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An Introduction to Asian Art
SATURDAY for SEP 10, 2016 EDUCATORS AN INTRODUCTION TO ASIAN ART RESOURCE & ACTIVITY GUIDE TABLE OF CONTENTS Welcome 2 WELCOME, EDUCATORS Asian Art at The Ringling 2 About The Ringling’s Center for Asian Art 2 – 3 The Ringling is pleased to present this comprehensive Resource & Map of the Center for Asian Art 3 Activity Guide, designed to How to Use This Guide 3 familiarize you with the art, history, and cultures of Asia. The activity Activities: Indian Sculpture 4 – 7 descriptions and supplementary Activities: Ceramics for Rites & Rituals 8 – 11 resources provided in this guide Activities: Export Porcelain 12 – 14 will introduce you to The Ringling’s growing Asian art collection and Words to Know 15 provide points of inspiration for Where to Learn More 16 incorporating the study of Asian art into your classroom. About The Ringling 16 Upcoming Saturdays for Educators 16 Image Credits 16 ASIAN ART AT THE RINGLING From its inception in the 1920s, The Ringling’s Asian art collection has expanded greatly over the decades. While John Ringling’s passion for collecting art was centered on the European Baroque period, he also purchased a number of large stone objects from India, forming the basis of his Asian art collection and providing the impetus for the Museum to continue collecting art objects from Asia to this day. Subsequent significant gifts and purchases have greatly augmented the collection, and today it encompasses diverse objects from a broad range of Asian cultures. These include stone Buddhist sculpture from Gandhara, a crossroads of the ancient world’s Silk Road; Chinese ceramics from all periods of China’s history; Japanese woodblock prints, both traditional ukiyo-e as well as twentieth-century specimens; Vietnamese, Thai and Korean ceramics; and decorative objects representing Turkomen tribes and other cultural groups. -
Philippa H Deeley Ltd Catalogue 16 Aug 2014
Philippa H Deeley Ltd Catalogue 16 Aug 2014 1 A mid 20th century Bowman live steam powered 18 Featherstone Robson 'Durham Castle' early 20th pond launch, an aluminium live steam speed boat century engraving, together with another of 'The and a Mamod style live steam motor £40.00 - Fish Market, Salisbury' £10.00 - £20.00 £60.00 19 An early 20th century Continental watercolour 2 A collection of Burago, Tonka and Solido 1/18 depicting a sea wall with figures and mountains to scale die cast cars to include a Ferrari GTO, background, unsigned and housed in a gilt frame Mercedes 300SL, Lancia Spider, a Maserati 250F £10.00 - £20.00 plus others (10 items) £40.00 - £50.00 20 R. Herdman-Smith F.R.S.A., A.R.W.A., 'Loch 3 Two hand-coloured prints of Windsor Castle Lomond', original aquatint engraving, edition engraved by John Boydell £10.00 - £20.00 limited to 150 signed artist's proofs, signed and 4 An oil on canvas depicting an African figure on a titled in pencil to lower margin with label to verso, forest path, signed Michel to lower right, together 23cm x 29cm £10.00 - £20.00 with another of an African female digging crops 21 A hand painted blue glazed Shelley vase, a Sylvac £10.00 - £20.00 vase and other items (1 box) £30.00 - £40.00 5 Two vintage bellows cameras, a Yvighander 22 A quantity of carved African heads, masks and bellows camera, a Carl Zeiss Jena Turmon 8x other tribal items (1 box) £20.00 - £30.00 angle lens, camera plates etc £20.00 - £40.00 23 A 1930s Royal Copenhagen handpainted porcelain 6 A mixed collection of ceramics and -
European Art & Decorative Arts Wall Text and Extended Labels
