DOCSLIB.ORG

The Show DMX Neo Installation and Application Guide

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Show DMX Neo Installation and Application Guide The SHoW DMX Neo® Installation and Application Guide Rev 1.0 SHoW DMX Neo Transceivers are covered by U.S. Patent # 7,432,803 and other patents pending. 2 Radio Compliance Information .................................................................................... 6 Antennas ........................................................................................................................ 6 5792 SHoW DMX Neo Radio Module CE Declaration of Conformity .................................. 9 Introduction ................................................................................................................. 10 The SHoW DMX Neo Product Range ......................................................................... 11 5701 SHoW DMX Neo® Transceiver .................................................................................... 11 5711 SHoW DMX Neo® Receiver ......................................................................................... 13 5702 SHoW DMX SHoW Baby® ........................................................................................... 15 7400-5708 SHoW DMX Vero Net™ Transceiver .................................................................. 17 7400-5707 SHoW DMX Vero™ Transceiver ......................................................................... 19 Antennas ...................................................................................................................... 21 Antenna Accessories .................................................................................................. 22 Antenna / Device Connection Matrix ......................................................................... 23 Antenna Connectors ................................................................................................... 24 SHoW DMX Neo Operation ................................................................................................... 25 DMX System Flow ................................................................................................................. 25 RDM System Flow ................................................................................................................. 26 Performing a Wireless DMX Site Survey ................................................................... 27 Using the SHoW DMX Neo Features to Optimize Performance............................... 28 Limited Bandwidth Frequency Hopping ............................................................................. 28 Limited Burst DMX Transmission ........................................................................................ 29 Limited Burst DMX Output Settings ................................................................................. 29 Adjustable Broadcast Power ............................................................................................... 30 Broadcast Power, Antennas, and Range ............................................................................ 31 Adaptive Spread Spectrum Frequency Hopping (AFHSS) ................................................ 31 About SHoW ID...................................................................................................................... 31 About Latency .................................................................................................................... 32 Neo Adaptive Mode Operation ......................................................................................... 32 Neo Adaptive SHoW ID Table ........................................................................................... 33 Neo Mode Operation .......................................................................................................... 33 Neo SHoW ID Tables ......................................................................................................... 33 3 Classic Mode Operation .................................................................................................... 35 Classic SHoW ID Tables .................................................................................................... 35 SHoW IDs in Multiple Universe Systems ............................................................................ 37 Working with Different Antennas ............................................................................... 39 Antenna Approval .............................................................................................................. 39 Power Ratings .................................................................................................................... 39 Omni-Directional Antennas .............................................................................................. 39 Using Omni Antennas in Multiple Universe Systems .................................................... 42 Panel Antennas .................................................................................................................. 42 Yagi Antennas .................................................................................................................... 42 Using Directional Antennas .............................................................................................. 42 Increasing Range ............................................................................................................... 43 Reducing Interference ....................................................................................................... 43 Splitters .............................................................................................................................. 43 Cables ................................................................................................................................. 43 Setting Up Panel Directional Antennas ..................................................................... 45 Installing and Optimizing a Panel Antenna System ........................................................... 45 Polarize Antennas the Same Way .................................................................................... 46 Test the Reception of the System .................................................................................... 46 Adjust the Height and Rotation ........................................................................................ 46 Check for Obstacles between the Antennas ................................................................... 46 Test both Vertical and Horizontal Polarity ...................................................................... 46 Test Different Power Levels .............................................................................................. 47 Using Panel Antennas in Combination with Omni-Directional Antennas ....................... 47 Test both Vertical and Horizontal Polarity ...................................................................... 48 Test Different Power Levels .............................................................................................. 48 Planning a SHoW DMX Neo System .......................................................................... 49 The Proscenium Theatre System ........................................................................................ 