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REFLECTION REFLECTION the Freedom Riders of the Civil Rights Movement
REFLECTION REFLECTION The Freedom Riders of the Civil Rights Movement “I’m taking a trip on the Greyhound bus line, I’m riding the front seat to New Orleans this time. Hallelujah I’m a travelin’, hallelujah ain’t it fine, Hallelujah I’m a travelin’ down freedom’s main line.” This reflection is based on the PBS documentary, “Freedom Riders,” which is a production of The American Experience. To watch the film, go to: http://to.pbs.org/1VbeNVm. SUMMARY OF THE FILM From May to November 1961, over 400 Americans, both black and white, witnessed the power of nonviolent activism for civil rights. The Freedom Riders were opposing the racist Jim Crow laws of the South by riding bus lines from Washington, D.C., down through the Deep South. These Freedom Rides were organized by the Congress of Racial Equality (CORE). Despite the violence, threats, and extraor- dinary racism they faced, people of conscience, both black and white, Northern and Southern, rich and poor, old and young, carried out the Freedom Rides as a testimony to the basic truth all Americans hold: that the government must protect the constitutional rights of its people. Finally, on September 22, 1961, segregation on the bus lines ended. This was arguably the movement that changed the force and effectiveness of the Civil Rights Movement as a whole and set the stage for other organized movements like the Selma to Montgomery March and the March on Washington for Jobs and Freedom. This documentary is based on the book Freedom Riders: 1961 and the Struggle for Racial Equality by Raymond Arsenault (http://bit.ly/1Vbn4sy). -
Surprise, Security, and the American Experience Jan Van Tol
Naval War College Review Volume 58 Article 11 Number 4 Autumn 2005 Surprise, Security, and the American Experience Jan van Tol John Lewis Gaddis Follow this and additional works at: https://digital-commons.usnwc.edu/nwc-review Recommended Citation van Tol, Jan and Gaddis, John Lewis (2005) "Surprise, Security, and the American Experience," Naval War College Review: Vol. 58 : No. 4 , Article 11. Available at: https://digital-commons.usnwc.edu/nwc-review/vol58/iss4/11 This Book Review is brought to you for free and open access by the Journals at U.S. Naval War College Digital Commons. It has been accepted for inclusion in Naval War College Review by an authorized editor of U.S. Naval War College Digital Commons. For more information, please contact [email protected]. Color profile: Disabled Composite Default screen van Tol and Gaddis: Surprise, Security, and the American Experience BOOK REVIEWS HOW COMFORTABLE WILL OUR DESCENDENTS BE WITH THE CHOICES WE’VE MADE TODAY? Gaddis, John Lewis. Surprise, Security, and the American Experience. Cambridge, Mass.: Harvard Univ. Press, 2004. 150pp. $18.95 John Lewis Gaddis is the Robert A. U.S. history, American assumptions Lovell Professor of History at Yale Uni- about national security were shattered versity and one of the preeminent his- by surprise attack, and each time U.S. torians of American, particularly Cold grand strategy profoundly changed as a War, security policy. Surprise, Security, result. and the American Experience is based on After the British attack on Washington, a series of lectures given by the author D.C., in 1814, John Quincy Adams as in 2002 addressing the implications for secretary of state articulated three prin- American security after the 11 Septem- ciples to secure the American homeland ber attacks. -
LIVE from LINCOLN CENTER December 31, 2002, 8:00 P.M. on PBS New York Philharmonic All-Gershwin New Year's Eve Concert
