ANCIENT GREECE FACT SHEET the OLYMPIC GAMES The
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Edukacja Olimpijska Dla Gimnazjum
Michał Bronikowski Małgorzata Bronikowska Edukacja olimpijska dla gimnazjum Poradnik dla nauczycieli materiały i podręczniki Mariana Pietraszewskiego Poznań 2009 Redaktor Anna Kaczmarek Akwarele Wojciech Zabłocki, ze zbioru Muzeum Sportu i Turystyki (MSiT) w Warszawie (s. 11, 17, 18, 20, 23, 27, 31) Zdjęcia: GeoM – Fotolia.com (s. 15), arfo – Fotolia.com (s. 26), Katarzyna Rainka (s. 44), Leszek Fidusie- wicz (s. 47, 68, 69), Szymon Sikora (s. 38, 39, okładka – www.szymonsikora.com), Muzeum Sportu i Turystyki (MSiT) w Warszawie (s. 14, 32, 50), Małgorzata Bronikowska (s. 53, 69), Maurizio Ascione – Fotolia.com (s. 27), Wikipedia (s. 47, 66), Corel Corporation (s. 62), s. 76 od lewej: Stefan Baum – Fotolia.com, Małgorzata Bronikowska, Freefl y – Fotolia.com, Związek Piłki Ręcznej w Polsce, waveworld – Fotolia.com, Jorge Casais – Fotolia.com, Corel Corporation, Sportlibrary – Fotolia.com, Margo Harrison – Fotolia.com, Piotr Sikora – Fotolia.com, Piotr Sikora – Foto- lia.com, Nicholas Piccillo – Fotolia.com, Clarence Alford – Fotolia.com, Friday – Fotolia.com, Galina Barskaya – Fotolia.com, Yury Maryunin – Fotolia.com, Franc Podgoršek – Fotolia.com Konsultacja ikonografi czna Krzysztof Tomczak Łamanie komputerowe Reginaldo Cammarano Autorzy składają wyrazy podziękowania Panu dr. Marcinowi Czechowskiemu i Panu dr. Filipowi Kobieli za cenne uwagi, Panu Wojciechowi Zabłockiemu oraz Muzeum Sportu i Turystyki w Warszawie za udo- stępnienie prac plastycznych – akwarel dla celów edukacyjnych, Polskiemu Komitetowi Olimpijskiemu za możliwość wykorzystania zdjęć ze zbiorów Leszka Fidusiewicza, Katarzyny Rainki, Szymona Sikory. © Copyright by Polski Komitet Olimpijski, Warszawa 2009 ISBN ---- Ofi cyna Edukacyjna Wydawnictwa eMPi2 s.c. ul. św. Wojciech 28, 61-749 Poznań tel. 61 851 76 61, fax 61 853 06 76 www.empi2.pl, e-mail: [email protected] Spis treści Podstawa programowa ........................................................................................ -
An Economic Analysis of the Olympic Games in Ancient Greece
RACE NOT WAR: AN ECONOMIC ANALYSIS OF THE OLYMPIC GAMES IN ANCIENT GREECE -AND- WAR WITHOUT SHOOTING: AN ANALYSIS OF AMBUSH MARKETING by Vera Lantinova M.A., Williams College, 2005 EXTENDED ESSAYS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS In the Department ofEconomics © Vera Lantinova 2007 SIMON FRASER UNIVERSITY 2007 All rights reserved. This work may not be reproduced in whole or in part, by photocopy or other means, without permission ofthe author. APPROVAL Name: Vera Lantinova Degree: Master of Arts (Economics) Title of Essays: Race not War: An Economic Analysis of the Olympic Games in Ancient Greece - and- War Without Shooting: An Analysis of Ambush Marketing Examining Committee: Chair: David Andolfatto Professor, Department of Economics Douglas Allen Senior Supervisor Professor, Department of Economics Clyde Reed Supervisor Professor, Department of Economics Steeve Mongrain Internal Examiner Associate Professor, Department of Economics Date Defended/Approved: July 31,2007 ii SIMON FRASER UNIVERSITY LIBRARY Declaration of Partial Copyright Licence The author, whose copyright is declared on the title page of this work, has granted to Simon Fraser University the right to lend this thesis, project or extended essay to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. The author has further granted permission to Simon Fraser University to keep or make a digital copy for use in its circulating collection (currently available to the public at the "Institutional Repository" link of the SFU Library website <www.lib.sfu.ca> at: <http://ir.lib.sfu.ca/handle/1892/112>) and, without changing the content, to translate the thesis/project or extended essays, if technically possible, to any medium or format for the purpose of preservation of the digital work. -
Athenians and Eleusinians in the West Pediment of the Parthenon