49 The Stadium System ............................................................................................................. 50 The Urban Outdoor System ................................................................................................. 51 The Park / Rural Outdoor System ........................................................................................ 52 The 5701 SHoW DMX Neo Transceiver Configuration Guide .................................. 53 Controls, Connections and Features .................................................................................. 53 Front Panel ............................................................................................................................ 53 LCD Display ........................................................................................................................ 53 4 Control Button Pad ............................................................................................................ 53 Panel Lockout .................................................................................................................... 53 Back Panel ............................................................................................................................. 54 To Install a Firmware Update: ........................................................................................... 54 The SHoW DMX Neo Transceiver Menu Structure ............................................................. 54 About SHoW ID: .................................................................................................................... 55 RF Settings ............................................................................................................................ 56 Classic Mode Operation .................................................................................................... 56 Neo Mode Operation .......................................................................................................... 56 Neo Adaptive Mode Operation ......................................................................................... 56 DMX512 / Art-Net / sACN Control Input ............................................................................... 57 Input Settings
Load more

Recommended publications
  • Lighting and Electrics
    Lighting and Electrics 1 1E See also: First Electric 2 P&G See also: Pin Connector 2-fer See also: Two-fer 2/0 Pronounced 2-aught; single conductor cable with wire size "2/0" on jacket; commonly used for feeder cable 2PG See also: Pin Connector 3-fer See also: Three-fer 4/0 Pronounced 4-aught; single conductor cable with wire size "4/0" on jacket; commonly used for feeder cable A Adapter Electrical accessory that transitions between dissimilar connectors; may be a molded unit, box or cable assembly Amp See also: Amperes Amperes Unit of measure for the quantity of electricity flowing in a conductor Synonym: A, Amp, Current AMX192 Analog Multiplexing protocol for transmitting control information from a console to a dimmer or other controllable device Synonym: AMX, USITT AMX192 eSET: Lighting & Electrics 2 Ante-proscenium See also: Front of House (FOH) Beam Asbestos Skirt Obsolete term See also: Flameproof Apron Automated Fixtures See also: Automated Luminaire Automated Lighting Control Console Lighting console capable of controlling automated luminaires Automated Luminaire Lighting instrument with attributes that are remotely controlled Synonym: Automated Fixture, Automated Light, Computerized Light, Intelligent Light, Motorized Light, Mover, Moving Light, More… Automated Yoke Remotely controlled pan and tilt device Synonym: Yokie B Backlight A lighting source that is behind the talent or subject from the viewers perspective Synonym: Backs, Back Wash, Bx, Hair Light, Rim Light Backs See also: Backlight Balcony Front See also: Balcony Rail
    [Show full text]
  • A GLOSSARY of THEATRE TERMS © Peter D
    A GLOSSARY OF THEATRE TERMS © Peter D. Lathan 1996-1999 http://www.schoolshows.demon.co.uk/resources/technical/gloss1.htm Above the title In advertisements, when the performer's name appears before the title of the show or play. Reserved for the big stars! Amplifier Sound term. A piece of equipment which ampilifies or increases the sound captured by a microphone or replayed from record, CD or tape. Each loudspeaker needs a separate amplifier. Apron In a traditional theatre, the part of the stage which projects in front of the curtain. In many theatres this can be extended, sometimes by building out over the pit (qv). Assistant Director Assists the Director (qv) by taking notes on all moves and other decisions and keeping them together in one copy of the script (the Prompt Copy (qv)). In some companies this is done by the Stage Manager (qv), because there is no assistant. Assistant Stage Manager (ASM) Another name for stage crew (usually, in the professional theatre, also an understudy for one of the minor roles who is, in turn, also understudying a major role). The lowest rung on the professional theatre ladder. Auditorium The part of the theatre in which the audience sits. Also known as the House. Backing Flat A flat (qv) which stands behind a window or door in the set (qv). Banjo Not the musical instrument! A rail along which a curtain runs. Bar An aluminium pipe suspended over the stage on which lanterns are hung. Also the place where you will find actors after the show - the stage crew will still be working! Barn Door An arrangement of four metal leaves placed in front of the lenses of certain kinds of spotlight to control the shape of the light beam.
    [Show full text]
  • Entertainment Lighting Control Philosophy by Anne Valentino and Sarah Clausen, ETC Control Product Managers
    White Paper Entertainment Lighting Control Philosophy by Anne Valentino and Sarah Clausen, ETC Control Product Managers Introduction Is there a new lighting control console in your future? Will you be buying – or selling – or using - such a console? How do you know which one is right for you – your team – or your customer? Beyond channel counts, DMX outputs, faders, touch screens and buttons described in most console datasheets and product comparison articles, how can you find out if a lighting control console will “feel right”? If you ask friends and colleagues, they may say “buy console x because it is easy to use” or “buy console y because it thinks like you do”. Why is one console perceived to be easier to use than another or to “think like I do”? We hope to clarify some of this by providing you with tools to truly evaluate consoles based on their core philosophies rather than things like channel counts and fader quantities. Let’s get to the bottom of why there are so many different consoles out there and why many of them enjoy a devoted following. When considering operational philosophies, there is no right or wrong; there is only different. The philosophy of a console defines its basic personality. All of the basic phi- losophies in use on lighting desks today are derived from our original task of controlling intensity. These ideas have been modified to extend to moving light and media control, but they all have strong historical precedence. It is worth- while to understand where these ideas come from, as this understanding can help you make a choice about the product that might be right for you.
