DOCSLIB.ORG

Let Us Show You Exactly What to Expect with Our Lighting Design Follow Us! Computer Modeling and Pre-Visualization

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Let Us Show You Exactly What to Expect with Our Lighting Design Follow Us! Computer Modeling and Pre-Visualization 432 STUDIO & LOCATION LIGHTING NEW! ALTMAN Q-LITE OPEN FACE FIXTURE These open-face luminaires IKAN ILED-312 are compact, lightweight, multipurpose ON-CAMERA DUAL COLOR flood/fill lights ideal for stage, studio and LED LIGHT Features 312 location lighting applications. Designed to LEDs, a wide-angle beam operate high color-temperature tungsten pattern, a built-in dimmer, variable color temperature (daylight to tungsten), (2) halogen lamps, they are well suited for battery docks, and an on-board battery life indicator. Includes (2) Sony L series use in tight or confined spaces where batteries, a dual battery charger, A/C adapter, diffuser filter, soft case, shoe mount, maximum light output and beam spread are required for fill or flood lighting. The and a 6" articulating arm. Color temperature and dimming are adjustable using dials Q-Lite is rated for up to 1000W lamps, and the Q-Lite Jr is rated for up to 650W. 36" on rear of light. Can be powered via external DC power supply. Power lead. Lamps not included. ITEM DESCRIPTION PRICE ILED-312 ...................Wide-angle beam on-camera LED light w/accessories ............... 449.00 ITEM DESCRIPTION PRICE ILED-312-KIT ............ (3) ILED-312 with (3) stands and large carrying case ..............1699.00 Q-LITE .......................1000W open face fixture ............................................................. 176.25 Q-LITE-JR ..................650W open face fixture ............................................................... 157.50 QL-BD4...................... Barn door for Q-LITE ......................................................................33.00 QL-JR-BD4................. Barn door for Q-LITE-JR .................................................................27.75 FCM-EIKO.................. 1000W, 3200K lamp ........................................................................6.38 NEW! IKAN ILED-120 ON-CAMERA LED LIGHT This on-camera LED light features (120) LEDs, a wide-angle beam pattern, 5300-5900K daylight color temperature, and intensity slider control. Multiple units can be stacked on top of each other if more light is needed. Includes a rechargeable Li-Ion battery, diffuser, battery charger, shoe mount, and camera bracket for smaller, handheld consumer camcorders. Features COOL-LUX SL3000 The SL3000 is a versatile soft/ 7.2W voltage and 560lux at 3ft. broad on-camera light. It allows illumination over a wide ITEM DESCRIPTION PRICE area and with the included hood it becomes a lightweight ILED-120 ...................120 LED stackable on-camera light ............................................129.00 softlight. It features a color neutral metal reflector that is softer than white and will never turn yellow. Softlight: 90°. Broadlight: 130°. Weighs 9oz without hood. Includes IKAN ID 500 500 LED LIGHT 5/8" made standard mount. This lightweight LED fixture requires less power NEW! ITEM DESCRIPTION PRICE than incandescent lights so it runs cooler. Use the SL3010 ......................Softlight/Broadlight, 100W DC lamp, 100W AC lamp, 4-pin XLR DC power cord, AC power cord, AD 600W dimmer ...... 319.00 optional VESA mounts to mount to an Anton-Bauer MD5002..................... Optional camera shoe adapter ......................................................24.00 or V-Mount battery. Features integrated barn DC5000 .....................Optional in-line dimmer ................................................................96.00 doors, switchable banks, and a rotary dial for dimming control. Comes with a stand adapter for horizontal/vertical mounting and an RF remote control that allows you to turn on/ off the ID500's switchable banks (works on up to 3 fixtures) as well as regulate light intensity. Can be AC powered via 5-pin connector. ITEM DESCRIPTION PRICE ELATION PRO LIGHTING TVL3000 LED NEW! ID500 ........................500 LED dimmable fixture ...........................................................449.00 HIGH-POWER MODULAR TV LIGHT PANEL V17PBK-A.................. VESA mount for Anton-Bauer battery .......................................... 