Symposion and Philanthropia in Plutarch Autor(Es)
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Addenda Et Corrigenda
Christian Settipani CONTINUITE GENTILICE ET CONTINUITE FAMILIALE DANS LES FAMILLES SENATORIALES ROMAINES A L’EPOQUE IMPERIALE MYTHE ET REALITE Addenda I - III (juillet 2000- octobre 2002) P & G Prosopographica et Genealogica 2002 ADDENDA I (juillet 2000 - août 2001) Introduction Un an après la publication de mon livre, il apparaît opportun de donner un premier état des compléments et des corrections que l’on peut y apporter1. Je ne dirais qu’un mot des erreurs de forme, bien trop nombreuses hélas, mais qu’il reste toujours possible d’éliminer. J’ai répertorié ici celles que j’ai relevées au hasard des lectures. En revanche, les corrections de fond s’avèrent un mal rédhibitoire. La mise à jour de nouveaux documents (et on verra que plusieurs inscriptions importantes doivent être ajoutées au dossier), la prise en compte de publications qui m’avaient échappées ou simplement une réflexion différente rendront toujours l’œuvre mouvante et inachevée. Il m’a semblé que pour garder au livre son caractère d’actualité il fallait impérativement tenir à jour des addenda. Une publication traditionnelle aurait pour conséquence que ces addenda seraient eux-mêmes rapidement rendus insuffisants voire obsolètes dans un temps très court, à peine publiés sans doute2. La meilleure solution s’impose donc naturellement : une publication en ligne avec une remise à niveau régulière que l’on trouvera, pour l’instant, sur : http://www.linacre.ox.ac.uk/research/prosop/addrome.doc Il est bien entendu que cet état reste provisoire et ne s’assimile pas encore à une publication formelle et que je reste à l’écoute des suggestions, critiques ou corrections que l’on voudra bien me faire, et que j’essaierai d’en tenir compte du mieux possible3. -
Study Guide 2016-2017
Study Guide 2016-2017 by William Shakespeare Standards Theatre English Language Arts Social Studies TH.68.C.2.4: Defend personal responses. LAFS.68.RH.1.2: Determine central ideas. SS.912.H.1.5: Examine social issues. TH.68.C.3.1: Discuss design elements. LAFS.910.L.3.4: Determine unknown words. TH.68.H.1.5: Describe personal responses. LAFS.910.L.3.5: Demonstrate figurative language. TH.912.S.1.8: Use research to extract clues. LAFS.1112.SL.1.1: Initiate collaborative discussions. TH.912.S.2.9: Research artistic choices. TH.912.H.1.4: Interpret through historical lenses. Content Advisory: Antony and Cleopatra is a political drama fueled by intimate relationships. There are battle scenes. If it were a movie, Antony and Cleopatra would be rated “PG-13.” !1 Antony and Cleopatra Table of Contents Introduction p. 3 Enjoying Live Theater p. 3 About the Play p. 6 Plot Summary p. 6 Meet the Characters p. 7 Meet the Playwright p. 8 Historical Context p. 11 Elizabethan Theater p. 11 Activities p. 12 Themes and Discussion p. 17 Bibliography p. 17 !2 Antony and Cleopatra An Introduction Educators: Thank you for taking the time out of your very busy schedule to bring the joy of theatre arts to your classroom. We at Orlando Shakes are well aware of the demands on your time and it is our goal to offer you supplemental information to compliment your curriculum with ease and expediency. What’s New? Lots! First, let me take a moment to introduce our new Children’s Series Coordinator, Brandon Yagel. -
Flexsenhar-Mastersreport