    [Show full text]
  • Expression2x Lighting Control System Version 2.0
    expression2x Lighting control system Version 2.0 expression2x Lighting control system Version 2.0 User Manual Copyright 1994-96 Electronic Theatre Controls 4031M1001 Revised May 1996 Limited Warranty Electronic Theatre Controls (ETC) warrants to the original The owner’s obligations during the warranty period under owner or retail customer that for a period of one year this warranty are to notify ETC at ETC’s address within from date of delivery of a portable system or energization one week of any suspected defect, and to return the of a permanently installed system (up to a maximum of goods prepaid to ETC at their factory or authorized ser- 18 months from delivery) its products will be free from vice center. defects in materials and workmanship under normal use and service. Warranty is limited to 90 days for rental THIS WARRANTY IS CONTINGENT ON THE CUS- equipment. TOMER’S FULL AND TIMELY COMPLIANCE WITH THE TERMS OF PAYMENT SET FORTH IN THE “TERMS Warranty does not cover any product or part of a product AND CONDITIONS”. THIS WARRANTY IS EXPRESSLY subject to accident, negligence, alteration, abuse or IN LIEU OF ANY AND ALL OTHER WARRANTIES misuse or any accessories or parts not supplied by ETC. EXPRESSED OR IMPLIED INCLUDING THE WARRAN- Warranty does not cover “consumable” parts such as TIES OF MERCHANTABILITY AND FITNESS FOR A PAR- fuses, lamps, color media or components warranted TICULAR PURPOSE AND OF OTHER OBLIGATIONS directly to the owner by the original manufacturer. ETC’s AND LIABILITIES ON OUR PART. THE OWNER warranty does not extend to items not manufactured by ACKNOWLEDGES THAT NO OTHER REPRESENTA- us.
    [Show full text]
  • Devoted to Investigating and Research by Members of USITT: Computers and Software Patrick Michael Finelli University of South Florida, [email protected]
    University of South Florida Scholar Commons Theatre and Dance Faculty Publications School of Theatre and Dance Winter 2010 The ommiC ssions: Devoted to Investigating and Research by Members of USITT: Computers and Software Patrick Michael Finelli University of South Florida, [email protected] Follow this and additional works at: http://scholarcommons.usf.edu/the_facpub Part of the Other Theatre and Performance Studies Commons Scholar Commons Citation Finelli, Patrick Michael, "The ommiC ssions: Devoted to Investigating and Research by Members of USITT: Computers and Software" (2010). Theatre and Dance Faculty Publications. Paper 2. http://scholarcommons.usf.edu/the_facpub/2 This Article is brought to you for free and open access by the School of Theatre and Dance at Scholar Commons. It has been accepted for inclusion in Theatre and Dance Faculty Publications by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. THE COMMISSIONS: DEVOTED TO INVESTIGATING AND RESEARCH BY MEMBERS OF USITT Architecture, By Raymond Kent Computers and Software, By Patrick M. Finelli Costume Design and Technology, By Peggy Rosefeldt Education, By William Kenyon Engineering, By Jerry Gorrell Health and Safety, By David C. Glowacki Lighting Design, By Richard Devin and Richard E. Dunham, Management, By Richard Peterson Scene Design, Edited by Heidi Hoffer Sound Design, By Dave Tosti-Lane A Lifelong Love/Hate Affair, By Charlie Richmond Technical Production, by Bill Browning A TIMELINE OF USITT EVENTS AND PEOPLE, 1960–2010 Published in TD&T, Vol. 46 No. 1 (Winter 10) Theatre Design & Technology, the journal for design and production professionals in the performing arts and entertainment industry, is published four times a year by United States Institute for Theatre Technology.