LIVE FROM LINCOLN CENTER December 31, 2002, 8:00 p.m. on PBS New York Philharmonic All-Gershwin New Year's Eve Concert Lorin Maazel, an icon among present-day conductors, will make his long anticipated Live From Lincoln Center debut conducting the New York Philharmonic’s gala New Year’s Eve concert on Tuesday evening, December 31. Maazel began his tenure as the Philharmonic’s new Music Director in September, and already has put his stamp of authority on the playing of the orchestra. Indeed he and the Philharmonic were rapturously received wherever they performed on a recent tour of the Far East.Lorin Maazel, an icon among present-day conductors, will make his long anticipated Live From Lincoln Center debut conducting the New York Philharmonic’s gala New Year’s Eve concert on Tuesday evening, December 31. Maazel began his tenure as the Philharmonic’s new Music Director in September, and already has put his stamp of authority on the playing of the orchestra. Indeed he and the Philharmonic were rapturously received wherever they performed on a recent tour of the Far East. Celebrating the New Year with music is nothing new for Maazel: he holds the modern record for most appearances as conductor of the celebrated New Year’s Day concerts in Vienna by the Vienna Philharmonic Orchestra. There, of course, the fare is made up mostly of music by the waltzing Johann Strauss family, father and sons. For his New Year’s Eve concert with the New York Philharmonic Maazel has chosen quintessentially American music by the composer considered by many to be America’s closest equivalent to the Strausses, George Gershwin. -
AFS 2390 Introduction to African-American Literature: Literature and AFS - AFRICAN AMERICAN Writing Cr
AFS 2390 Introduction to African-American Literature: Literature and AFS - AFRICAN AMERICAN Writing Cr. 3 Satisfies General Education Requirement: Diversity Equity Incl Inquiry, STUDIES Intermediate Comp Pre-2018, Intermediate Comp Post-2018 Introduction to major themes and some major writers of African- AFS 1010 Introduction to African American Studies Cr. 3 American literature, emphasizing modern works. Reading and writing Satisfies General Education Requirement: Diversity Equity Incl Inquiry, about representative poetry, fiction, essays, and plays. Offered Every Social Inquiry Term. An interdisciplinary approach to exploring several broad issues, topics, Prerequisites: ENG 1020 with a minimum grade of C, ENG 1020 with a theories, concepts and perspectives which describe and explain the minimum grade of P, ENG 1050 with a minimum grade of C, College Level experiences of persons of African descent in America, the Continent, and Exam Program with a test score minimum of BC-BD, (AA) Exempt from the diaspora. Offered Every Term. Gen Ed MACRAO with a test score minimum of 100, Michigan Transfer AFS 2010 African American Culture: Historical and Aesthetic Roots Cr. 4 Agreement with a test score minimum of 100, or (BA) Competencies Satisfies General Education Requirement: Cultural Inquiry, Civ and Waiver with a test score minimum of 100 Societies (CLAS only), Diversity Equity Incl Inquiry Equivalent: ENG 2390 Examination of the historical, traditional and aesthetic bases of a variety AFS 2600 Race and Racism in America Cr. 3 of cultural forms -- language, literature, music -- of the Black experience. Satisfies General Education Requirement: Diversity Equity Incl Inquiry Offered Every Term. Examination of the nature and practice of racism in American society AFS 2210 Black Social and Political Thought Cr. -
CSJ Center Hidden Heroes Award Ceremony and Dramatzed
SPECIAL The CSJ Center of Reconciliat on and Just ce, the College of Thanks Communicat on and Fine Arts, Theatre and Dance Department, and the Bellarmine Forum present a Dramat c Performance of: CSJ Center for Reconciliaton and Justce Awards Committee Linda Bannister Doris Baizley Kathleen Kim Marie Anne Mayeski CSJ Center Hidden Heroes Abbie Robinson-Armstrong Jeffrey Wilson Award Ceremony and Special thanks to our LMU awardees for sharing their lives and work with us, and the wonderful artists, writers and actors who are telling them. SPECIAL THANKS ALSO TO: Dramatzed Narratves Dean Bryant Keith Alexander Dean Shane P. Martin Dean Richard Plumb Interim Dean Michael J. O’Sullivan Presentaton Eugene (Gino) Brancolini Linda Buck, CSJ Barbara Busse Sheryle Bush Robert Caro, SJ Jeanine Connor So that all may be one... Joanna Carroll, CSJ Judy Delavigne Patrick Furlong Gabriel Gonzalvez One performance only