General Clerk and the Duchess of Warwick
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British Neoclassicism COMMONWEALTH of AUSTRALIA Copyright Regulations 1969
702132/702835 European Architecture B British Neoclassicism COMMONWEALTH OF AUSTRALIA Copyright Regulations 1969 Warning This material has been reproduced and communicated to you by or on behalf of the University of Melbourne pursuant to Part VB of the Copyright Act 1968 (the Act). The material in this communication may be subject to copyright under the Act. Any further copying or communication of this material by you may be the subject of copyright protection under the Act. do not remove this notice authenticity reductionism NEOCLASSICISM sublimity neoclassicism ROMANTIC CLASSICISM innovation/radicalism ARCHAEOLOGYARCHAEOLOGY ARCHAEOLOGICAL PUBLICATIONS Robert Wood, Ruins of Palmyra,1753 Robert Wood, Ruins of Balbec,1757 J D Leroy, Les Ruines des plus Beaux Monuments de la Grèce, 1758 James Stuart & Nicholas Revett, Antiquities of Athens, I, 1762 James Stuart & Nicholas Revett, Antiquities of Athens, II, 1790 Robert Adam, Ruins of the Palace of the Emperor Diocletian at Spalatro in Dalmatia, 1764 Richard Chandler, Ionian Antiquities, I, 1769 Richard Chandler, Ionian Antiquities, II, 1797 Temple of Apollo, Stourhead, by Henry Flitcroft, 1765 the ‘Temple of Venus’ at Baalbek, c AD 273 George Mott & S S Aall, Follies and Pleasure Pavilions (London 1989), p 102; Robert Wood, The Ruins of Balbec, otherwise Heliopolis in Coelosyria (London 1757) THETHE SUBLIMESUBLIME 'The artist moved by the grandeur of giant statue of Ancient Ruins', by Henry Fuseli, 1778-9 Constantine, c 313 Toman, Neoclassicism, p 11 MUAS 12,600 Castel Sant' Angelo, Rome, -
Biographical Appendix
Biographical Appendix The following women are mentioned in the text and notes. Abney- Hastings, Flora. 1854–1887. Daughter of 1st Baron Donington and Edith Rawdon- Hastings, Countess of Loudon. Married Henry FitzAlan Howard, 15th Duke of Norfolk, 1877. Acheson, Theodosia. 1882–1977. Daughter of 4th Earl of Gosford and Louisa Montagu (daughter of 7th Duke of Manchester and Luise von Alten). Married Hon. Alexander Cadogan, son of 5th Earl of Cadogan, 1912. Her scrapbook of country house visits is in the British Library, Add. 75295. Alten, Luise von. 1832–1911. Daughter of Karl von Alten. Married William Montagu, 7th Duke of Manchester, 1852. Secondly, married Spencer Cavendish, 8th Duke of Devonshire, 1892. Grandmother of Alexandra, Mary, and Theodosia Acheson. Annesley, Katherine. c. 1700–1736. Daughter of 3rd Earl of Anglesey and Catherine Darnley (illegitimate daughter of James II and Catherine Sedley, Countess of Dorchester). Married William Phipps, 1718. Apsley, Isabella. Daughter of Sir Allen Apsley. Married Sir William Wentworth in the late seventeenth century. Arbuthnot, Caroline. b. c. 1802. Daughter of Rt. Hon. Charles Arbuthnot. Stepdaughter of Harriet Fane. She did not marry. Arbuthnot, Marcia. 1804–1878. Daughter of Rt. Hon. Charles Arbuthnot. Stepdaughter of Harriet Fane. Married William Cholmondeley, 3rd Marquess of Cholmondeley, 1825. Aston, Barbara. 1744–1786. Daughter and co- heir of 5th Lord Faston of Forfar. Married Hon. Henry Clifford, son of 3rd Baron Clifford of Chudleigh, 1762. Bannister, Henrietta. d. 1796. Daughter of John Bannister. She married Rev. Hon. Brownlow North, son of 1st Earl of Guilford, 1771. Bassett, Anne. Daughter of Sir John Bassett and Honor Grenville. -
Robert Adam 2017 Laureate
Robert Adam 2017 Laureate Contents Press Release ……………………………………………………………… 2 Images …………………………………………………………………….. 4 Driehaus Prize ……………………………………………………………. 13 Ceremony Choregic Monument Past Laureates Henry Hope Reed Award …………………………………………………. 14 Medal Past Recipients Jury ……………………………………………………………………….. 