------------- Any literary work, when translated into a different medium, it is bound to adapt certain novel aspects and leaves certain aspects behind. Especially when it is novel series adapted on the screen such changes become more perceptible. In the history of adaptation there are many such examples. The present study has taken Harry Potter series into consideration. The research has made extensive study in terms of making and marring the original sources while adaptation. Producers of Harry Potter and Deathly Hallows, David Heyman and Lionel Wigram, all along with Stuart Craig, production designer, and screenwriters Steve Kloves and Michael Goldenberg, stayed true to important features when
    [Show full text]