    [Show full text]
  • Developing Theatrical Lighting Control with Arduino
    Developing Theatrical Lighting Control with Arduino Heather Heimbach Adam Klein [email protected] [email protected] Alex Lin Michelle Lu [email protected] [email protected] Vivian Zhuang [email protected] Abstract technology, many issues continue to persist in the design and practical application of Ever since the 17th century, stage lighting consoles. Currently, the most lighting has proved to be an essential part of common lighting control consoles are large theatrical productions. However, small or enough in size to limit their portability and startup theatres may have difficulty cause significant inconvenience for the user. procuring quality lighting control, due to the In addition, the cost inefficiency of lighting tendency of professional control consoles to control consoles is a valid concern for many be extremely expensive and superfluous.1 In small theatre companies. Professional order to reduce the cost of stage lighting, lighting consoles readily sell for thousands and provide a simpler alternative to more of dollars, which may not be within the complex standard lighting consoles, theaters realistic budget for small businesses and should utilize Arduinos to control stage productions. In such situations, an Arduino lights. The Arduino is a cheaper and simpler could be used as an alternative lighting open-source microcontroller that can be control console for smaller productions. This programmed to communicate with other study was conducted to analyze the objects in the physical world, such as advantages and limitations of Arduino, and theatrical lights.2 This project explores the how these affect its possible place in the wide array of lighting techniques that can be theatrical lighting industry.
    [Show full text]
  • Theatre 445: Lighting
    7KHDWUH/LJKWLQJ :LQWHU 6DPSOH([DP)LUVW4XL] 6DPSOH([DP6HFRQG4XL] /HFWXUH7RSLFV_'HVLJQ3URMHFWV :RUNVKHHWV_/LJKWLQJ/LQNV Instructor: /DUU\:LOG, Assistant Professor of Theatre Office: JFAC 124A Phone: 626-2513 Office Hours: 2pm to 3pm, Monday through Friday E-mail address: [email protected] Course objective: To provide the student with a fundamental knowledge of the history, principles, procedures and techniques of theatrical stage lighting. Text: 7KHDWULFDO'HVLJQDQG3URGXFWLRQ $Q,QWURGXFWLRQWR6FHQH'HVLJQDQG&RQVWUXFWLRQ/LJKWLQJ6RXQG &RVWXPHDQG0DNHXS (4th edition) by J. Michael Gillette. (Mountain View, CA: Mayfield Publishing Company. 2000). Supplemental material: $%LEOLRJUDSK\RI6HOHFWHG/LJKWLQJ/LWHUDWXUH -HDQ5RVHQWKDO$3KRWR(VVD\RQ/LJKW 7KH/LJKW/DE Class Meetings: Tuesday and Thursday, 11:00am to 12:15pm in JC 129. Lecture Topics: x %ULHI+LVWRU\RI6WDJH/LJKWLQJ x /LJKWLQJDQGWKH&RPSXWHU x 7KH)XQFWLRQVDQG4XDOLWLHVRI/LJKW x &RORULQ/LJKW x 0RGHOLQJZLWK/LJKW x /LJKW3ORW/LVWVDQG6FKHGXOHV x /LJKWLQJ,QVWUXPHQWV(OOLSVRLGDO5HIOHFWRU6SRWOLJKW x )UHVQHO/HQV6SRWOLJKW x 3$5FDQ x )ROORZ6SRW x (OOLSVRLGDO5HIOHFWRU)ORRGOLJKW %RUGHU/LJKW x )LUVW/LWWOH4XL] x &RQWURO6\VWHPV x (OHFWULFDO7KHRU\DQG3UDFWLFH x $Q$SSURDFKWR/LJKWLQJ'HVLJQ x Lighting the Musical x /LJKWLQJWKH$UHQDDQG7KUXVW6WDJH x /LJKWLQJWKH'DQFH x Concert Lighting Paper Projects... x &UHDWLQJD/LJKWLQJ&RPSRVLWLRQZLWK9LUWXDO/LJKW/DE x 'HYHORSLQJD5HSHUWRU\/LJKW3ORW x 7KH)LQDO3URMHFW WorkSheets x *HO:RUNVKHHW x %HDP:ULJKW:RUN6KHHW x ,QVWUXPHQW&KRLFH:RUNVKHHW Each student is expected to... 1. $WWHQG a performance (or dress rehearsal) of both 7KH%XQJOHU (February 19 - 22) and 7KH/DUDPLH3URMHFW (April 23 - 26), 2. Demonstrate his/her ability to IRFXV a Fresnel lens spotlight, 3. )RFXV and VKXWWHU an Ellipsoidal Reflector Spotlight, 4. Create a SDWFK and H[HFXWH a series of Qs on the MainStage (6WUDQG0DQWUL[0;) console, 5.
