Young Adult Literature and Multimedia a Quick Guide
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Diplomarbeit
DIPLOMARBEIT „Die Kunstfigur "Nerd" - eine Subkultur und ihre Darstellung im Film“ Verfasserin Andrea Torggler angestrebter akademischer Grad Magistra der Philosophie (Mag.phil.) Wien, 2011 Studienkennzahl lt. Studienblatt: A 317 Studienrichtung lt. Studienblatt: Theater-, Film- und Medienwissenschaft Betreuerin / Betreuer: Univ. - Prof. Dr. Michael Gissenwehrer Inhalt 1. Einleitung...................................................................................................................... 1 2. Der Begriff „Nerd“ ..................................................................................................... 3 2.1. Etymologie des Begriffes Nerd ............................................................................. 9 2.2. Geeks und Nerds weltweit ................................................................................... 11 2.3. Dichotomie .......................................................................................................... 13 3. Soziologische Aspekte der Nerd-Identität .................................................................. 15 3.1. Männlichkeit und Sexualität ................................................................................ 15 3.2. „Oriental racism“ ................................................................................................. 17 3.3. “MaNchine” ........................................................................................................ 21 3.4. Ein bisschen “Asperger”? ................................................................................... -
The Nemedian Chroniclers #22 [WS16]
REHeapa Winter Solstice 2016 By Lee A. Breakiron A WORLDWIDE PHENOMENON Few fiction authors are as a widely published internationally as Robert E. Howard (e.g., in Bulgarian, Croatian, Czech, Dutch, Estonian, Finnish, French, German, Greek, Hungarian, Italian, Japanese, Lithuanian, Norwegian, Polish, Portuguese, Romanian, Russian, Slovak, Spanish, Swedish, Turkish, and Yugoslavian). As former REHupan Vern Clark states: Robert E. Howard has long been one of America’s stalwarts of Fantasy Fiction overseas, with extensive translations of his fiction & poetry, and an ever mushrooming distribution via foreign graphic story markets dating back to the original REH paperback boom of the late 1960’s. This steadily increasing presence has followed the growing stylistic and market influence of American fantasy abroad dating from the initial translations of H.P. Lovecraft’s Arkham House collections in Spain, France, and Germany. The growth of the HPL cult abroad has boded well for other American exports of the Weird Tales school, and with the exception of the Lovecraft Mythos, the fantasy fiction of REH has proved the most popular, becoming an international literary phenomenon with translations and critical publications in Spain, Germany, France, Greece, Poland, Japan, and elsewhere. [1] All this shows how appealing REH’s exciting fantasy is across cultures, despite inevitable losses in stylistic impact through translations. Even so, there is sometimes enough enthusiasm among readers to generate fandom activities and publications. We have already covered those in France. [2] Now let’s take a look at some other countries. GERMANY, AUSTRIA, AND SWITZERLAND The first Howard stories published in German were in the fanzines Pioneer #25 and Lands of Wonder ‒ Pioneer #26 (Austratopia, Vienna) in 1968 and Pioneer of Wonder #28 (Follow, Passau, Germany) in 1969. -
FCC-06-11A1.Pdf