Rob Hillig Christine Jungwiwattanaporn MaryAnne Huepper, CSJ Mary Beth Ingham, CSJ Geraldine O’Connor Nestor Periera Saturday, October 26, 2013 Pam Rector Jonathan Rothchild 2:30 PM Murphy Hall, Burns Building, LMU Kevin J. Wetmore Jeffrey Wilson Followed by Recept on - Dunning Courtyard LMU Department of Theatre and Dance Stage/Production Managers Visuals/Sound Design Aisling Galvin Rob Hillig Aili Jiaravanont Lisa Brehove Crew Linsay Fritts Bellarmine Forum 2013: Restoring Justice Dylan Fox Alex Perroots University Hall 2000 • 1 LMU Drive, Los Angeles, CA 90045 310.568.6696 • [email protected] • www.lmu.edu/csjcenter CSJ CENTER HIDDEN heroes COMPANY Award Ceremony and Dramatized Narrative Presentation Bios DESEAN KEVIN TERRY has worked with Shakespeare Center Los Angeles, Chalk Repertory Theatre, the Black Dahlia Theatre and Center Theatre Group; where he 1. -
Jazz and Radio in the United States: Mediation, Genre, and Patronage
Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Aaron Joseph Johnson All rights reserved ABSTRACT Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson This dissertation is a study of jazz on American radio. The dissertation's meta-subjects are mediation, classification, and patronage in the presentation of music via distribution channels capable of reaching widespread audiences. The dissertation also addresses questions of race in the representation of jazz on radio. A central claim of the dissertation is that a given direction in jazz radio programming reflects the ideological, aesthetic, and political imperatives of a given broadcasting entity. I further argue that this ideological deployment of jazz can appear as conservative or progressive programming philosophies, and that these tendencies reflect discursive struggles over the identity of jazz. The first chapter, "Jazz on Noncommercial Radio," describes in some detail the current (circa 2013) taxonomy of American jazz radio. The remaining chapters are case studies of different aspects of jazz radio in the United States. Chapter 2, "Jazz is on the Left End of the Dial," presents considerable detail to the way the music is positioned on specific noncommercial stations. Chapter 3, "Duke Ellington and Radio," uses Ellington's multifaceted radio career (1925-1953) as radio bandleader, radio celebrity, and celebrity DJ to examine the medium's shifting relationship with jazz and black American creative ambition. -
Education Issue
march 2010 Education Issue Michael Bublé on Great Performances American Masters: I.M. Pei LEARNING IS LIFE’S TREASURE By partnering for the common good we can achieve uncommon results. Chase proudly supports the Celebration of Teaching & Learning with Thirteen/WNET and WLIW21. We salute all educators who dedicate themselves to our children. thirteen.org 1 ducatIon Is at the Our Education Department works heart of everything we year-round on a variety of outreach do at THIRTEEN. As a programs and special initiatives for pioneering provider of students, educators, and parents in New quality television and York State and beyond. Ron Thorpe, Vice web content, unique local President and Director of Education at Eproductions, and innovative educational WNET.ORG, offers an inside look at this and cultural projects, our mission is to vibrant department on page 2. enrich the lives of our community—from Our commitment to education extends pre-schoolers and adult learners to those into the community with Curious George who have a passion for lifelong learning. Saves the Day: The Art of Margret and This special edition of THIRTEEN— H.A. Rey, a fascinating exhibit opening our second annual Education Issue March 14 at The Jewish Museum. See —showcases some of our most exciting page 14 to learn about the exhibit, as well huschka educational endeavors. as special offers available exclusively to jane : : On March 5 and 6, the fifth annual THIRTEEN members. Celebration of Teaching & Learning comes Finally, we’re proud to launch our to New York City. The nation’s premier newly expanded children’s website, Kids llustrations I professional development conference for THIRTEEN (kids.thirteen.org). -