15 Press Release Robert Adam named 15th Richard H. Driehaus Prize Laureate James S. Ackerman posthumously presented the Henry Hope Reed Award Robert Adam, an architect known for his scholarship as well as his practice, has been named the recipient of the 2017 Richard H. Driehaus Prize at the University of Notre Dame. Adam, the 15th Driehaus Prize laureate, will be awarded the $200,000 prize and a bronze miniature of the Choregic Monument of Lysikrates during a ceremony on March 25 (Saturday) in Chicago. In conjunction with the Driehaus Prize, the $50,000 Henry Hope Reed Award, given annually to an individual working outside the practice of architecture who has supported the cultivation of the traditional city, its architecture and art, will be presented posthumously to architectural historian James S. Ackerman. Additionally, on the occasion of the 15th anniversary of the Driehaus Prize, the jury has elected to honor the Congress for the New Urbanism (CNU) with a special award for contributions to the public realm. “Throughout his career, Robert Adam has engaged the critical issues of our time, challenging contemporary attitudes toward architecture and urban design. He has written extensively on the tensions between globalism and regionalism as we shape our built environment,” said Michael Lykoudis, Driehaus Prize jury chair and Francis and Kathleen Rooney Dean of Notre Dame’s School of Architecture. “Sustainability is at the foundation of his work, achieved through urbanism and architecture that is respectful of local climate, culture and building customs.” Adam received his architectural education at Westminster University and was a Rome Scholar in 1972–73. -
Adamcollection Welcome
AdamCollection Welcome We are a specialist boutique British manufacturer of solid brass door and window products, including the original iconic Princess and Constable Collections, along with custom accessories for electrical applications and bathrooms. With a unique range of Collections dating back to architectural periods in the early 16th Century we offer a uniquely extensive range of Period, Heritage and Contemporary Door Furniture made from the purest Brass all hand worked, polished and finished on site... in England. We work with professional and private clients worldwide to create elegant door and window furniture products for royal palaces, super yachts, stately homes and high specification private residences. Here and on our website you can learn more about us, the work we do and how we can help you add those finishing touches of elegancee Our Timeline of Architectural Styles Welcome to our Collections architectural timeline! We are in a privileged position to be able to showcase to you our range of period, heritage, classic and contemporary Collections including the original iconic Princess and Constable Collections. All of our Collections make reference to a particular historical architectural style, helping you choose the right finishing touches to your home. Within our Collections you will find a number of product types so that you can add that luxury touch, not only to your doors! Louis XIV Louis XV Louis XVI Adam Constable Executive Style: Baroque & Rococo Style: Neoclassical Style: Victorian Style: Modern 1590-1725 1750-1880 1835-1901 1918-2000 Style: Ancient Greek Style: Georgian Style: Regency Style: Art Nouveau Style: Contemporary 1200BC-100AD 1720-1840 1810-1835 1890-1910 1980-now Coming Soon Meandros Burlington Governor Princess Liberty Bamboo 2 Adam Collection Style: Neoclassical A Brief History Robert Adam, born in Early Georgian Scotland in 1728, was a Scottish neoclassical architect, interior designer and furniture designer. -
Earls of Warwick
-194- EARLS OF WARWICK A REALIGNMENT OF THE 12TH AND 13TH CENTURY PEDIGREE OF THE EARLS OF WARWICK – COMPLETE PEERAGE CORRECTION by Rosie Bevan1 ABSTRACT Continuing our regular series of updates to the Complete Peerage, Rosie Bevan provides evidence for a solution to some problematic chronology and confusing relationships in the family of the 12th and 13th century Earls of Warwick. Foundations (2004) 1 (3): 194-197 © Copyright FMG The traditional pedigree of Waleran, earl of Warwick, his son Henry, and their wives, and grandson, Thomas, as discussed in Dugdale (1675), Collins (1779), and C[okayne] (1959), has posed a number of difficulties for genealogists and historians of the family2. It is outlined below: 1 2 Margery Bohun Waleran, Earl of