Federal Communications Commission FCC 06-11 Before the FEDERAL COMMUNICATIONS COMMISSION WASHINGTON, D.C. 20554 In the Matter of ) ) Annual Assessment of the Status of Competition ) MB Docket No. 05-255 in the Market for the Delivery of Video ) Programming ) TWELFTH ANNUAL REPORT Adopted: February 10, 2006 Released: March 3, 2006 Comment Date: April 3, 2006 Reply Comment Date: April 18, 2006 By the Commission: Chairman Martin, Commissioners Copps, Adelstein, and Tate issuing separate statements. TABLE OF CONTENTS Heading Paragraph # I. INTRODUCTION.................................................................................................................................. 1 A. Scope of this Report......................................................................................................................... 2 B. Summary.......................................................................................................................................... 4 1. The Current State of Competition: 2005 ................................................................................... 4 2. General Findings ....................................................................................................................... 6 3. Specific Findings....................................................................................................................... 8 II. COMPETITORS IN THE MARKET FOR THE DELIVERY OF VIDEO PROGRAMMING ......... 27 A. Cable Television Service .............................................................................................................. -
Copyright 2013 Shawn Patrick Gilmore
Copyright 2013 Shawn Patrick Gilmore THE INVENTION OF THE GRAPHIC NOVEL: UNDERGROUND COMIX AND CORPORATE AESTHETICS BY SHAWN PATRICK GILMORE DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the Graduate College of the University of Illinois at Urbana-Champaign, 2013 Urbana, Illinois Doctoral Committee: Professor Michael Rothberg, Chair Professor Cary Nelson Associate Professor James Hansen Associate Professor Stephanie Foote ii Abstract This dissertation explores what I term the invention of the graphic novel, or more specifically, the process by which stories told in comics (or graphic narratives) form became longer, more complex, concerned with deeper themes and symbolism, and formally more coherent, ultimately requiring a new publication format, which came to be known as the graphic novel. This format was invented in fits and starts throughout the twentieth century, and I argue throughout this dissertation that only by examining the nuances of the publishing history of twentieth-century comics can we fully understand the process by which the graphic novel emerged. In particular, I show that previous studies of the history of comics tend to focus on one of two broad genealogies: 1) corporate, commercially-oriented, typically superhero-focused comic books, produced by teams of artists; 2) individually-produced, counter-cultural, typically autobiographical underground comix and their subsequent progeny. In this dissertation, I bring these two genealogies together, demonstrating that we can only truly understand the evolution of comics toward the graphic novel format by considering the movement of artists between these two camps and the works that they produced along the way. -
Front Cover Waxahachie Magazine August 2011 NOW
Front cover Waxahachie Magazine August 2011 NOW Be InspIred Marilyn Simmons is transforming her backyard into an oasis offering Can Anyone peace and tranquility. Hear Me? Also Inside A Different Kind of Grace pICture The Pride of Waxahachie perfeCt Superior Service Guaranteed In the Kitchen With Greg Timberman BuIlt Around tHe VIeW At Home WItH ron & CArolyn trego WAXAUG11Covers.indd 52 7/21/11 10:30 AM inside front www.nowmagazines.com 1 WaxahachieNOW August 2011 WaxAUGContents.indd 1 7/21/11 7:30 PM www.nowmagazines.com 2 WaxahachieNOW August 2011 WaxAUGContents.indd 2 7/21/11 7:30 PM Publisher, Connie Poirier General Manager, Rick Hensley Contents August 2011 • Volume 8, Issue 8 EDITORIAL Managing Editor, Becky Walker Waxahachie Editor, Sandra Strong Editorial Assistant, Beverly Shay Writers, Jeremy Agor . Alex Allred Randy Bigham . Nancy Fenton . Wendy Frazer Sydni Thomas . Betty Tryon Editors/Proofreaders, Pat Anthony Teresa Maddison . Angel Morris Pamela Parisi GRAPHICS AND DESIGN Creative Director, Chris McCalla Artists, Julie Carpenter . Martha Macias Allee Brand . Cherie Chapman 20 Marshall Hinsley . Arlene Honza Brande Morgan Be Inspired PHOTOGRAPHy 8 Marilyn Simmons finds a great deal Photography Director, Jill Rose of satisfaction teaching others the Photographers, Amy Ramirez art of gardening. ADVERTISING Advertising Representatives, Can Anyone Hear Me? Carolyn Mixon . Bryan Frye 14 Rick Ausmus . Teresa Banks . Linda Dean Ellis County radio operators make 14 Laura Fira . Melissa McCoy . Jami Navarro friends and provide emergency communications when needed. Lori O’Connell . John Powell Steve Randle . Linda Roberson Built Around the View Office Manager, Angela Mixon 20 At Home With Ron and Carolyn Trego. -
