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ABSOLUTELY Press Kit Aug 25
1 ABSOLUTELY MODERN A NEW Film BY PHILIPPE MORA “Modern paintings are like women, you'll never enjoy them if you try to understand them.” Freddie Mercury PRESS KIT Inquiries: morafilms@ gmail.com https://www.facebook.com/pages/Absolutely- Modern/429822753746917 2 ABSOLUTELY MODERN is "Absolutely funny, fresh and thought- provoking. Philippe Mora at his best." Piotr Czerkawski, Film Critic Wroclaw “..there is a genuine heart and soul to the film that is something of a passion project for Mora.” Laurence Boyce Screen Daily “The creation here (of Lord Steinway) is definitely a masterpiece.” Anna Tatarska FRED Radio, The Festival Insider “Mora’s films break all conventions, combine different styles and are nearly always saturated with rebellious, surrealistic humor.” Adam Kruk Film Critic, New Horizons “Mora tells perhaps one of his most personal stories to date as he examines art and modernism. Mora, who casual fans would most likely know from such films as Communion and cult classic The Return of Captain Invincible, unsurprisingly does not tell the tale with any regard for the norms of convention..” Screen International “Philippe Mora…French Australian director legend.” Der Spiegel May 2013 3 SYNOPSIS OF THE FILM This story of Modernism, muses and the role of sexuality in art are told by famed art critic Lord Steinway. When a soccer player, confronts Steinway as his son, the story takes a modernist twist itself. This comedy hit at the 2013 New Horizons International Film Festival takes the form of a hybrid of fact and fiction about Lord Steinway, the “Method” art critic, making his television show THE EPIC OF CIVILIZATION. -
Academy Initial Study for Reuse, May 24, 2013
INITIAL STUDY ACADEMY MUSEUM OF MOTION PICTURES PROJECT CITY OF LOS ANGELES, CALIFORNIA MAY 2013 INITIAL STUDY ACADEMY MUSEUM OF MOTION PICTURES PROJECT CITY OF LOS ANGELES, CALIFORNIA Prepared for: City of Los Angeles Planning Department 200 N. Spring Street, Room 721 Los Angeles, CA 90012 Prepared by: PCR Services Corporation 201 Santa Monica Boulevard Suite 500 Santa Monica, CA 90401 MAY 2013 Table of Contents Page ENVIRONMENTAL CHECKLIST ATTACHMENT A ‐ PROJECT DESCRIPTION ................................................................................................................ A‐1 A. Introduction ........................................................................................................................................................................ A‐1 B. Project Location and Surrounding Uses .................................................................................................................. A‐2 C. Project Background and Existing Conditions ........................................................................................................ A‐5 D. Description of the Project .............................................................................................................................................. A‐7 E. Anticipated Project Approvals .................................................................................................................................. A‐19 ATTACHMENT B: EXPLANATION OF CHECKLIST DETERMINATIONS ............................................................ -
Passeggiata a Las Vegas Con Ko 4'50" Di Vantaggio Fra I Bo Grande Dopo Un Giro D'italia Assai Deludente, Un Atleta Che Schetti Della Castagnola