ATHENIANS AND ELEUSINIANS IN THE WEST PEDIMENT OF THE PARTHENON (PLATE 95) T HE IDENTIFICATION of the figuresin the west pedimentof the Parthenonhas long been problematic.I The evidencereadily enables us to reconstructthe composition of the pedimentand to identify its central figures.The subsidiaryfigures, however, are rath- er more difficult to interpret. I propose that those on the left side of the pediment may be identifiedas membersof the Athenian royal family, associatedwith the goddessAthena, and those on the right as membersof the Eleusinian royal family, associatedwith the god Posei- don. This alignment reflects the strife of the two gods on a heroic level, by referringto the legendary war between Athens and Eleusis. The recognition of the disjunctionbetween Athenians and Eleusinians and of parallelism and contrastbetween individualsand groups of figures on the pedimentpermits the identificationof each figure. The referenceto Eleusis in the pediment,moreover, indicates the importanceof that city and its majorcult, the Eleu- sinian Mysteries, to the Athenians. The referencereflects the developmentand exploitation of Athenian control of the Mysteries during the Archaic and Classical periods. This new proposalfor the identificationof the subsidiaryfigures of the west pedimentthus has critical I This article has its origins in a paper I wrote in a graduateseminar directedby ProfessorJohn Pollini at The Johns Hopkins University in 1979. I returned to this paper to revise and expand its ideas during 1986/1987, when I held the Jacob Hirsch Fellowship at the American School of Classical Studies at Athens. In the summer of 1988, I was given a grant by the Committeeon Research of Tulane University to conduct furtherresearch for the article. -
INTERNATIONAL OLYMPIC ACADEMY 20Th INTERNATIONAL
INTERNATIONAL OLYMPIC ACADEMY 20th INTERNATIONAL SEMINAR ON OLYMPIC STUDIES FOR POSTGRADUATE STUDENTS 1 – 29 SEPTEMBER 2013 PROCEEDINGS ANCIENT OLYMPIA Published by the International Olympic Academy and the International Olympic Committee 2014 International Olympic Academy 52, Dimitrios Vikelas Avenue 152 33 Halandri – Athens GREECE Tel.: +30 210 6878809-13, +30 210 6878888 Fax: +30 210 6878840 E-mail: [email protected] Website: www.ioa.org.gr Editor Prof. Konstantinos Georgiadis, IOA Honorary Dean Editorial coordination Roula Vathi ISBN: 978-960-9454-29-2 INTERNATIONAL OLYMPIC ACADEMY 20th INTERNATIONAL SEMINAR ON OLYMPIC STUDIES FOR POSTGRADUATE STUDENTS SPECIAL SUBJECT THE LEGACY OF THE OLYMPIC GAMES: INFRASTRUCTURE, ART, QUALITY OF LIFE AND ECONOMICAL PARAMETERS ANCIENT OLYMPIA EPHORIA OF THE INTERNATIONAL OLYMPIC ACADEMY (2013) President Isidoros KOUVELOS (HOC Member) Vice-President Michail FYSSENTZIDIS (HOC Member) Members Charalambos NIKOLAOU (IOC Member – ex officio member) Spyridon CAPRALOS (HOC President – ex officio member) Emmanuel KATSIADAKIS (HOC Secretary General – ex officio member) Evangelos SOUFLERIS (HOC Member) Efthimios KOTZAS (Mayor of Ancient Olympia) Christina KOULOURI Dora PALLI Honorary President Jacques ROGGE (Former IOC President) Honorary Members Τ.A. Ganda SITHOLE (Director of International Coope ra tion and Development Dpt., IOC) Pere MIRÓ (Director, Olympic Solidarity, IOC) Honorary Dean Konstantinos GEORGIADIS Director Dionyssis GANGAS 5 HELLENIC OLYMPIC COMMITTEE (2013) President Spyridon I. CAPRALOS 1st -
Iphigenia in Aulis by Euripides Translated by Nicholas Rudall Directed by Charles Newell
STUDY GUIDE Photo of Mark L. Montgomery, Stephanie Andrea Barron, and Sandra Marquez by joe mazza/brave lux, inc Sponsored by Iphigenia in Aulis by Euripides Translated by Nicholas Rudall Directed by Charles Newell SETTING The action takes place in east-central Greece at the port of Aulis, on the Euripus Strait. The time is approximately 1200 BCE. CHARACTERS Agamemnon father of Iphigenia, husband of Clytemnestra and King of Mycenae Menelaus brother of Agamemnon Clytemnestra mother of Iphigenia, wife of Agamemnon Iphigenia daughter of Agamemnon and Clytemnestra Achilles son of Peleus Chorus women of Chalcis who came to Aulis to see the Greek army Old Man servant of Agamemnon, was given as part of Clytemnestra’s dowry Messenger ABOUT THE PLAY Iphigenia in Aulis is the last existing work of the playwright Euripides. Written between 408 and 406 BCE, the year of Euripides’ death, the play was first produced the following year in a trilogy with The Bacchaeand Alcmaeon in Corinth by his son, Euripides the Younger, and won the first place at the Athenian City Dionysia festival. Agamemnon Costume rendering by Jacqueline Firkins. 