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The View from Rome
4/26/2019 The View From Rome » 2010 » April http://traditional-building.com/Steve_Semes/?m=201004 Go JAN FEB MAY ⍰ ❎ 51 captures 18 f 18 Feb 2012 - 8 Apr 2016 2011 2012 2013 ▾ About this capture The View From Rome Steven W. Semes Home About Steven W. Semes Our Other Blogs Clem Labine’s Traditional Building Clem Labine’s Period Homes Switcher Archive Archive for April, 2010 Can’t We Just Get Along? New and Old Buildings in Context April 15th, 2010 No comments What is the proper relationship between historical architecture and the production of new buildings and cities? Are architects and preservationists inevitably at odds, or is there a common objective that potentially unites them? Why do we assume that the architecture of the present and the architecture of the past are entirely different things that must be handled by entirely separate sets of experts? It is necessary to examine these questions in the light of a recovered traditional architecture and urbanism. The Louvre, Paris, shows how an architectural ensemble can grow over the course of centuries while maintaining essentially the same style. Within the courtyard, the central pavilion and the right half of the facade were designed by Jacques Lemercier to continue (and, in the case of the bays to the right of the center tower, to precisely imitate) the facade on the left half, built to the design of Pierre Lescot a century earlier. Photo: Steven W. Semes Historically, restoration or completion of old buildings and the design of new buildings were simply different aspects of a single discipline. -
Monuments Pour Tous 2008 7/04/08 16:40 Page 1
monuments pour tous 2008 7/04/08 16:40 Page 1 Monuments pour tous en Île-de-France 2e édition du 18 au 25 mai 2008 Programme Visites adaptées, ateliers pour les enfants, animations théâtrales, expositions... pour les publics handicapés Arc de triomphe, basilique cathédrale de Saint-Denis, chapelle expiatoire, château de Champs-sur-Marne, château de Maisons-Laffitte, château de Vincennes, Conciergerie, domaine national de Saint-Cloud, Panthéon, Sainte-Chapelle, tours de la cathédrale Notre-Dame de Paris, villa Savoye à Poissy monuments pour tous 2008 7/04/08 16:40 Page 2 Le Comité régional du tourisme Paris Île-de-France est un partenaire naturel de l’opération « Monuments pour tous en Île-de-France ». Depuis 2002, le CRT participe à l’amélioration de l’accueil des personnes handicapées dans les établissements touristiques et culturels franciliens, notamment en développant le label national « Tourisme & Handicap ». Cette démarche participe de la volonté de rendre Paris et sa région accessibles à tous. Démarche partenariale, la labellisation Tourisme & Handicap est menée avec les Comités départementaux du tourisme et les Associations représentatives de personnes handicapées. Démarche volontaire, elle concerne l’ensemble des prestataires touristiques et traduit un véritable esprit d’intégration. Tout en apportant une information fiable car vérifiée, homogène et objective sur l’accessibilité des sites et équipements touristiques aux personnes handicapées, le label doit en effet permettre de développer une offre touristique adaptée et intégrée à l’offre généraliste, engageant de manière pérenne les professionnels du tourisme dans une démarche d’accueil, d’accessibilité et d’information en direction des visiteurs handicapés. -
Upload the Game Booklet of the Exhibition
© Graphica GAME BOOKLET Welcome to the “Napoleon is no more” exhibition. NAPOLEON With the help of this game booklet, discover how Napoleon IS NO MORE left his mark on history, even after his death. Napoleon stands the test of time Look at the painting called Napoléon Ier couronné par le Temps, écrit le Code Civil (Napoleon I, crowned by the Allegory of Time, writes the Code Civil) painted by Jean-Baptiste Mauzaisse in 1833: Napoleon had been then dead for 12 years. Since 1830, France was The allegory (= symbolic representation) governed by the “King of the French” of Time is an old, winged man. Louis Philippe I. His reign began after One of