Choosing and Using Vacuum Tubes Includes Information on Replacement Tubes for Hundreds of Amplifiers!
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MI Amplification
MI Amplification Owner’s Manual 1 1. Welcome ....................................................................................................................................... 4 2. Precautions................................................................................................................................... 5 3. Amp Overview .............................................................................................................................. 6 3.1. Preamp.............................................................................................................................................. 6 3.2. Power Amp ....................................................................................................................................... 6 3.3. FX Loops .......................................................................................................................................... 7 3.4. Operating Modes ............................................................................................................................. 7 4. Getting Started ............................................................................................................................. 8 5. The Channels ............................................................................................................................... 9 5.1. Introduction ..................................................................................................................................... 9 5.2. Channel 1 ......................................................................................................................................... -
FMI Wholesale 2006 Price List
FMI Wholesale 2006 Price List T 800.488.1818 · F 480.596.7908 Welcome to the launch of FMI Wholesale, a division of Fender Musical Instruments Corp. We are excited to offer you our newest additions to our family of great brands and products. Meinl Percussion, Zildjian®, Tribal Planet, Hal Leonard®, Traveler Guitar, Practice Tracks, Pocket Rock-It, are just a few of the many great names that you’ll find in this Winter Namm Special Product Guide. You’ll find page after page of new and exciting profit opportunities to take advantage of as we welcome the new year. In the coming weeks, you will also be receiving our brand new product catalog showcasing all of the great products that FMI Wholesale will be offering to you in 2006. Our goal, along with that of our strategic business partners, is to provide you with a new and easy way to do business. In the enduring Fender tradition, we aim to provide best-in-class products, superior service and our ongoing commitment to excellence that will be second to none. Our programs will be geared towards your profitability, so in the end, doing business with FMI Wholesale will always make good sense. Thank you for the opportunity to earn your business. We look forward to working with you in 2006. Sincerely, The FMI Wholesale Sales and Marketing Team Dealer Dealer Number Contact PO Number Ship To Date Terms: Open Account GE Flooring Notes FREIGHT POLICY: 2006 brings new opportunities for savings in regards to freight. To maximize your profitability‚ our newly revamped freight program continues to offer freight options for both small and large goods. -
Ronnie Earl for a Blackface Vibroverb Today? Surely Something North of $4,000
