Last Supper by Andrea Del Castagno

Total Page：16

File Type：pdf, Size：1020Kb

Last Supper by Andrea Del Castagno DIRECTION Carlo Ludovico Ragghianti TEXT Carlo Ludovico Ragghianti MUSIC Giorgio Fabor PHOTOGRAPHY Anto Giulio Borghesi YEAR 1954 PRODUCTION Este Film, Ferrara and Romor Film, Milano (for Direzione Pubblicità e Stampa Olivetti) in collaboration with CiDALC (Comité International Diffusion Arts et Lettres à travers le Cinéma) NOTES organization of Alberto Mortara and Adolfo Baruffi; special effects projected by C.L. Ragghianti and realized by Nerino Bianchi FORMAT 35 mm, 16 mm LANGUAGE Italian and English DURATION 9’30” FILM Colour SERIES seleARTE Cinematografica, Critofilm 2 DESCRIPTION Critical reading of the Last Supper by Andrea del Castagno, located in the Church of Saint Apollonia in Florence. The film has a “false” start in which all the components of the traditional documentary on art (life and works of the painter, images of Florence and of its main monuments) are developed. It then suddenly interrupts as if the film were damaged. At this point, the voice of the commentator says, “We realized that this is not how we have to see and explain this work of art. Let’s look at it in another way: let’s try to penetrate it directly, to see it in the way the artist created it”. This interruption with surprising effect is therefore a mission statement of the formal method of investigation of the critofilm. The cinematographic technical means are used to recreate the figurative structure of the work that converges all toward the centre. Some lines drawn in the film serve to highlight the compositional structure of the work: a series of arches connect the seated characters and all the figures are inserted in a large semicircle. In this way animated and interpreted, we can now contemplate this simple and great painting and understand its secret perfection”. * French version available, at the video library of the Fondazione Ragghianti .

Copy Link

Recommended publications

The Italian High Renaissance (Florence and Rome, 1495-1520)
The Italian High Renaissance (Florence and Rome, 1495-1520) The Artist as Universal Man and Individual Genius By Susan Behrends Frank, Ph.D. Associate Curator for Research The Phillips Collection What are the new ideas behind the Italian High Renaissance? • Commitment to monumental interpretation of form with the human figure at center stage • Integration of form and space; figures actually occupy space • New medium of oil allows for new concept of luminosity as light and shadow (chiaroscuro) in a manner that allows form to be constructed in space in a new way • Physiological aspect of man developed • Psychological aspect of man explored • Forms in action • Dynamic interrelationship of the parts to the whole • New conception of the artist as the universal man and individual genius who is creative in multiple disciplines Michelangelo The Artists of the Italian High Renaissance Considered Universal Men and Individual Geniuses Raphael- Self-Portrait Leonardo da Vinci- Self-Portrait Michelangelo- Pietà- 1498-1500 St. Peter’s, Rome Leonardo da Vinci- Mona Lisa (Lisa Gherardinidi Franceso del Giacondo) Raphael- Sistine Madonna- 1513 begun c. 1503 Gemäldegalerie, Dresden Louvre, Paris Leonardo’s Notebooks Sketches of Plants Sketches of Cats Leonardo’s Notebooks Bird’s Eye View of Chiana Valley, showing Arezzo, Cortona, Perugia, and Siena- c. 1502-1503 Storm Breaking Over a Valley- c. 1500 Sketch over the Arno Valley (Landscape with River/Paesaggio con fiume)- 1473 Leonardo’s Notebooks Studies of Water Drawing of a Man’s Head Deluge- c. 1511-12 Leonardo’s Notebooks Detail of Tank Sketches of Tanks and Chariots Leonardo’s Notebooks Flying Machine/Helicopter Miscellaneous studies of different gears and mechanisms Bat wing with proportions Leonardo’s Notebooks Vitruvian Man- c.