his attributes is the scythe, Gérard Blot Gérard / a revolution, and he faced a lot of a reference to death. opposition. Among his critics were the Bonapartists, which from 1832 were led Napoleon writes the French by Prince Louis-Napoleon, one of the Civil Code, also known as nephews of Napoleon I. the Napoleonic Code. He is looking at you, he is calling ✏ Here are a few clues: you to witness, to remind 9 eagles, emblem (= symbol) RMN-Grand Palais (Château de Versailles) (Château RMN-Grand Palais you that he gave the French people a set © of Napoleon, are painted in this picture. s that have endured. To this day, ; 3/ of law Have you spotted them all? over 70 codes of laws worldwide are image musée de l’Armée image musée / based on the French Civil Code. image RMN-GP / The death of Napoleon in 3 dates Each of the images below✏ corresponds to a work of art in this room. -
Fine Arts Paris Wednesday 7 November - Sunday 11 November 2018 Carrousel Du Louvre / Paris
Fine Arts Paris WednesdAy 7 november - sundAy 11 november 2018 CArrousel du louvre / PAris press kit n o s s e t n o m e d y u g n a t www.finearts-paris.com t i d e r c Fine Arts Paris From 7 to 11 november 2018 CArrousel du louvre / PAris Fine Arts Paris From 7 to 11 november 2018 CArrousel du louvre / PAris Hours Tuesday, 6 November 2018 / Preview 3 pm - 10 pm Wednesday, 7 November 2018 / 2 pm - 8 pm Thursday 8 November 2018 / noon - 10 pm Friday 9 November 2018 / noon - 8 pm Saturday 10 November 2018 / noon - 8 pm Sunday 11 November 2018 / noon - 7 pm admission: €15 (catalogue included, as long as stocks last) Half price: students under the age of 26 FINE ARTS PARIS Press oPening Main office tuesdAy 6 november 68, Bd malesherbes, 75008 paris 2 Pm Hélène mouradian: + 33 (0)1 45 22 08 77 Social media claire Dubois and manon Girard: Art Content + 33 (0)1 45 22 61 06 Denise Hermanns contact@finearts-paris.com & Jeanette Gerritsma +31 30 2819 654 Press contacts [email protected] Agence Art & Communication 29, rue de ponthieu, 75008 paris sylvie robaglia: + 33 (0)6 72 59 57 34 [email protected] samantha Bergognon: + 33 (0)6 25 04 62 29 [email protected] charlotte corre: + 33 (0)6 36 66 06 77 [email protected] n o s s e t n o m e d y u g n a t t i d e r c Fine Arts Paris From 7 to 11 november 2018 CArrousel du louvre / PAris "We have chosen the Carrousel du Louvre as the venue for FINE ARTS PARIS because we want the fair to be a major event for both the fine arts and for Paris, and an important date on every collector’s calendar. -
Via Sapientiae Tables 01-50, 1834-1885
DePaul University Via Sapientiae Annales de la Congregation de la Mission Vincentian Journals and Publications 1886 Tables 01-50, 1834-1885 Follow this and additional works at: https://via.library.depaul.edu/annales Recommended Citation Tables 01-50, 1834-1885. https://via.library.depaul.edu/annales/131 This Article is brought to you for free and open access by the Vincentian Journals and Publications at Via Sapientiae. It has been accepted for inclusion in Annales de la Congregation de la Mission by an authorized administrator of Via Sapientiae. For more information, please contact [email protected]. TABLES GÉNÉRALES DES ANNALES DE LA CONGRÉGATION DE LA MISSION 1834-1885 TABLES GÉNÉRALES CHRONOLOGIQUE ET ALPHABÉTIQUE DES CINQUANTE PREMIERS VOLUMES DES ANNALES DE LA CONGRÉGATION DE LA MISSION 1834-1885 '^ALA ~LflI PARIS IMPRIMÉ PAR PILLET ET DUMOULIN 5, RUE DES GRANDS-AUGUSTINS, 5 x886 Paris, 1886. Nous donnons, comme complément des cinquante premiers volu- mes des Annales de la Congrégation (1834-1885), la Table géné- rale des matières. On trouvera ainsigroupés des détails qui suffi- raientpresque, à eux seuls, pour établir l'histoire de plusieurs de nos maisons ou pour retraîerla vie d'un grand nombre d'édifiants Missionnaires.- Au milieu de pages qui n'ont que l'intérêt, bien légitime d'ailleurs, de l'actualité, se trouvent épars des récitspar- fois importants pour l'histoire générale de la Congrégation de la Mission et de la Compagnie des. Filles de la Charité. Beaucoup sont pleins d'intérêt. On admire dans la Vie de saint Vincent les récits qu'il faisait des euvres charitableset des vertus héroïques des premiers Mis- sionnaireset des premières Filles de la Charité, à Madagascar, à Tunis, en.Pologne et en bien d'autres lieux. -