SPORT Sul ring Troppo facile per Tyson Il Giro dell'Appennino racconta un ritorno al rientro dopo la prima una fuga lunghissima: 203 km " da farsa sconfitta: trova in Tillman «• Uni uomo solo > * un avversario inconsistente : i al comando .|. Per l'ex campione mondiale I Mike Tyson Flavio Giupponi • | ricevei* trionfo in meno di 3 minuti - } congratulazioni ' '. j. di un tifoso Foreman a 42 anni vince e Flavio Giupponi dojDO le delusioni del Giro d'Italia , |f d'eccezione: ha vinto da dominalore sulle strada della Bocchetta ; k l'attore comico aspetta Damiani a settembre dopo una fuga di 203 chilometri, 43 dei quali solita Eddie Murphy ri. Il campione ha staccato di .'41" Lietti e Fanelli. Sotto: l'arbitro Fondi iest non è riuscito ad organizzare una efficace effettua controffensiva ed ha concluso assai lontano dai pri il conteggio finale mi. Il vincitore ha sorpreso tutti con un attacco im conTUIman al tappeto provviso e irresistibile. omo SALA •• POVTEDECIMO. Un uomo Piazza Arimondi, e dovendo solo al comando nel cinquan- raccontare I dettagli della clas tunesimo Giro dell'Appenni sica ligure, aggiungerò che la no, un campione coi connotati pattuglia guidata da Giupponi eli Flavio Giupponi che toma nelle fasi d'apertura aveva già Passeggiata a Las Vegas con ko 4'50" di vantaggio fra i bo grande dopo un Giro d'Italia assai deludente, un atleta che schetti della Castagnola. Una trionfa sul traguardo di Tonte- situazione piuttosto allarman Mike Tyson ci ha messo meno di tre minuti per sten pesante ko (almeno 15 secon Kirlaine, è errato. -
Of Cowards and True Men Order the Complete Book From
Kenny Adams survived on profanity and pugilism, turning Fort Hood into the premier military boxing outfit and coaching the controversial 1988 U.S. Olympic boxing team in South Korea. Twenty-six of his pros have won world-title belts. His amateur and professional successes are nonpareil. Here is the unapologetic and unflinching life of an American fable, and the crude, raw, and vulgar world in which he has flourished. Of Cowards and True Men Order the complete book from Booklocker.com http://www.booklocker.com/p/books/8941.html?s=pdf or from your favorite neighborhood or online bookstore. Enjoy your free excerpt below! Of Cowards and True Men Rob Miech Copyright © 2015 Rob Miech ISBN: 978-1-63490-907-5 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, recording or otherwise, without the prior written permission of the author. Published by BookLocker.com, Inc., Bradenton, Florida, U.S.A. Printed on acid-free paper. BookLocker.com, Inc. 2015 First Edition I URINE SPRAYS ALL over the black canvas. A fully loaded Italian Galesi-Brescia 6.35 pearl-handled .25-caliber pistol tumbles onto the floor of the boxing ring. Just another day in the office for Kenny Adams. Enter the accomplished trainer’s domain and expect anything. “With Kenny, you never know,” says a longtime colleague who was there the day of Kenny’s twin chagrins. First off, there’s the favorite word. Four perfectly balanced syllables, the sweet matronly beginning hammered by the sour, vulgar punctuation. -
Centralizing the Mobile: the Los Angeles County Museum of Art's
Centralizing the Mobile: The Los Angeles County Museum of Art’s Outdoor Installations BY KATIE ANTONSSON The Los Angeles County Museum of Art has been struggling with its role in Los Angeles life since its creation in 1961. Originally part of the Los Angeles Museum of Science, History and Art (est. 1910), LACMA branched off and established itself as a separate art museum in 1961, opening its doors to the public in 1965. During the late 80s and early 90s, the museum devoted itself to opening up new buildings and galleries for new acquisitions, which both expanded and fragmented the museum. For its most recent crusade, LACMA strives to become the cultural center of Los Angeles under the tutelage of director Michael Govan. In a county of nine million citizens spread over 4700 square miles, centralization is a near impossible proposition, but Govan’s innovative thinking has helped propel LACMA to its highest status within Los Angeles life yet, commissioning massive outdoor installations to engage an audience and symbolize a city. From its inception, LACMA’s founders determined to make their museum the west coast answer to the Metropolitan Museum of Art in New York City. John Walker, a board member during the museum’s early years, explained, “Of course, the Met has a 100-year advantage, but I believe Los Angeles to have the financial resources and the civic enthusiasm to build a great general collection [from] AD 1200 to our own time.”1 With the founding 1 Christopher Knight, "LACMA's Overhaul Is a Work in Progress." Los Angeles Times, 02 Mar. -
