The Ithacan, 1987-09-17
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Cashbox Subscription: Please Check Classification;
July 13, 1985 NEWSPAPER $3.00 v.'r '-I -.-^1 ;3i:v l‘••: • •'i *. •- i-s .{' *. » NE RIAA CERTIFICATIONS ANNOUNCED R.E.M. AFFILIATES LIVE-AID Crass Roots Audience Blossoms TWORK, GEAR FOR Story on Page 13 WEHIND THE BULLETS: TEARS FOR FEARS #1 MTV AWARDS ENTER NEXT PHASE GUEST EDITORIAL: AL KOOPER SUBSCRIPTION ORDER: PLEASE ENTER MY CASHBOX SUBSCRIPTION: PLEASE CHECK CLASSIFICATION; RETAILER ARTIST I NAME VIDEO JUKEBOXES DEALER AMUSEMENT GAMES COMPANY TITLE ONE-STOP VENDING MACHINES DISTRIBUTOR RADIO SYNDICATOR ADDRESS BUSINESS HOME APT. NO. RACK JOBBER RADIO CONSULTANT PUBLISHER INDEPENDENT PROMOTION CITY STATE/PROVINCE/COUNTRY ZIP RECORD COMPANY INDEPENDENT MARKETING RADIO OTHER: NATURE OF BUSINESS PAYMENT ENCLOSED SIGNATURE DATE USA OUTSIDE USA FOR 1 YEAR I YEAR (52 ISSUES) $125.00 AIRMAIL $195.00 6 MONTHS (26 ISSUES) S75.00 1 YEAR FIRST CLASS/AIRMAIL SI 80.00 01SHBCK (Including Canada & Mexico) 330 WEST 58TH STREET • NEW YORK, NEW YORK 10019 ' 01SH BOX HE INTERNATIONAL MUSIC / COIN MACHINE / HOME ENTERTAINMENT WEEKLY VOLUME XLIX — NUMBER 5 — July 13, 1985 C4SHBO( Guest Editorial : T Taking Care Of Our Own ^ GEORGE ALBERT i. President and Publisher By A I Kooper MARK ALBERT 1 The recent and upcoming gargantuan Ethiopian benefits once In a very true sense. Bob Geldof has helped reawaken our social Vice President and General Manager “ again raise an issue that has troubled me for as long as I’ve been conscience; now we must use it to address problems much closer i SPENCE BERLAND a part of this industry. We, in the American music business do to home. -
Table of Contents
1 •••I I Table of Contents Freebies! 3 Rock 55 New Spring Titles 3 R&B it Rap * Dance 59 Women's Spirituality * New Age 12 Gospel 60 Recovery 24 Blues 61 Women's Music *• Feminist Music 25 Jazz 62 Comedy 37 Classical 63 Ladyslipper Top 40 37 Spoken 65 African 38 Babyslipper Catalog 66 Arabic * Middle Eastern 39 "Mehn's Music' 70 Asian 39 Videos 72 Celtic * British Isles 40 Kids'Videos 76 European 43 Songbooks, Posters 77 Latin American _ 43 Jewelry, Books 78 Native American 44 Cards, T-Shirts 80 Jewish 46 Ordering Information 84 Reggae 47 Donor Discount Club 84 Country 48 Order Blank 85 Folk * Traditional 49 Artist Index 86 Art exhibit at Horace Williams House spurs bride to change reception plans By Jennifer Brett FROM OUR "CONTROVERSIAL- SUffWriter COVER ARTIST, When Julie Wyne became engaged, she and her fiance planned to hold (heir SUDIE RAKUSIN wedding reception at the historic Horace Williams House on Rosemary Street. The Sabbats Series Notecards sOk But a controversial art exhibit dis A spectacular set of 8 color notecards^^ played in the house prompted Wyne to reproductions of original oil paintings by Sudie change her plans and move the Feb. IS Rakusin. Each personifies one Sabbat and holds the reception to the Siena Hotel. symbols, phase of the moon, the feeling of the season, The exhibit, by Hillsborough artist what is growing and being harvested...against a Sudie Rakusin, includes paintings of background color of the corresponding chakra. The 8 scantily clad and bare-breasted women. Sabbats are Winter Solstice, Candelmas, Spring "I have no problem with the gallery Equinox, Beltane/May Eve, Summer Solstice, showing the paintings," Wyne told The Lammas, Autumn Equinox, and Hallomas. -
The Music of Louisiana: Cajuns, Creoles and Zydeco