French Names Noeline Bridge
names collated:Chinese personal names and 100 surnames.qxd 29/09/2006 13:00 Page 8 The hundred surnames Pinyin Hanzi (simplified) Wade Giles Other forms Well-known names Pinyin Hanzi (simplified) Wade Giles Other forms Well-known names Zang Tsang Zang Lin Zhu Chu Gee Zhu Yuanzhang, Zhu Xi Zeng Tseng Tsang, Zeng Cai, Zeng Gong Zhu Chu Zhu Danian Dong, Zhu Chu Zhu Zhishan, Zhu Weihao Jeng Zhu Chu Zhu jin, Zhu Sheng Zha Cha Zha Yihuang, Zhuang Chuang Zhuang Zhou, Zhuang Zi Zha Shenxing Zhuansun Chuansun Zhuansun Shi Zhai Chai Zhai Jin, Zhai Shan Zhuge Chuko Zhuge Liang, Zhan Chan Zhan Ruoshui Zhuge Kongming Zhan Chan Chaim Zhan Xiyuan Zhuo Cho Zhuo Mao Zhang Chang Zhang Yuxi Zi Tzu Zi Rudao Zhang Chang Cheung, Zhang Heng, Ziche Tzuch’e Ziche Zhongxing Chiang Zhang Chunqiao Zong Tsung Tsung, Zong Xihua, Zhang Chang Zhang Shengyi, Dung Zong Yuanding Zhang Xuecheng Zongzheng Tsungcheng Zongzheng Zhensun Zhangsun Changsun Zhangsun Wuji Zou Tsou Zou Yang, Zou Liang, Zhao Chao Chew, Zhao Kuangyin, Zou Yan Chieu, Zhao Mingcheng Zu Tsu Zu Chongzhi Chiu Zuo Tso Zuo Si Zhen Chen Zhen Hui, Zhen Yong Zuoqiu Tsoch’iu Zuoqiu Ming Zheng Cheng Cheng, Zheng Qiao, Zheng He, Chung Zheng Banqiao The hundred surnames is one of the most popular reference Zhi Chih Zhi Dake, Zhi Shucai sources for the Han surnames. It was originally compiled by an Zhong Chung Zhong Heqing unknown author in the 10th century and later recompiled many Zhong Chung Zhong Shensi times. The current widely used version includes 503 surnames. Zhong Chung Zhong Sicheng, Zhong Xing The Pinyin index of the 503 Chinese surnames provides an access Zhongli Chungli Zhongli Zi to this great work for Western people. -
Cartes Postales Parisiennes (Vers 1900 – Vers 1950)
ARCHIVES DE PARIS Cartes postales parisiennes (vers 1900 – vers 1950) 8 Fi Sommaires et index des 14 albums Ont participé au traitement des cartes postales et à la confection des albums : Marie-Claude BERGER , Colette BONNE , France-Odile DES MAZERY , Jean-Philippe DUMAS , Louis-Gilles PAIRAULT et Jean-Jacques WEBER . Mai 2002 PRÉSENTATION Contenu – La présente collection, qui rassemble environ 6 000 cartes postales, résulte de dons faits aux Archives de Paris par des particuliers, des bibliothèques et d’autres services d’archives. Dans leur grande majorité, ces cartes postales ont été éditées durant la première motié du XX e siècle, et notamment durant les années 1900-1920 ; certaines, cependant, sont plus récentes, et se complètent de rééditions modernes de vues prises au début du siècle. Pour leur présentation, les cartes postales ont été distribuées selon un cadre de classement qui prend en compte leur sujet, leur titre, le plus souvent un nom de lieu ou de monument. Moins qu’à une division intellectuelle, toutefois, la répartition en 14 albums découle simplement de la nécessité de confectionner des volumes d’importance égale. On notera cependant que le 10 e album est entièrement consacré à des communes de la banlieue parisienne, classées par ordre alphabétique. Reproductions – Les cartes postales sont reproduites dans les albums sous forme de photocopies. Les lecteurs qui souhaiteraient consulter les « originaux » sont invités à présenter une demande motivée auprès du chef de service des relations avec les publics. Des tirages peuvent évidemment être commandés au moyen des formulaires de demande de reproduction, disponibles à la présidence de la salle de lecture, et sur lesquels sont à reporter les indications suivantes : numéro de l’album, numéro de la page, place de la carte sur la page et sujet de la vue (exemple : 5 e album, page 12, carte en bas à gauche : vue du pont de la Concorde). -
Syllabus Paris