Contour Stream Player for Field
Quick Reference Guide: Field and Dispatch Contour Stream Player for Field Contour Stream Player Overview Customer Education • The Contour Stream Player is a device that allows customers to Demonstrate how to use the equipment: watch the most popular streaming content like Netflix, YouTube, and Amazon Prime Video on their TV – without switching inputs or apps • Turn on the set top box. It should display the main menu pictured • Utilize the Wireless 4K Contour Stream Player for all new installs below. Eligible customers: • Using the voice remote, test the YouTube app by saying “YouTube • For new and existing Cox Internet subscribers who take Panoramic Cox Communications How to buy movies and TV shows on Contour WiFi TV” o Hardware: PW3 or PW6 with the Wireless 4K Contour • Test Video on Demand Stream Player only (requires CHSI) • Note: Technicians will be unable to test live linear channels/Focus • Current Contour 2 customers can downgrade to Contour Stream on the Contour button, Apps, and On Demand Services Player (retention only) and need to swap for the Wireless 4k Contour Stream Player. OTT Apps SVODs Netflix Outside TV Amazon Prime DogTV Differences in Installation: Contour 2 and Contour Stream Player YouTube Baby/Kid Genius YouTube Kids Stingray Karaoke iHeart Radio Gaiam TV Fit & Yoga • Follow BAU installation process for IPTV/cDVR NPR One KidStream ESPN 3 Curiosity Stream • Technician must put a MoCA filter on the Demarc or point of entry Tubi TV Up Faith & Family • MoCA should be auto-enabled when an Wireless 4K Contour Stream Anime Network Player is active OnDemand Eros Now! Movie Rentals Too Much for TV • Techs cannot swap Wireless Contour Stream Players for wired Movie Purchase Here TV Contour Receivers during a new install. -
Sony Remodels Playstation Home 23 August 2011
Sony remodels PlayStation Home 23 August 2011 "avatars" could socialize and play. "PlayStation Home's new core experience is a giant leap in the evolution of the platform and its new model quickly deploys our users to many compelling free-to-play games that fit their interests," Buser said. The Home redesign includes the creation of a "hub" that integrates games, quests, community events, user-generated content, shopping and more. PlayStation users with be able to "transport" their animated characters to game districts with themes A customer looks at a monitor of Sony's videogame such as action, sports, and adventure. PlayStation 3 in Tokyo in April 2011. Sony announced Tuesday it is remodeling PlayStation Home to put games "Under the hood of all this we will be deploying a at center stage in a virtual world that merges console- quest system that will turn Home itself into a game," quality play with styles of social gaming that are hits at venues such as Facebook. Buser said. Home is at the heart of Sony's PlayStation Network that lets owners of PS3 consoles access games, Sony is remodeling PlayStation Home to put films, and other entertainment. games at center stage in a virtual world that merges console-quality play with styles of social Home has more than 230 titles available and has gaming that are hits at venues such as Facebook. been incorporating successful social game models such as free play supported by advertising or sales Sony Computer Entertainment America on of premium content. Tuesday announced that it is remodeling Home, which is used by more than 23 million people (c) 2011 AFP worldwide, as part of an evolution from a social network into a social gaming platform. -
Llistat Còmics Descatalogats.Xml