European Art & Decorative Arts Wall Text and Extended Labels FIRST FLOOR The Morgan Memorial The construction of the Morgan Memorial, completed in two sections in 1910 and 1915, more than doubled the size of the original Wadsworth Atheneum that opened in 1844. The building is dedicated to Junius Spencer Morgan, whose bust by William Wetmore Story stands at the top of the western stairs. Morgan was a Hartford man who founded a banking empire, and his son, J. Pierpont Morgan, chose to build the museum’s new wing as a tribute to his father. The total cost of the Memorial—over $1,400,000—represents the largest of J. Pierpont Morgan’s generous gifts. He spent over twelve years purchasing the several properties on which the Memorial stands, and was involved in its construction until his death in 1913. Benjamin Wistar Morris, a noted New York architect, was selected to design what was to be a new home for the Wadsworth Atheneum’s art collection. It was built in the grand English Renaissance style, and finished with magnificent interior details. Four years after J. Pierpont Morgan’s death, his son, J. Pierpont Morgan Jr., followed the wishes outlined in his father’s will and gave the Wadsworth Atheneum a trove of ancient art and European decorative arts from his father’s renowned collection. Living in the Ancient World Ordinary objects found at sites from the countries surrounding the Mediterranean Sea and the Middle East reveal a great deal about daily life in the ancient world. Utensils for eating and drinking, glassware, lamps, jewelry, pottery, and stone vessels disclose the details of everyday life. -
Viola Frey……………………………………………...6
Dear Educator, We are delighted that you have scheduled a visit to Bigger, Better, More: The Art of Vila Frey. When you and your students visit the Museum of Arts and Design, you will be given an informative tour of the exhibition with a museum educator, followed by an inspiring hands-on project, which students can then take home with them. To make your museum experience more enriching and meaningful, we strongly encourage you to use this packet as a resource, and work with your students in the classroom before and after your museum visit. This packet includes topics for discussion and activities intended to introduce the key themes and concepts of the exhibition. Writing, storytelling and art projects have been suggested so that you can explore ideas from the exhibition in ways that relate directly to students’ lives and experiences. Please feel free to adapt and build on these materials and to use this packet in any way that you wish. We look forward to welcoming you and your students to the Museum of Arts and Design. Sincerely, Cathleen Lewis Molly MacFadden Manager of School, Youth School Visit Coordinator And Family Programs Kate Fauvell, Dess Kelley, Petra Pankow, Catherine Rosamond Artist Educators 2 COLUMBUS CIRCLE NEW YORK, NEW YORK 10019 P 212.299.7777 F 212.299.7701 MADMUSEUM.ORG Table of Contents Introduction The Museum of Arts and Design………………………………………………..............3 Helpful Hints for your Museum Visit………………………………………….................4 Bigger, Better, More: The Art of Viola Frey……………………………………………...6 Featured Works • Group Series: Questioning Woman I……………………………………………………1 • Family Portrait……………………………………………………………………………..8 • Double Self ……………………………………………………………………...............11 • Western Civilization Fountain…………………………………………………………..13 • Studio View – Man In Doorway ………………………………………………………. -
Movers & Shakers in American Ceramics
A Ceramics Monthly Handbook Movers & Shakers in American Ceramics: Defining Twentieth Century Ceramics A Collection of Articles from Ceramics Monthly Edited by Elaine M. Levin Movers & Shakers in American Ceramics: Defining Twentieth Century Ceramics Movers & Shakers in American Ceramics: Defining Twentieth Century Ceramics A Collection of Articles from Ceramics Monthly Edited by Elaine M. Levin Published by The American Ceramic Society 600 N. Cleveland Ave., Suite 210 Westerville, Ohio 43082 USA The American Ceramic Society 600 N. Cleveland Ave., Suite 210 Westerville, OH 43082 © 2003, 2011 by The American Ceramic Society, All rights reserved. ISBN: 1-57498-165-X (Paperback) ISBN: 978-1-57498-560-3 (PDF) No part of this book may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, microfilming, recording or otherwise, without written permission from the publisher, except by a reviewer, who may quote brief passages in review. Authorization to photocopy for internal or personal use beyond the limits of Sections 107 and 108 of the U.S. Copyright Law is granted by The American Ceramic Society, provided that the appropriate fee is paid directly to the Copyright Clearance Center, Inc., 222 Rosewood Drive, Danvers, MA 01923 U.S.A., www.copyright.com. Prior to photocopying items for educational classroom use, please contact Copyright Clearance Center, Inc. This consent does not extend to copyright items for general distribution or for advertising or promotional purposes or to republishing items in whole or in part in any work in any format. Requests for special photocopying permission and reprint requests should be directed to Director, Publications, The American Ceramic Society, 600 N. -