Institut de Langue et de Culture Française Spring Semester 2017 Paris, World Arts Capital PE Perrier de La Bâthie / [email protected] Paris, World Capital of Arts and Architecture From the 17th through the 20th centuries Since the reign of Louis XIV until the mid-20th century, Paris had held the role of World Capital of Arts. For three centuries, the City of Light was the place of the most audacious and innovative artistic advances, focusing on itself the attention of the whole world. This survey course offers students a wide panorama on the evolution of arts and architecture in France and more particularly in Paris, from the beginning of the 17th century to nowadays. The streets of the French capital still preserve the tracks of its glorious history through its buildings, its town planning and its great collections of painting, sculpture and decorative arts. As an incubator of modernity, Paris saw the rising of a new epoch governed – for better or worse – by faith in progress and reason. As literature and science, art participated in the transformations of society, being surely its more accurate reflection. Since the French Revolution, art have accompanied political and social changes, opened to the contestation of academic practice, and led to an artistic and architectural avant-garde driven to depict contemporary experience and to develop new representational means. Creators, by their plastic experiments and their creativity, give the definitive boost to a modern aesthetics and new references. After the trauma of both World War and the American economic and cultural new hegemony, appeared a new artistic order, where artists confronted with mass-consumer society, challenging an insane post-war modernity. -
Chapelle Expiatoire
Histoire Visiter L’architecture Informations Histoire Visiter L’architecture Informations Histoire Visiter L’architecture Informations ▲ ▲ ▲ français Architecture de la chapelle Glossaire Chapelle L’architecte Cénotaphe : monument funéraire vide élevé à titre mémoriel. expiatoire La Chapelle expiatoire a été érigée par Pierre Cimetière de la Madeleine : ouvert en 1721, François Léonard Fontaine (1762-1853), il reçoit pendant la Terreur les corps à la demande de Louis XVIII qui en fit des personnes exécutées entre 1792 et 1794, Un monument commémoratif son architecte officiel. L’homme était déjà tels Charlotte Corday et les députés girondins. célèbre pour des aménagements exécutés Duchesse d’Angoulême (1778-1851) : fille aînée Un lieu de recueillement en collaboration avec l’architecte Percier pour de Louis XVI et de Marie-Antoinette. Napoléon. Fontaine bâtit ici, seul, un édifice Haussmann Georges Eugène (1809-1891) : En 1814, lorsque la Révolution s’achève et qu’il inscrit dans un projet architectural directeur des grands travaux de rénovation que la monarchie est rétablie, le roi Louis XVIII complexe. Le style néoclassique de Fontaine de Paris sous le Second Empire. (1814-1824)** s’attache à raviver la mémoire ne se contente pas d’emprunts à l’Antiquité Métope : intervalle parfois sculpté séparant de la famille royale. Il fait transférer romaine, au Moyen Âge et à la Renaissance deux triglyphes* d’une frise dorique. les dépouilles de : triangle entre les grands arcs qui mais compose une œuvre singulière. Pendentif Messe à son frère Louis XVI supportent une coupole permettant de passer 2019. Imprimé en France, Marie-Hélène Forestier. la Chapelle (1774-1792) et de du plan carré au plan circulaire. -
Domaine National Du Palais Royal -Bury Fountain
LOCATIONS N°49914 updated: 05/28/2020 Domaine National du Palais Royal -Bury fountain 75001 Paris France Contact the commission Film Paris Region, Ile-de-France Film Commission | +33 (0)1 75 62 58 07 Credits: www.l'artnouveau.com Credits: Commission du Film d'Ile-de-France Caption: Caption: Credits: Commission du Film d'Ile-de-France Credits: Commission du Film d'Ile-de-France Caption: Caption: Credits: Commission du Film d'Ile-de-France Caption: LOCATION TYPE CATEGORIES YARD Fountain ENVIRONMENT City GENERAL PRESENTATION LOCATION CONDITION TYPE Well maintained LOCATION HISTORY After the wall Charles V had built around Paris was torn down, Cardinal de Richelieu asked Jacques Lemercier to construct a monumental palace with a large garden near the Louvre (1634). For a long time, the palace was called the Palais Cardinal, before