149.00 Comes in warm white (3200K) and cool white (5600K) V17PBK-S.................. VESA mount for V-Mount battery .................................................149.00 ID500-KIT.................. (3) ID500s with (3) stands and large case ..............................1599.00 versions and features (24) 3W high-power LEDs that have an ID500-RC ..................Replacement remote control for ID500 ............................................9.95 output of 3300lux at 5M (300fc at 16ft.) Fixture is convection ID500-STAND ............ Lighting stand for ID500 ...............................................................69.95 cooled and operates silently. Max output is 70W and it can be ID500-BAG1 ..............Bag for (1) ID500 .......................................................................... 49.95 operated manually or via 1-channel of DMX. Includes adjustable ID500-BAG3 ..............Bag for (3) ID500s ........................................................................ 49.95 barn doors, a die-cast aluminum case, and 10°, 25°, 40°, 60° beam ID500-S-BAG............. Bag for (3) ID500 lighting stands .................................................49.95 angle lens kits (fixture's beam angle is 115° without a kit attached). Has 5-pin DMX in/out, Powercon in. LITEPANELS® MICRO ITEM DESCRIPTION PRICE TVL-3000/WW ........... 3200K warm white LED modular TV light panel ........................1199.99 ® ON CAMERA LIGHT TVL-3000/CW ............5600K cool white LED modular TV light panel ...........................1199.99 Litepanels® Micro & Micro-Pro TVL3B21 ....................Bracket for 2 TVL3000s .................................................................65.18 are professional LED daylight fixtures ideal for use TVL3B22 ....................Bracket for 4 TVL3000s ...............................................................195.68 with small DV camcorders or DSLR cameras. The Micro TVL3B31 ....................Bracket for 3 TVL3000s .................................................................84.75 works with optional adapter plates to power the light TVL3B32 ....................Bracket for 6 TVL3000s ...............................................................228.30 using a Sony, Panasonic or Canon camera battery (plate- specific, not compatible with Micro-Pro). The Micro-Pro is the larger model, producing twice the illumination of MICRO the Micro. The Micro comes with an attached flip-down gel holder, a 3-piece gel set and 4 AA batteries (the Pro model comes with 6 batteries and 3 gels.) The Micro draws 3W of power and can run for 1.5hrs. on one set of IKAN CORPORATION MULTI-K-XL NEW! batteries (standard or rechargeable) while the Micro-Pro uses 9W. Both models VARIABLE COLOR TEMP LED LIGHT feature the company’s proprietary LED technology in ultra-lightweight and compact This 1000 lux fixture features individually packages. adjustable RGB LEDs, variable color temp. control, ITEM DESCRIPTION PRICE 6 presets from 2800K-6500K, on-board dimming LP-MICRO ................. On-camera light w/gels, gel holder, batteries .............................275.00 and RGB mixing. DMX-512 compatible. Comes with LP-MICRO-PRO .........Large on-camera light w/gels, batteries .....................................405.00 MHSA......................... Hot shoe replacement ....................................................................44.00 yoke mount and 24V DC power supply. MACA......................... Micro AC adapter ...........................................................................31.40 ITEM DESCRIPTION PRICE MDVAP-S ...................Micro DV battery adapter plate for Sony ........................................26.90 MULTI-K-XL-30.......... Variable color temp fixture w/30° LED conversion panel .......... 1995.00 MDVAP-P................... Micro DV battery adapter plate for Panasonic ...............................26.90 MULTI-K-XL-60.......... Variable color temp fixture w/60° LED conversion panel .......... 