Mountainview Publishing, LLC INSIDE the The Truth… Rarely given, we know it when we hear it, and you The Player’s Guide to Ultimate Tone TM can only get it here… $15.00 US, December 2013/Vol.15 NO.2 Report The Kansas Tornado… Another immensely tone- Truth ful classic amp that went unclaimed “Three chords and the truth – that’s what a country song is.” – Willie Nelson Size matters… Pressure is being asked point-blank which guitar, amplifier or pickup to buy. This happens frequent- The Warehouse ly enough that we have learned to pose probing personal questions in search of an answer… Well, G15A Alnico what do you think you might want and why? We don’t always know what we want until we want it, Big Fifteen and we still couldn’t always tell you why. Sometimes the things that last seem to materialize out of no where with little forethought or insight, as if we were meant to have them, and that’s the truth. 4 Richard Goodsell and the evolution of the Goodsell Super 17 Our review of the Super 17 Mark IV 10 The Goodsell overdrive 10 John McGuire Guitars Our interview with John McGuire & review of the McGuire Tradition 14 The Eastwood Jupiter Pro… We also must confess that we don’t always understand what motivates guitar players when it Simply cool comes to choosing amplifiers today. This is nothing new – most of the amps we own are immensely in every way toneful classic keepers that were ignored by potential buyers due to stripped or recovered original cabinets or a replaced transformer. -
Valve Biasing
VALVE AMP BIASING Biased information How have valve amps survived over 30 years of change? Derek Rocco explains why they are still a vital ingredient in music making, and talks you through the mysteries of biasing N THE LAST DECADE WE HAVE a signal to the grid it causes a water as an electrical current, you alter the negative grid voltage by seen huge advances in current to flow from the cathode to will never be confused again. When replacing the resistor I technology which have the plate. The grid is also known as your tap is turned off you get no to gain the current draw required. profoundly changed the way we the control grid, as by varying the water flowing through. With your Cathode bias amplifiers have work. Despite the rise in voltage on the grid you can control amp if you have too much negative become very sought after. They solid-state and digital modelling how much current is passed from voltage on the grid you will stop have a sweet organic sound that technology, virtually every high- the cathode to the plate. This is the electrical current from flowing. has a rich harmonic sustain and profile guitarist and even recording known as the grid bias of your amp This is known as they produce a powerful studios still rely on good ol’ – the correct bias level is vital to the ’over-biased’ soundstage. Examples of these fashioned valves. operation and tone of the amplifier. and the amp are most of the original 1950’s By varying the negative grid will produce Fender tweed amps such as the What is a valve? bias the technician can correctly an unbearable Deluxe and, of course, the Hopefully, a brief explanation will set up your amp for maximum distortion at all legendary Vox AC30. -
The EL34 Power Tube HI-'I
The EL34 Power Tube HI-'I .... o.l"r A lp Musical Evaluations of a Classic Design .... A_I . 4.551 Single. Ended EL·84 Stereo Amp ~ _ .... ,���\� . -""" ".. - ...-., p.,.��",-, �. 1""""' -�,�.. � . oPf' ' ".".. ._ '" "'� .,_ "'�•• '" "'� ...- ' ,t\1".' ,w ' � "'\)U'�..,. ,\ 1\ ' ��-;---""\.\. ",.-" " ".,... "", ""�_ " tt"�" ,....-" ...........,...1"'" '�" ""t\1 _,.,.""" ....'" 'r·\ �'� . � ......,. �,,,. � ,..' ",...., \PJOl8'i .... �,�oPf',.,....;:.. O\ �,cl\ ., .... " , � ...,,.. AA �r- . · :::- ,,<,<, ,. ..""'"':k ...0'\1. � ':;: "",;: .. .._ " r ,...,.. _ "" " .-;.,,...""".... ",.... ......,.,.,,, -;;. ,... :;..,� _ """;.... -� . 0 """ " . ,,..,. ,t" ,,'" <""" , .-_,.;.;.''' � .. '''''''-o<f' _ ....;;; .,;::; , -- '" " ,.,...,.. "" .'" ::, ,t"� ��. ...,.,..,.;.;."1"" ''/'''' � _.� "" f"'� . � ' M'''" ' "- """",,; ,.of .,.,..� .. ...,. ' "' 1" '". '_1"""' . .. " ,,,,,,,,,,,,,,,_ f"""";""';..::: .,... " '�,;;.;:' ' ......,,..,..,. _-:: -__':1oPf' ::;;'", --''''"", ""","" ", ' �':::', � ' ""r; """"-"' .''''''''�}.. ,t\1 \ �·, � ot ,;: "" � ,.,. ---� , _.at" � t\JV" �� � 'i"'f'- " .::... .. .... �. , ,�,....,.' .....;. _ ...-:> ".... JC8'I\\ -, \�..- WOl\ """,.""''1"'"- �""'" � '-,�� 6<1\"""- ' ""'..,... � ...... � 6U'." �. - ,t\1 , . _ , "'" 1J>b\"� ��, oPf''' .,..-._ " "" .0. " ..... ���_���\t"�'".. ' ....... "" "",",. N ��:L [\l\'J � ��i y< • D T 0 • , 5 P A G • A N D N D u 5 T • y N • w 5 Beware of FakeNOS Tubes! CE Distribution US Distributor for Electronic Tubes VTV Issue # 1 6 JJ Over the last year or so, we have JJ Electronic, -
