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EEK'• C PLET E .IIA
EEK'• c PLET E .IIA THE The Showcase ditorlals Column C Editor Speaks ß. k: 'omplefe ShortStory 'V Shows This Week PhotographersGet Photographed MARCH 31, 1957 VOL. XXIX, No. 13 ;., ß '.::i•:!!.¾.. ':i:•;: . '* ..::-".-.:::. ..... •iii........ !'"':';.':Z%:::i•!!i::•iii:•!i?.$•i:...i½" ,%'-4.:.'i•-;-.::-9:..-.i(.:i::!i!i:.::•::i!.:;:. i'.- "':;'. ß '•.:.....,;:.•,•,....;."'::,.......:.:•:. ..-;:.i;': *.•ili½i•ii½•!i;½:.-!::"'-.-•/•<i•i•.•i?:•;•,i• ..........;..... ;. }-' ' ' ':.:::.:i,,.ß -:-i•iiii!::::-'.'..'" :.".,.......... ...':iilL.:,.':!!½-"..'½:'.:.."•;:•'.:"f'•:.-.:-.........i•:!-::!:i:i•.,'.:.;:,: :•':->..•:$•:!:::.ii•i•i:::........::-:'¾-' :i.'.-::;:::::..'..'::.':::•i.......... :i•: ............': :•: ß i:i:: "i::::::: - ?. '"".'i'•..:. "' ß ". ' ..--- :i:.:-'.::'.::i:i:i:.•:.•:-':!:-.%•"::::;:-''::¾'::.?'"-.•::!:i:!:•:i'"""?" :. :;.., ".:..,".'.;:• :'-' ß .'•;:-" - . ."-: . .,..,:::;"-' ::-"-:-"-;¾:,:•;,¾-.•;::•..:.•..::4;;:-'',• '-'- :::::o;,:.:-. --: : .......:.::.' ....: ....... '.. ':>' ' '-. i:: "' . ß 'i'•: :.:!i!i!•!:•:;•l':'"•i::'::i:!:::i:i::::.:-'.':•:'i::':' :+' :. ß>:.' :-:::'. -:.:- -% .- .. :: . ß ..:... ?:'.?.-::'i::!'!:•::-'.::i•.F.'$i:!.'.:::..:':.•!ii!!-'.:-r.!.':i:i:i:!:!:i ß ' '. ': ' ' '. ' ':' •' .•::-:..'.':!:."<:::::)!'."::-'.¾::::$i'i:i:::' :'-::::.-:'.'<-:....... :.:-:.::!:i'"":::: . ß ... ß ß. --•.'i:": :!( .. "'-... --. ... ß ß . ,,:•.:'•'i•!'•*:.-.'i•i•!*½.:•;•;ii,•i•..'..'.,.i•ii..;X.2..:::;.:*' -' ;4::::.,;(-'.':¾;:>.;-::: ::¾::::..:,:::::-:-'•,:- ' (:.':::::::,...i!-'iii½i•½:.- ::::,.. '-'• -
Film and Architecture: Discovering the Self-Reflection of Frank Capra And
UNLV Retrospective Theses & Dissertations 1-1-2000 Film and architecture: Discovering the self-reflection of rF ank Capra and Frank Lloyd Wright through contextual analysis Marie Lynore Kohler University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/rtds Repository Citation Kohler, Marie Lynore, "Film and architecture: Discovering the self-reflection of rF ank Capra and Frank Lloyd Wright through contextual analysis" (2000). UNLV Retrospective Theses & Dissertations. 1120. http://dx.doi.org/10.25669/c7iq-fh8b This Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in UNLV Retrospective Theses & Dissertations by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter fiaice, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor qualify illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room. -
Florida and the Film Industry: an Epic Tale of Talent, Landscape, and the Law
Nova Law Review Volume 38, Issue 1 2013 Article 3 Florida and the Film Industry: An Epic Tale of Talent, Landscape, and the Law Mary Pergola Parent∗ Kevin Hugh Governy ∗ y Copyright c 2013 by the authors. Nova Law Review is produced by The Berkeley Electronic Press (bepress). https://nsuworks.nova.edu/nlr Parent and Govern: Florida and the Film Industry: An Epic Tale of Talent, Landscape, FLORIDA AND THE FILM INDUSTRY: AN EPIC TALE OF TALENT, LANDSCAPE, AND THE LAW MARY PERGOLA PARENT* AND KEVIN HUGH GOVERN** ABSTRACT ..................................................................................................... 43 I. FLORIDA AND THE FILM INDUSTRY: THE LOVERS MEET ............... 45 II. FLORIDA FLAUNTS AND FLIRTS ....................................................... 47 III. FLORIDA CHARMS A CAPTIVATING CAST OF CHARACTERS ............ 50 IV. FLORIDA’S ALLURING CALL REACHES NEW YORK CITY................ 52 V. MESMERIZING MIAMI ...................................................................... 54 VI. THE GIANT AWAKENS TO CONCEIVE A NEW FILM LAW AND COUNCIL .......................................................................................... 59 VII. FLORIDA PROPOSES WITH TAX INCENTIVES AND THE FILM INDUSTRY SAYS, “I DO!” ................................................................. 60 VIII. FLORIDA’S FILM INDUSTRY PRODUCES PROGENY .......................... 64 IX. FLORIDA AND THE FILM INDUSTRY IN THE 21ST CENTURY ............. 67 X. FLORIDA’S FUTURE: FAITHFULNESS AND FIDELITY TO THE FILM INDUSTRY ........................................................................................ -
The Heralds of the Dawn: a History of the Motion Picture Industry in the State of Florida, 1908-2019