CÒMICS DESCATALOGATS, A MEITAT DE PREU UN. CODI TÍTOL PVP PVP 50% 1 100BA-00004 100 BALAS VOL 04 3,5 1,75 1 100BA-00005 100 BALAS VOL 05 3,5 1,75 1 978-84-674-4201-4 100 BALAS: CORRUPTO 12,95 6,475 1 978-84-9814-119-1 100 BALAS: EL FALSO DETECTIVE 14 7 1 978-84-674-4775-0 100 BALAS: ERASE UNA VEZ UN CRIMEN 12,95 6,475 1 978-84-674-2148-4 100 BALAS: POR LAS MALAS 12,95 6,475 1 978-84-674-5216-7 100 BALAS: SEIS PALMOS BAJO PLOMO P 11,95 5,975 1 978-84-674-5216-7 100 BALAS: SEIS PALMOS BAJO PLOMO P 11,95 5,975 2 978-84-674-9689-5 28 DIAS DESPUES VOL 01: LONDON CALLIN 12,95 6,475 2 978-84-674-9689-5 28 DIAS DESPUES VOL 01: LONDON CALLIN 12,95 6,475 1 978-84-674-9689-5 28 DIAS DESPUES VOL 01: LONDON CALLIN 12,95 6,475 1 978-84-674-9689-5 28 DIAS DESPUES VOL 01: LONDON CALLIN 12,95 6,475 1 978-84-674-9704-5 28 DIAS DESPUES VOL 02: UN ALTO EN EL 12,95 6,475 1 978-84-674-5642-4 52 LA BIBLIA DEL CRIMEN 10,95 5,475 5 978-84-674-5642-4 52 LA BIBLIA DEL CRIMEN 10,95 5,475 2 978-84-674-5642-4 52 LA BIBLIA DEL CRIMEN 10,95 5,475 1 978-84-674-5642-4 52 LA BIBLIA DEL CRIMEN 10,95 5,475 1 978-84-674-5642-4 52 LA BIBLIA DEL CRIMEN 10,95 5,475 2 978-84-674-5631-8 52: LOS CUATRO JINETES 11,95 5,975 1 978-84-674-5631-8 52: LOS CUATRO JINETES 11,95 5,975 3 978-84-674-5631-8 52: LOS CUATRO JINETES 11,95 5,975 1 978-84-674-8613-1 AIR VOL 01: CARTAS DE PAISES PERDIDOS 12,95 6,475 1 978-84-674-9411-2 AIR VOL 02 12,95 6,475 1 978-84-674-9538-6 AIR VOL 03: TIERRA PURA 14,95 7,475 1 978-84-674-6212-8 AMERICAN SPLENDOR: OTRO DIA MAS 11,95 5,975 1 978-84-674-3851-2 -
Openbsd Gaming Resource
OPENBSD GAMING RESOURCE A continually updated resource for playing video games on OpenBSD. Mr. Satterly Updated August 7, 2021 P11U17A3B8 III Title: OpenBSD Gaming Resource Author: Mr. Satterly Publisher: Mr. Satterly Date: Updated August 7, 2021 Copyright: Creative Commons Zero 1.0 Universal Email: [email protected] Website: https://MrSatterly.com/ Contents 1 Introduction1 2 Ways to play the games2 2.1 Base system........................ 2 2.2 Ports/Editors........................ 3 2.3 Ports/Emulators...................... 3 Arcade emulation..................... 4 Computer emulation................... 4 Game console emulation................. 4 Operating system emulation .............. 7 2.4 Ports/Games........................ 8 Game engines....................... 8 Interactive fiction..................... 9 2.5 Ports/Math......................... 10 2.6 Ports/Net.......................... 10 2.7 Ports/Shells ........................ 12 2.8 Ports/WWW ........................ 12 3 Notable games 14 3.1 Free games ........................ 14 A-I.............................. 14 J-R.............................. 22 S-Z.............................. 26 3.2 Non-free games...................... 31 4 Getting the games 33 4.1 Games............................ 33 5 Former ways to play games 37 6 What next? 38 Appendices 39 A Clones, models, and variants 39 Index 51 IV 1 Introduction I use this document to help organize my thoughts, files, and links on how to play games on OpenBSD. It helps me to remember what I have gone through while finding new games. The biggest reason to read or at least skim this document is because how can you search for something you do not know exists? I will show you ways to play games, what free and non-free games are available, and give links to help you get started on downloading them. -
Media Industry Approaches to Comic-To-Live-Action Adaptations and Race
From Serials to Blockbusters: Media Industry Approaches to Comic-to-Live-Action Adaptations and Race by Kathryn M. Frank A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Communication) in the University of Michigan 2015 Doctoral Committee: Associate Professor Amanda D. Lotz, Chair Professor Susan J. Douglas Professor Lisa A. Nakamura Associate Professor Aswin Punathambekar © Kathryn M. Frank 2015 “I don't remember when exactly I read my first comic book, but I do remember exactly how liberated and subversive I felt as a result.” ― Edward W. Said, Palestine For Mom and Dad, who taught me to be my own hero ii Acknowledgements There are so many people without whom this project