1995.00 MDVAP-C................... Micro DV battery adapter plate for Canon .....................................26.90 Let us show you exactly what to expect with our lighting design Follow us! computer modeling and pre-visualization. STUDIO & LOCATION LIGHTING 433 LOWEL PRO-LIGHT, I-LIGHT Portable lights for both AC and battery power. Features interchangeable Lowel systems and kits have been reflectors, focus capability, inexpensive an in dus try stan dard for video, film halogen lamps and a wide variety of and still pho tog ra phy since 1959. accessories, including swing-away Combining innovative de sign with accessory holders. #2 (IP-17) re-flector modern, high-strength materials, and Prismatic glass (IP-52) is included. Lowel lights and ac ces so ries are ITEM DESCRIPTION PRICE efficient, light weight and du ra ble. P2-10 ....... Pro-light, 120V AC 50-250W, 4' cable, 12' extension cable, stand link ....... 127.95 I-01 .......... i-Light 12-14V, with 55W & 100W lamp, 4' cable w/ cigarette lighter plug, Low link, Cam-link, VIP Stand link and focus knob extension .............167.58 I-02 ..........i-Light with 4-pin XLR connector ..................................................................167.58 I-045 ........i-Light with Anton-Bauer tap ........................................................................167.58 ID-01........id-Light like i-Light with dimmer.................................................................. 270.95 ID-02........id-Light with 4-pin XLR
Load more

Recommended publications
  • John's List of Tech Theater Terms
    Department of THEATER & DANCE Office of the TECHNICAL DIRECTOR Tech Theater Terms file last updated: 7.29.2010 (JDE) All information contained in this document is original material copyright © 2005 by John D. Ervin and is intended for the use of my students. Please contact me at [email protected] for permission to use this material in any other way. This is a work-in-progress and will be occasionally appended. Apron – The portion of the stage or playing space that is downstage of the proscenium arch. In traditional proscenium-style theaters, acting on the apron was a big “no-no” because it violated the stage picture being created by the proscenium arch. Thus many older theaters have very shallow aprons. Nowadays though, Directors can’t get enough of having their actors as close to the audience as possible; despite how uncomfortable it makes some audience members. This is all done under the umbrella of ‘intimacy’ and we all know how much artists love that stuff. Sometimes the apron is referred to as the “Forestage”. (See Figure 1 and 2) Arbor – Part of a fly system. A device mounted in one of the wings, which is connected to the lift lines at the opposite end from the batten. Stage weights are stacked on the arbor to balance the load suspended from the batten. In the case of a counterweight fly system, a rope hand line is connected to the top of the arbor, passes sequentially through the head block and tension block, and is terminated to the bottom of the arbor, forming a loop.
    [Show full text]
  • These Definitions Are Provided Courtesy of Altman Stage Lighting, Inc
    LIGHTING TERMS GLOSSARY A B C D E F G H I J K L M N O P Q R S T U V W X Y Z A Accent Light Illumination used to make something stand out. It may be done with intensity and/or color. A luminaire that provides such illumination. Amp an abridged version of Ampere. Amperage (A) The measure of electrical current in amperes. Ampere(A) A unit of measurement for Electrical Current. AMX Abbreviation for Analog Multiplex. Analog Multiplex (AMX) A system that simultaneously transmits more than one analog signal. Analog Signal A continuous communication signal where the amplitude or frequency of the voltage and/or current takes any value within a range of values. ANSI Abbreviation for American National Standards Institute. ANSI Code A three letter system that has been devised to describe lamps of different manufacture but the same application. The letters have no relationship to lamp description, but the same letters always designate the same type of lamp. Some of the application parameters they define are wattage, base type, envelope size, and light center length. Arc The light caused by an electrical discharge between two electrodes in a gas such as xenon, argon, or air. The first usable arc as a practical light source was developed in 1809 by Sir Humphrey Davy. Automated Light A luminaire that is robotic, i.e., certain functions such as panning, tilting, focusing, dimming, beam shaping and coloring, etc., are motorized and remotely operated from a control console. Axial A term used to describe a luminaire whose lamp is mounted on the same axis as its optical system.