Copyright by Michael A. Flexsenhar III 2013 The Report Committee for Michael A. Flexsenhar III Certifies that this is the approved version of the following thesis report: No Longer a Slave: Manumission in the Social World of Paul APPROVED BY SUPERVISING COMMITTEE: Supervisor: L. Michael White Steven J. Friesen No Longer a Slave: Manumission in the Social World of Paul by Michael A. Flexsenhar III, B.A., M.T.S. Report Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Arts The University of Texas at Austin May 2013 Dedication In memoriam Janet Ruth Flexsenhar mea avia piissima Abstract No Longer a Slave: Manumission in the Social World of Paul Michael A. Flexsenhar III, M.A. The University of Texas at Austin, 2013 Supervisor: L. Michael White The Roman Empire was a slave society. New Testament and Early Christian scholars have long recognized that slaves formed a substantial portion of the earliest Christian communities. Yet there has been extensive debate about manumission, the freeing of a slave, both in the wider context of the Roman Empire and more specifically in Paul’s context. 1 Cor. 7:20-23 is a key passage for understanding both slavery and manumission in Pauline communities, as well as Paul’s own thoughts on these two contentious issues. The pivotal verse is 1 Cor. 7:21. The majority opinion is that Paul is suggesting slaves should become free, i.e., manumitted, if they are able. In order to better understand this biblical passage and its social implications, this project explores the various types of manumissions operative the Roman world: the legal processes and results; the factors that galvanized and constrained manumissions; the political and social environment surrounding manumission in Corinth during Paul’s ministry; as well as the results of manumission as it relates to Paul’s communities. -
Online Library of Liberty: Shakespeare's Plutarch, Vol. 2
The Online Library of Liberty A Project Of Liberty Fund, Inc. Plutarch, Shakespeare’s Plutarch, Vol. 2 (containing the main sources of Anthony and Cleopatra and of Coriolanus) [1579] The Online Library Of Liberty This E-Book (PDF format) is published by Liberty Fund, Inc., a private, non-profit, educational foundation established in 1960 to encourage study of the ideal of a society of free and responsible individuals. 2010 was the 50th anniversary year of the founding of Liberty Fund. It is part of the Online Library of Liberty web site http://oll.libertyfund.org, which was established in 2004 in order to further the educational goals of Liberty Fund, Inc. To find out more about the author or title, to use the site's powerful search engine, to see other titles in other formats (HTML, facsimile PDF), or to make use of the hundreds of essays, educational aids, and study guides, please visit the OLL web site. This title is also part of the Portable Library of Liberty DVD which contains over 1,000 books and quotes about liberty and power, and is available free of charge upon request. The cuneiform inscription that appears in the logo and serves as a design element in all Liberty Fund books and web sites is the earliest-known written appearance of the word “freedom” (amagi), or “liberty.” It is taken from a clay document written about 2300 B.C. in the Sumerian city-state of Lagash, in present day Iraq. To find out more about Liberty Fund, Inc., or the Online Library of Liberty Project, please contact the Director at [email protected]. -
Catalogue Ofa Valuable Collection Ancient And
C A T A L O G UE OF A V A LUA BLE C OLLE C TI O N ANC I E NT AND M ODE R N C o i ns and M e d al s C OM P R I SING THE W HOL E OF THE C ABINET FOR M ED BY THE B . TAYL R of h rl es to . n Late 0 01 JAM S H O , C a , 8 0 T M TH ER ND N A E W I TH S ELE C I ONS FR O O S , A A DD NDA . T O BE S O LD A T A UC T I O N ' ‘ E A . LEA T M E G . A BY S RS . O C o . I T E R SA E R M S VIT , H I L OO S , l into n. Hal l A s tor Pl ace Ne w Y ork C , , , ON THE A FTERNOON OF ndlm NOWOm bOr 11 h y, 6t , AND FO LLO W I NG DAYS UNT IL ALL I S LD SO , N IN E D 8 ’ COM M E C G AC H AY u o cLocx. ‘ T e e f . Q ITT Quétio eex h M fifi fl LE V , q s . ATALOGUED BY ILLIAM H STR I C W . OBR D E G . 1 8 7 5 I NT R O D UC T I O N THE ol l e tor of oin w atever e al t m a b e annot fa l t o c c c s , h his sp ci y y , c i fi nd om e n i h i t a te Th e en ne num i s m at s thi g nthis C atal ogue t o s s . -