would never have been possible. First and foremost, my parents, Paul and MaryAnn Frank, who never blinked when I told them I wanted to move half way across the country to read comic books for a living. Their unending support has taken many forms, from late-night pep talks and airport pick-ups to rides to Comic-Con at 3 am and listening to a comics nerd blather on for hours about why Man of Steel was so terrible. I could never hope to repay the patience, love, and trust they have given me throughout the years, but hopefully fewer midnight conversations about my dissertation will be a good start. Amanda Lotz has shown unwavering interest and support for me and for my work since before we were formally advisor and advisee, and her insight, feedback, and attention to detail kept me invested in my own work, even in times when my resolve to continue writing was flagging. -
The Baseball Film in Postwar America ALSO by RON BRILEY and from MCFARLAND
The Baseball Film in Postwar America ALSO BY RON BRILEY AND FROM MCFARLAND The Politics of Baseball: Essays on the Pastime and Power at Home and Abroad (2010) Class at Bat, Gender on Deck and Race in the Hole: A Line-up of Essays on Twentieth Century Culture and America’s Game (2003) The Baseball Film in Postwar America A Critical Study, 1948–1962 RON BRILEY McFarland & Company, Inc., Publishers Jefferson, North Carolina, and London All photographs provided by Photofest. LIBRARY OF CONGRESS CATALOGUING-IN-PUBLICATION DATA Briley, Ron, 1949– The baseball film in postwar America : a critical study, 1948– 1962 / Ron Briley. p. cm. Includes bibliographical references and index. ISBN 978-0-7864-6123-3 softcover : 50# alkaline paper 1. Baseball films—United States—History and criticism. I. Title. PN1995.9.B28B75 2011 791.43'6579—dc22 2011004853 BRITISH LIBRARY CATALOGUING DATA ARE AVAILABLE © 2011 Ron Briley. All rights reserved No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying or recording, or by any information storage and retrieval system, without permission in writing from the publisher. On the cover: center Jackie Robinson in The Jackie Robinson Story, 1950 (Photofest) Manufactured in the United States of America McFarland & Company, Inc., Publishers Box 611, Jefferson, North Carolina 28640 www.mcfarlandpub.com Table of Contents Preface 1 Introduction: The Post-World War II Consensus and the Baseball Film Genre 9 1. The Babe Ruth Story (1948) and the Myth of American Innocence 17 2. Taming Rosie the Riveter: Take Me Out to the Ball Game (1949) 33 3. -
Title Composer Lyricist Arranger Cover Artist Publisher Date Notes Sabbath Chimes (Reverie) F
Title Composer Lyricist Arranger Cover artist Publisher Date Notes Sabbath Chimes (Reverie) F. Henri Klickmann Harold Rossiter Music Co. 1913 Sack Waltz, The John A. Metcalf Starmer Eclipse Pub. Co. [1924] Sadie O'Brady Billy Lindemann Billy Lindemann Broadway Music Corp. 1924 Sadie, The Princess of Tenement Row Frederick V. Bowers Chas. Horwitz J.B. Eddy Jos. W. Stern & Co. 1903 Sail Along, Silv'ry Moon Percy Wenrich Harry Tobias Joy Music Inc 1942 Sail on to Ceylon Herman Paley Edward Madden Starmer Jerome R. Remick & Co. 1916 Sailin' Away on the Henry Clay Egbert Van Alstyne Gus Kahn Starmer Jerome H. Remick & Co. 1917 Sailin' Away on the Henry Clay Egbert Van Alstyne Gus Kahn Starmer Jerome H. Remick & Co. 1917 Sailing Down the Chesapeake Bay George Botsford Jean C. Havez Starmer Jerome H. Remick & Co. 1913 Sailing Home Walter G. Samuels Walter G. Samuels IM Merman Words and Music Inc. 1937 Saint Louis Blues W.C. Handy W.C. Handy NA Tivick Handy Bros. Music Co. Inc. 1914 Includes ukulele arrangement Saint Louis Blues W.C. Handy W.C. Handy Barbelle Handy Bros. Music Co. Inc. 1942 Sakes Alive (March and Two-Step) Stephen Howard G.L. Lansing M. Witmark & Sons 1903 Banjo solo Sally in our Alley Henry Carey Henry Carey Starmer Armstronf Music Publishing Co. 1902 Sally Lou Hugo Frey Hugo Frey Robbins-Engel Inc. 1924 De Sylva Brown and Henderson Sally of My Dreams William Kernell William Kernell Joseph M. Weiss Inc. 1928 Sally Won't You Come Back? Dave Stamper Gene Buck Harms Inc.