Operation, Tetrode, Pentode in the Single-Ended, Class-A
10-76 10. Guitar Amplifiers 10.5.1 Single-ended (class A)-operation, tetrode, pentode In the single-ended, class-A power-stage, one (single) power-tube operates in common- cathode configuration with the output transformer being part of the plate circuit (transformer- coupling). Without AC-drive (“quiescent state”), a stable balance appears – it is called the operating point (OPP). The characteristics shown in Fig. 10.5.2 yield an OPP at 250 V and 48 mA, if a voltage of -7.5 V between (control) grid (g1) and cathode is chosen. This can be done e.g. by using a cathode-resistor of 142 Ω. The cathode-current (the sum of the 48-mA- plate-current and the 5-mA-screen-grid-current) will then generate a positive cathode-voltage of + 7.5 V (relative to ground). With the control-grid at ground-potential (Ug1 = 0) a control- grid-to-cathode-voltage of -7.5 V results (i.e. the control grid is negative vs. the cathode). Fig. 10.5.2: Output characteristics of the EL84, power-stage circuit (single-ended class-A operation). AP = OPP As a drive signal appears (Ug1 ≠ 0), plate-voltage and –current change. As a first approach, it will be sufficient to consider the transformer in the plate-circuit as a large inductance connected in parallel with an ohmic resistor (Chapter 10.6). In this model we have only pure DC flowing through the inductance, and only pure AC flowing through the resistor. With a drive-signal present, the Ua/Ia-point will move along the load-line given in Fig. -
Bias Circuits for RF Devices
Bias Circuits for RF Devices Iulian Rosu, YO3DAC / VA3IUL, http://www.qsl.net/va3iul A lot of RF schematics mention: “bias circuit not shown”; when actually one of the most critical yet often overlooked aspects in any RF circuit design is the bias network. The bias network determines the amplifier performance over temperature as well as RF drive. The DC bias condition of the RF transistors is usually established independently of the RF design. Power efficiency, stability, noise, thermal runway, and ease to use are the main concerns when selecting a bias configuration. A transistor amplifier must possess a DC biasing circuit for a couple of reasons. • We would require two separate voltage supplies to furnish the desired class of bias for both the emitter-collector and the emitter-base voltages. • This is in fact still done in certain applications, but biasing was invented so that these separate voltages could be obtained from but a single supply. • Transistors are remarkably temperature sensitive, inviting a condition called thermal runaway. Thermal runaway will rapidly destroy a bipolar transistor, as collector current quickly and uncontrollably increases to damaging levels as the temperature rises, unless the amplifier is temperature stabilized to nullify this effect. Amplifier Bias Classes of Operation Special classes of amplifier bias levels are utilized to achieve different objectives, each with its own distinct advantages and disadvantages. The most prevalent classes of bias operation are Class A, AB, B, and C. All of these classes use circuit components to bias the transistor at a different DC operating current, or “ICQ”. When a BJT does not have an A.C. -
VACUUM TUBE VALLEY Fall 1995 Price $6.50
