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The Master of the Unruly Children and His Artistic and Creative Identities
The Master of the Unruly Children and his Artistic and Creative Identities Hannah R. Higham A Thesis Submitted to The University of Birmingham For The Degree of DOCTOR OF PHILOSOPHY Department of Art History, Film and Visual Studies School of Languages, Art History and Music College of Arts and Law The University of Birmingham May 2015 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT This thesis examines a group of terracotta sculptures attributed to an artist known as the Master of the Unruly Children. The name of this artist was coined by Wilhelm von Bode, on the occasion of his first grouping seven works featuring animated infants in Berlin and London in 1890. Due to the distinctive characteristics of his work, this personality has become a mainstay of scholarship in Renaissance sculpture which has focused on identifying the anonymous artist, despite the physical evidence which suggests the involvement of several hands. Chapter One will examine the historiography in connoisseurship from the late nineteenth century to the present and will explore the idea of the scholarly “construction” of artistic identity and issues of value and innovation that are bound up with the attribution of these works. -
Toscana Sul Mare Da Pisa a Cecina a Piedi E in Bicicletta
Toscana sul mare da Pisa a Cecina a piedi e in bicicletta Tuscany by the sea from Pisa to Cecina on foot and by bike Crediti fotografici: Andra Dani (coperta), Andrew Masterson (pag. 5), f124r (pag. 9), Giorgio Finessi (pag. 12), MarioBellagotti (pag. 12), Marco Gasparetti (pag. 13), 123rf (pag. 17) From Wikimedia Commons Toscana sul mare da Pisa a Cecina a piedi e in bicicletta Tuscany by the sea from Pisa to Cecina on foot and by bike Ci sono molti motivi per visitare la Toscana. There are many reasons to visit Tuscany. Alcuni vanno per ammirare i capolavori Some go to admire the artistic masterpieces, artistici, conoscere la storia e la cultura learn about the world-famous history famose nel mondo, alcuni per godere la and culture, some to enjoy the wonderful meravigliosa natura e le splendide spiagge, i nature and beautiful beaches, gourmets buongustai per assaggiare la cucina toscana to taste the Tuscan cuisine and its e i suoi rinomati vini. Ma indipendentemente renowned wines. But regardless of the dallo scopo, non rimarrai deluso e otterrai purpose, you will not be disappointed una esperienza piena di fascino. and get an experience full of charm. La Toscana è stata abitata fin dai tempi Tuscany has been inhabited since ancient più antichi. Sulle sue colline fiorì la civiltà times. On its hills flourished the Etruscan etrusca, che nel III secolo a.C. fu sostituita civilization, which in the third century BC dal potente impero romano. Nel Medioevo was replaced by the powerful Roman Empire. nacque la Repubblica Fiorentina, la culla In the Middle Ages, the Florentine Republic del Rinascimento. -
Merchants and the Origins of Capitalism
Merchants and the Origins of Capitalism Sophus A. Reinert Robert Fredona Working Paper 18-021 Merchants and the Origins of Capitalism Sophus A. Reinert Harvard Business School Robert Fredona Harvard Business School Working Paper 18-021 Copyright © 2017 by Sophus A. Reinert and Robert Fredona Working papers are in draft form. This working paper is distributed for purposes of comment and discussion only. It may not be reproduced without permission of the copyright holder. Copies of working papers are available from the author. Merchants and the Origins of Capitalism Sophus A. Reinert and Robert Fredona ABSTRACT: N.S.B. Gras, the father of Business History in the United States, argued that the era of mercantile capitalism was defined by the figure of the “sedentary merchant,” who managed his business from home, using correspondence and intermediaries, in contrast to the earlier “traveling merchant,” who accompanied his own goods to trade fairs. Taking this concept as its point of departure, this essay focuses on the predominantly Italian merchants who controlled the long‐distance East‐West trade of the Mediterranean during the Middle Ages and Renaissance. Until the opening of the Atlantic trade, the Mediterranean was Europe’s most important commercial zone and its trade enriched European civilization and its merchants developed the most important premodern mercantile innovations, from maritime insurance contracts and partnership agreements to the bill of exchange and double‐entry bookkeeping. Emerging from literate and numerate cultures, these merchants left behind an abundance of records that allows us to understand how their companies, especially the largest of them, were organized and managed. -
Guida-IRO.Pdf