Alice Harcourt Warwick (d.1203/4) (had issue) 1 2 Margery d’Oilly Henry, Earl of Philippa Basset (d.s.p.1265), Warwick (d.1229) married secondly Richard Siward 1 2 Thomas, Earl of Warwick John Marshall, Margery, Countess John du Plessis (b.1208, d.s.p.1242) lord of Hingham and of Warwick (d.1263) Ela Longespee (d.1298) Hockering, Norfolk (d.s.p.1253) married secondly Philip (d.s.p.1242) Basset (d.1271) Fig 1. Traditional Pedigree of the Family of Henry, Earl of Warwick (d.1229) The greatest difficulty with this arrangement has been to reconcile the second-degree consanguineous marriage between Earl Henry and Margery d’Oilly3 who, under this scheme, would have been first cousins by common descent from Humphrey de Bohun, earl of Hereford, and Margaret of Gloucester – such a closely related union would never have sanctioned by the medieval church4. -
European Architecture 1750-1890
Oxford History of Art European Architecture 1750-1890 Barry Bergdoll O X fO R D UNIVERSITY PRESS OXFORD UNIVERSITY PRESS Great Clarendon Street, Oxford 0 x2 6 d p Oxford New York Athens Auckland Bangkok Bombay Calcutta Cape Town Dares Salaam Delhi Florence Hong Kong Istanbul Karachi Kuala Lumpur Madras Madrid Melbourne Mexico City Mumbai Nairobi Paris Sao Paulo Singapore Taipei Tokyo Toronto Warsaw and associated companies in Berlin Ibadan Oxford is a registered trade mark of Oxford University Press in the U K and in certain other countries © Barry Bergdoll 2000 First published 2000 by Oxford University Press All rights reserved. No part of this publication maybe reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the proper permission in writing o f Oxford University Press. Within the U K, exceptions are allowed in respect of any fair dealing for the purpose of research or private study, or criticism or review, as permitted under the Copyright, Design and Patents Act, 1988, or in the case of reprographic reproduction in accordance with the terms of the licences issued by the Copyright Licensing Agency. Enquiries concerning reproduction outside these terms and in other countries should be sent to the Rights Department, Oxford University Press, at the address above. This book is sold subject to the condition that it shall not, byway o f trade or otherwise, be lent, re-sold, hired out or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser. -
William Newton (1730-1798) and the Development Of
William Newton (1730-1798) and the Development of the Architectural Profession in North-East England Richard Pears A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy School of History, Classics and Archaeology, Newcastle University April 2013 ABSTRACT This thesis examines the emergence of the professional architect in the provinces of eighteenth-century Britain, drawing upon new research into the career of William Newton (1730-1798) of Newcastle upon Tyne. Section I assesses the growth of professionalism, identifying the criteria that distinguished professions from other occupations and their presence in architectural practitioners. It contrasts historians’ emphasis upon innovative designs by artist-architects, such as Sir John Vanbrugh and Robert Adam, with their absence from the realisation of their designs. Clients had to employ capable building craftsmen to supervise construction and this was an opportunity for an alternative practitioner to emerge, the builder-architect exemplified by Newton, offering clients proven practical experience, frequent supervision, peer group recommendation and financial responsibility. Patronage networks were a critical factor in securing commissions for provincial builder-architects, demonstrated here by a reconstruction of Newton’s connections to the north-east élite. Section II reveals that the coal-based north-east economy sustained architectural expenditure, despite national fluctuations. A major proposal of this thesis is that, contrary to Borsay’s theory of an ‘English urban renaissance’, north-east towns showed continuity and slow development. Instead, expenditure was focused upon élite social spaces and industrial infrastructure, and by the extensive repurposing of the hinterlands around towns. This latter development constituted a ‘rural renaissance’ as commercial wealth created country estates for controlled access to social pursuits by élite families. -