[Show full text]
Jessica Canchola the Last Supper
Leonardo da Vinci Research by: Jessica Canchola South Mountain Community College Who is Leonardo da Mona Lisa Conclusions Vinci ? The Last Supper The artist Leonardo da Vinci was well-known as One of Leonardo da Vinci’s most famous Another of his most famous paintings was “Last one of the greatest painters. Today, he is known paintings in the world is Mona Lisa. It was Supper”. The Last Supper was created around Leonardo da Vinci's countless projects best for his art, which includes the Mona Lisa created between 1503 and 1519, while Leonardo 1495 to 1498. The mural is one of the best-known throughout various fields of Arts and and The Last Supper, two paintings that are still was living in Florence, and it is now located in Christian arts. The Last Supper is a Renaissance Sciences helped introduce to modern among the most famous and admired in the the Louvre Museum in Paris. The Mona Lisa's masterpiece who has survived and thrived intact society on ongoing ideas for fields such world. He was born on May 15, 1452, in a mysterious smile has enchanted dozens of over the centuries. It was commenced by Duke as anatomy or geology, demonstrating the farmhouse near the Tuscan village of Anchiano viewers, but despite extensive research by art Ludovico Sforza for the refectory of the extent to which Da Vinci had an impact. in Tuscany, Italy. Leonardo da Vinci's parents historians, the identity of the woman depicted monastery of Santa Maria delle Grazie in Milan, were not married when he was born.
[Show full text]
“Sacrum Convivium”. Formas E Conteúdos Da Ceia Do Rei De Portugal Na Idade Moderna a Partir Das Figurações Icónicas
De Arte, 4, 2005, pp. 89-120 “Sacrum convivium”. Formas e conteúdos da ceia do rei de Portugal na Idade Moderna a partir das figurações icónicas Marco Daniel Duarte RESUMO. Os reis da Idade Moderna portuguesa, como os monarcas da restante Europa, tinham plena consciência da importância da alimentação e do simbolismo que, desde os tempos mais antigos da humanidade, a alimentação condensava através dos seus ritos. Faziam, assim, do acto de comer um cerimonial através do qual demonstravam o seu poder: ante os maiores do seu povo, o rei mostrava-se alimentador do seu reino e, também, alimentado pelo seu reino. Os vários ritos estavam de tal sorte associados ao ritual eucarístico que, inclusivamente, se poderá falar de um verdadeiro “sacrum convivium”. De entre as várias fontes que concorrem para esta percepção, têm um lugar primordial as fontes iconográficas (ceias, representação de festas, naturezas-mortas…), pois condensam em si, mais do que uma reprodução à maneira de reportagem, os valores que, na Idade Moderna, gravitavam em torno da sacralidade dos alimentos. Palabras‐chave: ceia, iconografia da alimentação, banquete, ritual, liturgia régia, eucaristia, natureza-morta, comida pública do rei, Última Ceia. ABSTRACT. The kings of the Portuguese Modern Age, such as the monarchs of the rest of Europe, had plain conscience of the importance of food and of the symbolism that, since the most ancient times of humanity, food condensed through its rites. They did, thus, from the act of eating a ceremonial through which they would show their power: in the face of the greatest of his people, the king showed himself as the feeder of his realm and, also, as the one who was fed by his kingdom.
[Show full text]
The Last Supper Seen Six Ways by Louis Inturrisi the New York Times, March 23, 1997
1 Andrea del Castagno’s Last Supper, in a former convent refectory that is now a museum. The Last Supper Seen Six Ways By Louis Inturrisi The New York Times, March 23, 1997 When I was 9 years old, I painted the Last Supper. I did it on the dining room table at our home in Connecticut on Saturday afternoon while my mother ironed clothes and hummed along with the Texaco. Metropolitan Operative radio broadcast. It took me three months to paint the Last Supper, but when I finished and hung it on my mother's bedroom wall, she assured me .it looked just like Leonardo da Vinci's painting. It was supposed to. You can't go very wrong with a paint-by-numbers picture, and even though I didn't always stay within the lines and sometimes got the colors wrong, the experience left me with a profound respect for Leonardo's achievement and a lingering attachment to the genre. So last year, when the Florence Tourist Bureau published a list of frescoes of the Last Supper that are open to the public, I was immediately on their track. I had seen several of them, but never in sequence. During the Middle Ages the ultima cena—the final supper Christ shared with His disciples before His arrest and crucifixion—was part of any fresco cycle that told His life story. But in the 15th century the Last Supper began to appear independently, especially in the refectories, or dining halls, of the convents and monasteries of the religious orders founded during the Middle Ages.