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2019 The Heralds of the Dawn: A History of the Motion Picture Industry in the State of Florida, 1908-2019 David Morton University of Central Florida Part of the Film Production Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Doctoral Dissertation (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Morton, David, "The Heralds of the Dawn: A History of the Motion Picture Industry in the State of Florida, 1908-2019" (2019). Electronic Theses and Dissertations, 2004-2019. 6365. https://stars.library.ucf.edu/etd/6365 “THE HERALDS OF THE DAWN:” A HISTORY OF THE MOTION PICTURE INDUSTRY IN THE STATE OF FLORIDA, 1908-2019 by DAVID D. MORTON B.A. East Stroudsburg University, 2009 M.A. University of Central Florida, 2014 A dissertation submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in the Department of Texts and Technology in the Department of Arts and Humanities at the University of Central Florida Orlando, Florida Spring Term 2019 Major Professor: Scot French © 2019 David Morton ii ABSTRACT Often overlooked in its contribution to cinema history, the State of Florida has the distinction of being among just a handful of regions in the United States to have a continuous connection with the American motion picture industry. -
Samuel Stark Theater Program Collection M1149
http://oac.cdlib.org/findaid/ark:/13030/c8377gh1 No online items Guide to the Samuel Stark theater program collection M1149 Stark (Samuel) theater program collection Gurudarshan Khalsa Department of Special Collections and University Archives 2019 Green Library 557 Escondido Mall Stanford 94305-6064 [email protected] URL: http://library.stanford.edu/spc Guide to the Samuel Stark M1149 1 theater program collection M1149 Language of Material: English Contributing Institution: Department of Special Collections and University Archives Title: Samuel Stark theater program collection source: Stark, Samuel Identifier/Call Number: M1149 Physical Description: 41 linear feet Linear Feet(102 boxes) Date (inclusive): 1852-1982 Abstract: The Samuel Stark Theater program collection consists of theater programs primarily from the United States. Scope and Contents The Samuel Stark theater program collection consists entirely of theater programs, primarily from New York, San Francisco, and Los Angeles. There are programs from other United States cities and from other countries as well. The collection is primarily in original order. The programs from New York City are arranged alphabetically by play, and provide an extensive listing of plays from the mid-1870s to the mid-1970s. All other programs in the collection are arranged alphabetically by city and then by theater. Preferred Citation [Identification of item] Samuel Stark theater program collection (M1149), Department of Special Collections and University Archives, Stanford University Libraries, Stanford, Calif. Conditions Governing Access The collection is open for research. Note that material is stored off-site and must be requested at least 36 hours in advance of intended use. Conditions Governing Use While Special Collections is the owner of the physical and digital items, permission to examine collection materials is not an authorization to publish. -
Il Cenacolo Teams
IL CENACOLO ITALIAN CULTURAL CLUB Founded in 1928 Regular Thursday Meetings, Noon to 2:00 P.M. San Francisco Italian Athletic Club 1630 Stockton Street (3rd floor), San Francisco, CA 94133 www.ilcenacolosf.org “Il Cenacolo is an organization that preserves, enhances and encourages all aspects of Italian arts, language and culture and recognizes the unique contribution of Italian heritage that is intertwined in the history and life of the San Francisco Bay Area.” FEBRUarY 2018 THURSDAY, FEBRUARY 1, 2018 Joe Carbone An Italian Library in North Beach: What a Novel Idea! THURSDAY, FEBRUARY 8, 2018 Mark Rezente Mark, a member of SFIAC, will talk about how the Grocery Outlet can get such amazing wines at such great prices. THURSDAY, FEBRUARY 15, 2018 Josh Jensen, Founder of Calera When many California winemakers felt that a good Pinot Noir could not be grown in California, Josh dreamed of proving them wrong. All he needed was limestone. Josh will share his insights of 42 years in the wine business. THURSDAY, FEBRUARY 22, 2018 Msgr. Harry G. Schlitt Odyssey of a Rock and Roll Priest. This month’s programs arranged by John Benson. FROM THE DESK OF THE PRESIDENT FEBRUARY 2018 Dear Cenacolisti, I hope that the post-holiday season is treating you well. As usual, this bulletin contains announcements that I hope you will find useful and informative. PEOPLE— Just a couple of reminders— —As before, I encourage you to join one of our committees. These committees are key to our operations and you can make a difference by joining one. Please take the time now to contact one of the team chairmen (they are listed after this message) and get involved! —We have now almost completed the process of contacting club members to ask about their willingness to serve on the Board of Directors or one of our committees starting July 1, 2018. -