    [Show full text]
  • Lighting and Electrics
    Lighting and Electrics 1 1E See also: First Electric 2 P&G See also: Pin Connector 2-fer See also: Two-fer 2/0 Pronounced 2-aught; single conductor cable with wire size "2/0" on jacket; commonly used for feeder cable 2PG See also: Pin Connector 3-fer See also: Three-fer 4/0 Pronounced 4-aught; single conductor cable with wire size "4/0" on jacket; commonly used for feeder cable A Adapter Electrical accessory that transitions between dissimilar connectors; may be a molded unit, box or cable assembly Amp See also: Amperes Amperes Unit of measure for the quantity of electricity flowing in a conductor Synonym: A, Amp, Current AMX192 Analog Multiplexing protocol for transmitting control information from a console to a dimmer or other controllable device Synonym: AMX, USITT AMX192 eSET: Lighting & Electrics 2 Ante-proscenium See also: Front of House (FOH) Beam Asbestos Skirt Obsolete term See also: Flameproof Apron Automated Fixtures See also: Automated Luminaire Automated Lighting Control Console Lighting console capable of controlling automated luminaires Automated Luminaire Lighting instrument with attributes that are remotely controlled Synonym: Automated Fixture, Automated Light, Computerized Light, Intelligent Light, Motorized Light, Mover, Moving Light, More… Automated Yoke Remotely controlled pan and tilt device Synonym: Yokie B Backlight A lighting source that is behind the talent or subject from the viewers perspective Synonym: Backs, Back Wash, Bx, Hair Light, Rim Light Backs See also: Backlight Balcony Front See also: Balcony Rail
    [Show full text]
  • Table of Contents Ordering Info & Terms
    Table of Contents Ordering Info & Terms Pricing Installations & Web ................... 1 Prices shown are current at time of printing. Prices and specifications subject to change Pipe & Drape .............................. 2 without notice. Please call or e-mail for confirmation of prices and specifications. Updated Draperies ............................... 3 product pricing is also posted at our website: www.bmisupply.com. Payment Terms Fabric ............................... 4 - 5 Amex, Visa, MasterCard, Discover accepted, along with cash/check in advance or COD in Tape ............................... 6 select cases. Most government, Federal, college, university and private school purchase orders accepted on open account at the discretion of BMI Supply. Open account terms Hardware ............................... 7 - 11 are Net 30 from invoice date, unless other arrangements are agreed upon by BMI Supply. Rigging ............................... 12 - 17 Payments received Net 31 and later incur a 1.5% service charge initially, and for every thirty Cordage ............................... 18 (30) days thereafter. Any collection and/or legal fees are the responsibility of the purchaser. Ordering Curtain Track .............................. 19 - 21 All orders subject to acceptance by BMI Supply. Orders may be placed via web, phone, Special Effects .......................... 22 - 29 fax, email, or US mail. Whichever is most convenient for you. Tech-cessories .......................... 30 Returns Lighting Accessories ................ 31 - 44 We understand circumstances arise that necessitate a product return. Returns will not be accepted without a return authorization (RA#) number issued by BMI Supply. Request for a Electrics ............................... 45 - 62 RA# must be placed with BMI Supply within 10 days of receipt of order by customer. Returns Parts & Sockets ......................... 63 expire 20 days after issuance of RA#. All returns are subject to a minimum 20% restocking Lamps .............................
    [Show full text]
  • A Lighting Design Process for a Production of Stephen Schwartz’S Working
    A LIGHTING DESIGN PROCESS FOR A PRODUCTION OF STEPHEN SCHWARTZ’S WORKING A Thesis Presented in Partial Fulfillment of the Requirements for The Degree Master of Fine Arts in the Graduate School of The Ohio State University By Matthew Dale McCarren, B.A. The Ohio State University 2008 Masters Examination Committee: Approved By Mary A. Tarantino, M.F.A., Advisor Daniel A.Gray, M.F.A. Advisor Graduate Program in Theatre Maureen Ryan, M.F.A. ABSTRACT Stephen Schwartz’s Working was produced at The Ohio State University Department of Theatre during the spring quarter of 2008. Included in this document is all of the documentation used for the implementation of the lighting design for this production. The need to work forces humans to interact with one another daily and requires us to deal with the added stressors that being in contact with other humans creates. This theme is central to the story of Working and is a major point of emphasis for our production of Working. Chris Roche in his Director’s Concept states, “The construction of Working at first glance seems isolated and solitary, so many different stories – but very little unifying factor. I believe the common thread is the workers themselves. Who do we meet on a daily basis, and how does each of those domino-like moments affect the greater whole of our lives?” In support of the director’s concept, the lighting design for Working aimed to create two separate lighting environments one of reality and the other of fantasy. The challenge was to then connect the separate environments into one seamless world where the line of reality and fantasy are blurred.