Philippa H Deeley Ltd Catalogue 17 Oct 2015
Philippa H Deeley Ltd Catalogue 17 Oct 2015 1 A Pinxton porcelain teapot decorated in gilt with yellow cartouches with gilt decoration and hand hand painted landscapes of castle ruins within a painted botanical studies of pink roses, numbered square border, unmarked, pattern number 300, 3824 in gilt, and three other porcelain teacups and illustrated in Michael Bertould and Philip Miller's saucers from the same factory; Etruscan shape 'An Anthology of British Teapots', page 184, plate with serpent handle, hand painted with pink roses 1102, 17.5cm high x 26cm across - Part of a and gilt decoration, the saucer numbered 3785 in private owner collection £80.00 - £120.00 gilt, old English shape, decorated in cobalt blue 2 A Pinxton porcelain teacup and saucer, each with hand painted panels depicting birds with floral decorated with floral sprigs and hand painted gilt decoration and borders, numbered 4037 in gilt landscapes with in ornate gilt surround, unmarked, and second bell shape, decorated with a cobalt pattern no. 221, teacup 6cm high, saucer 14.7cm blue ground, gilt detail and hand painted diameter - Part of a private owner collection £30.00 landscape panels - Part of a private owner - £40.00 collection £20.00 - £30.00 3 A porcelain teapot and cream jug, possibly by 8A Three volumes by Michael Berthoud FRICS FSVA: Ridgway, with ornate gilding, cobalt blue body and 'H & R Daniel 1822-1846', 'A Copendium of British cartouches containing hand painted floral sparys, Teacups' and 'An Anthology of British Teapots' co 26cm long, 15cm high - -
Dementia Toolkit for Small Museums
Dementia Toolkit 1 The best thing for being sad, is to learn something. That’s the only thing that never fails. You may grow old and trembling in your anatomies, you may lie awake at night listening to the disorder of your veins, you may miss your only love, you may see the world about you devastated by evil lunatics, or know your honour trampled in the sewers of baser minds. There is only one thing for it then — to learn. Learn why the world wags and wags it. That is the only thing which the mind can never exhaust, never alienate, never be tortured by, never fear or distrust, and never dream of regretting. Learning is the only thing for you. Look what a lot of things there are to learn. -T.H White, The Once and Future King 2 Introduction The first thing to say about this toolkit is that it is… well, a toolkit. It is not intended as an evaluation, or as a simple exercise in sharing best practice. This toolkit has been written to help small museums design their own wellbeing programmes, and is based on a project undertaken with that same thought in mind. It is hoped that by reading and digesting the information contained here you will gain a better understanding not only of how to undertake initiatives like this yourself, but of the important role museums play in the mental health and wellbeing of their communities. In recent times, this much discussed role has frequently been explored, with very well funded projects around the UK. -
ANTIQUES and COLLECTABLES AUCTION Saturday 28Th July 2018 10.00Am