becoming what it is today: the Palais Royal. The prelate gave the house to the crown in 1636, and it was the residence of the Orléans family from 1661 and even became a center of power during the Regency. The main wing, which faces the Louvre, was finished and remodeled by Contant d’Ivry in the 18th century, then by Fontaine in the 19th century. The theater, today the seat of the Théâtre français, burned down on several occasions and was rebuilt in 1791. At the end of the 18th century, Louis-Philippe d’Orléans (the future Philippe-Egalité) needed money and launched a major real estate development project in 1780. He commissioned Victor Louis to build apartment buildings with identical facades around the three sides of the garden. -
TCPDF Example
Beat: Travel Exhibition LOUIS PHILIPPE AND VERSAILLES At CHATEAU DE VERSAILLES October 6, 2018 To February 3, 2019 PARIS - VERSAILLES, 05.10.2018, 16:18 Time USPA NEWS - LOUIS-PHILIPPE was King of the French from 1830 to 1848. Like his Father, Louis Philippe II, Duke of Orléans, he initially supported the French Revolution. However following the Deposition and Execution of his Cousin, King Louis XVI, Louis Philippe fled the Country. Philippe spent the next 21 Years in Exile before returning during the Bourbon Restoration. He was proclaimed King in 1830 after his Cousin Charles X was forced to abdicate by the July Revolution. The Reign of Louis Philippe, known as the July Monarchy, was dominated by Wealthy Industrialists and Bankers. LOUIS-PHILIPPE was King of the French from 1830 to 1848. Like his Father, Louis Philippe II, Duke of Orléans, he initially supported the French Revolution. However following the Deposition and Execution of his Cousin, King Louis XVI, Louis Philippe fled the Country. Philippe spent the next 21 Years in Exile before returning during the Bourbon Restoration. He was proclaimed King in 1830 after his Cousin Charles X was forced to abdicate by the July Revolution. The Reign of Louis Philippe, known as the July Monarchy, was dominated by Wealthy Industrialists and Bankers. He followed Conservative policies. He also promoted Friendship with Britain and sponsored Colonial Expansion, notably the French Conquest of Algeria. His Popularity faded as Economic Conditions in France deteriorated in 1847, and he was forced to abdicate after the Outbreak of the French Revolution of 1848. -
Victor Hugo in the Poets' Republic
THE POET AND THE PRESIDENT VICTOR HUGO IN THE POETS' REPUBLIC October 22nd 2018 to February 24th 2019 Maison Vacquerie Musée Victor Hugo Rives-en-Seine (Villequier) www.museevictorhugo.fr THE POET AND PRESIDENT A TURBULENT AGE ROMANTICISM IN POLITICS Among the French, the word ‘revolution’ is commonly However, his conquests and conflicts were expensive At the beginning of the 1830s, Victor Hugo spoke out In contrast to this rhetoric, Louis-Philippe’s associated with the year 1789, and the year 1789 with and his defeats grew increasingly numerous and for the motherland, for freedom, and for the people, government, which claimed to avoid excess, was the storming of the Bastille on July 14th. disastrous. On April 6th 1814, Napoléon I abdicated and hoped, for lack of a better option, that Louis-Philippe’s increasingly weakened by a proliferation of scandals and was sent into exile. political project would achieve this ideal. He wrote in linked to the corruption of ministers and of those close Yet this event, although of great symbolic value, mar- Choses Vues (Things Seen) after July 1830 : “We need to the king. ked only the beginning of a period of political upheaval His reign was followed by the restoration of the the thing ‘republic’ and the word ‘monarchy’.” and instability which would rock France until 1870 Bourbons. During this period, the government which In the preface to Voix Intérieures (Inner Voices) (1837), and the proclamation of the Third Republic. would prove more unpopular than the last. This would He meditated on the role of the poet in revolutions, in Hugo explains, hones, and reinforces his idea of the finally lead to the fervent return of liberal ideas and the fight for freedom.