    [Show full text]
  • Boll Theatre Specifications
    Dayton, Ohio Boll Theatre Technical Specifications For Bookings and Reservations: 937-229-3333 Boll Theatre Manager: Matthew J. Evans 937-229-3834 Email: [email protected] 1 BOLL THEATRE The John F. Kennedy Memorial Union, University of Dayton TECHNICAL INFORMATION SUMMARY: The stage is a proscenium style stage. The floor is flat, ¼" Masonite painted black, and can be fastened into with permission. There are pre-cut traps and floor pockets. The seating is all on the main floor with no balcony. There are two entrances into the theatre; one left and one right. The control booth is located on the 2nd floor. Theatre Capacity: 371 Theatre Capacity: 359 with tech table for audio Stage Width: 57’6” (Side wall to side wall) Stage Depth: 30’ (Proscenium to back wall) 38’ (With stage lift at stage level) Grid Iron Height: Top: 45’11 5/8” Bottom: 44’11 ½” Grid Iron Ceiling: 52’0 ¾” Loading Bridge: Top: 36’ 10 3/8” Bottom: 36’5” Operator’s Bridge: Top: 15’7 13/16” Bottom: 14’3 3/8” Maximum Batten Height: 42’ (depending on arbor size) Proscenium Height: 20’ Proscenium Width: 32’ Stage Lift: 24’ x 8’ (Hydraulic) Depth in Front of Curtain: 3’ (Without stage lift) LIGHTING EQUIPMENT: 1 ETC ION XE 20 Light Control Console 99 ETC Source Four lamp body 575w 32 Source Four lens tube (6x16) 19 degrees 65 Source Four lens tube (6x12) 26 degrees 58 Source Four lens tube (6x9) 36 degrees 10 Source Four lens tube (4.5x6) 50 degrees 10 Source Four Zoom 15-30/25-50 degrees 2 High-End Sola Frame 750 Moving Lights 32 ETC ColorSource Spots – Deep Blue 21 ETC ColorSource
    [Show full text]
  • A GLOSSARY of THEATRE TERMS © Peter D
    A GLOSSARY OF THEATRE TERMS © Peter D. Lathan 1996-1999 http://www.schoolshows.demon.co.uk/resources/technical/gloss1.htm Above the title In advertisements, when the performer's name appears before the title of the show or play. Reserved for the big stars! Amplifier Sound term. A piece of equipment which ampilifies or increases the sound captured by a microphone or replayed from record, CD or tape. Each loudspeaker needs a separate amplifier. Apron In a traditional theatre, the part of the stage which projects in front of the curtain. In many theatres this can be extended, sometimes by building out over the pit (qv). Assistant Director Assists the Director (qv) by taking notes on all moves and other decisions and keeping them together in one copy of the script (the Prompt Copy (qv)). In some companies this is done by the Stage Manager (qv), because there is no assistant. Assistant Stage Manager (ASM) Another name for stage crew (usually, in the professional theatre, also an understudy for one of the minor roles who is, in turn, also understudying a major role). The lowest rung on the professional theatre ladder. Auditorium The part of the theatre in which the audience sits. Also known as the House. Backing Flat A flat (qv) which stands behind a window or door in the set (qv). Banjo Not the musical instrument! A rail along which a curtain runs. Bar An aluminium pipe suspended over the stage on which lanterns are hung. Also the place where you will find actors after the show - the stage crew will still be working! Barn Door An arrangement of four metal leaves placed in front of the lenses of certain kinds of spotlight to control the shape of the light beam.