[Show full text]
The Last Supper
Easter | Session 2 | Uptown Good Friday Lesson The Last Supper BIBLE PASSAGE: Matthew 26; John 13 STORY POINT: Jesus and his disciples ate the first Lord’s Supper at Passover. KEY PASSAGE: Romans 10:9 BIG PICTURE QUESTION: Who saves us from our sin? Only Jesus saves us from sin. Activity page Invite kids to complete “The Lord’s Supper” on the activity page. Kids should use the code to reveal two important parts of the Lord’s Supper. (bread, cup) Each box relates to the corresponding letter’s position in the grid. SAY • In the Bible story we will hear today, Jesus ate a special meal with His disciples. The meal was usually to remember the Passover, but Jesus used the bread and the cup to talk about something even greater. Play Dough Meal Provide a lump of play dough for each kid. Invite kids to work together to sculpt items for a dinner. Kids may form cups, plates, flatware, and various foods. As kids work, ask them to describe what they are creating. SAY • Do you ever have a special meal to celebrate a holiday or event? What kinds of foods are served at that meal? Today we are going to hear about a meal Jesus ate with His disciples. We will also learn why believers still celebrate that meal today when we share the Lord’s Supper. The Bible Story Jesus’ disciples went into the city to prepare the Passover meal. When the meal was ready, Jesus and His disciples reclined at the table. Jesus knew His time on earth was almost over and He would soon return to the Father in heaven.
[Show full text]
MALTESE E-NEWLETTER 263 April 2919 1
MALTESE E-NEWLETTER 263 April 2919 1 MALTESE E-NEWLETTER 263 April 2919 PRESIDENT’S MESSAGE TO THE READERS OF THE MALTESE JOURNAL Dear Frank, I am really grateful for your kind gesture to dedicate such coverage to my inauguration in your newsletter. I fondly remember your participation in the Council for Maltese Living Abroad, where we tried to do our best to strengthen relations between the Maltese diaspora and the Motherland. I strongly believe that the Maltese abroad are still an untapped source which we could use help us achieve the objectives I spoke about in my inaugural speech. Please convey my heartfelt best wishes to all your readers and may we all keep Malta's name in our hearts. H.E. Dr.George Vella . President George Vella visits Bishop of Gozo Mgr Mario Grech As part of his first visit to Gozo this Saturday, the President George Vella, together with his wife Miriam Vella, paid a visit to the Bishop of Gozo Mgr Mario Grech, in the Bishop’s Curia, Victoria, where they met also by the Curia and the College of Chaplains. The Bishop congratulated Dr Vella on his appointment and presented him with a copy of the Bible. Bishop Grech said, “from my heart I trust that despite the many commitments, that you will manage to find some time for personal prayer.”Later, the President was also expected to visit the National Shrine of Our Lady of Ta’ Pinu. Also present at the visit was the Minister for Gozo Dr. Justyne Caruana. 2 MALTESE E-NEWLETTER 263 April 2919 Malta: The Country that was Awarded the George Cross April 15, 1942 days and nights - with thousands of tonnes of bombs dropped on airfields, naval bases, The Mediterranean island endured more than homes and offices.
[Show full text]
2021 Sacred Hear Nesletter
Benedictine Monastery, 5 Mackerston Place, Largs KA30 8BY, SCOTLAND, Tel. 01475 687 320 [email protected] Solemnity of the Most Sacred Heart June 2021 Dear Friends, When we were dead through sin, God brought us to life again in Christ, -because He loved us with so great a love. That He might reveal for all ages to come the immeasurable riches of his grace. - because He loved us with so great a love. (Responsory for the Office of Readings, The Most Sacred Heart of Jesus: Ephesians 2:5,4,7) The Solemnity of the Sacred Heart is a time of remembrance and celebration of the everlasting love of God in the Sacred Heart. The whole of the Church’s celebration from Easter to this feast has been the victory of the Sacred Heart. We celebrated the Paschal mystery of God’s redemptive love in Christ Jesus, when Love Incarnate gave Himself for us unto death, reconciling us to His Father and making us co-heirs with him; when His bride the Church, was born from His pierced Heart from which the Sacramental life of the Church flows; when by His resurrection, love triumphed over death; then He ascended into heaven to prepare a place for us to be with Him forever. He then sent us His Spirit of Love to be our teacher, guide and sanctifier, to make potent and fruitful in our souls His redemptive sacrifice; pouring upon us the streams of living water from His pierced Heart so that our hearts too will flow with that water. On the Octave of Easter the Sacred Heart enveloped His Church in the rays of His merciful Heart inviting us to meditate on His inexhaustible mercy, His greatest attribute.