Art Los Angeles Reader ACID INTERIORS | Nº 3 | JANUARY 2017
JANUARY 2017 Art Los Angeles Reader ACID INTERIORS | Nº 3 | JANUARY 2017 Pool The new fragrance by Sean Raspet Available for a limited time at reader.la/pool ART LOS ANGELES READER Art Los Angeles Reader ACID INTERIORS | Nº 3 | JANUARY 2017 Lost Enchantment From the Editor Interior designer Tony Duquette was known for bedazzling style. A short-lived Malibu ranch would have been his crown jewel. Kate Wolf Every single scene in Rainer Werner 1970s black artists’ interventions into public Fassbinder’s newly rediscovered World on a space, to see what rituals and reorientations Wire features two central colors: burnt or- were required for making the city a place ange and emerald blue. Made in 1973, that they could inhabit. And Travis Diehl digs into Infrastructure Sketches era’s cybernetic systems thinking (everything the history of the New York Times’ coverage In the late 1970s, Barbara McCullough and Senga Nengudi exited Ed Ruscha's is related) found an exquisite analogue in the of LA art, diagnosing a host of antipathic, freeway and claimed land under the off-ramps. conspiracy theory of simulation, which mo- boostered biases. Aria Dean tivates the film’s science fiction plot (we’re The theme acid interiors is inspired by stuck in a virtual reality, we just have no idea). William Leavitt’s theatrical obsession with The colors of the interiors seem to prove the mid-century design, his installations of ge- protagonist’s suspicion: in his apartment, his neric sets that deal with the drama of stuff. Pool office, the restaurant, his secretary’s jacket, I am thrilled to present a work Leavitt made A new fragrance made with synthetic compounds. -
The Changing Institutional Role of the Art Museum in the United States
Skidmore College Creative Matter MALS Final Projects, 1995-2019 MALS 5-17-2014 The Changing Institutional Role of the Art Museum in the United States Evelyn Ramirez-Schultz Skidmore College Follow this and additional works at: https://creativematter.skidmore.edu/mals_stu_schol Part of the Arts Management Commons, Communication Commons, and the Nonprofit Administration and Management Commons Recommended Citation Ramirez-Schultz, Evelyn, "The Changing Institutional Role of the Art Museum in the United States" (2014). MALS Final Projects, 1995-2019. 101. https://creativematter.skidmore.edu/mals_stu_schol/101 This Thesis is brought to you for free and open access by the MALS at Creative Matter. It has been accepted for inclusion in MALS Final Projects, 1995-2019 by an authorized administrator of Creative Matter. For more information, please contact [email protected]. The Changing Institutional Role of the Art Museum in the United States By Evelyn Ramirez-Schultz Submitted in Partial Fulfillment of the Requirements for the Master of Arts in Liberal Studies Degree The Masters Program Skidmore College Saratoga Springs, NY April 2014 Abstract This final project examines the changing role of the art museum in the United States in the last half century. The goal is to show how external and internal forces have influenced a sea change in museums resulting in more engaging and accessible institutions. Through an examination of the forces that motivated these changes, the project explores and compares the two major institutions--the Los Angeles County Museum of Art and the Art Institute of Chicago--in the areas of audience development and outreach; programming, collections and exhibits and education and outreach. -
Winona Daily News Winona City Newspapers