The Music of Louisiana: Cajuns, Creoles and Zydeco Carole Poindexter-Sylvers INTRODUCTION The music and cuisine of southern Louisiana experienced a renaissance during the 1980s. Zydeco musicians and recording artists made appearances on morning talk shows, Cajun and Creole restaurants began to spring up across the nation, and celebrity chefs such Paul Prudhomme served as a catalyst for the surge in interest. What was once unknown by the majority of Americans and marginalized within the non-French speaking community in Louisiana had now become a national trend. The Acadians, originally from Acadia, Nova Scotia, were expelled from Canada and gradually became known as Cajuns. These Acadians or Cajuns proudly began teaching the lingua franca in their francophone communities as Cajun French, published children‘s books in Cajun French and school curricula in Cajun French. Courses were offered at local universities in Cajun studies and Cajun professors published scholarly works about Cajuns. Essentially, the once marginalized peasants had become legitimized. Cajuns as a people, as a culture, and as a discipline were deemed worthy of academic study stimulating even more interest. The Creoles of color (referring to light-skinned, French-speaking Negroid people born in Louisiana or the French West Indies), on the other hand, were not acknowledged to the same degree as the Cajuns for their autonomy. It would probably be safe to assume that many people outside of the state of Louisiana do not know that there is a difference between Cajuns and Creoles – that they are a homogeneous ethnic or cultural group. Creoles of color and Louisiana Afro-Francophones have been lumped together with African American culture and folkways or southern folk culture. -
Ladyslipper Tenth Anniversary
Ladyslipper Tenth Anniversary Resource Guide apes by Women T 1986 About Ladyslipper Ladyslipper is a North Carolina non-profit, tax- 1982 brought the first release on the Ladys exempt organization which has been involved lipper label: Marie Rhines/Tartans & Sagebrush, in many facets of women's music since 1976. originally released on the Biscuit City label. In Our basic purpose has consistently been to 1984 we produced our first album, Kay Gard heighten public awareness of the achievements ner/A Rainbow Path. In 1985 we released the of women artists and musicians and to expand first new wave/techno-pop women's music al the scope and availability of musical and liter bum, Sue Fink/Big Promise; put the new age ary recordings by women. album Beth York/Transformations onto vinyl; and released another new age instrumental al One of the unique aspects of our work has bum, Debbie Tier/Firelight Our purpose as a been the annual publication of the world's most label is to further new musical and artistic direc comprehensive Catalog and Resource Guide of tions for women artists. Records and Tapes by Women—the one you now hold in your hands. This grows yearly as Our name comes from an exquisite flower the number of recordings by women continues which is one of the few wild orchids native to to develop in geometric proportions. This anno North America and is currently an endangered tated catalog has given thousands of people in species. formation about and access to recordings by an expansive variety of female musicians, writers, Donations are tax-deductible, and we do need comics, and composers. -
20. Internationales Forum 51
20. internationales forum 51 des jungen films berlin 1990 «SSS y AI ETE AU BAL /1 WENT TO THE DANCE der Cajuns gespielte Musik, der Zydeco, ist eine Verbindung von Cajun-Musik und Blues. The Cajun and Zydeco Music of Louisiana Cajuns, die Nachkommen der 1755 von den Briten aus Akadien Ich ging zum Tanz vertriebenen französischen Siedler, die sich in den fruchtbaren Sumpf gebieten (Bayous) Süd-Louisianas niederließen. Die heute rund 250.000 Cajuns, die eine weitgehend in sich geschlossene Land USA 1989 Volksgruppe bilden, sprechen einen Dialekt aus altertümlichem Produktion Brazos Films, Flower Films Französisch, vermischt mit englischen, spanischen und india (El Cerrito, Kalifornien) nischen Elementen. (Brockhaus' Enzyklopädie des Wissens) Regie Les Blank, Chris Strachwitz nach dem Buch 'Cajun Music: A Reflection of a People* von Ann Allen Savoy Zu diesem Film J'AI ETE AU BAL ist ein abendfüllender Dokumentarfilm über Kamera Les Blank, Susan Kell die Cajun- und Zydeco-Musik aus dem Südwesten Louisianas in Ton Maureen Gosling Vergangenheit und Gegenwart. Chris Strachwitz, Chris Simon Konzertaufhahmen, Photos und historische Filmausschnitte Erzähler/Berater Barry Jean Ancelet werden mit Berichten und Erzählungen zu einem stimmungsvol Michael Doucet len Porträt verwoben. Ann Allen Savoy Schnitt Maureen Gosling Produzenten Les Blank, Chris Strachwitz Les Blank über die Vorgeschichte des Films Assoziierter Produzent Chris Simon Als ich 1970 entdeckte, daß mein erster ganz und gar unabhängig Musik/Mitwirkende produzierter Film The Blues Accordiri -