The Precedence of the Earldom of Devon 1335-1485
Third Series Vol. VIII Part 2 ISSN 0010-003X No. 224 Price £12.00 Autumn 2012 THE COAT OF ARMS an heraldic journal published twice yearly by The Heraldry Society THE COAT OF ARMS The journal of the Heraldry Society Third series Volume VIII 2012 Part 2 Number 224 in the original series started in 1952 The Coat of Arms is published twice a year by The Heraldry Society, whose registered office is 53 Hitchin Street, Baldock, Hertfordshire SG7 6AQ. The Society was registered in England in 1956 as registered charity no. 241456. Founding Editor f John Brooke-Little, C.V.O., M.A., F.H.S. Honorary Editors C. E. A. Cheesman, M.A., PH.D, F.S.A., Richmond Herald M. P. D. O'Donoghue, M.A., York Herald Editorial Committee Adrian Ailes, M.A., D.PHIL., F.S.A., F.H.S. Jackson W. Armstrong, B.A., M.PHIL., PH.D. Noel Cox, LL.M., M.THEOL., PH.D, M.A., F.R.HIST.S. Andrew Hanham, B.A., PH.D, F.R.HIST.S. Advertizing Manager John Tunesi of Liongam www.the-coat-of-arms.co.uk THE PRECEDENCE OF THE EARLDOM OF DEVON 1335-1485 Michael Hicks Titles of honour distinguish those who possess them from those who do not. Dukes outrank marquesses who outrank earls, viscounts, barons and so on.1 Such titles en• able the holders to be ordered in processions, seating plans, and much else. Where individuals are of the same rank, however, precedence has to be established in other ways. The ceremonial context, which covered peers' ladies and even younger sons, was charted by G. -
The Cawdor Estates in South-West Wales in the Nineteenth Century
_________________________________________________________________________Swansea University E-Theses The Cawdor estates in south-west Wales in the nineteenth century. Davies, John Edward How to cite: _________________________________________________________________________ Davies, John Edward (2008) The Cawdor estates in south-west Wales in the nineteenth century.. thesis, Swansea University. http://cronfa.swan.ac.uk/Record/cronfa42270 Use policy: _________________________________________________________________________ This item is brought to you by Swansea University. Any person downloading material is agreeing to abide by the terms of the repository licence: copies of full text items may be used or reproduced in any format or medium, without prior permission for personal research or study, educational or non-commercial purposes only. The copyright for any work remains with the original author unless otherwise specified. The full-text must not be sold in any format or medium without the formal permission of the copyright holder. Permission for multiple reproductions should be obtained from the original author. Authors are personally responsible for adhering to copyright and publisher restrictions when uploading content to the repository. Please link to the metadata record in the Swansea University repository, Cronfa (link given in the citation reference above.) http://www.swansea.ac.uk/library/researchsupport/ris-support/ The Cawdor estates in south-west Wales in the nineteenth century. A thesis submitted to the University of Wales for the degree of Philosophiae Doctor by John Edward Davies B.A., D.A.A. December 2008. ProQuest Number: 10797978 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. -
Richard 3 Closes in 1485 (Battle of Bosworth)