Winona State University OpenRiver Winona Daily News Winona City Newspapers 3-8-1974 Winona Daily News Winona Daily News Follow this and additional works at: https://openriver.winona.edu/winonadailynews Recommended Citation Winona Daily News, "Winona Daily News" (1974). Winona Daily News. 1319. https://openriver.winona.edu/winonadailynews/1319 This Newspaper is brought to you for free and open access by the Winona City Newspapers at OpenRiver. It has been accepted for inclusion in Winona Daily News by an authorized administrator of OpenRiver. For more information, please contact [email protected]. Cloudy tonight with chance of rain Showers 119rh Year of PublicaHon First' .lirrieii- 6i! nations ^ not sure oij tlate of meet steady C^i^l. -(^) Jobless rate .^ :E^[ .;^:^T!bB; ¦ -¦¦¦ Arab oil cduntrieB ' mSHINGTON (UPI) •; - turing eiripiayment : in Feb- dent Nixon ^Wednesday¦ that effects of the energy shortag« still have not ' ' aigreed where and when their Uneihpldyment remained un- ruary, e s p e c i a 1. I'. y in there, would he no recession this since Dec/ 1. About 300,001 oil ministers will meet to take changed in February at ' 5.2 per transportation equipment. It year' and that economic condi- .thers , were' : . lost . iridirectl] up Egypt's ; cent despite continued layoffs, said this reflected in large, part tions will be improving. because of fuel shortages, the} . proposal that they ' ¦ ' '¦¦ ' ' ' lift their embargo/or shipments particularly in . the' auto Lridus- reduced .consumer demand for Thursday's report said whole- said. : ; - • . • . ': " >.: try, the government said today. automobile- because of gasoline sale price inflation. slowed from "One month does not a trend to tite United States, an official ' of the Egyptian This . -
Reflecting Los Angeles, Decentralized and Global Los Angeles County Museum of Art
CASE STUDY Reflecting Los Angeles, Decentralized and Global Los Angeles County Museum of Art January 23, 2017 Liam Sweeney The Andrew W. Mellon Foundation Copyright 2018 The Andrew W. Mellon endeavors to strengthen, promote, Foundation.. This work is licensed under a Creative Commons Attribution- and, where necessary, defend the NonCommercial 4.0 International contributions of the humanities and License. To view a copy of the license, the arts to human flourishing and to please see http://creative- the wellbeing of diverse and commons.org/licenses/by-nc/4.0/. democratic societies. The Mellon Foundation encourages distribution of the report. For questions, please write to [email protected]. Ithaka S+R provides research and strategic guidance to help the academic and cultural communities serve the public good and navigate economic, demographic, and technological change. Ithaka S+R is part of ITHAKA, a not-for-profit organization that works to advance and preserve knowledge and to improve teaching and learning through the use of digital technologies. Artstor, JSTOR, and Portico are also part of ITHAKA. LACMA: REFLECTING LOS ANGELES, DECENTRALIZED AND GLOBAL 1 The Los Angeles County Museum of Art is distinguishable from other US encyclopedic museums in three aspects: it is the largest North American art museum west of the Mississippi; it is the youngest encyclopedic museum in the United States; and it is situated in one of the most ethnically diverse metropolises in the world. These characteristics interact in a number of meaningful ways under the museum’s current leadership, allowing its local and global ambitions to complement one another. -
RAMIRO GOMEZ Portfolio
RAMIRO GOMEZ Portfolio ).'82/+0'3+9-'22+8? RAMIRO GOMEZ Biography Ramiro Gomez was born in 1986 in San Bernardino, California to undocumented Mexican immigrant parents who have since become US citizens. He briefly attended the California Institute for the Arts before leaving to take work as a live-in nanny with a West Hollywood family, an experience that did much to inform his subsequent artistic practice. In 2013 Gomez had his first solo exhibition at the UCLA Chicano Studies Research Center, and was also awarded with a residency to install a mural in West Hollywood Park, a project titled The Caretakers, which remains on view. In 2014 Gomez had his solo gallery debut at Charlie James Gallery in Los Angeles, and went on to show widely across North America. In 2015 Gomez exhibited at the University of Michigan Institute for the Humanities, the Chicago Humanities Festival, and again at Charlie James Gallery. Gomez’s work has been covered in the New York Times Magazine, the Washington Post, NPR, the Los Angeles Times, Hyperallergic, Huffington Post, and CNN. In the spring of 2016, Gomez had his third show at the Charlie James Gallery in conjunction with the publication of a monograph on his work by Lawrence Weschler (Abrams). Gomez lives and works in West Hollywood, California. RAMIRO GOMEZ On Melrose April - June 2016 RAMIRO GOMEZ On Melrose Paul Smith Store, Los Angeles Acrylic on canvas 72 x 72 inches 2015 RAMIRO GOMEZ On Melrose Fred Segal Store, Los Angeles Acrylic on canvas 72 x 72 inches 2016 RAMIRO GOMEZ On Melrose The Broad Acrylic -