The Head of Dipartimento di Economia e Management Dear students, Welcome to the Dipartimento di Economia e Management! Our Department is a lively environment where research and teaching live side by side in the areas of economics, business and management studies, mathematics and statistics. Moreover, courses on legal theory and foreign languages applied to economics are provided. In recent years, the Department has particularly increased its international activities, achieving very good results. We have created an International Relations Office, we have more than doubled the number of exchange students and exchange opportunities (Erasmus and overseas), and we have developed an International Programme for undergraduates and graduates, a MSc in Economics and an MBA totally taught in English, and many other international activities. In coming years, we aim to expand the opportunities for studying business, strategy, and marketing in English. This has a double aim: intensify the presence of foreign students in our Department and stimulate our students to live and work in an international context. I hope you will enjoy your stay in Pisa. Prof. Bianchi Martini Index 1. Welcome to Pisa . Welcome to Pisa pag. 6 . How to get to Pisa pag. 7 . A brief history of Pisa pag. 8 . The town and its surroundings pag. 11 . A short tour of Pisa pag. 13 2. IRO International Relations Office . Where we are pag. 18 . Purposes of IRO pag. 19 . International office services pag. 20 3. Academic information . Academic calendar pag. 26 . Study plan pag. 27 . CFU and ECTS credits pag. 28 . Italian marks pag. 29 . How to apply for exams pag. -
3D Mapping the Tower of Pisa
Visualisation technical 3D mapping the Tower of Pisa Compiled by Clare van Zwieten, EE Publishers Australian researchers have created the first ever interior 3D map of Italy’s Leaning Tower of Pisa by using a breakthrough mobile laser mapping system, the ZEB 1. This detailed record will be of great assistance in preserving the cultural heritage of the site. he Leaning Tower of Pisa is the freestanding bell tower, Tof the cathedral of the Italian city of Pisa, known worldwide for its unintended tilt to one side. It is situated behind the Cathedral and is the third oldest structure in Pisa's Cathedral Square (Piazza del Duomo) after the Cathedral and the Baptistry. In 1987 the tower was declared as part of the Piazza del Duomo UNESCO World Heritage Site. The leaning Tower of Pisa was designed as a circular bell tower and is constructed of white marble. It consists of eight stories, including the chamber for the bells. The bottom story has 15 marble arches and each of the next six stories contain 30 arches that surround the tower. The top story is the bell chamber, which has 16 arches. There is a 297 Fig. 1: Dr. Jonathan Roberts, Program Leader for CSIRO's Computational Informatics Division step spiral staircase inside the tower scanning the Leaning Tower of Pisa with the new Zebedee technology. leading to the top. The height of the tower is 55,86 m from the ground on the low side and 55,70 m on the high side. The width of the walls at the base is 4,09 m and at the top 2,48 m. -
G20 ITALIAN PRESIDENCY Calendar of Events
22.09.2021 G20 ITALIAN PRESIDENCY Calendar of Events DECEMBER 2020 3 Finance Track Workshop on Country Platforms VTC 14 1st Infrastructure Working Group Meeting VTC 17 (TBC) 1st International Financial Architecture Working Group Meeting VTC JANUARY 2021 12 1st Framework Working Group Meeting VTC 21-22 1st Sherpa Meeting VTC 1st Finance and Central Bank Deputies Meeting 25-26 G20 Priorities-related Symposium on “Opportunities and Challenges VTC of Digitalisation in light of Covid-19 Crisis” 26-27 1st Health Working Group Meeting VTC 28-29 1st Education Working Group Meeting VTC FEBRUARY 4 Infrastructure Working Group Workshop VTC 4 Framework Working Group Workshop VTC 4-5 (TBC) 2nd Framework Working Group Meeting VTC 8-9 1st Digital Economy Task Force Meeting VTC 9 2nd Infrastructure Working Group Meeting VTC 10 1st Academics informal gathering VTC 15-16-17 1st Employment Working Group Meeting VTC 18-19 2nd International Financial Architecture Working Group Meeting VTC Sherpa Track Finance Track Ministerial Meetings Other Meetings The details of the meetings are subject to change, please refer to g20.org website for updated information 22-23 1st Culture Working Group Meeting VTC 24-25 1st Development Working Group Meeting VTC 26 1st Finance Ministers and Central Banks Governors Meeting VTC MARCH 2-3 1st Trade and Investment Working Group Meeting VTC 4-5 1st Tourism Working Group Meeting VTC Webinar - The Public Health Officer Platform (PHOP): a training 10 VTC initiative for preparedness and response to a health crisis 15 Infrastructure -
Fibonacci and His Impact on Nature
