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Crossmedia Adaptation and the Development of Continuity in the Dc Animated Universe
“INFINITE EARTHS”: CROSSMEDIA ADAPTATION AND THE DEVELOPMENT OF CONTINUITY IN THE DC ANIMATED UNIVERSE Alex Nader A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2015 Committee: Jeff Brown, Advisor Becca Cragin © 2015 Alexander Nader All Rights Reserved iii ABSTRACT Jeff Brown, Advisor This thesis examines the process of adapting comic book properties into other visual media. I focus on the DC Animated Universe, the popular adaptation of DC Comics characters and concepts into all-ages programming. This adapted universe started with Batman: The Animated Series and comprised several shows on multiple networks, all of which fit into a shared universe based on their comic book counterparts. The adaptation of these properties is heavily reliant to intertextuality across DC Comics media. The shared universe developed within the television medium acted as an early example of comic book media adapting the idea of shared universes, a process that has been replicated with extreme financial success by DC and Marvel (in various stages of fruition). I address the process of adapting DC Comics properties in television, dividing it into “strict” or “loose” adaptations, as well as derivative adaptations that add new material to the comic book canon. This process was initially slow, exploding after the first series (Batman: The Animated Series) changed networks and Saturday morning cartoons flourished, allowing for more opportunities for producers to create content. References, crossover episodes, and the later series Justice League Unlimited allowed producers to utilize this shared universe to develop otherwise impossible adaptations that often became lasting additions to DC Comics publishing. -
Jeremy Jordan
Jeremy Jordan Jeremy Jordan was born and raised in Corpus Christi, Texas. He was always a singer, but at the age of 17, he accidentally fell in love with acting when cast as The Mute in the musical, The Fantasticks. After high school, Jeremy went on to study drama at Ithaca College and moved to New York City after graduating in 2007. After about a year of catering and waiting tables, he began to book some regional theatre work, and in early 2009, landed his first Broadway show, Rock of Ages. He was a swing, understudying several roles including the lead. In December of 2009, he left Rock of Ages to play Tony in Broadway's West Side Story. After West Side Story, Jeremy traveled to Sarasota, Florida to play Clyde Barrow opposite Laura Osnes in Bonnie & Clyde. He then headed to Atlanta, Georgia to shoot his first feature film, “Joyful Noise,” opposite Dolly Parton and Queen Latifah. Todd Graff, who wrote and directed the film, decided to cast him in the movie after coincidentally attending Jeremy's very first performance as the lead in Rock of Ages. In the fall of 2011, Jeremy fulfilled a childhood dream when he was cast as Jack Kelly in Disney's world premiere production of Newsies at Paper Mill Playhouse in New Jersey. He played Jack at night, and during the day rehearsed Bonnie & Clyde, which was coming to Broadway shortly after Newsies finished its regional run. Bonnie & Clyde opened on Broadway in November, 2011 but sadly would close after only 69 performances. -
Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours
i Being a Superhero is Amazing, Everyone Should Try It: Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia School of Humanities 2021 ii THESIS DECLARATION I, Kevin Chiat, certify that: This thesis has been substantially accomplished during enrolment in this degree. This thesis does not contain material which has been submitted for the award of any other degree or diploma in my name, in any university or other tertiary institution. In the future, no part of this thesis will be used in a submission in my name, for any other degree or diploma in any university or other tertiary institution without the prior approval of The University of Western Australia and where applicable, any partner institution responsible for the joint-award of this degree. This thesis does not contain any material previously published or written by another person, except where due reference has been made in the text. This thesis does not violate or infringe any copyright, trademark, patent, or other rights whatsoever of any person. This thesis does not contain work that I have published, nor work under review for publication. Signature Date: 17/12/2020 ii iii ABSTRACT Since the development of the superhero genre in the late 1930s it has been a contentious area of cultural discourse, particularly concerning its depictions of gender politics. A major critique of the genre is that it simply represents an adolescent male power fantasy; and presents a world view that valorises masculinist individualism. -