Recordings by Women Table of Contents
'• ••':.•.• %*__*& -• '*r-f ":# fc** Si* o. •_ V -;r>"".y:'>^. f/i Anniversary Editi Recordings By Women table of contents Ordering Information 2 Reggae * Calypso 44 Order Blank 3 Rock 45 About Ladyslipper 4 Punk * NewWave 47 Musical Month Club 5 Soul * R&B * Rap * Dance 49 Donor Discount Club 5 Gospel 50 Gift Order Blank 6 Country 50 Gift Certificates 6 Folk * Traditional 52 Free Gifts 7 Blues 58 Be A Slipper Supporter 7 Jazz ; 60 Ladyslipper Especially Recommends 8 Classical 62 Women's Spirituality * New Age 9 Spoken 64 Recovery 22 Children's 65 Women's Music * Feminist Music 23 "Mehn's Music". 70 Comedy 35 Videos 71 Holiday 35 Kids'Videos 75 International: African 37 Songbooks, Books, Posters 76 Arabic * Middle Eastern 38 Calendars, Cards, T-shirts, Grab-bag 77 Asian 39 Jewelry 78 European 40 Ladyslipper Mailing List 79 Latin American 40 Ladyslipper's Top 40 79 Native American 42 Resources 80 Jewish 43 Readers' Comments 86 Artist Index 86 MAIL: Ladyslipper, PO Box 3124-R, Durham, NC 27715 ORDERS: 800-634-6044 M-F 9-6 INQUIRIES: 919-683-1570 M-F 9-6 ordering information FAX: 919-682-5601 Anytime! PAYMENT: Orders can be prepaid or charged (we BACK ORDERS AND ALTERNATIVES: If we are tem CATALOG EXPIRATION AND PRICES: We will honor don't bill or ship C.O.D. except to stores, libraries and porarily out of stock on a title, we will automatically prices in this catalog (except in cases of dramatic schools). Make check or money order payable to back-order it unless you include alternatives (should increase) until September. -
(May 1991)Broadsheet-1991-187.Pdf
M a k i n g it right: women an 187 MAY 1991 $4.50 | ' ,v' '•: -■* , 'Yj Out It Outs ASE iU C K I Alternative 3 MAY m i a m s m m m S « i v- "r • •' \r , ' ‘ - . • ’ . s-rflssi; It's been a very moving experience Yes we’ve shifted! Broadsheet is now located at W.E.A. and published by Womanfile Inc. You can phone u$ at 0-9-360 1897 Write to us at Box 56 147 Auckland or Visit us at 131 A Williamson Ave, Grey Lynn, Auckland, 2. Broadsheet - true as it ever was. GO ON Subscribe ! support BROADSHEET Name Address ordinary sub (11 issues/year) 1 yr $50 □ 2 yr $95 □ 3yr$140 □ Post to: sustaining sub (sub plus donation) Womanfile 1 yr $70 □ 2 yr $120 □ 3yr$175 □ PO Box 56 147 Auckland visa □ bankcard □ cheque □ cash □ card N o.D D D D n II__ DD __ II__ OD __ II__ ID expiry date I II I I II I signature Broadsheet M ei PUBLICATION DATE! 1 MEI 1991 NUMBER 187 o o -C Q_ 2 herspective Athina Tsoulis 3 letters 4 fronting up 5 broadcast March of Anger 0 Treaty Hui 0 Chess Champs 0 May Day 01993 History Projects 0 Notes on Language features 10 Making It Right Women and Aids Sally Shipway 13 Living With HIV AH Tells Her Story 16 Feminist Population Policy Marge Berer 20 Shallow Smiles and Short Stories Sheridan Keith Megan Fidler 23 Young, Lesbian and Proud Rhiannon Thompson 26 Margaret Thatcher Whose Sister? Anne Goslyn 28 Poetry Pages 30 Dworkin on Dworkin Elizabeth Brae man and Carol Cox 47 Sabbage Blows Lisa Sabbage 34 arts 0 Visual Cutout Art 0 Homage to Potatoes 0 Inheritance 0 Women Jewellers 0 Nga Wahine 0 Film Distant Voices, Still Lives 0 Men Don’t Leave 0 Video Living With HIV 0 Music Queen Ida 0 Books Staying Power: Long Term Lesbian Couples 0 Birth Without Doctors 0 Women’s History of the World 0 At School I’ve Got a Chance 0 Beyond the Barriers 48 classified Policy is made by the Womanfile collective : Helen Courtney, Megan Fidler, Cathy Hall, Lisa Howard-Smith, Juliet Jacques, Claire-Louise McCurdy, Pat Rosier, Lisa Sabbage, Athina Tsoulis. -
A Current Listing of Contents