THE NEW JERSEY ITALIAN HERITAGE COMMISSION Fibonacci and His Impact on Nature Grade Level: 6-8 Time Required: Multiple forty minute periods or assign part as homework Materials Needed: Internet access, graph paper, poster board, optional - interactive white board and items from nature (spiral sea shells, daisies, sunflowers, pine cones, beehive, various leaves); ruler, compass Objectives: Students will be able to: 1. identify Fibonacci as one of the central influences to the widespread use of the Hindo- Arabic numerical system and of mathematical formulas used in western education and commercial applications. 2. briefly describe Fibonacci’s life and accomplishments. 3. develop connections between Fibonacci’s Sequence, The Golden Rectangle, The Golden Spiral and various items in nature. 4. infer what modern mathematics may be like had Fibonacci not traveled to North Africa. Standards: https://www.storyofmathematics.com/medieval_fibonacci.html Please read the New Jersey Student Learning Standards on page 7 before conducting the lesson. They will help you give explicit instructions to your students and help you create rubrics most appropriate for your class. Procedures: 1. Optional Previous Night’s Homework: The students should briefly research the Middle Ages (6th to the 16th Centuries / about 500 A.D. to about 1500 A.D.) with a focus on the history of the Roman numerical system. Roman Numerals were the primary numerical system of Europe during that time. 2. As a follow up to the Previous Night’s Homework, students should discuss their findings in small groups and read the Historical Background component for Leonardo Pisano Bigollo. 3. From the Historical Background, the students should be able to map the progression of numerical calculations of the early 1200s as introduced to Europe by Leonardo Pisano Bigollo also known in later years as “Leonardo Fibonacci.” 4. -
Review of Anita Fiderer Moskowitz, Nicola & Giovanni Pisano
Peregrinations: Journal of Medieval Art and Architecture Volume 2 Issue 3 1-3 2009 Review of Anita Fiderer Moskowitz, Nicola & Giovanni Pisano: The Pulpits: Pious Devotion/Pious Diversion Peter Dent Courtauld Institute Follow this and additional works at: https://digital.kenyon.edu/perejournal Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons Recommended Citation Dent, Peter. "Review of Anita Fiderer Moskowitz, Nicola & Giovanni Pisano: The Pulpits: Pious Devotion/ Pious Diversion." Peregrinations: Journal of Medieval Art and Architecture 2, 3 (2009): 1-3. https://digital.kenyon.edu/perejournal/vol2/iss3/16 This Book Review is brought to you for free and open access by Digital Kenyon: Research, Scholarship, and Creative Exchange. It has been accepted for inclusion in Peregrinations: Journal of Medieval Art and Architecture by an authorized editor of Digital Kenyon: Research, Scholarship, and Creative Exchange. For more information, please contact [email protected]. Dent BOOK REVIEWS Review of Anita Fiderer Moskowitz, with photographs by David Finn, Nicola & Giovanni Pisano: The Pulpits: Pious Devotion – Pious Diversion, (London, Harvey Miller, 2005), 362pp., ills. 329 b/w, 8 colour, €125 ($156), ISBN 1-872501-49 By Peter Dent (Courtauld Institute, London) Nicola & Giovanni Pisano: The Pulpits: Pious Devotion – Pious Diversion by Anita Fiderer Moskowitz is the first monograph devoted entirely to these fundamental works of late medieval Italian sculpture. It is an attractive volume, largely down to the extensive set of new photographs commissioned from David Finn, an initiative that should be applauded. Although the decision (defended and discussed in the Preface) to present a “sculptor‟s” rather than a beholder‟s eye view raises methodological issues, there are some magnificent images here. -
A Virtual Train Journey Along the Mare Ligure from Ventimiglia to Rome
Italian Culture Newsletter Number 22 A Virtual Train Journey along the Mare Ligure from Ventimiglia to Rome. Marie and I have made this journey on a number of occasions. In doing so we have either made the journey in a single day albeit with a change of train, usually at Genova. On other occasions, we have spent an evening or even a few days at Genova and/or at Livorno or Pisa. The journey described will involve more stops on the way but could be more interesting on that account. The trip begins in Ventimiglia where we stayed overnight on our last day of our last holiday in Italy. This had been occasioned by the French railway strike which prevented any trains from running from Ventimiglia to Nice on the day of our arrival from Rome into the city at the Italian- French border in Liguria. Our first visit to Ventimiglia was in 2006 when some Italian friends from Cuneo, due north of Ventimiglia, in Piemonte, met us at the rail station in Ventimiglia to take us for a short stay at their apartment in Nice. On that occasion we didn’t see much of the city except for part of the old medieval town, which now mostly is the home of many of the southerners from Naples, Calabria and Sicily who moved north seeking employment after WWII. The old town is perched high above the new city with its long sea-front promenade and railway station. Ventimiglia is the ancient Albium Intemelium, the capital of the Intemelii, a Ligurian tribe which long resisted the Romans, until in 115 BC it was forced to submit to Marcus Aemilius Scaurus. -
Market/Place: Studies in (Genoa) Italy