1 ANTIQUES AND COLLECTABLES AUCTION Saturday 28th July 2018 10.00am For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Terms of Consignment for Buyers at the back of the catalogue. 2 Front Cover Image: Lots 247, 249, and 236 (clockwise from left) Inside Front Cover Image: Lot 377 A George IV silver three piece tea set, comprising tea pot, sugar bowl and milk jug by John James Keith, London 1836. Back Page Image: Lot 668 A Maw & Co. vase with a ruby lustre glaze, designed by Walter Crane. Circa 1885. Height 23.5cm. JOIN US FOR OUR NEXT SALE ASIAN DECORATIVE & FINE ART SALE SATURDAY 6TH OCTOBER 2018 ANTIQUES, FINE ART AND COLLECTABLES SALE SATURDAY 8TH DECEMBER 2018 ENTRIES NOW INVITED 3 ANTIQUES & COLLECTABLES AUCTION To be held at: DAVIES HOUSE, DAVIES ROAD, EVESHAM, WORCESTERSHIRE WR11 1YZ SATURDAY 28TH JULY 2018 Viewing Thursday 26nd July – 10.00am to 5.00pm Friday 27th July – 10.00am to 7.00pm Day of Sale – From 8.30am to 10.00am Day of the Sale The auction is scheduled to start at 10.00 am. Bids will only be accepted from registered bidders. Please ensure you obtain a paddle number on arrival. You will need to be registered before the sale. Live internet bidding is available on www.the-saleroom.com, www.invaluable.com, and www.easyliveauction.com together with the fully illustrated online catalogue. Live internet bidding is available on www.the-saleroom.com together with the fully illustrated online catalogue. -
National Sample from the 1851 Census of Great Britain List of Sample Clusters
NATIONAL SAMPLE FROM THE 1851 CENSUS OF GREAT BRITAIN LIST OF SAMPLE CLUSTERS The listing is arranged in four columns, and is listed in cluster code order, but other orderings are available. The first column gives the county code; this code corresponds with the county code used in the standardised version of the data. An index of the county codes forms Appendix 1 The second column gives the cluster type. These cluster types correspond with the stratification parameter used in sampling and have been listed in Background Paper II. Their definitions are as follows: 11 English category I 'Communities' under 2,000 population 12 Scottish category I 'Communities' under 2,000 population 21 Category IIA and VI 'Towns' and Municipal Boroughs 26 Category IIB Parliamentary Boroughs 31 Category III 'Large non-urban communities' 41 Category IV Residual 'non-urban' areas 51 Category VII Unallocable 'urban' areas 91 Category IX Institutions The third column gives the cluster code numbers. This corresponds to the computing data set name, except that in the computing data set names the code number is preceded by the letters PAR (e.g. PAR0601). The fourth column gives the name of the cluster community. It should be noted that, with the exception of clusters coded 11,12 and 91, the cluster unit is the enumeration district and not the whole community. Clusters coded 11 and 12, however, correspond to total 'communities' (see Background Paper II). Clusters coded 91 comprise twenty successive individuals in every thousand, from a list of all inmates of institutions concatenated into a continuous sampling frame; except that 'families' are not broken, and where the twenty individuals come from more than one institution, each institution forms a separate cluster. -
Terracotta Figurines in the Walker Art Building
TERRACOTTA FIGURINES IN THE WALKER ART BUILDING by Kevin Herbert, Ph.D. BOWDOIN COLLEGE BULLETIN BOWDOIN COLLEGE BULLETIN Brunswick, Maine December, 1939 Number 535 This Bulletin is published annually by the College in September, De- cember, March, and June. Entered as second-class matter at the Post Office in Brunswick, Maine, under the Act of Congress of July 16, 1894. TERRACOTTA FIGURINES IN THE WALKER ART BUILDING Kevin Herbert, Ph.D. Department of Classics Bowdoin College BOWDOIN COLLEGE Brunswick, Maine, I960 Printed by the Brunswick Publishing Co., Brunswick, Maine Preface The second section of this study originally appeared in the De- cember 1959 issue of The Classical Journal, Volume 55, pp. 98- 110, under the title "Terracotta Figurines at Bowdoin College." I wish, therefore, to express my thanks to the Editor, Professor Norman T. Pratt, Jr., of Indiana University, for his kind per- mission to reprint it on this occasion. Since information on the origins and the content of the Classical Collections in that ar- ticle was necessarily restricted to a brief note, I thought it es- pecially fitting that a more detailed description of their history be presented herein, and so the first section has been added to the original. I also desire to express my appreciation to my friend. Dr. Cornelius C. Vermeule, Curator of Classical Art in the Museum of Fine Arts, Boston, who read and criticized the manuscript of the second section, and to Mr. Stephen Merrill of Brunswick, who is responsible for the excellent photographic work which accompanies this study. Finally, thanks are due to my colleagues. -