Pub/ish«lQuarterly Celebrating the History and QlIOlity of Vocllum Tube Te<lmology luue 2 Vo/LlI7U! I VACUUM TUBE VALLEY Fall 1995 Price $6.50 Magnum SE Amplifier Da\-c Wolze rec.:nrlydesigned and built an SE amp with power and punch. Page 17 ...... Tube Review: EL·34 In one of existence since 1953 and th(Omost popular audio tubes of all time, rhe EL-34 has many variarions and performance characteristics. Page 8 Heath W-6M Heathkit: Early Tube Hi-Fi years. In This Issue .. manufacturer of Heathkit was the largest d�c Ironic kits in the US, alone time, selling over ntbe bldustry News 350 different types of kts. Learn more aboUl Check OUt the latest happen gs i in in the the early days of Heath Hi-Fi. Page 3 world of vacuum tubes. Learn the results of a recent survey of tuhe dislfih mors and sellers conducted by VIV. MU/UlrdEL-34s Harbouroudines the latest Ilem and Eric Early Cinema Sound Views. Page 15 vrv examines an early \xre�ternElectric [heater sound system. Page 24 Guitar Amplifiers Learn about how to get the best guitar tone. Chaclie Kittleson interviews Terry Buddingh, Tube Amp Expert from GuiTdrPi4yer Magazine. Page 20 Heatb w-4AM Tube Matching: Get the best soutuisfrom your amp. Matched tubes arc essential for opti mum performance from push-pull amps. n John Atwood explai s tube matching techniques for the layman. Page 22 Vacuum Tube Valleyis published quarterly for electronic enthusiasts interested in the See (Jur newfiatures in this months colorfv1 past, present and fvture af yocuum tube electronics. -
Chapter 4 BJT BIASING CIRCUIT Introduction – Biasing the Analysis Or Design of a Transistor Amplifier Requires Knowledge of Both the Dc and Ac Response of the System
Chapter 4 BJT BIASING CIRCUIT Introduction – Biasing The analysis or design of a transistor amplifier requires knowledge of both the dc and ac response of the system. In fact, the amplifier increases the strength of a weak signal by transferring the energy from the applied DC source to the weak input ac signal The analysis or design of any electronic amplifier therefore has two components: •The dc portion and •The ac portion During the design stage, the choice of parameters for the required dc levels will affect the ac response. What is biasing circuit? Biasing: Application of dc voltages to establish a fixed level of current and voltage. Purpose of the DC biasing circuit • To turn the device “ON” • To place it in operation in the region of its characteristic where the device operates most linearly . •Proper biasing circuit which it operate in linear region and circuit have centered Q-point or midpoint biased •Improper biasing cause Improper biasing cause •Distortion in the output signal •Produce limited or clipped at output signal Important basic relationship IECB= II + I β = C I B IE =+≅ (β 1) IIBC VVVCB= CE − BE Operating Point •Active or Linear Region Operation Base – Emitter junction is forward biased Base – Collector junction is reverse biased Good operating point •Saturation Region Operation Base – Emitter junction is forward biased Base – Collector junction is forward biased •Cutoff Region Operation Base – Emitter junction is reverse biased BJT Analysis DC AC analysis analysis Calculate gains of the Calculate the DC Q-point amplifier -
Common Small Signal Tubes
Common Small Signal Tubes Type Manufacturer Date Microphonics Quantity $ Each Descriptions 12AX7/ECC83 Amperex 1970’s Moving-Coil 4 $94.00+ With orange World-Map branding, still using the same 12AX7/ECC83 Amperex 1970’s Moving-Magnet 8 $84.00+ classic tooling & machinery but it’s running faster 12AX7/ECC83 Amperex 1970’s Line 14 $74.00+ now and the tube sounds a bit faster and hotter. 12AX7/ECC83 Amperex 1960’s Moving-Coil 5 $140.00+ Type 2 (The Classic "Bugle Boy" of the 1960’s). 12AX7/ECC83 Amperex 1960’s Moving-Magnet 8 $120.00+ Very nice, a bit lighter with a touch more sparkle 12AX7/ECC83 Amperex 1960’s Super-Line 21 $118.00+ and liquidity than the Telefunken, but still completely 12AX7/ECC83 Amperex 1960’s Line 10 $88.00+ sweet! 12AX7/ECC83 Amperex Late 1940's & 50's Moving Coil 2 $198.00+ Type 1 (Long Plate) 1950’s "Bugle-boys". These 12AX7/ECC83 Amperex Late 1940's & 50's Moving-Magnet 4 $168.00+ came in several styles. The most liquid, sweetest, 12AX7/ECC83 Amperex Late 1940's & 50's Super-Line 4 $148.00 and rarest of the 12AX7 in the Amperex family. 12AX7/ECC83 Amperex Late 1940's & 50's Line 6 $118.00 12AX7/ECC83 Mullard 1960’s Moving-Coil 7 $150.00+ Type 2 (Short Plate) The same magical, warm but 12AX7/ECC83 Mullard 1960’s Moving-Magnet 6 $130.00+ detailed sound as it’s older sister with a touch more 12AX7/ECC83 Mullard 1960’s Super-Line 18 $108.00+ neutrality. -