The Community-Centered Cult Television Heroine, 1995-2007
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Dissertations, Theses, and Student Research: Department of English English, Department of 2010 "Just a Girl": The Community-Centered Cult Television Heroine, 1995-2007 Tamy Burnett University of Nebraska at Lincoln Follow this and additional works at: https://digitalcommons.unl.edu/englishdiss Part of the Feminist, Gender, and Sexuality Studies Commons, Literature in English, North America Commons, and the Visual Studies Commons Burnett, Tamy, ""Just a Girl": The Community-Centered Cult Television Heroine, 1995-2007" (2010). Dissertations, Theses, and Student Research: Department of English. 27. https://digitalcommons.unl.edu/englishdiss/27 This Article is brought to you for free and open access by the English, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Dissertations, Theses, and Student Research: Department of English by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. “JUST A GIRL”: THE COMMUNITY-CENTERED CULT TELEVISION HEROINE, 1995-2007 by Tamy Burnett A DISSERTATION Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Doctor of Philosophy Major: English (Specialization: Women‟s and Gender Studies) Under the Supervision of Professor Kwakiutl L. Dreher Lincoln, Nebraska May, 2010 “JUST A GIRL”: THE COMMUNITY-CENTERED CULT TELEVISION HEROINE, 1995-2007 Tamy Burnett, Ph.D. University of Nebraska, 2010 Adviser: Kwakiutl L. Dreher Found in the most recent group of cult heroines on television, community- centered cult heroines share two key characteristics. The first is their youth and the related coming-of-age narratives that result. -
Shakespeare on Film, Video & Stage
William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994. -
Rannual Report 2019
ANNUAL REPORT 2019 3 Dorset Rise, London EC4Y 8EN 020 7822 2810 – [email protected] www.rts.org.uk RtS PATRONS PRINCIPAL PATRONS BBC ITV Channel 4 Sky INTERNATIONAL PATRONS A+E Networks International Netflix Discovery Networks The Walt Disney Company Facebook Viacom International Media Networks Liberty Global WarnerMedia NBCUniversal International YouTube MAJOR PATRONS Accenture IMG Studios All3Media ITN Amazon Video KPMG Audio Network Motion Content Group Avid netgem.tv Boston Consulting Group NTT Data BT OC&C Channel 5 Pinewood TV Studios Deloitte S4C EndemolShine Sargent-Disc Enders Analysis Spencer Stuart Entertainment One STV Group Finecast The Trade Desk Freeview UKTV Fremantle Vice Gravity Media Virgin Media IBM YouView RTS PATRONS Autocue Lumina Search Digital Television Group Mission Bay Grass Valley PriceWaterhouseCoopers Isle of Media Raidió Teilifís Éireann 2 BOARD OF TRUSTEES REPORT TO MEMBERS Forewords by RTS Chair and CEO 4 I Achievements and performance 6 1 Education and skills 8 2 Engaging with the public 16 3 Promoting thought leadership 24 4 Awards and recognition 30 5 The nations and regions 36 6 Membership and volunteers 40 7 Financial support 42 8 Our people 44 9 Summary of national events 46 10 Centre reports 48 II Governance and finance 58 1 Structure, governance and management 59 2 Objectives and activities 60 3 Financial review 60 4 Plans for future periods 62 5 Administrative details 62 Independent auditor’s report 64 Financial statements 66 Notes to the financial statements 70 Who’s who at the RTS 84 Royal Television Society AGM 2020 In light of the restrictions in place due to the Covid-19 crisis, the Society is reviewing the timing and logistics involved in holding its 2020 AGM. -
Justice League Unlimited Jumpchain CYOA Super Villains, Criminals, Aliens, Monsters, Robots, Magicians, Demons, Gods, There