Jimmy Van Heusen – Primary Wave Music
JIMMY VAN HEUSEN jimmyvanheusen.com en.wikipedia.org/wiki/Jimmy_Van_Heusen open.spotify.com/user/primarywavemusic/playlist/2l6bs8M4w2VspRFm52t49K Jimmy Van Heusen was inarguably one of the most accomplished songwriters in history. Claiming four “Oscars” and one Emmy award among his credits he also wrote more songs (85) recorded by Frank Sinatra, his long time friend, than any other composer. He also composed the songs for another good friend, Bing Crosby for six of the seven Crosby/Hope Road pictures. In spite of such accolades he personally felt one of his biggest honors was being elected by his peers as one of the original inductees to the Songwriters Hall of Fame in 1971. Most of his songs were written with two lyricist partners Johnny Burke (1940 to 1953) and then Sammy Cahn. Jimmy was born Edward Chester Babcock on January 26, 1913 in Syracuse New York to Ida and Arthur Babcock. His close friends called him Chester or “Chet”. From early on he was always entertaining audiences with his wit and musical skill though not always gaining the support of all. He was once expelled from Central High in Syracuse after performing the satire song “My Canary Has Circles Under His Eyes.” The student body loved the song but the teachers thought otherwise. During his early years he worked as a disc jockey for a local radio station and would invite people to send in lyrics. He felt every man and woman in the United States wanted to be a songwriter and for a trifling ten dollars he would compose a complete piano part to go along with the lyrics. -
Vertigo. Revista De Cine (Ateneo Da Coruña)
Vertigo. Revista de cine (Ateneo da Coruña) Título: Datos biográficos y notas sobre su obra Autor/es: Alonso Quintás, Enrique Citar como: Alonso Quintás, E. (1992). Datos biográficos y notas sobre su obra. Vértigo. Revista de cine. (5):11-20. Documento descargado de: http://hdl.handle.net/10251/42952 Copyright: Todos los derechos reservados. Reserva de todos los derechos (NO CC) La digitalización de este artículo se enmarca dentro del proyecto "Estudio y análisis para el desarrollo de una red de conocimiento sobre estudios fílmicos a través de plataformas web 2.0", financiado por el Plan Nacional de I+D+i del Ministerio de Economía y Competitividad del Gobierno de España (código HAR2010-18648), con el apoyo de Biblioteca y Documentación Científica y del Área de Sistemas de Información y Comunicaciones (ASIC) del Vicerrectorado de las Tecnologías de la Información y de las Comunicaciones de la Universitat Politècnica de València. Entidades colaboradoras: _______, ENRIQUE ALONSO QUINTAS El 3 de septiembre de 1991 moría a los 94 años de edad, el realizador norteamericano Frank Capra. Autor de una extensa obra iniciada en los años del cine mudo, su trayectoria recorre etapas fundamentales del cine hollywodiano ( "gagman" con Sennett, director y guionista de Harry Langdon, una larga permanencia en la Columbia, -estudio al que contribuye a aupar entre los grandes con sus "screwball comedys" y "comedias sociales" esenciales en la historia del cine-, productor independiente, documentales de guerra, documentales cientificos, asalariado de la Paramount) hasta su retirada de la realización en los primeros años de la década de los sesenta. Desde entonces, la escritura de sus memorias (publicadas en 1971), charlas, seminarios, conferencias, cursos, etc., ocupan su vida. -
Extensive Collection of Films