2 SYNOPSIS At the start of the play, Agamemnon reveals to the Old Man that his army and warships are stranded in Aulis due to a lack of sailing winds. The winds have died because Agamemnon is being punished by the goddess Artemis, whom he offended. The only way to remedy this situation is for Agamemnon to sacrifice his daughter, Iphigenia, to the goddess Artemis. Agamemnon then admits that he has sent for Iphigenia to be brought to Aulis but he has changed his mind. -
Contextualizing Ancient Greek Blood Sports
Contextualizing Ancient Greek Blood Sports While research on Roman spectacles of bestial violence (e.g. venationes, damnatio ad bestias) has had success in elucidating the cultural and universal meanings of these events, less attention has been paid to acts of communal violence against animals within the ancient Greek world. There is ample evidence for the existence of quail flipping, partridge fighting, bull fighting, cockfighting, and other acts such as bull leaping and animal baiting, to show that the Greeks found value in these blood sports. Although past scholars have addressed issues such as the symbolism of cocks and cockfighting (Csapso 1993) and the potential psychology and sociology underlying the events (Shelton 2011; Geertz 1971 on Balinese cockfighting), few have attempted to analyze these various games and contests within the overarching scheme of Greek athletics. While victories in chariot racing at Olympia could confer honor onto a polis (one may recall Alcibiades boasting of such a deed during the debate about the Sicilian expedition, Thucydides, 6.16), the outcome of the smaller blood sports brought about honors inherently limited to closed circles of individuals. Further, the heightened violence of these games necessitates an analysis in regards to their social functions and meanings. While it is accepted that blood sports among the Greeks could serve as markers of status and masculinity (Kyle 2007), further research is needed to explain why these events could serve such a function and also how the honors obtained differed from those acquired through the games and athletics of the Pan-Hellenic sanctuaries. Given the richness of evidence in both the literary and material record, the Greek predilection for cockfighting is a natural place to begin an inquiry into Greek blood sports. -
Reevaluating the Nika Riot & Placing It in Conversation with the Antioch
Xavier University Exhibit Honors Bachelor of Arts Undergraduate 2019-4 Reevaluating the Nika Riot & Placing it in Conversation with the Antioch Riot of 387 Ty Richer Xavier University, Cincinnati, OH Follow this and additional works at: https://www.exhibit.xavier.edu/hab Part of the Ancient History, Greek and Roman through Late Antiquity Commons, Ancient Philosophy Commons, Classical Archaeology and Art History Commons, Classical Literature and Philology Commons, and the Other Classics Commons Recommended Citation Richer, Ty, "Reevaluating the Nika Riot & Placing it in Conversation with the Antioch Riot of 387" (2019). Honors Bachelor of Arts. 39. https://www.exhibit.xavier.edu/hab/39 This Capstone/Thesis is brought to you for free and open access by the Undergraduate at Exhibit. It has been accepted for inclusion in Honors Bachelor of Arts by an authorized administrator of Exhibit. For more information, please contact [email protected]. Reevaluating the Nika Riot & Placing it in Conversation with the Antioch Riot of 387 By: Ty Richer CPHAB Senior Thesis Xavier University 2019 1 Introduction: A Fine Mess on a Sunny Day You enter into the stadium and find a place to sit down, doing chores around the house made you late, but multiple races run each day, so much of the fun is still ahead. Behind you sits a man, having brought his son to see the games. In front of you is a young man and woman talking about their interests, on their first date no doubt. You strike up a conversation with the man sitting to your left and begin to talk about the new taxes you both have to pay. -