WOMEN'S STUDIES LIBRARIAN The University of Wisconsin System EMINIST ERIODICALS A CURRENT LISTING OF CONTENTS VOLUME 10, NUMBER 1 SPRING 1990 Published bySusanSearing, Women'sStudies Librarian> University of Wisconsin System 112A Memorial Library 728 State Street Madison, Wisconsin 53706 (608) 263-5754 EMINIST ERIODICALS A CURRENT LISTING OF CONTENTS Volume 10, Number 1 Spring 1990 Periodical literature is the cutting edge of women's scholarship, feminist theory, and muchof women's culture. Feminist Periodicals: A Current Lisling of Contents is published by the Office of the University of Wisconsin System Women's Studies Librarian on a quarterly basis with the intent of increasing public awareness of feminist periodicals. It is our hope that Feminist Periodicals will serve several purposes: to keep the reader abreast of current topics in feminist literature; to increase readers' familiarity with a wide spectrum of feminist periodicals; andto provide the requisite bibliographic informalion should a reader wish to subscribe to ajoumal or to obtain a particular article at her library or through interlibrary loan. (Users will need to be aware of the limitations of the new copyright law with regard to photocopying of copyrighted materials.) Table of contents pages from current issues of major feminist joumals are reproduced in each issue of Feminist Perjodicals, preceded by a comprehensive annotated listing of all joumals we have selected. As publicalion schedules vary enormously, not every periodical will have table of contents pages reproduced in each issue of FP. The annotated listing provides the following information on each joumal: 1. Year of first publication. 2. Frequency of publication. -
Ladyslipper Catalog • and Resource Guide • 1988
Ladyslipper Catalog • and Resource Guide • 1988 Records • Tapes Compact Discs Videos V\M Women Mf\A About Ladyslipper Ladyslipper is a North Carolina non-profit, tax- 1982 brought the first release on the Ladys exempt organization which has been involved lipper label Marie Rhines/Tartans & Sagebrush, in many facets of women's music since 1976. originally released on the Biscuit City label. In Our basic purpose has consistently been to 1984 we produced our first album, Kay Gard heighten public awareness of the achievements ner/A Rainbow Path. In 1985 we released the of women artists and musicians and to expand first new wave/techno-pop women's music al the scope and availability of musical and liter bum, Sue Fink/Big Promise; put the new age ary recordings by women. album Beth York/Transformations onto vinyl; and released another new age instrumental al One of the unique aspects of our work has bum, Debbie Fier/Firelight. Our purpose as a been the annual publication of the world's most label is to further new musical and artistic direc comprehensive Catalog and Resource Guide of tions for women artists. Records and Tapes by Women—the one you now hold in your hands. This grows yearly as Our name comes from an exquisite flower the number of recordings by women continues which is one of the few wild orchids native to to develop in geometric proportions. This anno North America and is currently an endangered tated catalog has given thousands of people in species. formation about and access to recordings by an expansive variety of female musicians, writers, Donations are tax-deductible, and we do need comics, and composers. -
Where Culture Means Business
Louisiana:Where Culture MeansBy Mt. Auburn Business Associates s rt A e u h rie f t and o l J. L on tchel ism isi or Mi our iv Offi ce of Lieutenant Govern d T D n an na reatio isia ure, Rec ou Department of Cult t—L men evelop Offi ce of Cultural D Louisiana:ana: Where Culture Means Business Prepared by: Mt. Auburn Associates Beth Siegel Michael Kane Beate Becker with Ralitsa Dimitrova Jonathan Latner Gene Meneray and Jeanne Nathan and Zopari Kristjanson of Creative Industry July 31, 2005 This report was funded by the National Endowment for the Arts – A Great Nation Deserves Great Art— and the State of Louisiana, Offi ce of the Lt. Governor, Department of Culture, Recreation and Tourism, Offi ce of Cultural Development, Louisiana