Public and Private
POLIS. Revista de ideas y formas políticas de la Antigüedad Clásica 12,1999, pp. 181-228 PUBLIC AND PRÍVATE Konstantinos Mantas Athens A. ABSTRACT In this article we will try to give an answer to the question of changes in the visibility of women in the public sphere. The fact that élite women played a more energetic role in public life firom the late Hellenistic epoch on has been established by our research on the available sources (mostly epigraphical) in some regions of the Greco-Roman East, in particular W. Asia Minor (lonia and Caria) and in Aegean islands such as Lesbos, Chios, Samos, Teños, Syros and Paros. Nevertheless, the inscriptions, being brief summaries of the decrees which were put in the archives, fail to comment on the issue of the honorand's actual fiílfilment of the office, though sometimes they give indirect information on the lady's presence, eg in the stadium. But even if the female raagistrates were visible, did that have any effect on other women? Did the free, or at least the citizen women in the cities of the Román East enjoy more freedom in their raovement outside the oikos? Could women move freely in the agora, the theatre or any other public place? And if they did so, what about their mingling with men and regulations about their clothes and personal behaviour? Literature is important on that subject because it provides indirect information on all the aspects of the problem, but the archaising style and subject matter of many 181 Public and Prívate literary works, the hallmark of the Second Sophistic, throws doubt on their relevance to the era in which our research is located. -
University of Reading Thesis Cover
Plutarch’s Pythian Dialogues: a Literary Approach PhD Classics Caitlin Prouatt December 2017 Declaration I confirm that this is my own work and the use of all material from other sources has been properly and fully acknowledged. Caitlin Prouatt Abstract This thesis takes a literary-theoretical approach to Plutarch’s three so-called Pythian dialogues, De E apud Delphos, De Pythiae Oraculis, and De Defectu Oraculorum. It explores the texts from the perspective of their literary qualities: their genre, their unity as a group, and the narrators and narratees they construct. It argues that the three works occupy an important position in the largely Platonic genre of philosophical dialogue, both advertising their Platonic elements to benefit from such associations, and innovating within the genre’s bounds. In his innovations, the author moves beyond what is typically expected of a dialogue, emphasising the works’ unusual Delphic setting, and using this as a starting-point for philosophical discussion. The thesis contends that the three works form a coherent series, not just because of their shared setting and subject matter, but because they all function as protreptics to philosophy, providing readers with a clear guide to practising philosophy by turning to their own surroundings. Finally, this thesis examines, through a study of the works’ dedicatees, the kind of readers Plutarch anticipated. It suggests that the ideal reader of these works, a city-dwelling, career-minded man is deliberately contrasted in the texts with their more philosophical narrators (including Plutarch himself), portrayed as natives of Delphi, affected by both its fortunes and the intellectual preoccupations of its god, Apollo. -
With an English Translation