    [Show full text]
  • Lighting Control Console Quick Guide
    Lighting Control Console Quick Guide Version 3.1 Copyright © Electronic Theatre Controls, Inc. All Rights reserved. Product information and specifications subject to change. Part Number: 4131M1300-3.1 Rev A Released: November 2002 ETC®, Emphasis™, Expression®, Insight™, Imagine™, Focus™, Express™, Unison®, Obsession® II, ETCNet2™, EDMX™, Sensor®, and WYSILink™ are either registered trademarks or trademarks of Electronic Theatre Controls, Inc. in the United States and other countries. Table of Contents Console Panels . 1 Keypad Features . 2 Introduction to Programming . 5 Patching . 6 Working with channels . 7 Recording. 8 Assigning Labels . 12 Playback. 13 Disk Operations . 14 Working with Moving Light (ML) Fixtures . 15 Expression 3/Insight 3 Quick Guide i ii Table of Contents Console Panels Back Panel 1 2 3 4 5 6 78 9 10 11 12 13 14 15 16 17 18 19 20 21 1. SMPTE 7. Power switch 14. Parallel printer 2. ETCLink 8. Power fuses (2) 15. Video 1 - Command 3. RFU 9. Disk drive (side) 16. Video 2 - Playback 4. DMX In 10. Mouse port 17. DIP switch 5. DMX Out (3 universes) 11. MIDI In/Out 18. ETCNet UTP 6. Switched AC power 12. Alphanumeric keyboard 19. Remote Macros outlets (2) 13. Digitizer/Serial 20. RFU fuse (T2.5A) 21. Power input connector Face Panel (Expression shown, Insight is similar) 1 2 AB Faders A B C D 3 4 5 6 7 8 9 10 1. LED displays (7) 5. Keypad 2. Controller selector 6. Rate wheel 3. Submaster panel ~ Each submaster has a 7. Level wheel slider and bump button. LEDs in bump buttons 8.
    [Show full text]
  • Pacific University an Introduction to Technical Theatre
    AN INTRODUCTION TO TECHNICAL THEATRE Tal Sanders Pacic University Pacific University An Introduction to Technical Theatre Tal Sanders (unable to fetch text document from uri [status: 0 (UnableToConnect), message: "Error: TrustFailure (Ssl error:1000007d:SSL routines:OPENSSL_internal:CERTIFICATE_VERIFY_FAILED)"]) TABLE OF CONTENTS An Introduction to Technical Theatre draws on the author’s experience in both the theatre and the classroom over the last 30 years. Intended as a resource for both secondary and post-secondary theatre courses, this text provides a comprehensive overview of technical theatre, including terminology and general practices. Introduction to Technical Theatre’s accessible format is ideal for students at all levels, including those studying technical theatre as an elective part of their education. ABOUT THIS BOOK PUBLISHING INFORMATION THANK YOU 1: CHAPTERS 1.1: THEATRE- A COLLABORATIVE ART 1.2: ORGANIZATIONAL STRUCTURES 1.3: PRODUCTION SCHEDULING 1.4: THEATRE SPACES 1.5: OUR STAGES AND THEIR EQUIPMENT 1.6: DESIGN AND COLLABORATION 1.7: SCENERY AND CONSTRUCTION 1.8: PROPS AND EFFECTS 1.9: STAGE MANAGEMENT 1.10: COSTUMES AND CHARACTER CREATION 1.11: LIGHTING DESIGN 1.12: LIGHTING EQUIPMENT AND CONTROL SYSTEMS 1.13: SOUND DESIGN AND EQUIPMENT 1.14: SCENE PAINTING AND COLOR THEORY 1.15: STAGE CREWS AND PRODUCTION ETIQUETTE BACK MATTER INDEX GLOSSARY GLOSSARY 1 10/5/2021 About This Book I have taught technical theatre classes for many years using some of the major texts on this subject, and while there are some quite comprehensive texts available, I wanted something that could speak more specifically to the needs of my students. I wanted to create a text that covered the basics, including theatre terminology and general practices, but was not so in-depth as to overwhelm those who were studying technical theatre as an elective part of their education.