Oct/12/2017 – v.1. SpyroAnon and KOTOR Anon Justice League Unlimited JumpChain CYOA Super villains, criminals, aliens, monsters, robots, magicians, demons, gods, there are countless supernatural threats out there that can't be defeated by any single hero. So what happens when earth faces a threat greater than any single hero can handle? Simple, more than one hero comes to the planet's aid. Seven heroes in fact, and a few more later on. Welcome to the DC Universe, or rather one of the countless universes all bound together in the massive DC multiverse. This particular universe details the animated adventures of Superman, Batman, Wonder Woman, and several other major heroes as they try to defend the world while part of the newly formed Justice League! A team of super heroes dedicated to saving lives and protecting the world against super villains and extra terrestrial threats. You'll arrive in this world a few hours before a powerful and merciless alien foe invades the earth and triggers a series of events that'll lead to the formation of the Justice League. You have 1000cp to spend of the choices below. Good luck. =-================================================================================= Background Everyone has a past, even if that past is no past. Remember these are merely suggestions for a general theme or outline of your history. The exact details are up to you just note that you'll be relatively underwhelming until you gain some notoriety, barring any perks that screw with that anyway. All backgrounds are free. You may keep your current gender or change it at no cost and your starting age can be anywhere from 17 to 40. -
GLAAD Where We Are on TV (2020-2021)
WHERE WE ARE ON TV 2020 – 2021 WHERE WE ARE ON TV 2020 – 2021 Where We Are on TV 2020 – 2021 2 WHERE WE ARE ON TV 2020 – 2021 CONTENTS 4 From the office of Sarah Kate Ellis 7 Methodology 8 Executive Summary 10 Summary of Broadcast Findings 14 Summary of Cable Findings 17 Summary of Streaming Findings 20 Gender Representation 22 Race & Ethnicity 24 Representation of Black Characters 26 Representation of Latinx Characters 28 Representation of Asian-Pacific Islander Characters 30 Representation of Characters With Disabilities 32 Representation of Bisexual+ Characters 34 Representation of Transgender Characters 37 Representation in Alternative Programming 38 Representation in Spanish-Language Programming 40 Representation on Daytime, Kids and Family 41 Representation on Other SVOD Streaming Services 43 Glossary of Terms 44 About GLAAD 45 Acknowledgements 3 WHERE WE ARE ON TV 2020 – 2021 From the Office of the President & CEO, Sarah Kate Ellis For 25 years, GLAAD has tracked the presence of lesbian, of our work every day. GLAAD and Proctor & Gamble gay, bisexual, transgender, and queer (LGBTQ) characters released the results of the first LGBTQ Inclusion in on television. This year marks the sixteenth study since Advertising and Media survey last summer. Our findings expanding that focus into what is now our Where We Are prove that seeing LGBTQ characters in media drives on TV (WWATV) report. Much has changed for the LGBTQ greater acceptance of the community, respondents who community in that time, when our first edition counted only had been exposed to LGBTQ images in media within 12 series regular LGBTQ characters across both broadcast the previous three months reported significantly higher and cable, a small fraction of what that number is today. -
Saginaw SOGI YAC
Saginaw SOGI YAC Sexual Orientation and Gender Identity Youth Advocacy Council Mission: Identify risks and explore needs for SOGI youth in our community with a focus on collaboration, education, outreach and support. Volume 1, Issue 16 August 2018 TV’s First Transgender Superhero Upcoming Events LGBTQ Youth Leadership Camp The CW series Supergirl will make history by welcoming tel- Thursday, August 23, 4:30 to 6:30pm evision’s first transgender superhero in Season 4. The role of Saginaw YMCA Nia Nal, aka Dreamer, will be played by trans activist and 1915 Fordney St, Saginaw, MI 48601 actress Nicole Maines. In 2014, Maines, who has identified as a female since age 2, successfully sued her school district Understanding LGBTQ after her elementary school denied her access to the girl’s Communities restroom. It was the first time a court had ruled in favor of a transgender stu- Hosted by Perceptions dent’s right to use the restroom congruent with her gender identity. Tuesday, August 28, 7 to 9pm Based on the DC Comics character, Supergirl follows the title character as she Midland Center for the Arts learns to embrace her super powers. The series has received praise in the past for 1801 W. Saint Andrews Rd. its inclusive storytelling and accurate portrayal of the coming out process as expe- Midland, MI 48640 rienced by another lead character. In the upcoming season, the character of Nia Drag Queen Bingo Brunch Nal will join the CatCo Magazine reporting team in the fictional universe. Sunday, September 9, 1:00pm For LGBTQ youth, especially those lacking support or resources, high profile Hamilton St. -