THE LOEB CLASSICAL LIBRARY FOUNDED BY JAMES LOEB, LX,.D. EDITED BY fT. E. PAGE, C.H., LITT.D. E. CAPPS, PH.D., LL.D. tW. H. D. ROUSE, litt.d. A. POST, M.A. E. H. WARMINGTON, m.a., f.r.hist.soc. LIVY XIII BOOKS XLIII—XLV m^( LIYY WITH AN ENGLISH TRANSLATION IN FOURTEEN VOLUMES XIII BOOKS XLIII—XLV TRANSLATED BY ALFRED C. SCHLESINGER, Ph.D. ASSOCIATE PROFESSOR OP CLASSICS IN OBERLIN COLLEGE LONDON WILLIAM HEINEMANN LTD CAMBRIDGE, MASSACHUSETTS HARVARD UNIVERSITY PRESS MCMLI Printed in Great Britain V.I3 TRANSLATOR'S PREFACE A FULLER report of the text is given in this vohmie than in the immediately preceding volume. The attempt has been made to present all emendations subsequent to the editio pri?iceps ; but a few repeated misspellings of proper names and similarly obvious corrections are not reported. A few of the emenda- tions of the princeps have been included exempli gratia. The apparatus of Giarratano (Titi Livi Ah Urhe Condita Libri XLI-XLF, Rome, 1933) has been constantly consulted, but not always followed. The maps are intended to show the location of all places mentioned in the volume, if the location is known. Kiepert's Atlas Antiquus has been used in preparing these maps ; places not located by Kiepert have a question-mark following the name. Where the name is spelled by Kiepert in a way conspicuously different from the Livy text, the Kiepert spelling will be found in parentheses in the Index. The map of Rome is taken from O. Richter, Topograpkie der Stadt Rom, Miinchen, Beck, 1901 (Iwan MuUer, Handbuch, III, 3), by kind permission of the pub- lishers. -
Timeline1800 18001600
TIMELINE1800 18001600 Date York Date Britain Date Rest of World 8000BCE Sharpened stone heads used as axes, spears and arrows. 7000BCE Walls in Jericho built. 6100BCE North Atlantic Ocean – Tsunami. 6000BCE Dry farming developed in Mesopotamian hills. - 4000BCE Tigris-Euphrates planes colonized. - 3000BCE Farming communities spread from south-east to northwest Europe. 5000BCE 4000BCE 3900BCE 3800BCE 3760BCE Dynastic conflicts in Upper and Lower Egypt. The first metal tools commonly used in agriculture (rakes, digging blades and ploughs) used as weapons by slaves and peasant ‘infantry’ – first mass usage of expendable foot soldiers. 3700BCE 3600BCE © PastSearch2012 - T i m e l i n e Page 1 Date York Date Britain Date Rest of World 3500BCE King Menes the Fighter is victorious in Nile conflicts, establishes ruling dynasties. Blast furnace used for smelting bronze used in Bohemia. Sumerian civilization developed in south-east of Tigris-Euphrates river area, Akkadian civilization developed in north-west area – continual warfare. 3400BCE 3300BCE 3200BCE 3100BCE 3000BCE Bronze Age begins in Greece and China. Egyptian military civilization developed. Composite re-curved bows being used. In Mesopotamia, helmets made of copper-arsenic bronze with padded linings. Gilgamesh, king of Uruk, first to use iron for weapons. Sage Kings in China refine use of bamboo weaponry. 2900BCE 2800BCE Sumer city-states unite for first time. 2700BCE Palestine invaded and occupied by Egyptian infantry and cavalry after Palestinian attacks on trade caravans in Sinai. 2600BCE 2500BCE Harrapan civilization developed in Indian valley. Copper, used for mace heads, found in Mesopotamia, Syria, Palestine and Egypt. Sumerians make helmets, spearheads and axe blades from bronze. -
Antony and Cleopatra Mark Antony
Antony and Cleopatra Mark Antony – one of the Triumviri of Rome along with Octavius Caesar and Aemilius Lepidus – has neglected his soldierly duties after being beguiled by Egypt's Queen, Cleopatra. He ignores Rome's domestic problems, including the fact that his wife, Fulvia, rebelled against Octavius, and then died. Octavius calls Antony back to Rome from Alexandria in order to help him fight against Pompey (Sextus Pompeius), Menecrates, and Menas, three notorious pirates of the Mediterranean. At Alexandria, Cleopatra begs Antony not to go, and though he repeatedly affirms his love for her, he eventually leaves. Back in Rome, Agrippa brings forward the idea that Antony should marry Octavius Caesar's sister, Octavia, in order to cement the bond between the two men. Antony's lieutenant Enobarbus, though, knows that Octavia can never satisfy him after