American Pop" Featuring “The Grass Roots, the Buckinghams and the Box Tops” 2020
Page | 1 "AMERICAN POP" FEATURING “THE GRASS ROOTS, THE BUCKINGHAMS AND THE BOX TOPS” 2020 1. BILLING ARTISTS SHALL RECEIVE CO-HEADLINE BILLING IN 100% SIZE TYPE IN ALL ADVERTISING, LIGHTS, DISPLAYS, PROGRAMS, AND ANY AND ALL OTHER ADVERTISING AND PUBLIC MEDIA, UNLESS AGREED TO BY ARTISTS. 2. PERSONAL REQUIREMENTS A.) DRESSING ROOMS PURCHASER SHALL PROVIDE AT LEAST THREE (3) PROPERLY-MAINTAINED, CLEAN, ADEQUATELY- VENTILATED, WELL-LIGHTED AND CLIMATE-CONTROLLED DRESSING ROOMS FOR THE EXCLUSIVE USE OF THE ARTISTS. EACH ROOM MUST HAVE WORKABLE LOCKS WITH KEYS GIVEN TO THE ARTISTS OR ARTISTS’ REPRESENTATIVE UPON REQUEST, AND MUST BE AVAILABLE FROM LOAD-IN TIME UNTIL ARTISTS’ DEPARTURE. EACH DRESSING ROOM MUST BE EQUIPPED WITH MIRRORS, WASHING FACILITIES, SOAP, SIX (6) CLEAN TOWELS, AT LEAST ONE (1) DRESSING TABLE, ONE (1) IRONING BOARD WITH IRON, AT LEAST ONE (1) 20-AMP/110-VOLT AC SINGLE PHASE 60 CYCLE CIRCUIT, AND COMFORTABLE SEATING FOR A MINIMUM OF SIX (6) PEOPLE PER DRESSING ROOM. PURCHASER AGREES TO PROVIDE A MINIMUM OF TWO (2) CLEAN LAVATORY FACILITIES WITHIN THE DRESSSING ROOM AREA. LAVATORY FACILITIES MUST BE PRIVATE (NOT FOR PUBLIC USE) AND MUST BE ACCESSIBLE TO ARTISTS WITHOUT HAVING TO ENTER PUBLIC AREAS. B.) THE GRASS ROOTS ..ALL FOOD FOR ALL ACTS IN COMMON AREA!!!!! THE FOLLOWING ITEMS ARE TO BE PLACED IN THE ARTISTS DRESSING ROOM: **PROVISIONS AND CONDIMENTS FOR TURKEY AND HAM AND ROAST BEEF SANDWICHES NO PROCESSED MEAT- MUST BE "REAL" (CARVED MEATS) TO SERVE EIGHT -----INCLUDING TOMATO, LETTUCE, ONION, CHEESE, MUSTARD, MAYONNAISE---- ** VEGGIE TRAY, TORTILLA CHIPS, AND HUMMUS **BBQ POTATO CHIPS, REGULAR POTATO CHIPS, CASHEWS, PEANUTS, PISTACHIOS **WHOLE FRUIT (NOT SKINNED OR SLICED) 4 BANANAS, 4 APPLES, 4 ORANGES **POT OF REGULAR (STRONG) COFFEE (INCLUDING: CREAMER, EQUAL AND SUGAR) **ONE QUART OF APPLE JUICE AND ONE QUART OF ORANGE JUICE **ONE SIX-PACK EACH: DIET COKE, REGULAR COKE, DIET DR. -
Sound Productions Backline Rentals Production Smaller Dec
BACKLINE RENTALS DRUM KITS PERCUSSION KEYBOARDS GUITARS GUITAR AMPS BASS GUITARS BASS AMPS GUITAR PEDALS & ACCS. DJ EQUIP. WIRELESS EQUIP. MIXING CONSOLES MISC EQUIP. For quotes & inquiries contact Greg Narkewicz at 972.550.0594 or [email protected] DRUM KITS DW Collectors Series Broken Glass Gretsch Renown Maple Pure Maple Kit Silver Sparkle Kicks : 20’’,22’’,24’’ Kick : 22’’ Rack Toms : 8’’.10’’,12’’,13’’,14’’ Rack Toms : 10’’,12’’ Floor Toms : 14’’,16’’,18’’ Floor Toms : 14’’,16’’ Snare : 14’’X6.5’’ Maple Snare : 14x5 Maple DW Collectors Series Curly Maple Ludwig Classic Maple Natural Finish Red Sparkle Kicks: 20’’,22’’,24’’ Kick : 22’’, 24’’ Rack Toms :8’’,10’’,12’’,13’’ Rack Toms : 10’’ , 12’’, 13’’ Floor Toms : 14’’,16’’,18’’ Floor Tom :2x 16’’ Snare: 14x5 Maple Snare : 6.5x14 Atlas-Pro Hardware Pearl Masterworks Red Sparkle Tama Starclassic Kick : 22’’ Cherry Sunburst Rack Toms : 10’’,12’’,13’’ Kick : 22’’ Floor Toms : 14’’,16’’ Rack Toms : 10’’ , 12’’ Snare : 14x6.5 Maple Signature Floor Tom : 16’’ Snare : 14x5’’ Gretsch Renown Maple Dark Brown Kick : 22’’ Yamaha Custom Recording Birch Rack Toms : 10’’,12’’ Black Hanging Floor Toms : 14’’,16’’ Kick : 22’’ Snare : 14x5 Maple Rack Toms : 10’’,12’’,13’’, 14’’ Floor Tom : 16’’ Snare : 14x7 Birch MoreDRUM KITS Yamaha Generic Kit Red Cymbal Brands Kick : 22’’ Zildjian Rack Toms : 12’’,13’’ Sabian Floor Tom : 16’’ Paiste Snare : 14x6.5 Chrome Yamaha Maple Custom Natural Finish Kick : 22’’ Rack Toms : 10’’,12’’,13’’ Hanging Floor Toms : 14’’,16’’ Snare : 14x4 Maple Yamaha Maple Custom Absolute Electric Blue Kicks : 20’’,22’’ Rack Toms : 8’’,10’’,12’’,13’’ Floor Toms : 14’’,16’’,18’’ Snare : 14x5 Maple Additional Snares Yamaha 13x6 Oak Yamaha 13x6 Brass Ludwig 14x6.5 Black Beauty Ludwig 14x5 Black Beauty Pearl 14x3 Brass Free Floater Mapex 13x5 Maple Pearl 10x5 Firecracker PERCUSSION Percussion L.P.