    [Show full text]
  • Thorn Q-File Lighting Control
    • orn - 1e lighting Control Equipment ~ Why0-file7 The title Q-FILE aptly describes an extremely versatile stage and studio lighting control system in which "cues" (i.e. lighting changes) are "filed" (i.e. memorised) during rehearsal. These cues may then be repeated during a production with supreme ease and accuracy. Through this use of modern electronic technology the whole process of planning and using theatrical lighting becomes an "armchair" exercise. Even the most ambitious lighting changes can be initiated by the operation of no more than two push buttons. Contents Page Why Q-File 2 Highlights of Q-File 3 Advantages of Q -File 5 The Q-File Console Panel 6- 7 Lighting a scene by use of the Circuit Controller 8- 9 Memorising and recalling a lighting scene by use of the Memory Controller ro- 12 Other Q-File Standard facilities 13 Optional extra facilities l 3 Typical lighting exercises 14 Choosing the size of system l 5 Duplex system l 5 The technical principle of Q-File 15- 18 Summary of facilities l 8 Thorn overseas companies 20 2 Highlights of 0-file • 100 separate memories can be used individually or in any combination. • Memories include full range of brightness levels. e Memory recall as Instant Action or Automatic Fade/Crossfade. • Independent simultaneous control of Fade-Up and Fade-Down at different speeds. • Memories can be added or subtracted with instant effect during a Fade or Crossfade. • Instant manual over-ride of all circuits at all times. e Facility for "Blind" Plotting or modifying memories without affecting lighting in use.
    [Show full text]
  • Let Us Show You Exactly What to Expect with Our Lighting Design Follow Us! Computer Modeling and Pre-Visualization
    432 STUDIO & LOCATION LIGHTING NEW! ALTMAN Q-LITE OPEN FACE FIXTURE These open-face luminaires IKAN ILED-312 are compact, lightweight, multipurpose ON-CAMERA DUAL COLOR flood/fill lights ideal for stage, studio and LED LIGHT Features 312 location lighting applications. Designed to LEDs, a wide-angle beam operate high color-temperature tungsten pattern, a built-in dimmer, variable color temperature (daylight to tungsten), (2) halogen lamps, they are well suited for battery docks, and an on-board battery life indicator. Includes (2) Sony L series use in tight or confined spaces where batteries, a dual battery charger, A/C adapter, diffuser filter, soft case, shoe mount, maximum light output and beam spread are required for fill or flood lighting. The and a 6" articulating arm. Color temperature and dimming are adjustable using dials Q-Lite is rated for up to 1000W lamps, and the Q-Lite Jr is rated for up to 650W. 36" on rear of light. Can be powered via external DC power supply. Power lead. Lamps not included. ITEM DESCRIPTION PRICE ILED-312 ...................Wide-angle beam on-camera LED light w/accessories ............... 449.00 ITEM DESCRIPTION PRICE ILED-312-KIT ............ (3) ILED-312 with (3) stands and large carrying case ..............1699.00 Q-LITE .......................1000W open face fixture ............................................................. 176.25 Q-LITE-JR ..................650W open face fixture ............................................................... 157.50 QL-BD4...................... Barn door for Q-LITE ......................................................................33.00 QL-JR-BD4................. Barn door for Q-LITE-JR .................................................................27.75 FCM-EIKO.................. 1000W, 3200K lamp ........................................................................6.38 NEW! IKAN ILED-120 ON-CAMERA LED LIGHT This on-camera LED light features (120) LEDs, a wide-angle beam pattern, 5300-5900K daylight color temperature, and intensity slider control.
    [Show full text]
  • Strand Control Systems
    Strand Control Systems The introduction of the NEO lighting control console marks a new chapter in the evolution of control. This console allows the ability to seize light; to grab, move, change position, color and motivate the lighting design simply and effectively. The NEO lighting control console is the closest that a designer can get to actually touching the light; encompassing the dreams and aspirations of both professionals and amateurs alike. The NEO lighting control console starts with the inclusion of many timesaving NEO Lighting Control Console features, allowing the user to program faster and more accurately. (shown with optional monitor - monitor sold separately) Icons and Shutter controls are represented graphically on the display, saving time and presenting meaningful data to the operator. Floating Windows allow the operator to configure their views their way, making it easier to find information. Effects are revolutionized, with “Time Line” features, allowing drag and drop to create that perfectly timed sequence. The show is even secured on a “Mission Critical” grade SQL server, ensuring no data loss in those critical moments. Boot time is massively reduced with high speed solid state disk drives, making the NEO lighting control console robust for everyday and touring use. With individually controlled back lit keys, motorized faders, user security system, pixel mapping and media playback: we think you will find the NEO lighting control console a worthy successor to a proud history of iconic consoles that have had the honor
    [Show full text]