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE the ANCIENT OLYMPIC GAMES AS POPULAR ENTERTAINMENT a Thesis Submitted in Partial Satisfa
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE THE ANCIENT OLYMPIC GAMES \\ AS POPULAR ENTERTAINMENT A thesis submitted in partial satisfaction of the requirements for the degree of Master of Arts in Theatre by Jay Ross Waddill _-· June, 1980 The Thesis of Jay Ross Waddill is approved: Albert R. Baca Heinrich R. Falk, Chairman California State University, California ii I would like to thank Dr. Heinrich R. Falk for his invaluable advice and assistance throughout the preparation of the thesis and also his supportive enthusiasm and pa tience. iii ,.. TABLE OF CONTENTS PAGE ABSTRACT vi CHAPTER I INTRODUCTION 1 CHAPTER II ATHLETICS AND GREEK SOCIETY 6 Greek Ideal 6 The Polis and Panhellenism 8 Athletics and Everyday Life 13 CHAPTER III ATHLETICS AND RELIGION 22 Athletics and Funeral Ritual 24 Festivals 26 The Rustic Dionysia 30 The Greater Dionysia 31 The Greater Panathenaia 32 CHAPTER IV THE OLYMPIC GAMES 38 Origin of the Olympic Festival 39 History ~nd Description of the Olympic Festival 46 CHAPTER V POPULAR ENTERTAINMENT AND THE OLYMPIC GAM.ES 58 Popular Entertainment 58 iv PAGE 'l'he Athlete/Performer 61 ·~pectators/Audience_ 70 · Events/Perfo:rmance 77 CHAPTER VI CONCLUSION 88 NOTES 96 BIBLIOGRAPHY 108 v ABSTRACT 'I'HE ANCIENT OLYMPIC GAl-lES AS POPULAR EN'rERTAINMENT by Jay Ross Waddill Master of Arts in Theatre Many aspects of ancient Greek culture have influenced the development of Western civilization. None of these was more important to the ancient Greeks than t.he Olympic Games. Historians have suggested that the Olympic festi val may possibly have had its origins in a religious ritual, the funerary commemoration of a local hero, a new year's celebration, or an expression of military prowess and readiness. -
Monday 1St June 2020 Objective: to Understand the Meaning of Words in a Text ANSWERS
Monday 1st June 2020 Objective: To understand the meaning of words in a text ANSWERS 1. Any complete sentence which makes sense where the children have correctly used and understood the word. 1. There was a riotous noise coming from the music room. 2. The witness swore an oath before the judges. 3. I was enthralled by the story. Tuesday1. 2nd June 2020 Objective: To retrieve information from a text ANSWERS 1. For how many centuries were the Olympic Games the highlight of Ancient Greece? 12 2. When did the Persians invade Greece? The summer of 480 BC 3. Why did the Greek City States have a hard time getting an allied army together? Because so many people wanted to go to the Olympics. 4. Where did the games take place? Olympia 5. How frequently did the games take place? Every four years 6. What tree was marked the sanctuary of Olympia Pock? Olive tree 7. What were these trees used to make? Victory wreaths 8. Who announced the games to the cities around the Mediterranean? heralds 9. Who were allowed to take part in the Olympics? All free Greek males (also accept farmhands, royal heirs and soldiers) 10. Who could own a chariot? anyone 11. When did Kyniska claim victory wreaths? 396BC and 392BC 12. What did Greeks often gather for during the religious festival of the games? Riotous barbeques 13. Which Greek god was honoured during the games? Zeus 14. How long did the games last for during the fifth century? Five days 15. Name three events that competitors took part in during the Olympic Games. -
Our Race : Its Origin and Its Destiny