    [Show full text]
  • Entertainment Lighting Control Philosophy by Anne Valentino and Sarah Clausen, ETC Control Product Managers
    White Paper Entertainment Lighting Control Philosophy by Anne Valentino and Sarah Clausen, ETC Control Product Managers Introduction Is there a new lighting control console in your future? Will you be buying – or selling – or using - such a console? How do you know which one is right for you – your team – or your customer? Beyond channel counts, DMX outputs, faders, touch screens and buttons described in most console datasheets and product comparison articles, how can you find out if a lighting control console will “feel right”? If you ask friends and colleagues, they may say “buy console x because it is easy to use” or “buy console y because it thinks like you do”. Why is one console perceived to be easier to use than another or to “think like I do”? We hope to clarify some of this by providing you with tools to truly evaluate consoles based on their core philosophies rather than things like channel counts and fader quantities. Let’s get to the bottom of why there are so many different consoles out there and why many of them enjoy a devoted following. When considering operational philosophies, there is no right or wrong; there is only different. The philosophy of a console defines its basic personality. All of the basic phi- losophies in use on lighting desks today are derived from our original task of controlling intensity. These ideas have been modified to extend to moving light and media control, but they all have strong historical precedence. It is worth- while to understand where these ideas come from, as this understanding can help you make a choice about the product that might be right for you.
    [Show full text]
  • Stage Lighting Technician Handbook
    The Stage Lighting Technician’s Handbook A compilation of general knowledge and tricks of the lighting trade Compiled by Freelancers in the entertainment lighting industry The Stage Lighting Technician's Handbook Stage Terminology: Learning Objectives/Outcomes. Understanding directions given in context as to where a job or piece of equipment is to be located. Applying these terms in conjunction with other disciplines to perform the work as directed. Lighting Terms: Learning Objectives/Outcome Learning the descriptive terms used in the use and handling of different types of lighting equipment. Applying these terms, as to the location and types of equipment a stagehand is expected to handle. Electrical Safety: Learning Objectives/Outcomes. Learning about the hazards, when one works with electricity. Applying basic safety ideas, to mitigate ones exposure to them in the field. Electricity: Learning Objectives/Outcomes. Learning the basic concepts of what electricity is and its components. To facilitate ones ability to perform the mathematics to compute loads, wattages and the like in order to safely assemble, determine electrical needs and solve problems. Lighting Equipment Learning Objectives/Outcomes. Recognize the different types of lighting equipment, use’s and proper handling. Gain basic trouble shooting skills to successfully complete a task. Build a basic understanding of applying these skills in the different venues that we work in to competently complete assigned tasks. On-sight Lighting Techniques Learning Objectives/Outcomes. Combing the technical knowledge previously gained to execute lighting request while on site, whether in a ballroom or theatre. Approaches, to lighting a presentation to aspects of theatrical lighting to meet a client’s expectations.
    [Show full text]
  • VINCENT LIGHTING SYSTEMS 2010 PRODUCT CATALOG Dear Friends
    VINCENT LIGHTING SYSTEMS 2010 PRODUCT CATALOG Dear Friends, Welcome to our 2010 Product Catalog. We look forward to serving you again this year, by providing exceptional lighting solutions. You may have noticed a more streamlined version this year. In an effort to reduce our carbon footprint, we have trimmed the catalog to include our most popular items. Rest assured that we continue to offer a wide variety of products from more than 60 leading manufacturers. Items not included in the catalog can be found on our ecommerce store at www. vincentlighting.com. There, we have more than 10,000 items with expanded descriptions ready to be purchased with a click of the mouse. Our reference guides, including the throw distance charts and lamp reference, can all be viewed online as well. Our Cleveland office has settled into new space in Solon. This new location allows us to offer training and an expanded rental inventory. If you’re located in Michigan, perhaps you’ve had the opportunity to meet our newest sales rep, Drew Franklin. Please give him a call at 734-660- With a beautiful galaxy projected onto the ceiling, this 8959 for any lighting questions you may have. wedding took its guests out of this world. Want to be kept up-to-date with the latest news? Sign up to receive our eNews, and you will be notified of new products, event invitations and industry news on a regular basis. Send us a note to [email protected]. Thank you for your continuing support of our business. We appreciate your loyalty.