POS Dept. Video Library Page 1 [Last updated April 2013] he'll only bail Tony out if he marries a sensible woman. The trouble is, Tony isn't the sensible type -- until he meets Eloise 12 ANGRY MEN. 1957. DVD (Eleanor Parker). This classic comedy from NR Frank Capra features the Oscar-winning Knowing full well that a guilty verdict means song "High Hopes." death, a jury of 12 men (including Jack Warden and Jack Klugman) must decide the fate of an 18-year-old boy accused of fatally A PASSAGE TO INDIA. 1984. BLU RAY stabbing his father. But only one juror PG (Henry Fonda) wants to take the time to Adventurous young Englishwoman Adela coolly deliberate the case. Sidney Lumet Quested (Judy Davis) journeys to colonial (Network) made his directorial debut with India with open-minded Mrs. Moore (Peggy this Oscar-nominated drama that illuminates Ashcroft). Ignoring English customs, the all the petty impediments on the path to women accompany a "native" named Dr. justice. Aziz on a tour of the Marabar Caves. The excursion turns ugly, however, when Adela emerges from the caves accusing Aziz of A CLOCKWORK ORANGE. 1971. BLU RAY rape. British authorities urge Adela to press R charges, but the truth isn't as obvious as the In this Stanley Kubrick classic based on government believes it to be. Anthony Burgess's novel, teenage miscreant Alex DeLarge (Malcolm McDowell) wanders aimlessly amid a bleak, futuristic urban A SEPARATION. 2011. DVD landscape, drinking drugged milk and PG-13 listening to Beethoven with his fellow An Iranian husband and wife split up over "droogs." But he also spends his time his decision to stay and care for his aging stealing, raping and beating innocent people father instead of leaving the country with his in nihilistic orgies of violence, all in an family. -
Frank Sinatra Part 21 of 29
FREEDOM OF INFORMATION AND PRIVACY ACTS SUBJECT: FRANKUUSINATRA L0s Angelesle:100-41413 Secti0n:2 FEDERAL BUREAU OF INVESTIGATION r 1 THE BEST COPY OBTAINABLE IS INCLUDED IN THE REPRODUCTION OF THESE DOCUMENTS. PAGES INCLUDED THAT ARE BLURRED, LIGHT, OR OTHERWISE DIFFICULT TO READ ARE THE RESULT OF THE CONDITION OF THE ORIGINAL DOCUMENT. NO BETTER COPY CAN BE REPRODUCED. Freedom of Information and Privacy Acts Release of Subject: Frank Sinatra File #: LA 100-41413 Section 2 iu ll; I'§ WT 4 $1 0' ;¢_ "v*1 ii} Qt; :n, ,r'r{ J1» J ,. OI 1 '40 "av Q! I" Federal Bureauof Investigation nxsscros, FBI 100-1417728! io/11/55 ,¬. as _FP.?:/.?flff1,/ Z art 0 SAC, LOS Aacama 00-#1413! FRANCIS ALBERT SINATRA, aka. Frank Sinatra CF-i,_ .--: -T. ..._i-,.__,,_N__,1 SECURITY MATTER ~ C} FRAUD EGAINST TEE GQVEHEEENT Rebulet to Los Imgeles dated 3/18/55. Considerable investigation has been conducted by the Les I-angeles Office and other Bureau offices in connection with the instructions outlined in referenced letter. A review and analysis of the results of the investigation fails to develop any positive evidence connecting £.>'=..'_lieE.-i=.i.1h=. with the Communist Party or the Communist Party movement. In view of the foregoing, it is believed that the submission of a regular investigative report setting forth the results of the many interviews undertaken would be preferable to the preparation of a prosecutive summary due to the absence of the oa1ibre.of information which should logically be incorporated in a prosccutive summary report. -
Plymouth Theater, First Floor Interior
Landmarks Preservation Commission December 15, 1987; Designation List 198 LP-1369 PLYMOUTH THEATER, first floor interior consisting of the auditorium, the stage, the staircases leading from the first floor to the balcony floor; the balcony floor interior consisting of the balcony, the upper part of the auditorium and ceiling; and the fixtures and interior components of these spaces, inc 1 uding but not 1 imi ted to, wall and ce i 1 ing surfaces, doors, stair railings and attached decorative elements; 234-240 West 45th Street, Manhattan. Built 1917-18; architect, Herbert J. Krapp. Landmark Site: Borough of Manhattan Tax Map Block 1016, Lot 51. On June 14 and 15, 1982, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Plymouth Theater, first floor interior consisting of the lobby, the auditorium, the stage, the staircases leading from the first floor to the balcony floor and all connecting entrance areas; the balcony floor interior consisting of the balcony, the upper part of the auditorium and ceiling, the upper part of the stage house; and the fixtures and interior components of these spaces, including but not limited to, wall, ceiling, and floor surfaces, doors, stair railings and attached decorative elements; and the proposed designation of the related Landmark Site (Item No. 65). The hearing was continued to October 19, 1982. Both hearings had been duly advertised in accordance with the provisions of law. Eighty-one witnesses spoke or had statements read into the record in favor of designation. Two witnesses spoke in opposition to designation.