[Show full text]
Scrovegni Chapel 1 Scrovegni Chapel
Scrovegni Chapel 1 Scrovegni Chapel The Scrovegni Chapel, or Cappella degli Scrovegni, also known as the Arena Chapel, is a church in Padua, Veneto, Italy. It contains a fresco cycle by Giotto, completed about 1305, that is one of the most important masterpieces of Western art. The church was dedicated to Santa Maria della Carità at the Feast of the Annunciation, 1305. Giotto's fresco cycle focuses on the life of the Virgin Mary and celebrates her role in human salvation. The chapel is also known as the Arena Chapel because it was built on land purchased by Enrico Scrovegni that abutted the site of a Roman arena. This space is where an open-air procession and sacred representation of the Annunciation to the Virgin had been played out for a generation before the chapel was built. A motet by Marchetto da Padova appears to have been composed for the dedication on March 25, 1305.[1] The chapel was commissioned by Enrico Scrovegni, whose family fortune was made through the practice of usury, which at this time meant charging interest when loaning money, a sin so grave that it resulted in exclusion from the Christian sacraments.[2] Built on family estate, it is often suggested that Enrico built the chapel in penitence for his father's sins and for Capella degli Scrovegni absolution for his own. Enrico's father Reginaldo degli Scrovegni is the usurer encountered by Dante in the Seventh Circle of Hell. A recent study suggests that Enrico himself was involved in usurious practices and that the chapel was intended as restitution for his own sins.[3] Enrico's tomb is in the apse, and he is also portrayed in the Last Judgment presenting a model of the chapel to the Virgin.
[Show full text]
“A to Zed Stamps” to Be Held from 03 to 09 November 2017 at the Gozo Ministry Exhibition Halls
GOZO PHILATELIC SOCIETY July-Sep 2017 — No. 69 You are Invited for the GOZO PHILATELIC SOCIETY’S 18TH. ANNUAL PHILATELIC EXHIBITION “A to Zed Stamps” To be held from 03 to 09 November 2017 at the Gozo Ministry Exhibition Halls. St Francis Square, Victoria, Gozo. Items on show will include Vintage and Modern Stamps, Postal history, Rare Postal Items and much more. There will also be on sale, Albums, Cards, Stamps and everything imaginable for both the Young, Beginners and Professional Collectors. Stamp Collectors, Students and the General Public are invited. Entrance is FREE! MaltaPost will issue a commemorative postmark on 12 November 2017 from its Victoria, Gozo Branch Post Office. And the Gozo Philatelic Society will issue a commemorative postcard and personalised stamp in a limited edition. Sponsored by MaltaPost plc GOZO PHILATELIC SOCIETY NEWSLETTER Founded on 3 September 1999 for the promotion of the hobby, the provision of a point of reference and co-ordination. Front cover 2 www.stamps-gozo.org July—September TO ALL MEMBERS PLEASE ENCOURAGE A FRIEND OR A RELATIVE TO JOIN OUR SOCIETY MEMBERSHIP PER ANNUM for local Senior Members €5.00 For overseas membership €15, including News Letter. (per annum) Fee for Junior membership under 16 years, is €2.00 per annum. 3 GOZO PHILATELIC SOCIETY NEWSLETTER GPS NEWSLETTER—Quarterly Organ of The Gozo Philatelic Society First issued on the 12th February 2000 — Editor: Austin Masini — Issue No. 69 (3/2017) Opinions expressed do not necessarily represent the Committee’s official policy. Correspondence (and material for publication) should be addressed to: The Editor, GPS, PO Box 10, VCT 1000, Gozo, Malta.