Welcome to the Carnegie Reporter
Volume 8 / Number 1 / Spring 2016 CARNEGIE REPORTER WELCOME TO THE Volume 8 / Number 1 / Spring 2016 TABLE OF CONTENTS CARNEGIE REPORTER Chief Communications and Digital Strategies Officer Deanna Lee uclear annihilation. It’s a frightening, almost existential notion that many Director of Communications and Content Strategy of us—especially those born before or during the Cold War—have had Robert Nolan to consider at some point in our lives. Duck and cover drills and fallout Editor/Writer shelters, command and control procedures, the concept of mutually Kenneth C. Benson assured destruction—these once seemed to offer at least a veneer of Principal Designer Daniel Kitae Um security for Americans. But today’s nuclear threat has evolved and is somehow even more 06 14 N Researcher terrifying. As Carnegie Corporation President Vartan Gregorian writes in this issue of the Ronald Sexton Carnegie Reporter, “There is no longer a single proverbial ‘red phone’ in the event of a Production Assistant nuclear crisis.” Natalie Holt Carnegie Corporation of New York is a philanthropic foundation created by Nuclear security—and, more specifically, the threat of nuclear terrorism—was the Andrew Carnegie in 1911 to promote the subject of the fourth and final international Nuclear Security Summit organized by the advancement and diffusion of knowledge and understanding among the people of White House in Washington, D.C., last March, and is a focus point in this issue of the United States. Subsequently, its charter the Corporation’s flagship publication. In addition to the president’s letter, we feature was amended to permit the use of funds for the same purposes in certain countries that a graphic novel-like retelling of the dramatic 2007 break-in at the Pelindaba Nuclear are or have been members of the British Overseas Commonwealth. -
Ammast 03 Lettrhd Press 3 Holed
offset usage 4-color process Output is set for 2500dpi 450 West 33rd Street New York NY 10001-2605 thirteen.org press information AMERICAN MASTERS BRINGS BIG SCREEN MAGIC TO THE SMALL SCREEN WITH YOU MUST REMEMBER THIS: THE WARNER BROS. STORY Series from Thirteen/WNET Premieres This Fall on PBS AMERICAN MASTERS is produced for PBS by Thirteen/WNET The colorful 85-year legacy of Warner Bros. is documented in an unprecedented film project, New York AMERICAN MASTERS You Must Remember This: The Warner Bros. Story, narrated by Clint Eastwood. The five-hour film, a Lorac production in partnership with AMERICAN MASTERS and Warner Bros. Entertainment, premieres nationally, September 23, 24 and 25 at 9 p.m. (ET) on PBS (check local listings). The film is directed, written and produced by award-winning filmmaker and film critic Richard Schickel. Eastwood is executive producer. “I think it’s wonderful and fitting that Richard Schickel, who produced his first big series The Men Who Made the Movies for public television in 1973, is returning to public television with this project – the epic and historic and thoroughly juicy Warner Bros. story,” says Susan Lacy, creator and Executive Producer of AMERICAN MASTERS, a five-time winner of the Emmy Award for Outstanding Primetime Non-Fiction Series. Through movie clips, rare archival interviews, newly photographed material, and insightful on-camera discussions with talent such as Martin Scorsese, Steven Spielberg, George Clooney, Warren Beatty, Sidney Lumet, Jack Nicholson, and many others, You Must Remember This gives us the history of 20th century America on the big screen. -
The Singing Guitar