Reigned 1483–1485; play opens in 1471 (death of H6); richard 3 closes in 1485 (Battle of Bosworth). Name and title Birth date Death date Age in play Age at death Queen Margaret of Anjou (married. Henry VI in 1455) 1430 1482 41/-- 52 Widow of HVI. Their son Edward died one day before his father’s execution. She personally coordinated the Lancastrian armies, often leading them herself. Was hated in England; considered the best asset the Yorkists had. She killed Richard of York at Tewksbury. Cecily Neville, Duchess of York 1415 1495 56/70 80 Mother of Edward IV, Richard III, George Duke of Clarence, Edmund of Rutland (dead). Pious and refined widow to the previous Richard Duke of York (not in this play). King Edward IV 1442 1483 29/-- 41 Brother of George and Richard, father of the two young princes Edward and Richard, and husband to Elizabeth. He is close to his deathbed as the play begins. Queen Elizabeth Woodville Grey 1431 1492 40/54 61 Daughter of Earl Rivers, brother to Anthony Rivers. Her daughter Elizabeth, who will be married to Henry VII, is 16 at the time of the play. Edward, Prince of Wales; after King Edward V Nov 1479 Sep 1483 1/-- 12 Oldest son of EdIV. He is one of the “princes in the Tower,” although as soon as his father dies he is technically king. Richard Plantagenet, Duke of York Aug 1473 Sep 1483 --/died 9 Younger son of EdIV. Betrothed at age 4 to Anne Mowbray, aged 3 (she was daughter of John Mowbray, 4th Duke of Norfolk); they married when both were 6 years old. -
Robert Adam's Engagement with Medieval Architecture
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Stirling Online Research Repository A ‘Classical Goth’: Robert Adam’s engagement with medieval architecture PETER N. LINDFIELD Robert Adam’s Grand Tour in 1754–8 had a profound impact upon his understanding of the forms and ornament of Classical architecture. This became manifest after his return to Britain in his country house designs, as, for example, in the south façade of Kedleston Hall, Derbyshire (from c 1760).1 Beyond this elevation’s dynamic advancement and recession of planes, the architecture paraphrases two notable monuments of ancient Rome: the Arch of Constantine and the Pantheon. Kedleston’s interior, including its celebrated Saloon, was equally responsive to antique forms, and the tour’s impact upon Adam in the shaping of his eponymous neoclassical style is explored elsewhere in this volume. The vast majority of Adam’s country house architecture – from the remodelling of existing homes like Osterley Park, Middlesex (1763–80), through to the creation of new structures such as Witham Park, Somerset (1762–70) – was neoclassical.2 Indeed, of his realised work, only three of his 89 known country estate commissions were overtly Gothic, and all were south of the border: the interior of the Church of St Mary Magdalene, Croome d’Abitot, at Croome Court, Worcestershire (1763); the Round Room at Strawberry Hill, Twickenham (1766–7); and his work for the Duke of Northumberland at Alnwick – namely the interiors for Alnwick Castle (c 1770–80) and its associated Gothic eye-catcher, Brizlee Tower, Hulne Park (1777–83). -
Hugh Douglas HAMILTON II Named Sitters
Neil Jeffares, Dictionary of pastellists before 1800 Online edition HAMILTON, Hugh Douglas Dublin 1740–1808 Part II: Named sitters F–L J.375.1331 Mme Hendrik FAGEL, née Agneta Margaretha Catharina Boreel (1771–1824), pstl/ppr, 24x19.5 ov., sd → “HH ft Roma 1789” (Dutch PC; olim dep.: Amsterdam, Stedelijk Museum, inv. B3250). Exh.: Amsterdam 2018, h.c. ϕ J.375.1339 ~pendant: Countess of FARNHAM [?née ?Grace Burdett (1734–1816)], in a blue dress, pstl, pencil/ppr, 22.5x17.5 ov. (London, Christie’s, 21.III.1989, Lot 93, £1100; Leger Galleries 1995. London, Sotheby’s, 25.XI.1999, Lot 4 repr., with pendant n.r., est. £1000–1500; London, Sotheby’s, 18.V.2001, Lot 137 repr., v.q. pendant, Boreel est. £2500–3500; London, Sotheby’s, J.375.1334 Lady FALKENER [?Lady Fawkener, née 17.VII.2002, Lot 115 repr., est. £1500–2000) Harriet Churchill (1725–1777)], crayons, Φδ Society of Artists 1773, no. 124 J.375.1335 Rev. John FALKINER (c.1747–1821), rector of Carlow, pstl 23x20 ov. (Duke of Leinster, Carton, cat. 1885, p. 35, no. 25).. Lit.: Strickland 1912, n.r. J.375.135 Lord Edward FITZGERALD (1763–1798), J.375.1337 [?Robert Maxwell], Earl of FARNHAM pstl, 23x20 ov. (Duke of Leinster, Carton, cat. [(p.1720–1779)], pstl, 22x18 ov., inscr. verso 1885, p. 34 no. 6) “The Earl of Farnham last Earl married M’elle J.375.1351 Lord Gerald FITZGERALD (1766–1788), de Cantillon” (desc. family; Washington, West. pstl 23x20 ov. (Duke of Leinster, Carton, cat. Sussex, Toovey’s, 10–12.IX.2014, Lot 2 repr., 1885, p.