    [Show full text]
  • Expression2x Lighting Control System Version 2.0
    expression2x Lighting control system Version 2.0 expression2x Lighting control system Version 2.0 User Manual Copyright 1994-96 Electronic Theatre Controls 4031M1001 Revised May 1996 Limited Warranty Electronic Theatre Controls (ETC) warrants to the original The owner’s obligations during the warranty period under owner or retail customer that for a period of one year this warranty are to notify ETC at ETC’s address within from date of delivery of a portable system or energization one week of any suspected defect, and to return the of a permanently installed system (up to a maximum of goods prepaid to ETC at their factory or authorized ser- 18 months from delivery) its products will be free from vice center. defects in materials and workmanship under normal use and service. Warranty is limited to 90 days for rental THIS WARRANTY IS CONTINGENT ON THE CUS- equipment. TOMER’S FULL AND TIMELY COMPLIANCE WITH THE TERMS OF PAYMENT SET FORTH IN THE “TERMS Warranty does not cover any product or part of a product AND CONDITIONS”. THIS WARRANTY IS EXPRESSLY subject to accident, negligence, alteration, abuse or IN LIEU OF ANY AND ALL OTHER WARRANTIES misuse or any accessories or parts not supplied by ETC. EXPRESSED OR IMPLIED INCLUDING THE WARRAN- Warranty does not cover “consumable” parts such as TIES OF MERCHANTABILITY AND FITNESS FOR A PAR- fuses, lamps, color media or components warranted TICULAR PURPOSE AND OF OTHER OBLIGATIONS directly to the owner by the original manufacturer. ETC’s AND LIABILITIES ON OUR PART. THE OWNER warranty does not extend to items not manufactured by ACKNOWLEDGES THAT NO OTHER REPRESENTA- us.
    [Show full text]
  • Devoted to Investigating and Research by Members of USITT: Computers and Software Patrick Michael Finelli University of South Florida, [email protected]
    University of South Florida Scholar Commons Theatre and Dance Faculty Publications School of Theatre and Dance Winter 2010 The ommiC ssions: Devoted to Investigating and Research by Members of USITT: Computers and Software Patrick Michael Finelli University of South Florida, [email protected] Follow this and additional works at: http://scholarcommons.usf.edu/the_facpub Part of the Other Theatre and Performance Studies Commons Scholar Commons Citation Finelli, Patrick Michael, "The ommiC ssions: Devoted to Investigating and Research by Members of USITT: Computers and Software" (2010). Theatre and Dance Faculty Publications. Paper 2. http://scholarcommons.usf.edu/the_facpub/2 This Article is brought to you for free and open access by the School of Theatre and Dance at Scholar Commons. It has been accepted for inclusion in Theatre and Dance Faculty Publications by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. THE COMMISSIONS: DEVOTED TO INVESTIGATING AND RESEARCH BY MEMBERS OF USITT Architecture, By Raymond Kent Computers and Software, By Patrick M. Finelli Costume Design and Technology, By Peggy Rosefeldt Education, By William Kenyon Engineering, By Jerry Gorrell Health and Safety, By David C. Glowacki Lighting Design, By Richard Devin and Richard E. Dunham, Management, By Richard Peterson Scene Design, Edited by Heidi Hoffer Sound Design, By Dave Tosti-Lane A Lifelong Love/Hate Affair, By Charlie Richmond Technical Production, by Bill Browning A TIMELINE OF USITT EVENTS AND PEOPLE, 1960–2010 Published in TD&T, Vol. 46 No. 1 (Winter 10) Theatre Design & Technology, the journal for design and production professionals in the performing arts and entertainment industry, is published four times a year by United States Institute for Theatre Technology.
    [Show full text]