Tunbridge Wells Museum & Art Gallery Collections Management Plan
Tunbridge Wells Museum & Art Gallery Collections Management Plan First edition August 2006 Second edition October 2012 Reviewed and revised June 2016 Collections Management Plan Executive summary Introduction The Collections Management Plan provides a framework for all collections-related aspects of the museum service. The plan aims to consolidate best practice in all aspects of collections management, and to ensure compliance with the national museum Accreditation scheme. Collections Development The Collections Development Policy aims to maintain and document appropriate formal procedures for the entry of objects to and the exit of objects from the collections. It incorporates a review of the existing collections to establish a context within which to chart their future development. It identifies gaps and potential growth areas, and provides criteria for the acceptance or otherwise of objects that may be offered to the Museum as donations, or which may appear as available for purchase. It establishes priorities for future collecting, including that of contemporary material. Documentation The documentation policy statement sets out in-house procedures established by the Museum for processing new acquisitions, cataloguing collections, recording location and movement, information retrieval, and exit and loan records. Collections care and conservation The statement on collections care and conservation aims to establish a balanced and flexible policy which combines high standards of collections care with the provision of a wide range of opportunities for people to engage with the collections. It is based on the standards set out in the checklist Benchmarks in Collection Care. Its coverage includes monitoring and control of environmental conditions, storage, handling, and remedial conservation. -
TRADES. CHI ?29 Tooby George, 32 Queen St
STAFFORDSHIRE. J TRADES. CHI ?29 Tooby George, 32 Queen st. Rugeley Mackee A. King street, Fenton, Stoke Bradshaw Mrs. Fanny, 17 Victoria Tunnicliffe Geo. 14 Marsh st. Hanley Mayer &; Sherratt, Clifton works,Staf- crescent, Burton Udall Henry, Ludgate street, Tut- ford street, Longton Bridgwood Richard, Stafford st.Lngtn bury, Burton Middleton J.H.& Co.Bagna.U st.Lngtn Brindley Mrs. Nellie, Market street, Wall Alexander, 252 Great Brickkiln Mintons Limited, London road, Stoke Hednesford street, Wolverhampton Moore Bernard, Wolfe street, Stoke Britannic Pottery Co. (merchants), Wall T.19 Merridale rd. we. W'hmptn Morris Thos. Ltd.Mt.Plell'Sant,Longtn Waterloo road, Cobridge, Burslem Washington J.39 Etruria rd. Hanley New Chelsea Porcelain Co. Ba.gnall Brookes Alfred,3ll4 Uxbiidge st.Burtn White Harry, 8 Branstone rd. Burton street, Longton Brookfield Arthur,Ayshford st.Longtn Wood Alfred, Eaton st. Uttoxeter North Road China Egg Works, North Brookfield Norman, 38 & 39 Grey- road, Cobridge, Burslem friars, Stafford CHIMNEY PIECE MANUFRS. Plant R. H. & S. L. Forrister street, Brookfields' Successors, IS & 16 Gaol- Hopcraft Wi1liam & Son, Chapel Ash. Longton gate street; Foregate street & Wolverhampton Pointon &; Co. Limited, Norfolk works, Eastgate street, Stafford Norfolk street, Shelton, Stoke Byran William, 208 High st. Longton CIDMNEY POT MANUF AO- Poole Joseph, Edensor road, Longton Caron William, 94 High st. Bilston Tl1BERS-TERRA COTTA. Poole Thomas, Edensor road & Cooke Carter Samuel J, & Co. 19I Stafford Doultbn & Co. Limited, Rowley Regis street, Longton street, Walsall pottery, Springfield; Dudley & Radford Saml. High st. Fenton,Stoke Cartlidge E. C. II Church st. Stoke Granville wharf, Granville street, Robinson J.