[Show full text]
20080706 the Lord's Supper Enemies at the Last Supper Cover.Pub
THE LORD’S SUPPER Enemies at the Last Supper our Daily BreaD Junior Edition 7-06-08 SOMETHING YOU MUST KNOW: God is perfect. He is Holy. We are all sinners. For all have sinned, and come short of the glory of God. (Romans 3:23a KJB) None of us could ever make ourselves perfect or holy to be accepted by God. But God loves us all so much, that He gave His only Son, the Lord Jesus Christ, to go to the cross and pay the penalty for our sins IN FULL, ONCE and FOR ALL. Jesus died and rose again. Because of the Lord Jesus Christ, God can now make us holy and ac- ceptable to Himself. For Christ also hath once suffered for sins, the just for the unjust, that he might bring us to God, being put to death in the flesh, but quickened by the Spirit. (1 Peter 3:18 KJB) Jesus Christ is our ONLY WAY to God and heaven. Jesus saith unto him, I am the way, the truth, and the life, no man cometh unto the Father, but by me. (John 14:6 KJB) Believe on the Lord Jesus Christ, and thou shalt be saved. (Acts 16:31 KJB) Without Jesus Christ, you can NEVER be accepted by God or go to heaven. When you believe in Jesus Christ as your Savior, God makes you His child. When you leave this world, you will spend all of eternity with Him! But as many as received him to them gave he power to become the sons of God, even to them that believe on his name.
[Show full text]
Decoding the Last Supper
HOUSE OF TRUTH | TOTUUDEN TALO Decoding the Last Supper The Great Year and Men as Gods House of Truth | www.houseoftruth.education 21.6.2013 Table of Contents Introduction ....................................................................................................................................................... 2 The Last Supper and the Great Year .................................................................................................................. 3 36 engravings on the roof ............................................................................................................................. 4 Elements of the Last Supper .......................................................................................................................... 5 Hands of Christ .............................................................................................................................................. 6 The Lesser Conclusion ................................................................................................................................... 7 Men as Gods in the Last Supper ........................................................................................................................ 8 Roman trio of gods ........................................................................................................................................ 9 Evidence number 153 .................................................................................................................................
[Show full text]
Illustrations Ij
Mack_Ftmat.qxd 1/17/2005 12:23 PM Page xiii Illustrations ij Fig. 1. Expulsion of Adam and Eve from Paradise, ca. 1015, Doors of St. Michael’s, Hildesheim, Germany. Fig. 2. Masaccio, Expulsion of Adam and Eve from Paradise, ca. 1425, Brancacci Chapel, Church of Santa Maria del Carmine, Flo- rence. Fig. 3. Bernardo Rossellino, Facade of the Pienza Cathedral, 1459–63. Fig. 4. Bernardo Rossellino, Interior of the Pienza Cathedral, 1459–63. Fig. 5. Leonardo da Vinci, The Last Supper, 1495–98, Refectory of the Monastery of Santa Maria delle Grazie, Milan. Fig. 6. Anonymous Pisan artist, Pisa Cross #15, late twelfth century, Museo Civico, Pisa. Fig. 7. Anonymous artist, Cross of San Damiano, late twelfth century, Basilica of Santa Chiara, Assisi. Fig. 8. Giotto di Bondone, Cruci‹xion, ca. 1305, Arena (Scrovegni) Chapel, Padua. Fig. 9. Masaccio, Trinity Fresco, ca. 1427, Church of Santa Maria Novella, Florence. Fig. 10. Bonaventura Berlinghieri, Altarpiece of St. Francis, 1235, Church of San Francesco, Pescia. Fig. 11. St. Francis Master, St. Francis Preaching to the Birds, early four- teenth century, Upper Church of San Francesco, Assisi. Fig. 12. Anonymous Florentine artist, Detail of the Misericordia Fresco from the Loggia del Bigallo, 1352, Council Chamber, Misericor- dia Palace, Florence. Fig. 13. Florentine artist (Francesco Rosselli?), “Della Catena” View of Mack_Ftmat.qxd 1/17/2005 12:23 PM Page xiv ILLUSTRATIONS Florence, 1470s, Kupferstichkabinett, Staatliche Museen zu Berlin. Fig. 14. Present-day view of Florence from the Costa San Giorgio. Fig. 15. Nicola Pisano, Nativity Panel, 1260, Baptistery Pulpit, Baptis- tery, Pisa. Fig.
[Show full text]