Sagawkit Acceptancespeechtran
Screen Actors Guild Awards Acceptance Speech Transcripts TABLE OF CONTENTS INAUGURAL SCREEN ACTORS GUILD AWARDS ...........................................................................................2 2ND ANNUAL SCREEN ACTORS GUILD AWARDS .........................................................................................6 3RD ANNUAL SCREEN ACTORS GUILD AWARDS ...................................................................................... 11 4TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 15 5TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 20 6TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 24 7TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 28 8TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 32 9TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 36 10TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 42 11TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 48 12TH ANNUAL SCREEN ACTORS GUILD AWARDS .................................................................................... -
Screen Rant Supergirl Season 2 Confirmed for the CW Next: 15
Screen Rant Share On Facebook Comments (45) Follow Us Like 658K Follow @screenrant 80.4K followers SR EXCLUSIVES MOVIE NEWS TV NEWS REVIEWS VIDEOS LISTS + TRAILERS PODCASTS TOP MOVIES Up Next Supergirl Season 2 Confirmed For The CW By Molly Freeman 10 hours ago 45 Comments 839shares 45 Developed by The CW’s DC Comics TV universe architect, Greg Berlanti, along with Ali Adlier (No Ordinary Family, Chuck), Supergirl was first thought to land at the network alongside previously established superhero dramas Arrow and The Flash. However, CBS picked up Supergirl and debuted the first season, which followed Kara Danvers a.k.a. Kara Zor-El (Melissa Benoist) as she began to take on the mantle of Supegirl and avoid the shadow of her cousin, Superman. However, recently the future CBS’s DC Comics series seemed to be in question. Although CBS CEO Les Moonves seemed to indicate Supergirl would receive a second season order, the deadline for an official announcement began to draw closer without any confirmation from the network. Now, it seems Supergirl will receive a second season, but not at CBS. The Wrap is reporting Supergirl has been renewed for season 2, but it will move to The CW – which CBS co-owns with Warner Bros. Television. The report is in line with previous rumors of Supergirl moving to The CW amidst talks of cutting the superhero drama’s budget after a costly freshman season. In addition to the network change, the production of Supergirl will move from Los Angeles, California to Vancouver, Canada where fellow CW shows Arrow, The Flash, and Legends of Tomorrow film – all of which were renewed earlier this year by The CW. -
'Small-Town Girl' Living Her Dream in Big D Mentoring at Dallas Kimball
Volume XXI, Number XI March 24 - 30, 2011 ‘Small-town girl’ living her dream in Big D COVer StOrY Founded 1991 mentoring at Dallas Kimball High .com Your Paper, Your Opportunity... Visit Us Online at www.NorthDallasGazette.com Young team meets new challenges wins national basketball championship (NDG Wire) It was the two weeks ago to prove to freshman’s first trip out of a hostile crowd that they Texas and he didn’t know had what it took to rise up what to expect but he knew through the ranks to beat the team had to win be- conference top ranked cause this underdog team Rochester CTC Yellow- had something to prove. jackets, 72 – 64, on March March Madness is he- 12 in Lock Shedrake, N.Y., ating up and this young to become 2011 NJCAA See DREAM, Page 9 basketball team turned up Mountain View College Men's Basketball team the Lions the heat in New York state are the NJCAA Men's Division III Basketball Champions See baSketball, Page 12 A Simon and Paula reunion? TNT’s new Dallas TV pilot will be shot in Dallas For more information see pg. 10 (NDG Wire) Warner David Jacobs. Michael M. Housewives), and Christo- opher’s fiancée Rebecca. www.northdallasgazette.com Horizon Television has se- Robin (The Closer, Rizzoli pher, the adopted son of The updated Dallas will lected Dallas as the loca- & Isles, Nip/Tuck) who Bobby and Pam Ewing feature original series stars Don’t tion for the pilot of TNT’s also executive produces (Jesse Metcalfe of Desper- Larry Hagman, Pa-trick new incarnation of the will direct.