August 2011 | No. 112 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Mike Stern The Singing Guitar Billy Martin • JD Allen • SoLyd Records • Event Calendar Part of what has kept jazz vital over the past several decades despite its commercial decline is the constant influx of new talent and ideas. Jazz is one of the last renewable resources the country and the world has left. Each graduating class of New York@Night musicians, each child who attends an outdoor festival (what’s cuter than a toddler 4 gyrating to “Giant Steps”?), each parent who plays an album for their progeny is Interview: Billy Martin another bulwark against the prematurely-declared demise of jazz. And each generation molds the music to their own image, making it far more than just a 6 by Anders Griffen dusty museum piece. Artist Feature: JD Allen Our features this month are just three examples of dozens, if not hundreds, of individuals who have contributed a swatch to the ever-expanding quilt of jazz. by Martin Longley 7 Guitarist Mike Stern (On The Cover) has fused the innovations of his heroes Miles On The Cover: Mike Stern Davis and Jimi Hendrix. He plays at his home away from home 55Bar several by Laurel Gross times this month. Drummer Billy Martin (Interview) is best known as one-third of 9 Medeski Martin and Wood, themselves a fusion of many styles, but has also Encore: Lest We Forget: worked with many different artists and advanced the language of modern 10 percussion. He will be at the Whitney Museum four times this month as part of Dickie Landry Ray Bryant different groups, including MMW. -
Carmel Pine Cone, July 11, 2014 (Main News)
SPECIAL 2014 SECTION ACH INSIDE VolumeThe 100 No. 28 Carmel On the Internet: www.carmelpinecone.com Pine Cone July 11-17, 2014 TRUSTED BY LOCALS AND LOVED BY VISITORS SINCE 1915 What’s the protocol when an otter jumps in? City moves By KELLY NIX McInchak case to IT’S COMMON to see kayakers in Monterey Bay trying to get a close look at its wildlife. But a group of kayakers got more than they could have federal court hoped for when a pair of audacious and frisky California sea otters joined them Tuesday evening — By MARY SCHLEY in their boats. Five people in four rental kayaks were paddling THE CITY and its top officials — including city admin- around Monterey harbor around 6 p.m. when the two istrator Jason Stilwell and administrative services director cheeky otters playfully bobbed up and down in the Sue Paul — will be fighting the lawsuit from former IT man- water before happily plopping themselves aboard the ager Steve McInchak in federal court, not Monterey County’s boats and rolling around the way puppies wrestle. courts. The people in the boats were stunned, and so were Citing McInchak’s claims that his federal rights were vio- onlookers. lated, among numerous state law violations also alleged, the “It was very entertaining, at least for us in the Santa Barbara law firm representing the city filed papers in restaurant,” said Jackie Edwards, a Pine Cone U.S. District Court in San Jose Tuesday “removing” it to fed- employee who was dining at Rappa’s restaurant at the eral court. -
'Slow Drag' Pavageau
NEWSLETTER OCT-2016 ologyology Alcide ‘Slow Drag’ Pavageau G.H.B. JAZZ FOUNDATION • JAZZOLOGY RECORDS GEORGE H. BUCK JAZZ FOUNDATION 1206 DECATUR STREET • NEW ORLEANS, LA 70116 Phone: +1 (504) 525-5000 Office Manager: Lars Edegran Fax: +1 (504) 525-1776 Assistant: Mike Robeson Email: [email protected] Office Hours: Mon-Fri 11am – 5pm Website: www.jazzology.com Entrance: 61 French Market Place Newsletter Editor: Paige VanVorst Contributors: Lars Edegran, Mike Layout & Design: David Stocker Robeson, David Stocker HOW TO ORDER COSTS – U.S. AND FOREIGN MEMBERSHIP If you wish to become a member of the Collector’s Record Club, please mail a check in the amount of $5.00 payable to the GHB Jazz Foundation. You will then receive your membership card by return mail or with your order. *Membership continues as long as you order at least one selection per year. You will also be able to buy our products at a special discounted price: CDs for $13.00 DVDs for $20.00 Books for $25.00 NON-MEMBERS For non-members our prices are: CDs for $15.98 DVDs for $25.00 Books for $30.00 DOMESTIC MAILING & POSTAGE CHARGES There is a flat rate of $3.00 regardless of the number of items ordered. OVERSEAS SHIPPING CHARGES 1 CD $13.00; 2-3 CDS $15.00; 4-6 CDS $20.00; 7-10 CDS $26.00 Canadian shipping charges are 50% of overseas charges ALL PAYMENTS FOR FOREIGN ORDERS MUST BE MADE WITH EITHER: • INTERNATIONAL MONEY ORDER • CHECK DRAWN IN U.S. DOLLARS FROM A U.S.