DS r^M^^km^mmmeM 131 .or?* M I I AGE Its Origin and Its Destiny. 31 Serial §tbotth to th g»tvfov of tjjr j&aawm $£ibbk Series III., \o. II. Mareli SO, 1 S«M Subserfpttiojt Tor fcertes, $S.OO. THE TRUTH OF HISTORY. Tier. 11-15. FACTS XXXII OF ^T0# COLD. " Then was the secret revealed unto Daniel in a night vision. Dan. ii. 19, C. A. L. TOTTEN, " TRUTH AGAINST THE WORLD" (Motto of the ancient KUMREE). "We can do nothing against the truth" (St. Paul); ** Great is Truth, and mighty above all things " (Esdras); " Buy the Truth and sell it not" fi- ?" (Solomon;; " Truth is stranger than fiction " (Byron); " What is Truth " (Pilatei; " 1 AM THE TRUTH (Assertion of THE CHRIST). Send, Address and Advance Subscriptions, to 3 The: SKiditor of "Our Race," *-5 P. O. Box 1333. New Haven, Conn. fS. _..<>.^ **%, too, am of Srratoia," ^-o— Entered at the Post-Office, New Haven, Conn., as Second-class Matter. THE Library r»r> IGHAM YOUNG U IV "*~ TY PROVO, UTAH : THE TRUTH OF HISTORY. d3ACRED AND SECULAR - FACTS OF GOLD THE TIMES AND SEASONS OF BABYLON, Measured, verified, and arranged; in chronological order; with notes and comments ; in proof of prophecy \ to which they reply in overwhelming concert. BY CHARLES A. L. TOTTEN. "Remember the former things of old: for I am God, and there is none else; I am God, and there is none like me, declaring the end from the beginning, and from ancient times the things that are not yet done, saying, My counsel shall stand, and I will do all my pleasure."— Isaiah xlvi. -
Il Pugilato Nell'antichità Tra Storia, Letteratura E Arte
Quaderni della Società Italiana di Storia dello Sport IL PUGILATO NELL’ANTICHITÀ TRA STORIA, LETTERATURA E ARTE Livio Toschi [email protected] Nell’Iliade Omero descrive così mirabilmente i giochi funebri voluti da Achille in onore di Patroclo, da giustificare l’affermazione di Friedrich Schiller: «Non ha vissuto invano chi ha potuto leggere il XXIII canto dell’Iliade»1. È questa la prima “cronaca” di un agone sportivo. Dopo aver arso il corpo dell’amico su una pira innalzata con il legname di «aeree querce» del monte Ida, Achille bandisce i giochi funebri (agones epitaphioi), che dota di ricchi premi (agones chrematitai). I testi antichi sono pieni di agones epitaphioi, disputati con modalità più o meno simili in ogni tempo e luogo del mondo greco: dagli athla epi Pelia sulla spiaggia di Iolco2, cantati da Stesicoro, ai giochi in onore di Ettore e di Achille a Troia, descritti dagli autori postomerici. 1. Letteratura Gli agones dell’Iliade hanno luogo nella pianura di Troia presso il fiume Scamandro e vicino alla spiaggia dove sorge l’accampamento dei Greci. Le gare sono otto (cinque delle quali ritroveremo nelle antiche Olimpiadi): la corsa dei cocchi, il pugilato, la lotta, la corsa a piedi, il duello in armi (con elmo, lancia e scudo), il lancio del disco, la gara di tiro con l’arco alla colomba, una non meglio definita «prova delle lance». Nella gara di pugilato (pyx, pygme o pygmachia), i cui premi sono una mula per il vincitore e una coppa per lo sconfitto, Epeo batte facilmente Eurialo3. I due indossano una sorta di cintura intorno ai reni (zoma) e fasciano le mani con strisce di cuoio (himantes)4. -
Ancient Greek Olympics in 776 B.C.E, About Three Thousand Years Ago, the First Olympic Games Took Place. Originally, the Games
Ancient Greek Olympics In 776 B.C.E, about three thousand years ago, the first Olympic Games took place. Originally, the games were part of a religious festival to honour Zeus. He was the god of the sky and the leader of the Greek gods who lived on Mount Olympus, the highest mountain in Greece. Where Were the Ancient Olympics Held? The Olympics was one of four all-Greek (Pan Hellenic) games. Even though the games were named after Mount Olympus they weren’t played there. Instead they were held in the religious sanctuary of Olympia near Greece’s southwest coast. The land there was beautiful and rich with olive trees. What Events and Awards Were Part of the Ancient Olympics? At the beginning, the games were just short foot races designed to keep Greek men fit for the intensity of war. The path for the foot races was about 700 feet long and straight. It was also wide enough for twenty men to run side by side. Only men who spoke Greek were allowed to take part in the races. Men ran the races without any clothes on. Gradually, other events were added but there were no team sports like in the modern Olympics. Prizes There were no medals like the gold, silver, and bronze medals we have today. There was only one winner and he was given a wreath of olive leaves as a prize. But these weren’t just any olive leaves. These olive leaves were taken from a sacred tree that was located at Olympia behind the temple dedicated to Zeus.