Division of the Arts. Cover design by: Chuck Sanchez, Stun Design & Advertising Cover Art: “The New South” by Terrance Osborne Lieutenant Governor Mitch Landrieu and the Department of Culture, Recreation and Tourism commissioned Terrance Osborne to create the piece of art found on the cover of this program. Osborne has captured the special feel of Louisianaʼs cultural economy with this colorful and festive portrayal of our architecture, our music, our people and our great outdoors. The artwork communicates the true nature of our people enjoying Louisianaʼs culture throughout the piece. The original artwork is acrylic on wood, pieced together to form a three-dimensional 9-foot collage relief. Published 2005 by the State of Louisiana, Offi ce of the Lt. Governor, Department of Culture, Recreation and Tourism, Offi ce of Cultural Development, Louisiana Division of the Arts P.O. -
SAVOY-DOUCET CAJUN BAND Cajun Music Is An
UN ydeco AJ B Z C L E N D HISTORY OF CAJUN & ZYDECO MUSIC DOC GUIDRY (1915-1992) Born Oran Guidry in Lafayette, Louisiana. Guidry played fiddle as well as the mandolin. IRY LEJEUNE (1928-1955) He played alongside many Cajun UN musicians during his career. AJ AMÉDÉ ARDOIN 1915 Born in Pointe Noire, Louisiana. Lejeune C (1898-1942) along with Abshire is responsible for the reemergence of the accordion in SAVOY-DOUCET Ardoin is considered to be Cajun music. He met Eddie Shuler, Lake CAJUN BAND a very important influential DEWEY BALFA Charles record producer, in 1947, and musical figure for both Cajun NATHAN ABSHIRE (1927-1992) he let Lejeune play his accordion on the The band is a trio that includes and Zydeco music as he was (1915-1981) radio and eventually recorded at Shuler’s IMPORTANT MUSICIANS accordionist Marc Savoy, who is a Creole accordion player and Born in Bayou Grand Louis, Goldband Records. Lejeune went on also known for being one of the vocalist. Ardoin was known Born in Gueydan, Louisiana. Amédé Ardoin, Louisiana. Balfa was a Cajun to become a successful and influential IN THE STRING-BAND ERA best known accordion makers; for his signature high singing Creole musician, was a heavy influence on fiddler who came from a family Cajun artist selling many records, Leo Soileau and J.B. Fuselier Savoy’s wife, Ann Savoy and voice as well as being a skilled Abshire’s accordion playing and singing of fiddlers. He played with his some included “Lacassine Special” and In the mid-40s, right after WWII, popular Cajun Michael Doucet. -
Clifton Chenier
Clifton Chenier Accordionist and Zydeco musician widely considered the „King of Zydeco,‟ (b Opelousas, Louisiana, June 25, 1925, d Lafayette, Louisiana, December 12, 1987). His father, Joseph Chenier, was a black Creole sharecropper who was an amateur accordion player. Clifton‟s uncle, Maurice „Big‟ Chenier, was a guitarist, fiddler, and dance club owner. It was from his father that Clifton Chenier first learned the accordion, and though he grew up playing the single-row push- button diatonic accordion, it was the large piano-key chromatic model for which he would become famous. Besides his own father, Chenier‟s earliest influence was accordion player Am‟d‟ Ardoin, the first known black Creole to have recorded. Chenier also found inspiration in the blues of Muddy Waters, Peetie Wheatstraw, and Lightnin‟ Hopkins, as well as the R&B of Fats Domino and Professor Longhair. Chenier grew up working in the rice and sugar fields of Louisiana but moved to Port Arthur, Texas, in 1947, with the influx of black Creoles to the Houston area. In the daytime, he worked for local oil companies while playing music at night with his brother Cleveland in a group called the Red Hot Sizzling Band. The Chenier brothers performed throughout the Gulf CoastLouisiana and Texas, from the late 1940s to the early 1950s. In 1954, Clifton Chenier was discovered by talent scout J.R. Fulbright and signed to Elko Records. By 1955, he and his new band, the Zydeco Ramblers, had moved to Specialty Records. In 1956, Chenier left his day job in order to devote all of his time to music.