Passaporto Per Andare a Canestro Segreterie Generate - Piazze Alfieri N
SPORT Nel torneo preolimpico c'è il trucco L'Italia dopo i tempi di Silvester COMUNE DI BEINASCO Molte squadre schierano «naturalizzati» ha scelto la strada dell'autarchia PROVINCIA DI TORINO Avviso di licitazione privata provenienti di regola dagli Usa II caso di Galis, stella della Grecia Fornitura gasolio per ntcsMaminto fabbricati comunali Importo presunto: Un 359.39t.07S oltre LV.A. Il primato dell'Inghilterra ali black che ha messo piede ad Atene a 22 anni Il combutte»» dovrà aliare conugnato tcaltmwnta natie ciiteme deaN edifici indicati noi capitolato di appalto e con k modalità ad I tannini ivi stabiliti. Informazioni su deliberazione, capitolato, documen ti comptementari presso ta Segreterie Generale - Ufficio Contratti - Piazza Alfieri n. 7 - Bernesco - tei. 011/3499534. Le domande di partecipazione, in lingua itehena, eu carta bollata, dovranno pervenire ai tonai degk arti. 6 leti, bl e 8, comma 7, dalla Legge 113/81, entro' Enrico Vinci ri 2 agosto 1988 all'Ufficio Protocollo del Comune di Beìnetco • Passaporto per andare a canestro segreterie generate - piazze Alfieri n. 7 - 10092 Beinasco - Italia, a meno posta ovvero ain coreo particolare!. Le lettere d'invito a presen Il contributo dei cestisti naturalizzati presenti in mol come sollevare il coperchio di ckson, francese dell'ultima tare offerta, sarenno epedite entro 60 giorni delle data del presento un grosso pentolone (negli ora, ma la «grandeur» deside bando. Possono candderai Imprese riunite o che dichiarino d voterei Basket in Tv te squadre a Rotterdam influisce sugli equilibri del States, sono centinaia i cestisti rata nel canestro, e mai arriva riunire al eenei e con i requisiti e le modalità di cui all'art. -
Boulder Arrival Advisory
^ FOR IMMEDIATE RELEASE Media Advisory LACMA TO COMPLETE TRANSPORT OF BOULDER FOR MAJOR ARTWORK, LEVITATED MASS, BY ARTIST MICHAEL HEIZER 340-TON MEGALITH IS SCHEDULED TO ARRIVE AT LACMA ON SATURDAY morning, MARCH 10, COMPLETING 105-MILE JOURNEY FROM RIVERSIDE COUNTY WHAT: The 340-ton megalith that is to be part of artist Michael Heizer’s monumental artwork, Levitated Mass , is scheduled to arrive at the Los Angeles County Museum of Art (LACMA) early in the morning of Saturday, March 10 . The boulder will begin the last leg of its journey from its final planned stop in downtown Los Angeles ( at Figueroa Street, between 63rd and 65th Streets ), passing such landmarks as the Coliseum, Exposition Park, Wiltern Theater, La Brea Tar Pits, and LACMA’s own Urban Light as it travels down Wilshire Boulevard to arrive at the museum. Due to its massive size, the boulder has required a complex and thoroughly reviewed transportation process from the quarry in Riverside County to the museum, with movement happening only at night. Once complete, its transportation (made possible by Hanjin Shipping) will have taken place over the course of eleven nights, traveling through four counties and twenty-two cities. For the current boulder location, route map, and most up-to-date information regarding the transport, visit lacma.org/levitatedmass The boulder is one component of the greater artwork, Levitated Mass , which features a 456-foot-long concrete slot constructed on LACMA’s campus, over which the boulder sits. As visitors walk along the slot, it gradually descends to fifteen feet deep, running underneath the megalith, before ascending back up .