Market/Place: Studies in (Genoa) Italy This paper examines market influences on higher education, architectural edu- cation and place through a consideration of study abroad in Italy, including educational tourism and “edutainment” as (unspoken) components of mar- keting for study abroad programs which also benefit the home university. But within the attraction that Italy offers and as a complement to the presumed value of its traditional justifications, there is the possibility of relevant con- temporary critical inquiry of local and global themes that can meaningfully affect students’ understandings of their home culture and how they approach architectural practices in the 21st century. This is particularly so in the case of architectural study in Genoa, which exploits Italy as the draw but offers unexpected life experiences and learning opportunities on issues of moder- nity and contemporaneity in complex urban, social and cultural situations. ELISA CAGELLI HIGHER EDUCATION AND THE MARKET Architect, Genoa From the call for papers: As universities move towards business based models, is there a risk that global programs could become more consumer-oriented and less RICCARDO MISELLI academic in focus? University of Genoa The question suggests a fixed inverse relationship between the market and aca- demia, and that this applies only to study abroad programs. The risk of university MATTHEW H. RICE programs becoming excessively consumer-oriented ( and to draw the line at for- Florida International University profit colleges….) is real, but our challenge is to find how to respont “appropri- ately” to market forces to is carry on our charge and to constantly critique and redefine our academic aims. -
Tuscany's World Heritage Sites
15 MARCH 2013 CATERINA POMINI 4171 TUSCANY'S WORLD HERITAGE SITES As of 2011, Italy has 47 sites inscribed on the UNESCO World Heritage List, making it the country with the greatest number of UNESCO World Heritage Sites. Tuscany alone boasts six UNESCO sites, almost equalling the numbers of countries like Croatia, Finland and Norway. Tuscany enshrines 6 Unesco World Heritage Sites you should definitely consider when planning your Tuscany tour. Here is the list: 1) Florence. Everything that could be said about the historic centre of Florence has already been said. Art, history, territory, atmosphere, traditions, everybody loves this city depicted by many as the Cradle of the Renaissance. Florence attracts millions of tourists every year and has been declared a World Heritage Site due to the fact that it represents a masterpiece of human creative genius + other 4 selection criteria. 2) Piazza dei Miracoli, Pisa. It was declared a Unesco World Heritage Site in 1987 and is basically a wide walled area, partially paved and partially covered by grass, dominated by 4 great religious buildings: the Duomo, the Leaning Tower, the Baptistry and the Camposanto. 3) San Gimignano has been a World Heritage Site since 1990 and is considered the emblem of medieval Tuscany. Its historic centre represents a masterpiece of human creative genius, it bears a unique testimony to Tuscan civilization and surely is an outstanding example of architectural ensemble, which illustrates significant stages in human history. 4) 40 kilometers away from San Gimignano stands Siena, the historical enemy of Florence. Throughout the centuries, the city's medieval appearance has been preserved and expansion took place outside the walls. -
October 11 - 21, 2021 $4,499 Per Person from Fresno, CA (FAT)
ITALY Join Fr. Robert Borges on a pilgrimage to Basilica of St. Francis of Assisi Rome - Orvieto - Assisi - Siena Florence - Pisa - Turin October 11 - 21, 2021 $4,499 per person from Fresno, CA (FAT) www.pilgrimages.com/frborges Piazza dei Miracoli, Pisa Florence St. Peter's Basilica, Rome S A M P L E D A Y - BY- D A Y I T I N E R A R Y Day 1, Monday, October 11: Depart for Rome Day 5, Friday, October 15: Rome - Orvieto - Assisi Make your way to your local airport, where you will board your After an early breakfast, you will head north through the Roman overnight flight(s). Your meals will be served on board. countryside of vineyards and villas. Throughout this bus ride, your tour escort will share very interesting information regarding the spir- Day 2, Tuesday, October 12: Arrival in Rome itual, historical, and cultural aspects of Italy. Arrive in Orvieto, a city Welcome to Rome, also known as, "The Eternal City." Upon arrival at known for its Duomo and considered one of the most architectural- Rome airport, collect your luggage in the baggage claim area, ly important in Europe, for its Etruscan roots, and for the museums and continue to the Arrivals Hall, where you will be greeted by a where one finds collections and displays that range over 2,500 tour escort and/or driver. You will make your way to the bus and years of history. During this tour you will walk through Orvieto's transfer to your hotel. Following check-in, you will have free time to charming, narrow alleys, and small squares.