Cleopatra. In a famous passage, he delineates Cleopatra's charms in paradoxical terms: "Age cannot wither her, nor custom stale / Her infinite variety: other women cloy / The appetites they feed, but she makes hungry / Where most she satisfies." A soothsayer warns Antony that he is sure to lose if he ever tries to fight Octavius. In Egypt, Cleopatra learns of Antony's marriage, and takes furious revenge upon the messenger that brings her the news. She grows content only when her courtiers assure her that Octavia is homely by Elizabethan standards: short, low-browed, round-faced and with bad hair. At a confrontation, the triumvirs parley with Pompey, and offer him a truce. He can retain Sicily and Sardinia, but he must help them "rid the sea of pirates" and send them tributes. -
Hwang Umd 0117E 15489.Pdf (965.1Kb)
ABSTRACT Title of Document: EMPOWERING IMAGES: NEGOTIATING THE IDENTITY OF AUTHORITY THROUGH MATERIAL CULTURE IN THE HELLENISTIC EAST, 140-38 BCE HyoSil Suzy Hwang, Doctor of Philosophy, 2014 Directed By: Professor Marjorie S. Venit, Department of Art History and Archaeology During the late-second to first century BCE, Tigranes II the Great of Armenia (140-55 BCE), Antiochos I Theos of Commagene (ca. 86-38 BCE), and Mithridates VI Eupator of Pontus (134-63 BCE) employed multivalent imagery to legitimize their positions and assert their authority amid the changing political landscape of the Hellenistic East. Each king’s visual program shaped and reflected the political dynamics of his reign, the mixed cultural identity of his population, and the threats posed by foreign powers. As the kings negotiated their positions within an environment rife with military conflict and in territories composed of multi-ethnic populations, they created nuanced visual programs that layered ties to multiple historic precedents and religious authorities. Each king’s program intended to communicate differently to diverse audiences – both foreign and domestic – while simultaneously asserting the king’s position as the ruler of a powerful and unified realm. This dissertation considers the rulers’ creation and dissemination of such imagery, revealing new dimensions of ruling ideologies and visual culture in the Late Hellenistic East. EMPOWERING IMAGES: NEGOTIATING THE IDENTITY OF AUTHORITY THROUGH MATERIAL CULTURE IN THE HELLENISTIC EAST, 140-38 BCE By HyoSil Suzy Hwang Dissertation submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2014 Advisory Committee: Professor Marjorie S. -
The Eye of Faith
CIVILISATIONS HOW DO WE LOOK? MARY BEARD THE EYE OF Faith PROFILE BOOKS First published in Great Britain in 2018 by Profile Books Ltd 3 Holford Yard, Bevin Way London wc1x 9hd www.profilebooks.com Published in conjunction with the BBC’s Civilisations series ‘Civilisations’ Programme is the copyright of the BBC Copyright © Mary Beard Publications, 2018 1 3 5 7 9 10 8 6 4 2 Designed by James Alexander at Jade Design Printed and bound in Italy by L.E.G.O. S.p.A. The moral right of the author has been asserted. All rights reserved. Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise), without the prior written permission of both the copyright owner and the publisher of this book. A CIP catalogue record for this book is available from the British Library. ISBN 978 1 78125 9993 eISBN 978 178283 4205 The paper this book is printed on is certified by the © 1996 Forest Stewardship Council A.C. (FSC). It is ancient-forest friendly. The printer holds FSC chain of custody SGS-COC-2061 CONTENTS Introduction: Civilisations and Barbarities | 11 PART 1: HOW DO WE LOOK? Prologue: Heads and Bodies | 19 A Singing Statue | 23 Greek Bodies | 33 The Look of Loss: From Greece to Rome | 41 The Emperor of China and the Power of Images | 53 Supersizing a Pharaoh | 61 The Greek Revolution | 69 The Stain on the Thigh | 85 The Revolution’s Legacy | 91 The Olmec